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Tab found the next transient only on the first selected track, analysed
everything from the cursor to the end of the track on every press, and
Alt+Tab, Shift+Tab and Alt+Shift+Tab ignored Tab to Transient (Shift+Tab
did nothing at all). The toolbar button used the Selector tool's icon.
- A new command, edit.tab {back?, extend?}, does what the Tab keys do, as in
Pro Tools: Tab and Alt+Tab (Option+Tab on a Mac, Ctrl+Tab on Windows and
Linux) move the insertion point to the next or previous clip start, end or
sync point on the selected tracks; Shift+Tab and Alt+Shift+Tab
(Ctrl+Shift+Tab) extend the selection. Alt+Shift+Tab pulls the selection
end back while a stop lies inside the selection, then grows its start.
- With Tab to Transient on, the stops also include the transients on every
selected audio track and the note-ons and note-offs on MIDI and Instrument
tracks. A transient within 10 ms of a clip boundary or note is that stop,
not a second one.
- Transients are detected in fixed 10-second blocks of each clip, so Tab and
Alt+Tab always find the same ones and a long clip costs one block per
press. Analysed blocks are cached while their clips, clip effects and audio
are unchanged: 0.5 ms a press across the demo's five audio tracks, 43 ms
without the cache.
- The Tab to Transient button gets its own icon, an arrow into a transient.
Cmd+Alt+Tab still toggles Tab to Transient. On Windows and Linux the desktop
takes Ctrl+Alt+Tab, and Pro Tools' Ctrl+Alt+T is Thin Automation here too, so
the button and the Options menu are the way there.