diff --git a/crates/ui-egui/src/shortcuts.rs b/crates/ui-egui/src/shortcuts.rs index bd9e81611..a7f07de60 100644 --- a/crates/ui-egui/src/shortcuts.rs +++ b/crates/ui-egui/src/shortcuts.rs @@ -130,6 +130,26 @@ pub(crate) fn paste_command(held: Modifiers) -> &'static str { .map_or("edit.paste", |(_, id, _)| id) } +/// Give a copy or cut chord held with more modifiers its key back when it has a shortcut of its own: +/// egui reports every Cmd+C and Cmd+X chord as Copy or Cut, Shift and Alt held too, so Cmd+Shift+C +/// (Align center) copied instead (#1940). +fn unclip_chords(i: &mut egui::InputState) { + if !i.events.iter().any(|e| matches!(e, egui::Event::Copy | egui::Event::Cut)) { + return; + } + let (held, shortcuts) = (i.modifiers, all_shortcuts()); + for e in &mut i.events { + let (key, own) = match e { + egui::Event::Copy => (Key::C, "edit.copy"), + egui::Event::Cut => (Key::X, "edit.cut"), + _ => continue, + }; + if shortcuts.iter().any(|(sc, id, _)| sc.logical_key == key && *id != own && held.matches_exact(sc.modifiers)) { + *e = egui::Event::Key { key, physical_key: None, pressed: true, repeat: false, modifiers: held }; + } + } +} + /// Keyboard pastes of something other than text. egui swallows a paste chord's key press and /// sends a Paste event only when the clipboard holds text, so a paste key released without its /// press (or a Paste event) reported was a paste of a bitmap or a PDF. @@ -294,6 +314,7 @@ pub fn handle(app: &mut VectorcraftApp, ctx: &egui::Context) { if typing { return; } + ctx.input_mut(unclip_chords); // Tab is ours when no field has the keyboard (it shows and hides the panels, or goes to the // Type tool): left to egui, it would also move the focus on to a field, and every key after it // would count as typing. diff --git a/crates/ui-egui/src/tests_pastechords.rs b/crates/ui-egui/src/tests_pastechords.rs index fd6d96804..74a4e3b0c 100644 --- a/crates/ui-egui/src/tests_pastechords.rs +++ b/crates/ui-egui/src/tests_pastechords.rs @@ -73,3 +73,38 @@ fn a_paste_takes_the_command_of_the_v_chord_held() { fn no_two_commands_tools_or_panels_share_a_default_shortcut() { assert_eq!(shortcut_editor::all_conflicts(&BTreeMap::new()), vec![]); } + +/// egui-winit reports every Cmd+C chord as a Copy, Shift and Alt held too, never as its key: the +/// Cmd+Shift+C alignment fired on a Mac (the menu's key equivalent) but copied elsewhere (#1940). +#[test] +fn a_copy_with_more_modifiers_is_the_c_chord_held() { + use vectorcraft_doc::{Justify, NodeId, NodeKind}; + let mut app = VectorcraftApp::new(Session::new(), Default::default()); + app.run("file.new", json!({"width": 200, "height": 200})).unwrap(); + let id = app.run("text.create", json!({"x": 20, "y": 50, "text": "One\nTwo"})).unwrap()["id"].as_u64().unwrap(); + let justify = |app: &VectorcraftApp| match &app.session.active().unwrap().doc.node(NodeId(id)).unwrap().kind { + NodeKind::Text(t) => (0..t.paragraph_count()).map(|i| t.para_at(i).justify).collect::>(), + _ => panic!("text"), + }; + let copied = |out: &egui::FullOutput| out.platform_output.commands.iter().any(|c| matches!(c, egui::OutputCommand::CopyText(_))); + app.run("select.set", json!({"ids": [id]})).unwrap(); + let out = frame(&mut app, Modifiers::COMMAND | Modifiers::SHIFT, vec![Event::Copy]); + assert_eq!(justify(&app), [Justify::Center, Justify::Center]); + assert!(!copied(&out), "Cmd+Shift+C doesn't copy"); + // Cmd+C still copies. + let out = frame(&mut app, Modifiers::COMMAND, vec![Event::Copy]); + assert!(copied(&out)); + // While the Type tool edits text, it aligns the paragraph the caret is in. + app.select_tool("type"); + app.session.apply_actions(vec![vectorcraft_tools::Action::Notify("text.editNew".into())]).unwrap(); + app.session.set_tool_option("select", &json!({"start": 5, "end": 5})); + assert!(app.session.tool_wants_text()); + frame( + &mut app, + Modifiers::COMMAND | Modifiers::SHIFT, + vec![Event::Key { key: Key::R, physical_key: None, pressed: true, repeat: false, modifiers: Modifiers::COMMAND | Modifiers::SHIFT }], + ); + assert_eq!(justify(&app), [Justify::Center, Justify::Right]); + frame(&mut app, Modifiers::COMMAND | Modifiers::SHIFT, vec![Event::Copy]); + assert_eq!(justify(&app), [Justify::Center, Justify::Center]); +} diff --git a/docs/target-app-parity.md b/docs/target-app-parity.md index 8cabb20d9..960d83c1e 100644 --- a/docs/target-app-parity.md +++ b/docs/target-app-parity.md @@ -517,6 +517,8 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur Public references: [Simplify benefits](https://helpx.adobe.com/illustrator/desktop/draw-shapes-and-paths/modify-paths/simplify-path-benefits.html) and [advanced options](https://helpx.adobe.com/illustrator/desktop/draw-shapes-and-paths/modify-paths/simplify-paths-advanced-options-overview.html). Nearly unchanged appearance is expected when reducing points. Percentage/auto-simplify controls, the corner-angle UI and Show Original are not implemented; the checklist is partial, without raising scores. Simplify and Add Anchor Points record no undo step when they change no path, and a path they leave as it is keeps its live shape. +- **Type:** Character size, leading, baseline shift and horizontal-scale controls account for object/group transforms (#1034): exact document-point sizes, mixed-value display and keyboard increments, range edits, resettable horizontal stretch, undo/redo and native save/reopen (`tests_typescale`, Character panel tests). Point size is the transformed em-height axis, independent of glyph ink bounds; affine rotation, reflection and shear are retained. Group scaling still scales text; preserving font sizes is a separate enhancement. Behaviour reference: [Transform text](https://helpx.adobe.com/illustrator/desktop/design-with-text/edit-format-text/transform-text.html) (public documentation). Text Wrap, Type on a Path effects (Rainbow/Skew/3D Ribbon/Stair Step/Gravity) and Options (Flip, Align to Path, Spacing; OK keeps the type where it is), type on a path's start, centre and end brackets (Selection and Direct Selection drag them to set where the type runs, slide it along its path and, across the path, flip it: #429), Character and Paragraph Styles (override-preserving redefine), paragraph attributes per paragraph (alignment, indents, spacing, hyphenation, hanging punctuation, tab stops, paragraph style, direction, mojikumi and leading model; the Paragraph, Tabs and Paragraph Styles panels act on the paragraphs the Type tool's selection or caret touches, Return continues the paragraph's style, threads and SVG keep them), Area Type Options (rows/columns/inset/first baseline, vertical Align Top/Center/Bottom/Justify per row/column, reflowing non-rectangular frames and text wrap), threaded text across any closed shapes, Fit Headline, the Every-line Composer for justified and ragged text (paragraph-wide breaks for an even rag, Single-line per object from the Paragraph panel menu or `text.setFormat {composer}`). Area type resizes like Illustrator's type areas: a bounding-box handle drag (Selection tool) or Area Type Options Width/Height size the frame and the text reflows at its size (threads too); Direct Selection drags a frame corner or edge (`text.reshapeArea`). Point type still scales. Auto Size: the frame height follows the text after every edit, in the same undo step (rectangular frames of horizontal type in one row; columns get the least height that holds them; a height set by hand or threading turns it off), and the "Auto Size New Area Type" preference gives it to new area type. Shrink Text to Fit (beyond Illustrator): overflowing area type scales its sizes, leading and baseline shifts down by the largest factor (in 0.1 pt steps of the first run, down to a minimum percentage) that fits, at layout time so every export sees it. `text.areaOptions` and `document.inspect` report overflow and the shrink factor. The Selection tool shows the type widget beside selected type's bounding box (hollow on point type, filled on area type); double-clicking it converts between them (Type › Convert To Area Type / Convert To Point Type), keeping the text and its styles in place. Cmd+Shift+C (Align center) works on Windows and Linux too (#1940). Variable fonts list every named instance as a style of their family (Figtree Light to Black and their italics, Bahnschrift, Segoe UI Variable), and the instance chosen is shaped, drawn, outlined and measured at its axis settings; PDF and SVG embed it as that instance. Variation axis sliders are not done. Beyond Illustrator: inline graphics (`text.insertInline`, Type ▸ Insert Inline Symbol) set a document symbol in a run of type as one character that flows, wraps and justifies like a glyph (InDesign-style inline objects, e.g. mana symbols in card rules text): sized to a multiple of the font size, centred on the cap height, opening up tall lines, following Redefine Symbol; a character of its run's size for Character Alignment and Top-to-Top leading, placed by the bidi reordering in right-to-left text (a neutral U+FFFC); drawn on the canvas, kept as live text plus a `` in SVG and as vector art in PDF; Backspace removes it whole. Hebrew and Arabic are laid out right to left with the Unicode bidirectional algorithm (embedded Latin and numbers keep their direction, lines put in visual order after wrapping) in point, area and path type, with caret, selection and arrow keys in visual order; each paragraph's direction comes from its first strong character unless Paragraph Direction sets it (Paragraph panel with Show Indic Options, `text.setFormat {direction}`), and new type aligns to the start of its direction. SVG export outlines right-to-left text. Arabic typefaces: builds made with a craft-fonts checkout that holds its Arabic families (Noto Sans Arabic, the Arabic fallback, plus Cairo, Tajawal, Almarai, IBM Plex Sans Arabic, Noto Kufi Arabic, Amiri, Alexandria, Fustat, Reem Kufi, Aref Ruqaa and Gulzar once craft-fonts adds them, storytold/craft-fonts#11; releases get them when their craft-fonts pin moves) list them in the font menus on desktop; the web build fetches them from beside the wasm (Noto Sans Arabic before start, so Arabic never shows as boxes, the rest in the background). Font Size and Leading are combo boxes in the Character and Properties panels (Font Size in the Control bar too, beside the Character link, font family and style): type, step with ↑/↓ or the spinner, scrub the label, or pick a preset (6–72 pt, shown in the type unit; Leading also Auto), each pick one undo step; Kerning and Tracking list -100…200; a size, leading, kerning or tracking the selected text doesn't share shows blank (#458). Type › Bold and Italic (beyond Illustrator, as page layout apps have them; Cmd+Shift+B / Cmd+Shift+I while the Type tool edits text) switch the selected type to its family's own Bold or Italic face and back, keeping its width (a Narrow face stays Narrow); a family without that face says so (#724). The commands that make or restyle type (and the MCP `add_text` tool) say in their result when area type does not fit its frame, and `add_text` takes Auto Size and Shrink Text to Fit (#1500, fixes #1471). A tab stop in the Tabs panel drags from where the press landed, a stop just added included (#1487, fixes #1458). Area type in a non-rectangular shape moves a word too wide for the top lines down to the first line that holds it instead of breaking it (#1617, fixes #1615). Stylistic sets (ss01–ss20), stylistic and titling alternates, proportional and lining figures, and superscript and subscript glyphs can be turned on as OpenType features of a character style (`text.setStyle {features}`), and the OpenType panel keeps them (#1611, fixes #1607). Escape while typing ends the edit, keeps the type selected and switches to the Selection tool (#1802, #1686, #1656). Select › Same matches type on its characters' fill and stroke (#1746, #1737). `text.create`, `text.createInPath` and the MCP `add_text` tool take `justify`, so point type can be centred on or end at its point (#1752, #1748). +- **Type:** Character size, leading, baseline shift and horizontal-scale controls account for object/group transforms (#1034): exact document-point sizes, mixed-value display and keyboard increments, range edits, resettable horizontal stretch, undo/redo and native save/reopen (`tests_typescale`, Character panel tests). Point size is the transformed em-height axis, independent of glyph ink bounds; affine rotation, reflection and shear are retained. Group scaling still scales text; preserving font sizes is a separate enhancement. Behaviour reference: [Transform text](https://helpx.adobe.com/illustrator/desktop/design-with-text/edit-format-text/transform-text.html) (public documentation). Text Wrap, Type on a Path effects (Rainbow/Skew/3D Ribbon/Stair Step/Gravity) and Options (Flip, Align to Path, Spacing; OK keeps the type where it is), type on a path's start, centre and end brackets (Selection and Direct Selection drag them to set where the type runs, slide it along its path and, across the path, flip it: #429), Character and Paragraph Styles (override-preserving redefine), paragraph attributes per paragraph (alignment, indents, spacing, hyphenation, hanging punctuation, tab stops, paragraph style, direction, mojikumi and leading model; the Paragraph, Tabs and Paragraph Styles panels act on the paragraphs the Type tool's selection or caret touches, Return continues the paragraph's style, threads and SVG keep them), Area Type Options (rows/columns/inset/first baseline, vertical Align Top/Center/Bottom/Justify per row/column, reflowing non-rectangular frames and text wrap), threaded text across any closed shapes, Fit Headline, the Every-line Composer for justified and ragged text (paragraph-wide breaks for an even rag, Single-line per object from the Paragraph panel menu or `text.setFormat {composer}`). Area type resizes like Illustrator's type areas: a bounding-box handle drag (Selection tool) or Area Type Options Width/Height size the frame and the text reflows at its size (threads too); Direct Selection drags a frame corner or edge (`text.reshapeArea`). Point type still scales. Auto Size: the frame height follows the text after every edit, in the same undo step (rectangular frames of horizontal type in one row; columns get the least height that holds them; a height set by hand or threading turns it off), and the "Auto Size New Area Type" preference gives it to new area type. Shrink Text to Fit (beyond Illustrator): overflowing area type scales its sizes, leading and baseline shifts down by the largest factor (in 0.1 pt steps of the first run, down to a minimum percentage) that fits, at layout time so every export sees it. `text.areaOptions` and `document.inspect` report overflow and the shrink factor. The Selection tool shows the type widget beside selected type's bounding box (hollow on point type, filled on area type); double-clicking it converts between them (Type › Convert To Area Type / Convert To Point Type), keeping the text and its styles in place. A double-click on area type's bottom middle handle turns on Auto Size (#1940). Variable fonts list every named instance as a style of their family (Figtree Light to Black and their italics, Bahnschrift, Segoe UI Variable), and the instance chosen is shaped, drawn, outlined and measured at its axis settings; PDF and SVG embed it as that instance. Variation axis sliders are not done. Beyond Illustrator: inline graphics (`text.insertInline`, Type ▸ Insert Inline Symbol) set a document symbol in a run of type as one character that flows, wraps and justifies like a glyph (InDesign-style inline objects, e.g. mana symbols in card rules text): sized to a multiple of the font size, centred on the cap height, opening up tall lines, following Redefine Symbol; a character of its run's size for Character Alignment and Top-to-Top leading, placed by the bidi reordering in right-to-left text (a neutral U+FFFC); drawn on the canvas, kept as live text plus a `` in SVG and as vector art in PDF; Backspace removes it whole. Hebrew and Arabic are laid out right to left with the Unicode bidirectional algorithm (embedded Latin and numbers keep their direction, lines put in visual order after wrapping) in point, area and path type, with caret, selection and arrow keys in visual order; each paragraph's direction comes from its first strong character unless Paragraph Direction sets it (Paragraph panel with Show Indic Options, `text.setFormat {direction}`), and new type aligns to the start of its direction. SVG export outlines right-to-left text. Arabic typefaces: builds made with a craft-fonts checkout that holds its Arabic families (Noto Sans Arabic, the Arabic fallback, plus Cairo, Tajawal, Almarai, IBM Plex Sans Arabic, Noto Kufi Arabic, Amiri, Alexandria, Fustat, Reem Kufi, Aref Ruqaa and Gulzar once craft-fonts adds them, storytold/craft-fonts#11; releases get them when their craft-fonts pin moves) list them in the font menus on desktop; the web build fetches them from beside the wasm (Noto Sans Arabic before start, so Arabic never shows as boxes, the rest in the background). Font Size and Leading are combo boxes in the Character and Properties panels (Font Size in the Control bar too, beside the Character link, font family and style): type, step with ↑/↓ or the spinner, scrub the label, or pick a preset (6–72 pt, shown in the type unit; Leading also Auto), each pick one undo step; Kerning and Tracking list -100…200; a size, leading, kerning or tracking the selected text doesn't share shows blank (#458). Type › Bold and Italic (beyond Illustrator, as page layout apps have them; Cmd+Shift+B / Cmd+Shift+I while the Type tool edits text) switch the selected type to its family's own Bold or Italic face and back, keeping its width (a Narrow face stays Narrow); a family without that face says so (#724). The commands that make or restyle type (and the MCP `add_text` tool) say in their result when area type does not fit its frame, and `add_text` takes Auto Size and Shrink Text to Fit (#1500, fixes #1471). A tab stop in the Tabs panel drags from where the press landed, a stop just added included (#1487, fixes #1458). Area type in a non-rectangular shape moves a word too wide for the top lines down to the first line that holds it instead of breaking it (#1617, fixes #1615). Stylistic sets (ss01–ss20), stylistic and titling alternates, proportional and lining figures, and superscript and subscript glyphs can be turned on as OpenType features of a character style (`text.setStyle {features}`), and the OpenType panel keeps them (#1611, fixes #1607). Escape while typing ends the edit, keeps the type selected and switches to the Selection tool (#1802, #1686, #1656). Select › Same matches type on its characters' fill and stroke (#1746, #1737). `text.create`, `text.createInPath` and the MCP `add_text` tool take `justify`, so point type can be centred on or end at its point (#1752, #1748). - **Vertical punctuation:** fullwidth `!` (U+FF01) and `?` (U+FF1F) use their nominal glyph upright when no vertical alternate is present, following the Tu fallback in [Unicode UAX #50 §3.1](https://www.unicode.org/reports/tr50/#vo). Code-built test fonts cover point and area type with and without `vert` alternates, retain the rotated fallback for a bracket and long vowel mark, and leave horizontal type unchanged. Tests: `crates/text/src/tests_vertical.rs`. - Free Distort's dialog (Effect › Distort & Transform › Free Distort…) shows a box in the proportions of the first selected object's bounds with a handle on each corner. Dragging a handle moves that corner. A handle focused by a click or Tab moves 1% of the box with each arrow key, and 10% with Shift. Reset puts the four corners back on the box. The preview and OK run `effect.apply`, or `effect.setParams` when the dialog edits an applied effect, and the Appearance panel's inline editor opens the dialog with Edit…. Behavior reference: Illustrator CC Help (2014, [PDF](https://help.adobe.com/archive/en/illustrator/cc/2014/illustrator_reference.pdf)), page 285 (PDF page 291). - **Type:** Character size, leading, baseline shift and horizontal-scale controls account for object/group transforms (#1034): exact document-point sizes, mixed-value display and keyboard increments, range edits, resettable horizontal stretch, undo/redo and native save/reopen (`tests_typescale`, Character panel tests). Point size is the transformed em-height axis, independent of glyph ink bounds; affine rotation, reflection and shear are retained. Group scaling still scales text; preserving font sizes is a separate enhancement. Behaviour reference: [Transform text](https://helpx.adobe.com/illustrator/desktop/design-with-text/edit-format-text/transform-text.html) (public documentation). Text Wrap, Type on a Path effects (Rainbow/Skew/3D Ribbon/Stair Step/Gravity) and Options (Flip, Align to Path, Spacing; OK keeps the type where it is), type on a path's start, centre and end brackets (Selection and Direct Selection drag them to set where the type runs, slide it along its path and, across the path, flip it: #429), Character and Paragraph Styles (override-preserving redefine), paragraph attributes per paragraph (alignment, indents, spacing, hyphenation, hanging punctuation, tab stops, paragraph style, direction, mojikumi and leading model; the Paragraph, Tabs and Paragraph Styles panels act on the paragraphs the Type tool's selection or caret touches, Return continues the paragraph's style, threads and SVG keep them), Area Type Options (rows/columns/inset/first baseline, vertical Align Top/Center/Bottom/Justify per row/column, reflowing non-rectangular frames and text wrap), threaded text across any closed shapes, Fit Headline, the Every-line Composer for justified and ragged text (paragraph-wide breaks for an even rag, Single-line per object from the Paragraph panel menu or `text.setFormat {composer}`). Area type resizes like Illustrator's type areas: a bounding-box handle drag (Selection tool) or Area Type Options Width/Height size the frame and the text reflows at its size (threads too); Direct Selection drags a frame corner or edge (`text.reshapeArea`). Point type still scales. Auto Size: the frame height follows the text after every edit, in the same undo step (rectangular frames of horizontal type in one row; columns get the least height that holds them; a height set by hand or threading turns it off), and the "Auto Size New Area Type" preference gives it to new area type. Shrink Text to Fit (beyond Illustrator): overflowing area type scales its sizes, leading and baseline shifts down by the largest factor (in 0.1 pt steps of the first run, down to a minimum percentage) that fits, at layout time so every export sees it. `text.areaOptions` and `document.inspect` report overflow and the shrink factor. The Selection tool shows the type widget beside selected type's bounding box (hollow on point type, filled on area type); double-clicking it converts between them (Type › Convert To Area Type / Convert To Point Type), keeping the text and its styles in place. Variable fonts list every named instance as a style of their family (Figtree Light to Black and their italics, Bahnschrift, Segoe UI Variable), and the instance chosen is shaped, drawn, outlined and measured at its axis settings; PDF and SVG embed it as that instance. Variation axis sliders are not done. Beyond Illustrator: inline graphics (`text.insertInline`, Type ▸ Insert Inline Symbol) set a document symbol in a run of type as one character that flows, wraps and justifies like a glyph (InDesign-style inline objects, e.g. mana symbols in card rules text): sized to a multiple of the font size, centred on the cap height, opening up tall lines, following Redefine Symbol; a character of its run's size for Character Alignment and Top-to-Top leading, placed by the bidi reordering in right-to-left text (a neutral U+FFFC); drawn on the canvas, kept as live text plus a `` in SVG and as vector art in PDF; Backspace removes it whole. Hebrew and Arabic are laid out right to left with the Unicode bidirectional algorithm (embedded Latin and numbers keep their direction, lines put in visual order after wrapping) in point, area and path type, with caret, selection and arrow keys in visual order; each paragraph's direction comes from its first strong character unless Paragraph Direction sets it (Paragraph panel with Show Indic Options, `text.setFormat {direction}`), and new type aligns to the start of its direction. SVG export outlines right-to-left text. Arabic typefaces: builds made with a craft-fonts checkout that holds its Arabic families (Noto Sans Arabic, the Arabic fallback, plus Cairo, Tajawal, Almarai, IBM Plex Sans Arabic, Noto Kufi Arabic, Amiri, Alexandria, Fustat, Reem Kufi, Aref Ruqaa and Gulzar once craft-fonts adds them, storytold/craft-fonts#11; releases get them when their craft-fonts pin moves) list them in the font menus on desktop; the web build fetches them from beside the wasm (Noto Sans Arabic before start, so Arabic never shows as boxes, the rest in the background). Font Size and Leading are combo boxes in the Character and Properties panels (Font Size in the Control bar too, beside the Character link, font family and style): type, step with ↑/↓ or the spinner, scrub the label, or pick a preset (6–72 pt, shown in the type unit; Leading also Auto), each pick one undo step; Kerning and Tracking list -100…200; a size, leading, kerning or tracking the selected text doesn't share shows blank (#458). Type › Bold and Italic (beyond Illustrator, as page layout apps have them; Cmd+Shift+B / Cmd+Shift+I while the Type tool edits text) switch the selected type to its family's own Bold or Italic face and back, keeping its width (a Narrow face stays Narrow); a family without that face says so (#724). The commands that make or restyle type (and the MCP `add_text` tool) say in their result when area type does not fit its frame, and `add_text` takes Auto Size and Shrink Text to Fit (#1500, fixes #1471). A tab stop in the Tabs panel drags from where the press landed, a stop just added included (#1487, fixes #1458). Area type in a non-rectangular shape moves a word too wide for the top lines down to the first line that holds it instead of breaking it (#1617, fixes #1615). Stylistic sets (ss01–ss20), stylistic and titling alternates, proportional and lining figures, and superscript and subscript glyphs can be turned on as OpenType features of a character style (`text.setStyle {features}`), and the OpenType panel keeps them (#1611, fixes #1607). Escape while typing ends the edit, keeps the type selected and switches to the Selection tool (#1802, #1686, #1656). Select › Same matches type on its characters' fill and stroke (#1746, #1737). `text.create`, `text.createInPath` and the MCP `add_text` tool take `justify`, so point type can be centred on or end at its point (#1752, #1748). diff --git a/docs/type-parity.md b/docs/type-parity.md index 684b7ec4f..16b61c618 100644 --- a/docs/type-parity.md +++ b/docs/type-parity.md @@ -1,6 +1,6 @@ # Type parity -> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-14 · **Change:** minor (MCP `add_text` exposes the existing `vertical` option for point, area and path type; horizontal remains the default; scores and hours unchanged; Vertical fullwidth question and exclamation marks keep their nominal glyph upright when the font has no vertical alternate; scores and hours unchanged. tab leaders are drawn in the tab's gap, #1877; type in symbols, pattern tiles, graph designs and opacity masks gets its layout bounds back on opening a native file, #1738; score unchanged; Escape while typing ends the edit, #1686; Select › Same on type, #1737; `justify` when creating point type, #1748; scores unchanged; OpenType stylistic sets, alternates, figure styles, superscript and subscript as character features, #1607; a wide word in non-rectangular area type moves down, #1615; scores unchanged; Character Styles New/Redefine capture the first selected character at run boundaries and end prior typing before capture; boundary and typing-history input tests and full workspace CI pass; scores and hours unchanged; Character styles retain explicit Auto leading, propagate resets and preserve local leading overrides; scores and hours unchanged; Linux font folders from fontconfig, #1529; commands and MCP `add_text` report area type that does not fit its frame, #1471; Tabs panel stop drags, #1458; Fit Headline in a frame one line tall, #1444; frames and paths beyond a billion points hold no text, #1451; scores unchanged; missing glyphs are looked for again after a font rescan, #1376; scores unchanged; Full-name font matching (#1258); Windows font-service QA pending; scores unchanged; Middle Eastern digit types: Character panel menu › Digits, `{digits}`; the font menu's script filter lists Thai fonts; Thai, Lao, Khmer and Myanmar lines break between words; the caret steps over whole clusters such as Thai consonants with their marks; Thai typed in a font without Thai falls back to a font made for Thai; earlier: Proportional Metrics in vertical type, `vpal`, #966) · **Target:** Adobe Illustrator 2026 (30.x) +> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-14 · **Change:** minor (Cmd+Shift+C aligns centre off the Mac, #1940; tab leaders are drawn in the tab's gap, #1877; type in symbols, pattern tiles, graph designs and opacity masks gets its layout bounds back on opening a native file, #1738; score unchanged; Escape while typing ends the edit, #1686; Select › Same on type, #1737; `justify` when creating point type, #1748; scores unchanged; OpenType stylistic sets, alternates, figure styles, superscript and subscript as character features, #1607; a wide word in non-rectangular area type moves down, #1615; scores unchanged; Character Styles New/Redefine capture the first selected character at run boundaries and end prior typing before capture; boundary and typing-history input tests and full workspace CI pass; scores and hours unchanged; Character styles retain explicit Auto leading, propagate resets and preserve local leading overrides; scores and hours unchanged; Linux font folders from fontconfig, #1529; commands and MCP `add_text` report area type that does not fit its frame, #1471; Tabs panel stop drags, #1458; Fit Headline in a frame one line tall, #1444; frames and paths beyond a billion points hold no text, #1451; scores unchanged; missing glyphs are looked for again after a font rescan, #1376; scores unchanged; Full-name font matching (#1258); Windows font-service QA pending; scores unchanged; Middle Eastern digit types: Character panel menu › Digits, `{digits}`; the font menu's script filter lists Thai fonts; Thai, Lao, Khmer and Myanmar lines break between words; the caret steps over whole clusters such as Thai consonants with their marks; Thai typed in a font without Thai falls back to a font made for Thai; earlier: Proportional Metrics in vertical type, `vpal`, #966; Cmd+Shift+C aligns centre off the Mac, a double-click on area type's bottom handle turns on Auto Size, #1940; MCP `add_text` exposes the existing `vertical` option for point, area and path type; horizontal remains the default; scores and hours unchanged; Vertical fullwidth question and exclamation marks keep their nominal glyph upright when the font has no vertical alternate; scores and hours unchanged. tab leaders are drawn in the tab's gap, #1877; type in symbols, pattern tiles, graph designs and opacity masks gets its layout bounds back on opening a native file, #1738; score unchanged; Escape while typing ends the edit, #1686; Select › Same on type, #1737; `justify` when creating point type, #1748; scores unchanged; OpenType stylistic sets, alternates, figure styles, superscript and subscript as character features, #1607; a wide word in non-rectangular area type moves down, #1615; scores unchanged; Character Styles New/Redefine capture the first selected character at run boundaries and end prior typing before capture; boundary and typing-history input tests and full workspace CI pass; scores and hours unchanged; Character styles retain explicit Auto leading, propagate resets and preserve local leading overrides; scores and hours unchanged; Linux font folders from fontconfig, #1529; commands and MCP `add_text` report area type that does not fit its frame, #1471; Tabs panel stop drags, #1458; Fit Headline in a frame one line tall, #1444; frames and paths beyond a billion points hold no text, #1451; scores unchanged; missing glyphs are looked for again after a font rescan, #1376; scores unchanged; Full-name font matching (#1258); Windows font-service QA pending; scores unchanged; Middle Eastern digit types: Character panel menu › Digits, `{digits}`; the font menu's script filter lists Thai fonts; Thai, Lao, Khmer and Myanmar lines break between words; the caret steps over whole clusters such as Thai consonants with their marks; Thai typed in a font without Thai falls back to a font made for Thai; earlier: Proportional Metrics in vertical type, `vpal`, #966) · **Target:** Adobe Illustrator 2026 (30.x) Type is Illustrator's largest single area by use (weight 13 of 105 across "Type core" and "Type advanced" in [target-app-parity.md](target-app-parity.md)). This checklist lists the features one by one. Status is from the @@ -58,6 +58,8 @@ Character Styles menu New/Redefine and footer New capture the first selected cha | Date | Change | Summary | |---|---|---| +| 2026-10-14 | minor | Cmd+Shift+C (Align center) works on Windows and Linux too, where egui reported it as a copy (#1940); scores and hours unchanged | +| 2026-10-14 | minor | Cmd+Shift+C (Align center) works on Windows and Linux too, where egui reported it as a copy; a double-click on area type's bottom middle handle turns on Auto Size (#1940); scores and hours unchanged | | 2026-10-14 | minor | MCP `add_text` exposes the existing `vertical` option for point, area and path type; horizontal remains the default; scores and hours unchanged. | | 2026-10-14 | minor | Vertical fullwidth question and exclamation marks keep their nominal glyph upright when the font has no vertical alternate; scores and hours unchanged. | | 2026-10-14 | minor | Tab leaders are drawn: the leader's characters fill the tab's gap in the tab's font and size, whole copies on a grid from the frame's edge so leaders line up across lines (fixes #1877); scores and hours unchanged |