- photocraft-psd: clean-room .aco (v1/v2, UTF-16 names, RGB/HSB/CMYK/Lab/Gray at 16 bits,
other spaces kept verbatim) and .ase (groups, global/spot/process, RGB/CMYK/LAB/Gray floats,
unknown models kept) readers and writers; byte-stable round trips, hostile input -> Err.
- engine: presets::swatches (colours in their own model, display/foreground conversion through
photocraft-cms working spaces, persisted with the prefs, default 40 colours in 4 groups) and
swatch_cmds (swatches.list/add/delete/rename/move/newGroup/renameGroup/deleteGroup/use/reset/
import/export) with graceful-failure tests.
- ui: swatches_ui.rs replaces the const grid (groups, tooltips, click = foreground and selected
type, Alt/Ctrl-click = background, rename/delete/move, panel menu Import/Replace/Export/Reset),
Color Picker "Add to Swatches", .aco/.ase via File > Open and drag-and-drop; strings translated
in every complete catalog.
- Scorecard FILE-215-14 -> done.
Co-authored-by: leon <claude.udder842@passmail.net>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Camera Raw opens in a window of its own
The Camera Raw dialog (Filter › Camera Raw Filter and the open-time
dialog) was a full-window overlay drawn over the PhotoCraft window,
covering its title bar: it looked like a fullscreen app without window
controls. Adobe Camera Raw is a separate window.
Show it in an egui immediate viewport: an OS window titled "Camera Raw
(name)" / "Camera Raw Filter (layer)", 1360 x 900 by default, resizable
(minimum 900 x 600). The dialog stays modal: the main window is dimmed
and takes no input while it is open. Closing the window is Cancel (for
the open-time dialog that closes the raw being opened). Where the
platform has no extra windows (ctx.embed_viewports(), the web build) it
is drawn over the main window as before, with its painted title strip.
The drawing code is unchanged apart from the title strip, which is not
painted in a window of its own.
* Camera Raw window: scrim theme token, close-is-Cancel test, document the screenshot gap
- theme::Tokens gains `scrim` (the dim over the main window behind a modal
that takes all input); Camera Raw uses it instead of a hard-coded colour.
- closing_the_camera_raw_window_cancels: the overlay fallback keeps the
dialog open, a close request on its window cancels without history.
- control-protocol.md: eframe 0.36 cannot screenshot an immediate viewport,
so ui.screenshot shows the dimmed main window while Camera Raw has its own
window; agents read it via ui.inspect.cameraRaw and see it offscreen with
the snapshot example or kittest (which embed viewports).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Advanced Blending: knockout, blend as group, transparency shapes, masks hide effects (part of #215)
Blending Options > Advanced Blending now works end to end:
- doc: AdvancedBlending on every layer (knockout none/shallow/deep, blend
interior effects as group, blend clipped layers as group, transparency
shapes layer, layer/vector mask hides effects), saved in .pcraft.
- PSD and layered TIFF: knko, infx, clbl, tsly, lmgm, vmgm read into the
model and written back (in place, or added when not at the defaults);
the TIFF byte-order transcoder handles lmgm/vmgm as byte flags.
- CPU compositor (compose/src/advanced.rs): shallow and deep knockouts
(isolated groups and clipping groups stop a deep knockout), clipped
layers blended individually, effects over the whole layer when
Transparency Shapes is off, effects built from an unmasked copy when a
mask hides them, interior effects under fill opacity.
- GPU: documents using Advanced Blending fall back to the CPU compositor.
- engine: layer.layerStyle.blendingOptions takes channels, knockout and the
five switches; inspect reports them; Copy/Paste Layer Style carries them.
- UI: the Blending Options page laid out like Photoshop's (General,
Advanced Blending, Blend If with split sliders), translated.
psd-tools corpus oracle 229 -> 236 (seven knockout files now pass; floor
raised); other corpora and all round trips unchanged. Scorecard
FILE-215-16 -> partial.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Polish catalog rows for Advanced Blending; regenerate docs/scorecard.md
pl.tsv landed on main and the coverage test needs every catalog to translate new UI strings.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Undo damage: compare Layer.advanced in layer_pixels_equal; regenerate scorecard
#810's exhaustive Layer destructure must classify the new advanced-blending
field; it changes the composite, so it is compared.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Regenerate docs/scorecard.md
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: leon <claude.udder842@passmail.net>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Review: keep unknown blocks with their byte order, io behind the engine, fixtures documented
Addresses the review on #672:
* Unknown layer blocks read from a little-endian TIFF are no longer dropped. Their bytes are
kept verbatim with the signature `MIB8` (`46B8` for `8B64`) marking the little-endian
layout (`TaggedBlock::is_foreign_order`), so a save back to TIFF restores them exactly. A
malformed known block is kept the same way. Only a save to the other byte order has to drop
such a block, with a warning: a PSD export strips them (`strip_foreign_order_blocks`), and a
big-endian block of unknown layout still cannot go into a little-endian TIFF.
* The UI no longer depends on `photocraft-io`: the layer predicate is exposed by the engine
(`file_cmds::tiff_would_write_layers`); io is a dev-dependency again.
* The layered TIFF path ends in the same `encode_image` as every flat export, so export-wide
metadata policies (such as #733's XMP choice) apply to its composite too.
* Scorecard FILE-215-7 is `partial`: extra alpha channels and a Quick Mask are not written.
* The committed fixtures get an ATTRIBUTION.md row and a README describing their contents and
how they were generated (psdtags + tifffile); the Python generator script is removed.
Co-Authored-By: Claude Mythos 5.1 <noreply@anthropic.com>
* tiff_corpus: ask for layers explicitly (headless default is flat since #825)
Co-Authored-By: Claude Mythos 5.1 <noreply@anthropic.com>
* i18n: drop the duplicate Korean "Ambient" entry that fails bundled_catalogs_are_consistent
Co-Authored-By: Claude Mythos 5.1 <noreply@anthropic.com>
* i18n: drop the duplicate Korean "Warmth" entry as well
Co-Authored-By: Claude Mythos 5.1 <noreply@anthropic.com>
* agent_tasks: tolerate Windows holding the test directory open during teardown
The three tests that remove their directory right after cancelling the client failed on Windows (CI and locally) with os error 32: the spawned server task is still closing its files. The cleanup now retries briefly and otherwise leaves the directory for the next run's tmp() to clear, as it already did at the start.
Co-Authored-By: Claude Mythos 5.1 <noreply@anthropic.com>
* preset store: a missing directory is an empty store on Windows too
DirBackend::read passed the OS message through, and Windows words a missing directory as "cannot find the path specified (os error 3)", which missing_file() did not recognise, so attaching a store on a path that does not exist yet (first launch, and two engine unit tests) reported actions.json as skipped. The backend now reports every NotFound as "<name>: not found", the wording the predicate and the memory backend already use. Regression test: opening a store on a nested missing directory warns about nothing and writes nothing.
Co-Authored-By: Claude Mythos 5.1 <noreply@anthropic.com>
* Review: keep scripts/layered_tiff_fixtures.py, drop the fixtures README and attribution rows
The four .tif fixtures those described were never committed (binary test data stays out of the repo; the tiff_layers tests read them from the gitignored corpus/layered-tiff/, written by the script that tiff_layers.rs:181 still points to).
Co-Authored-By: Claude Mythos 5.1 <noreply@anthropic.com>
* automation: the Direct Selection path commands edit vector paths, not files
#865 added path.moveAnchors, path.moveHandle, path.bendSegment and path.convertPoint, whose registry docs mention the vector path they return, so registry_filesystem_path_params_are_classified fails on main (Linux and Windows): they join the list of commands whose "path" is a document path.
Co-Authored-By: Claude Mythos 5.1 <noreply@anthropic.com>
* i18n(cs): the lower-case "{n} layer|{n} layers" plural (main red since #829)
xtask's source_key_set_is_covered_by_complete_catalogs fails on main: the key reached every catalog but the Czech one. Same forms as the capitalised twin already in cs.tsv.
Co-Authored-By: Claude Mythos 5.1 <noreply@anthropic.com>
* Drop the duplicate path.* entries from the workspace test (main already lists them)
main already has path.moveAnchors/moveHandle/bendSegment/convertPoint in this match; the
duplicates trip unreachable_patterns.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: leon <claude.udder842@passmail.net>
Co-authored-by: Claude Mythos 5.1 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* type: transform editable text with temporary Ctrl/Cmd handles
* type: cover temporary transforms, editable files and preview costs
* docs: describe temporary Type transforms and automation
* type: release temporary previews immediately when gestures end
* test: benchmark the active 24 MP Type document
Live previews of large documents (filter dialogs, adjustment dialogs that fall back to the
filter preview, zoomed-out adjustment dialogs, an adjustment layer's sliders while they drag)
render on a nearest-neighbour reduced copy: a 16 MP photo previews at every 3rd pixel, drawn
3x blocky at 100 %. Turning the setting off renders them at full resolution.
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* Zoom: the Zoom tool's click honours Zoom Clicked Point to Center (#204)
Preferences > Tools > Zoom Clicked Point to Center now moves the clicked point
to the centre of the view instead of keeping it under the pointer; scroll-wheel
zoom keeps the point under the pointer either way. The settings audit drops from
57 to 56 unread fields; docs/scorecard.md regenerated.
* Regenerate docs/scorecard.md after rebasing onto main
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Brush tests: seams, hard edge, zero scatter and ABR tip colour (#213)
Adds the four TOOL-213-13 regressions: minimum coverage inside a stroke
(spacing 0.1/0.25/0.5), a hardness-1 rim measured against a soft falloff,
dabs staying on the path at zero scatter, and an imported ABR tip painting
the brush colour instead of black. Scorecard row flipped to done.
* Contributors: add Reynold Hu to people.toml
Real name credited, display name synced from the public GitHub profile at the
next contributors.py refresh (every field is opt-in).
* Regenerate docs/scorecard.md after rebase onto main
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Right-click Brush Preset picker: pick presets like Photoshop (#615, #1031)
One picker for the canvas right-click and the options-bar brush chip, drawn
once a frame and kept in UiState (brush_picker, brush_picker_list). Its
preset list is the Brushes panel's (brushes_tab::preset_list): a click picks
and keeps it open, a double-click picks and closes it, drag reorders and
right-click renames or deletes. A gear menu adds New Brush Preset… (named in
the rename bar), Rename/Delete Brush, list or grid view and Import Brushes….
Hardness shows for round tips only; Enter applies a typed size before it
closes the picker. ui.set gains brushPicker and brushPickerView.
Also fixes the Brushes panel's Rename Brush…/Rename Group… context items,
which never opened the rename bar.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Brush Preset picker: Polish translations
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01UHgFEHEsefoQoBParH47JA
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Wayland compositors give a pen only to clients that bind zwp_tablet_v2,
which winit 0.30 doesn't, so on Wayland the pen did nothing in the
window. With a pen attached (BTN_TOOL_PEN in /proc/bus/input/devices),
$DISPLAY set and the X11 libraries installed, the window now opens
through Xwayland, where the X11 reader gets pressure, tilt and the
eraser. PHOTOCRAFT_NATIVE_WAYLAND=1 keeps native Wayland.
macOS: the AppKit event monitor was installed before winit created the
shared NSApplication; it now goes in from eframe's app creation. The
pen's button-up (pressure 0) no longer zeroes the pressure of the
stroke's last moves, which reach the UI in the same frame.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Fix Classic Gradient transparency and open its editor
* Translate the minimal Gradient Editor
* Document gradient preset and editor controls
* Group gradient translations to avoid append conflicts
* Split the minimal Gradient Editor out; keep the Classic Gradient transparency fix
The floating editor (preset list + opacity-stop number rows) is not Photoshop's Gradient
Editor, so it goes to a follow-up. What stays: classic drags no longer override the preset
with opaque FG/BG colours, the options-bar swatch shows the selected preset in both modes,
labelled Gradients-panel items, and the classic transparency regression tests. Drops the
ui.set/inspect gradientEditor field and the editor's translations.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Embed PhotoCraft CLI Windows icon and version metadata
The CLI crate now sets build to build.rs and takes winresource 0.1 as a
build dependency. On a Windows target the script embeds photocraft.ico
and sets ProductName to PhotoCraft, FileDescription to PhotoCraft
command-line interface, CompanyName to Learning Machines LLC, the shared
copyright line, OriginalFilename to photocraft-cli.exe, and InternalName
to photocraft-cli. Version strings keep the Cargo package version,
including a pre-release tag, and the numeric file and product versions
are major.minor.patch.0. A missing resource compiler prints a cargo
warning and the link continues, while PHOTOCRAFT_REQUIRE_WINRES makes
the script return an error that names rc.exe or windres. package.ps1
runs check-cli-resources.ps1 after the PE subsystem checks and before
signing, including SkipBuild artifacts, and that script checks those
VERSIONINFO fields against the package version and compares the icon
Windows extracts from the CLI with photocraft.ico drawn at 32x32,
without launching the binary. docs/releasing.md records the same CLI
resource contract beside the existing GUI one.
Refs #613
* Drop the untested check-cli-resources.ps1 release gate
It has never run on Windows, and a misfiring 200-line gate in package.ps1 would block
releases. The CLI build.rs icon/VERSIONINFO stays; PHOTOCRAFT_REQUIRE_WINRES=1 in
package.ps1 already makes a missing resource compiler a build error.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Matt Van Horn <455140+mvanhorn@users.noreply.github.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Open camera raws in Camera Raw first (Open / Cancel)
Photoshop opens a raw file in Adobe Camera Raw before it becomes a
document; PhotoCraft developed it with the defaults straight away and
said so in a warning. An interactive open (File › Open, Open Recent,
drag and drop, the command line) of a raw developed from its sensor data
now shows the Camera Raw dialog first, titled "Camera Raw (name)", with
Open and Cancel.
- Open re-develops the raw when Temperature, Tint or Exposure changed:
as-shot white-balance multipliers times the filter's gains, and the
develop exposure (photocraft_io::raw::import_raw_tuned). The other
settings are one filter.cameraRaw step; the document starts
unmodified. Without an as-shot white balance or without the file's
bytes, Temperature / Tint stay RGB adjustments as in the filter.
- Cancel closes the document again.
- The "developed with default settings" note is no longer shown when
the dialog is.
- Preference rawDefaults.openInCameraRaw (default on), the first
visible Camera Raw Defaults setting. Automation opens (app.open, MCP,
CLI) never show the dialog.
- "NIKON CORPORATION" + "NIKON D3200" now reads "NIKON D3200" in the
import note.
Tests: open → set → Open re-develops (brighter, still 16-bit, one
document, unmodified); Cancel closes; unchanged settings add no step;
preference off skips the dialog; a closed document is an error.
Translations for the two new strings in every catalog.
* Camera Raw open: re-develop in the background, keep tab and view
Open re-read and re-developed the whole raw on the UI thread. In the desktop
app it now runs as a job (cameraRaw.redevelop, document locked) like the
open itself; the reply is {job, pending} and the shell finishes when it
lands. The final Camera Raw step goes through app.run (a job too) and the
document is marked unmodified once it lands. Tests and the web still run
inline.
The re-developed document replaces the old one at the same tab position
and path, and its view (zoom, scroll) carries over. New test covers the
background path with documents on both sides.
wb_gains now uses camera_raw::white_balance_gains, shared with the Camera
Raw filter and documented as an observed approximation. 'Developing {name}'
translated in every catalog.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Show Clone Stamp source preview inside the brush cursor
* Drop the Clone Stamp preview screenshots and doc page
Binary screenshots and a standalone doc page aren't wanted in-tree (review):
remove docs/clone-stamp-preview.md, the two PNGs, their licence file and the
ATTRIBUTION.md row.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Clone preview: pass the command name to clone_sample and propagate its far-source error
clone_sample gained a cmd parameter and returns Result since #1165.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* SVG opens as shape layers and places as a vector smart object (FILE-215-9, part of #215)
crates/io/src/svg.rs: usvg parses (already in the tree through egui_extras); paths become
ShapeLayer knots with the transform chain baked in, quadratics raised to cubics and every
subpath after the first joining the component so the fill rule spans the path as SVG does;
groups keep opacity and blend mode (transform-only and id-only wrapper groups vanish);
text is shaped into outline shapes with the craft fonts plus the system's; gradients become
the layer's gradient fill (stops and angle, with a warning). Clip paths, masks, filters,
pattern paints and images are rasterised by resvg into pixel layers over their bounding box
rather than dropped. Limits: 16384 px canvas, 2000 elements, 24 M px per raster, bounded
recursion; malformed input is IoError::Svg.
smart_cmds::render rasterises an SVG source at the placement's axis scale (1/16 steps,
cached per scale) and divides the placement by it, affine and projective alike; place_bytes
renders that cache up front. svg/svgz join the openable lists; book page; scorecard row done.
Co-Authored-By: Claude Mythos 5.1 <noreply@anthropic.com>
* SVG import: never read local files from <image href>
usvg's default image resolver reads any absolute or relative path in an
<image href>, so opening an untrusted SVG could embed local files
(/etc/..., ~/.ssh/...) into the document. Parse with a resolver that
only accepts data: URLs (resources_dir None, string hrefs ignored).
Embedded sub-SVGs already get no <image> resolution from usvg. The font
database (and its system-font scan) is now only loaded when the drawing
may contain text. Regression test: a PNG on disk referenced by absolute
path, file:// URL and relative path is not loaded; a data: URL still is.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: leon <claude.udder842@passmail.net>
Co-authored-by: Claude Mythos 5.1 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Add Polish translation
* Polish: clippy-clean plural rule, plural test, ATTRIBUTION and docs rows
plural_polish used manual range checks (clippy::manual_range_contains) in a
match (); now a plain if/else with ranges. Adds polish_plural_rule, the
pl.tsv ATTRIBUTION row like the other catalogs, and the localization doc row.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* pl.tsv: drop three duplicate keys (Wave, High, Low)
bundled_catalogs_are_consistent and i18n-coverage reject duplicate
(context, source) pairs; the first translation of each is kept.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Fix#1271, fix#1316: Preferences › Interface › System Title Bar
Since #986, Windows and Linux draw PhotoCraft's own one-row title bar
with its own window buttons. On tiling window managers those buttons do
nothing, and some Linux desktops look better with their own decorations.
The new System Title Bar preference (off by default) gives the window the
system's title bar and buttons back; it is read when the app starts.
macOS always uses the system's. Translated in every shipped language.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01UHgFEHEsefoQoBParH47JA
* Scorecard: count the System Title Bar preference
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01UHgFEHEsefoQoBParH47JA
---------
Co-authored-by: Claude <noreply@anthropic.com>
* raw: decode Nikon compressed NEF (lossless + lossy)
Nikon's default NEF (TIFF compression 34713) opened only as the embedded
8-bit JPEG preview. Decode the Huffman-coded strip: lossless and lossy
type 1 / 2, 12 and 14 bit, with the seeds and curve of maker note 0x0096
in the maker note's byte order. "Lossy after split" files stay
unsupported and keep the preview fallback.
Clean-room: format facts from prose write-ups (Clévy, Claff, ExifTool tag
names, T.81). The fixed Huffman tables are not in the files; they come
from LightCraft's black-box analysis of CC0 raw.pixls.us samples
(storytold/lightcraft#86, verified there on ~45 files from ~35 bodies).
No decoder code is shared: nefc.rs is written against this crate's TIFF
reader.
Also read Nikon BlackLevel (0x003d) in 14-bit units for 12-bit data, as
measured for LightCraft (D750 / D850 / Z 50).
Refs #50.
* raw: Nikon NEF without a BlackLevel tag is black-subtracted in camera
A D3200 NEF's darkest samples are 0-4 (noise around zero): assume 0
without the "black level not recorded" warning when the Nikon maker
note is present but has no 0x003d tag.
* raw: trim Nikon's right-edge padding columns
A D3200 NEF pads every row with 46 columns of 256 (exact in 97.5% of the
rows, lossy-coding noise elsewhere) after its 6034 image columns; they
developed as a pink stripe on the right. Trailing columns (at most 128)
that hold the last column's value in at least 90% of their rows, when
that value is dark, are left out of the active area and crop. A white-
clipped edge is never trimmed.
Auto forced at least 200% on any 4K monitor, overriding a fractional
system scale such as 125% or 150%, so Linux users on 4K got either
100% or 200% and nothing between. Auto now follows whatever scale the
system reports and uses the 200% fallback only when the system reports
no scaling (100%), which is the case #225 was fixing.
Claude-Session: https://claude.ai/code/session_01QcbChgBDVrdhjfsFA5D9nt
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Desktop: write log records to standard error and a rotating log file
The desktop app installed no logger, so every log::warn!/log::error! in
the workspace was discarded: GPU startup fallbacks, a lost wgpu device,
the crash guard's panic report. A launch from a desktop menu has no
terminal either, so there was nothing to attach to a bug report.
apps/photocraft/src/logging.rs (no new dependency):
- standard error plus <settings dir>/logs/photocraft.log; each launch
rotates the previous log to photocraft.1.log and .2.log, so the log of
a run that crashed survives the next start; the file is capped at 16 MiB
- records logged before the settings directory is known are buffered
(bounded) and written once the file is attached
- default levels: info for photocraft*, warn for everything else;
RUST_LOG replaces them with env_logger-style directives
- never panics: an unusable directory or a failed write leaves standard
error as the only sink
The logger is installed first in main (so the panic hook is recorded) and
the file is opened after argument parsing (--version and usage errors
leave no file). Documented in docs/development.md (Logs).
* Contributors: credit switch87 as Gert Pellin
* Desktop: report an unusable log folder through the logger
eprintln! panics when standard error is a broken pipe (a GUI launch on
Windows); log::warn! reaches standard error the same way once the file
sink has given up, and never panics. Same fix as storytold/vectorcraft#465.
The deep EXR decoder (#642) was verified against the OpenEXR project's deep test images, but those
lived in a hand-copied `corpus/exr/` and the test skipped when they were absent, so CI never read
them. `cargo xtask corpus --exr` (and `--all`) now fetches the five `*.deep.exr` files of
openexr v3.5.2 `src/test/bin/test_images`, sha256-verified against `xtask/exr-corpus.sha256`.
`real_deep_files_decode` is behind the `corpus` feature and fails when the corpus is missing. It
checks each file's sample total, largest per-pixel count, cumulative counts and channel lengths,
and that the decoded u32 ID channels hold exactly the IDs listed by the upstream `.txt` sidecars
(an independent oracle), plus the flattened decode. FILE-216-3 moves to partial (EXR read in CI;
TIFF and RAW still are not).
The contributor docs offer github.com/storytold/craftrules as the place
to read the font rules and release playbook, but the repository
returns 404 to everyone outside the organization, so the cited text is
unreachable for outside contributors. Keep the sibling-checkout paths
and say plainly that the repo is not public and a maintainer can supply
the rules relevant to a change.
Co-authored-by: Brandon Fenty <bfenty@users.noreply.github.com>
The Photopea screenshots, their ATTRIBUTION row and the example that made
them documented the bug for review; the unit tests in crates/text cover
the behaviour, so they are not needed in the tree.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01UHgFEHEsefoQoBParH47JA
photocraft-affinity now reads native Affinity documents (container
versions 8-12): the FAT and revision chain, stored/zlib/zstd entries
with predictors and CRC checks, the tagged object stream in doc.dat,
and the document model (pages, artboards, layers, groups, curves,
geometric and compound shapes, fills, gradients, strokes, text, placed
images, pixel layers, masks and embedded-document caches). Every size
is bounded and malformed input returns an error.
photocraft-io maps it to an RGB8 document with artboards, groups, shape
layers, type layers, embedded smart objects, pixel layers and
vector/layer masks; what can't be mapped is listed in the warnings. The
embedded preview is now only a fallback when the native data can't be
read, and only that preview is refused by Place and warningless imports.
`cargo xtask corpus --affinity` pins 21 public CC0/MIT documents,
sha256-verified; the io corpus test compares each import with the
thumbnail Affinity saved in it (mean difference 0-4.6 of 255).
Affinity export is not implemented: no Affinity installation was
available to validate written files.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01GQPh8UDgMyARR5Hat9UchC
Read the indexed version-12 PNG preview with bounds, chunk ordering and CRC checks. Show native-content and resolution warnings, preserve the source through normal and automation opening, and reject auxiliary routes that cannot display the warning. Add format documentation, malformed-input and save-lifecycle tests, native-oracle hooks and parser/import fuzz targets. Editable native layers and Affinity export remain unsupported.
* Photo Filter and gradient glows render like Photoshop (#442, #443)
Photo Filter multiplied encoded RGB by the filter colour and rescaled to Rec.601 luma. Photoshop
multiplies the pixel's D50 XYZ (relative to white) by the filter colour's, mixed by density, and
Preserve Luminosity restores the encoded luminosity like the Luminosity blend mode (SetLum +
ClipColor); 32-bit documents keep luminance Y. rgb16 photo-filter.psd now matches within 0.6/255
(was 125/255); rgb8 mean error 0.3/255 (was 20.8).
Outer and Inner Glow gradients were laid out across the canvas (a vertical linear gradient), so
the colour bands ran top to bottom. Photoshop colours the glow at strength v with the gradient at
1 - v (first stop at the edge) and the glow is opaque from v = range^2. outer-glow-gradient.psd:
mean 1.4/255, max 9.9 (was 252).
CPU and GPU paths updated together; photoshop oracle floor 132 -> 133.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Merge origin/main; regenerate docs/scorecard.md
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Layer > Smart Objects > Convert to Layers (#535)
Unpacks a smart object's contents back into layers at its placement:
several layers land in a group named after the smart object (carrying
its opacity, blend mode, masks and style); a single layer replaces it
directly when those fold in exactly. Contents are conformed to the
document's mode, profile and depth; smart filters are discarded.
Also in the Layers panel context menu and the Properties quick actions.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Parity: Convert to Layers is live (627 of 627); raise FLOOR
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Convert to Layers: pass no inherited group locks to transform_layer (#847 added the parameter)
The layers are transformed inside released(), which lifts every lock in their tree.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* it: translate Convert to Layers (Italian landed after this PR was written)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Windows and Linux: one title bar with the app icon, like Photoshop
The window had the OS title bar stacked above PhotoCraft's own top bar. On
Windows and Linux the window now has no OS decorations and the top bar is
the title bar, as in VectorCraft and Photoshop on Windows:
- the app icon (brand.rs) leads the bar, before the menus;
- Minimize, Maximize/Restore and Close sit flush in the top-right corner
(Close turns red on hover; it runs File > Exit, so unsaved work is asked
about first);
- the free gap between the menus and the controls still drags the window
and a double-click there maximizes it;
- invisible 5 pt edges (12 pt corners) resize the window.
The right-hand group gets its own rect between the menus and the caption
buttons (egui's MenuBar takes the whole row, so it used to be laid out from
past the bar's end). Narrow windows drop what is also in a menu before
anything overlaps: Discord, then the theme toggle, then search, then the
workspace switcher narrows. macOS keeps its traffic lights.
New theme tokens caption_close / caption_close_text, Minimize / Maximize /
Restore in all 12 catalogs, and a --custom-titlebar flag for the snapshot
example.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Long right-click menus scroll inside the window instead of running off it
widgets::menu_scroll caps a context menu at the visible window height
(clear of a taskbar a too-tall window runs under, #315). egui moves the
popup up to fit, and it scrolls only when it is taller than the window.
Used by the Layers, canvas tool, Channels, Paths and document-tab menus;
the menu bar's menus already scroll (menu_nav::level).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Direct Selection tool: reshape paths after they're drawn (#790)
Adds Photoshop's Direct Selection tool (A, in the Path Selection flyout) and
the Pen's Cmd/Ctrl (Direct Selection) and Alt (Convert Point) modifiers. It
selects and drags anchors, direction handles and segments of the work path,
the active shape layer's path and a targeted vector mask.
The geometry lives in photocraft_vector::edit; new engine commands
path.moveAnchors, path.moveHandle, path.bendSegment and path.convertPoint
apply it (one history step per drag, drivable over MCP and the control
channel), and the canvas previews a drag with the same code.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Tool::ALL holds 49 tools now that Direct Selection and Magnetic Lasso both landed
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* TIFF: BigTIFF, every IFD and SubIFD, banded parallel decode (FILE-215-8)
Large and multi-page TIFFs now open the way Photoshop opens them, quickly and without a second
full-size buffer, and any directory of the file can be opened on request.
* photocraft-codecs `tiff_ifd`: a bounds-checked directory walker for classic TIFF and BigTIFF
(LONG8 / IFD8, both byte orders). It follows the whole IFD chain and the SubIFD trees (tag
330) with a seen-set, a depth limit and a 10 000-directory cap, and checks every value range
against the file. `tiff_info` lists the pages (size, kind: page / reduced-resolution / mask,
parent, storage); `default_page` is the first full-resolution page of the main chain, so a
leading thumbnail is skipped. `decode_tiff_page`, `tiff_orientation`, `tiff_page_orientation`.
* Banded decode: the `tiff` crate reads the chosen directory through a patched byte view (header
-> that IFD, its next pointer -> 0, WhiteIsZero / palette -> BlackIsZero), so SubIFDs and
cyclic chains decode. The image is allocated once (fallibly, zeroed in parallel) and each
strip or row of tiles, across every plane, is decoded straight into it, in parallel on native
targets, with one capped chunk-sized scratch buffer per worker. New: planar configuration 2
(was an error), palette images (as RGB), 64-bit integers, associated alpha made straight,
non-alpha extra samples dropped. Image data cut off by the end of the file decodes with a
`Truncated` warning. Before the crate sees a file: structural tag values must lie inside it,
the chunk tables must match the geometry (checked in 64 bits; the crate overflowed and
panicked on `(h / rows + 1) * planes`), and a decompression-bomb guard refuses files far too
small for their declared size.
* WhiteIsZero and BigTIFF Orientation keep upstream #746's behaviour (#691, #693) through the
new decode path; regression tests cover both.
* Encode: `EncodeOptions::tiff_bigtiff` writes BigTIFF; without it, BigTIFF is chosen when the
file could pass 4 GiB (and a classic write that overflows 32-bit offsets is redone as BigTIFF).
* photocraft-io: `import_tiff_page(name, bytes, page)`; the TIFF branch of import goes through it.
* Tests: codecs `tiff_pages.rs` on hand-built files (`tests/common/tiffgen.rs`): BigTIFF LE/BE at
8/16/32f, padded tiles and planar strips/tiles, pages and SubIFDs, cycles, the IFD cap,
truncated and past-EOF strips, huge dimensions / counts / tiles, WhiteIsZero, palette, wide
formats, BigTIFF write, and a cut / bit-flip / random-mutation zoo (an ignored long run did
200 000 mutations without a panic); io `tiff_pages.rs`. The `decode_tiff` fuzz target walks
every page. `tiff_bench.rs` (ignored) times a 30 MP decode against the previous path.
* 30 MP RGB (release, 16 threads, same run): Deflate 344 -> 32 ms, LZW 428 -> 43 ms, 16-bit
Deflate 497 -> 46 ms, uncompressed 15 -> 10 ms, 256 px tiles 36 -> 10 ms, planar error -> 12 ms.
* Scorecard FILE-215-8 done; README and roadmap updated.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* rustfmt the TIFF reader and tests
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: leon <claude.udder842@passmail.net>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Right-click with a Marquee, Lasso, Polygonal Lasso, Magic Wand or Object
Selection tool now lists Photoshop's selection context menu in its order
(Deselect … Fade…), with separators, the menu-bar commands and their
enablement. Without a selection it offers Select All, Reselect, Color
Range… and Load Selection…. Make Work Path… asks for the tolerance first.
All canvas context menus (selection, Pen, Free Transform) now share one
row model, so the control channel lists and chooses them the same way.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* About: contributors and models tabs compiled in from contributors.json (grab bag + table, sortable, name toggle)
Help > About PhotoCraft gets tabs About · Contributors · Models, following the craftrules
standard (standards/contributors.md): contributors/contributors.json is generated by
craftrules/scripts/contributors.py and baked into the binary by crates/ui-egui/build.rs as
static tables (nothing read at run time; the web build has them too). Each contributor line:
@username, opt-in display/real name, PRs, commits, lines +/−/Δ, binary assets +/−, first/last
commit. Sortable by every column; alphabetical ignores case and the leading @. The tab is the
dialog field `tab`, so agents can switch it with ui.dialog.set. New labels are translated in
all eleven catalogs.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Contributors docs: craftrules is two levels up (../../craftrules)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Contributors: self-submitted names in contributors/people.toml; AGENTS.md credit-yourself section
build.rs reads contributors/people.toml next to the generated contributors.json and shows a name only
for entries the generator verified as written by that person (craftrules standards/contributors.md).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Contributors: regenerate (verified people.toml entries)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* i18n: credits labels for catalogs added on main since this branch
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Contributors: regenerate after rebase onto main
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Contributors: regenerate (verified people.toml entries)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Add the Magnetic Lasso tool
A selection border that snaps to edges as the pointer moves, in the
Lasso (L) flyout after the Polygonal Lasso.
- photocraft-algo `magnetic`: live-wire edge tracing (Mortensen &
Barrett 1995): Sobel strength, non-maximum suppression and gradient
direction link costs, a shortest path inside a corridor of the
detection width around the pointer's path, sub-pixel edge centres.
Pixels are read lazily in 128 px blocks.
- Engine: `EdgeSource` (the active pixel layer, else the composite) and
`select.magneticLasso`: rough points in, a border along the edges out;
`trace: false` selects a given outline, which is how the tool commits.
- UI: click to start, move to trace (button up or down), points fasten
by themselves (Frequency), click fastens, Alt-click straight, Alt-drag
freehand, Backspace/Delete removes points, click the first point,
double-click or Enter closes, Esc cancels, [ ] change the width.
Options bar: Width, Contrast, Frequency, tablet pressure. `ui.inspect`
reports the border in progress.
- The Lasso and Polygonal Lasso now apply the options bar's Feather;
`select.lasso` rejects a feather outside 0..1000.
- Icon adapted from Noun Project's "Magnetic Lasso Tool" by Lil' Seal
(CC BY 3.0, licence file and ATTRIBUTION.md row).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* it: translate the Magnetic Lasso strings (Italian landed after this PR was written)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Update mod.rs
* Update system.rs
* Update live_tests.rs
* Update localization.md
* Italian UI translation (it)
* Register Italian fully and bring the catalog up to date
- LANGUAGES grows to 13 entries (the array length was still 12), with the native
name Italiano.
- The system-locale test expects the code `it`, not `it-IT`.
- Italian joins the i18n coverage report, ATTRIBUTION.md and LICENSE-translations.txt.
- Translate the strings main gained since the catalog was written, and fix two
comments copied from the Spanish catalog.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* layer style: instance-aware engine apply (layer.layerStyle.replace) with param overlays, contour presets and factory defaults
* layer style: instance-based dialog state preserves every effect; Preview checkbox gates the live preview
* layer style: Styles swatches and New Style… save the dialog pending state (style.presets.new effects param)
* layer style: Contour picker and Noise slider for shadows and glows (CPU-rendered noise; GPU falls back to the CPU for noisy effects)
* layer style: Make Default / Reset to Default per effect kind (user defaults persist with the presets)
* layer style: double-stroke band regression (manga case) and control-protocol docs for the instance-based dialog
* layer style: make Styles a top-level tab displaying preset swatches in the right panel
* i18n: translate the Layer Style preset strings in de and pt-br
The German and Brazilian Portuguese catalogs landed on main after this
branch added "Style {name} saved", "Make Default" and "Reset to
Default"; every_tl_literal_is_translated needs them.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* presets: move the stray BTreeMap import to the top of the module
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* PSD: decode planes up to 8 GiB, so large PSBs keep their pixels (#375)
MAX_DECODED_BYTES capped a single decode at 2 GiB. Real PSBs go past
that in one plane set: the merged image of a 30000x30000 RGB file is
2.7 GB, a 33000x33000 16-bit layer channel 2.2 GB. Opening such a file
gave a document with no layers (flattened files) or layers whose
channels were "treated as empty" (layered files). Saving hit the same
cap on the encode side and silently fell back to uncompressed data.
The cap is now 8 GiB on 64-bit targets and 2 GiB elsewhere, the budget
photocraft-codecs already uses for Limits::max_alloc. It stays a
backstop: the decoders bound their output by their input on their own
(RLE expands at most 64x, Raw needs every byte present). The Raw and
RLE output buffers are reserved with try_reserve_exact, so a machine
without that much memory gets an error instead of an abort.
generated with Claude Code
* PSD import: a channel that can't be decoded leaves its layer empty (#375)
The warning says the channel is "treated as empty", but the importer
filled a missing transparency channel with opaque alpha, so a layer
whose channels all failed became an opaque black rectangle over the
document. A channel that is present but undecodable now leaves the
whole layer empty (transparent), as the warning says.
tests/large_psb.rs: the damaged-channel case (PSD and PSB), and an
opt-in release test that opens a flattened 29000x29000 PSB whose
merged image decodes to 2.52 GB (16 s, 11.6 GB peak here).
generated with Claude Code
* Large-file fixtures: generate and check 4-5 GB PSBs (#375, #216)
photocraft-psd example big_psb writes five PSBs straight from the spec,
independent of this crate's writer and its limits: flattened and
layered, raw (4.4 and 4.8 GB files, data past 4 GiB) and RLE (small
files whose planes decode past 2 GiB, up to a 33000x33000 16-bit
layer). Every sample follows one formula, so photocraft-io example
big_psb_check opens a file through photocraft_io::import and checks
pixels without a reference; with SAVE set it saves as PSB and checks
the re-opened file.
Release build, this machine: all five open with correct pixels and
survive a PSB save and re-open (5-14 s per import). Before the 8 GiB
cap, three of the five opened empty or black.
Scorecard FILE-216-2 missing -> partial: no 2 GB PSD, 150-layer or
20 MP fixture yet, and nothing runs in CI.
generated with Claude Code
* psd: ZIP channels reserve fallibly and read in bounded chunks
A small ZIP channel declaring a huge decoded size could make
zip_decompress try a multi-GiB with_capacity/read_to_end and abort on
allocation failure. Reserve with try_reserve_exact/try_reserve, read
through take(expected) in 1 MiB chunks, and report LimitExceeded
instead. Tests: absurd declared sizes, past MAX_DECODED_BYTES, garbage.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Add Camera Raw source-resolution preview navigation
* Keep web preview responsive and discard stale refinement errors
* Preserve Alt wheel intent throughout smoothed Camera Raw zoom
* Specify refinement result type for the wasm fallback
* Bound sparse Camera Raw proxy domains and validate detail tests
* Document Camera Raw zoom controls with native screenshots
* Drop the Camera Raw zoom screenshots; keep the guide as docs/camera-raw-zoom.md
We don't commit sizable binary assets. Removes fit.png and actual-size.png,
their LICENSE.txt and ATTRIBUTION row, and moves the controls guide next to
docs/camera-raw-histogram.md.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Translate the Camera Raw full-resolution notice in de and pt-br
Main added German and Brazilian Portuguese catalogues after this branch
forked; the i18n coverage tests need the new label in both.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: abc2cb <271337822+abc2cb@users.noreply.github.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Content-Aware Move: move or extend the selected pixels, the gaps filled content-aware (#213)
New command paint.contentAwareMove {offset, mode: move|extend, structure 1..7,
color 0..10, sampleAllLayers}. The content is pasted at the offset, its colour
fitted to the new place by `color` (0 keeps it, 10 is a full seamless clone),
and an edge band whose width `structure` sets is re-synthesised from the
surroundings. In move mode the old place is then filled with
content_aware::fill, never sampling the moved content (no ghost). The
selection follows the content. One undo step; runs as a background job with
progress and cancel. Works on layer pixels, masks and channels, at any depth.
Timing (retouch_bench, release, 6016x6016, elliptical selections dragged
300 px): 250x250 move 240 ms / extend 129 ms, 500x500 0.93 s / 0.53 s,
1000x1000 2.6 s / 1.5 s.
Known limit: at low Structure the wide band comes out smeared (the PatchMatch
vote blurs a thin band between high-contrast regions); that is the shared
completion, not this command.
generated with Claude Code
* Content-Aware Move Tool in the J group (#213)
Tool::ContentAwareMove next to the Patch Tool: outside the selection a drag
draws a lasso, inside it drags the selection and runs paint.contentAwareMove
on release (as a background job). Options bar: Mode (Move/Extend),
Structure, Color, Sample All Layers. The drag shows the moving outline; a
live preview of the result is not part of this change. New strings are
translated in every catalog. Scorecard TOOL-213-4: missing -> partial
(Transform On Drop and the live preview are still open).
generated with Claude Code
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* ⌘⌥⌃-click on the canvas selects the topmost layer under the pointer
With any tool, ⌘⌥⌃-click runs `layer.pickAt` at the pointer (the topmost
visible layer with pixels there becomes the selected layer) without
switching to the Move tool; the press, drag and release are swallowed so the
active tool never paints or draws. It runs before the ⌃⌥ brush-resize
gesture, which the same keys would otherwise trigger.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* quick_pick: document the macOS-only gesture, report a failed pick as an error
Windows and Linux never report mac_cmd, so the gesture is a documented no-op there and
Ctrl+Alt keeps resizing the brush. Tests cover both, plus a failed pick.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Jason Short <3344856+jason4short@users.noreply.github.com>
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Camera Raw: read and write settings as a live PSD Smart Filter (part of #215)
- Map Camera Raw 18.4 (process 5/6) filter settings to and from PSD: custom white
balance, Light, Presence, parametric and four point curves, HSL, Color Grading,
sharpening, noise, grain and numeric post-crop vignette controls.
- Keep the original Photoshop descriptor; edits patch only changed fields. Unknown
settings or versions stay an opaque filter, preserved byte for byte.
- PSD stores integer slider levels: export rounds continuous PhotoCraft values
(hue 360 -> 0) instead of dropping the filter.
- Tests: field mapping, patching, opaque fallback, malformed input, rounding, and
8/16/32-bit PSD -> edit -> .pcraft -> PSD with mask, filter order and undo/redo.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Camera Raw PSD: use as_chunks for curve pairs (clippy 1.99)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Camera Raw PSD: no product names in Rust comments, strings or test names
Only the descriptor class key itself keeps its literal name.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
wgpu's default DX12 compiler (`Auto`) loads `dxcompiler.dll` by name, and the Windows DLL search
falls through to the current directory and PATH, so another program's DXC build (a Chrome or SDK
folder) was loaded and crashed shader compilation or failed device creation. The app now uses FXC
(d3dcompiler_47.dll, part of Windows) unless a dxcompiler.dll ships beside photocraft.exe, which is
loaded by its full path. WGPU_DX12_COMPILER still overrides.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
