* Blur Gallery: Field Blur pins on the image (#3373)
Field Blur opened a parameter dialog with one centre, though the engine
already blends any number of pins. It now works as Photoshop's Blur
Gallery workspace: the image under the dialog takes the pointer. A
click adds a pin and selects it, a drag moves a pin, and a drag around
the selected pin's ring turns its blur up or down (one turn is the
0-500 px range; the arc shows the amount). Delete or Backspace removes
the selected pin. The dialog shows the selected pin's Blur and Preview,
and opens at the right edge, beside the image, so the pins stay in view.
The pins live in the dialog's fields (`pins`, `__selected`), so the
existing filter preview follows every change, OK applies
filter.blurGallery.fieldBlur with them in one step, and automation
drives it with ui.dialog.set. Pins are fractions of the selection's
bounds when there is one, else the canvas, as the engine reads them.
Proxy previews now scale Blur Gallery pins' pixel blur like other pixel
params.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* i18n(vi): translate the Field Blur pin strings
main added the Vietnamese catalog after this branch was cut, so
every_tl_literal_is_translated failed on the merge for "No pin
selected" and the pin hint. Terms follow the catalog's own: ghim
(pin), Bấm (click), Delete kept as the key name.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_018CiFWEfKibLnwb6oSy6ZBE
* Blur Gallery: Alt+Cancel Reset starts again from one pin
main's Alt+Cancel → Reset (#3871) restores a filter dialog's schema
defaults, and the schema has none for Field Blur's pins, so Reset
left the workspace with no pins. blur_pins::reset now puts back the
opening pin (in the middle, selected), and reset_fields runs it for
the Blur Gallery. init is reset plus capturing the bounds, which
Reset keeps.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_018CiFWEfKibLnwb6oSy6ZBE
* i18n(hu, tr): translate the Field Blur pin strings
main added complete Hungarian and Turkish catalogs after this branch
was cut. Terms follow each catalog: tű / Mezőelmosás (informal
Hungarian), pim / Alan Bulanıklığı (formal Turkish).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_018CiFWEfKibLnwb6oSy6ZBE
* i18n(sr): translate the Field Blur pin strings
Main gained a complete Serbian catalogue (#4436); every_tl_literal_is_translated needs these strings there too.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
None of the five rows was flipped on main; every test the notes cite
exists on main. Main made TYPE-218-1 (type on a path) partial, so the
Type recount in gaps.md G8 and the target-app-parity Type row now say
5 done, 3 partial, 1 missing and name it partial. Header lines of
gaps.md and ui-parity.md keep main's entries plus this PR's.
docs/scorecard.md regenerated.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Use the shared percentage row so the jitter amount does not look like a hue selection. Cover the rendered themed track, numeric and pointer edits, neighboring settings and engine journal replay.
Addresses the Hue Jitter appearance item in #3825; other assessment items remain open.
Co-authored-by: augrclk <217665348+augrclk@users.noreply.github.com>
Co-authored-by: GPT-6 <noreply@openai.com>
photocraft_psd::fixtures (feature testgen) generates the FILE-216-2
fixtures at test time: a 20 MP layered PSD and a 150-layer A4 layout
(groups, masks, hidden layers, drop shadows, known merged colours), a
2.02 GB PSD just under Photoshop's cap and the 4-5 GB PSBs, streamed row
by row. io tests/large_files.rs opens, checks, saves and re-opens each
(the 2 GB PSD and 4.38 GB PSB are opt-in). The ui-egui large_file_bench
times opening the big two, wired to P20 and a new P60.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
#426 gave smart objects a projective placement (`SmartObject.perspective`,
with `transform` as its affine approximation): Distort and Perspective set
it, the layer re-renders from its source through the homography, Warp
composes with it, and the PSD placement reads and writes
`nonAffineTransform` / `Trnf`. The scorecard row still said "missing" with
the pre-#426 note, as did the ui-parity row and the #579 mention in gaps.md.
Background Eraser: main now samples and matches against the pre-stroke pixels (#4552); the
shared dab effect takes the pre-stroke surface so the live preview, whose working areas are
per dab, reads the same pixels as the commit.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Conflicts in docs/gaps.md, docs/target-app-parity.md and docs/ui-parity.md:
kept main's status lines and rows and this branch's Type, selection-modifier
and Alt-wheel evidence. docs/scorecard.md regenerated.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Keep configured minimum values across Control changes and cover disabled input, independent controls and reactivation with UI regressions.
Refs #3825 (minimum input state only).
Co-authored-by: augrclk <217665348+augrclk@users.noreply.github.com>
Co-authored-by: GPT-6 <noreply@openai.com>
* Lab and CMYK: Invert, Posterize and Threshold work on the document's channels
Photoshop applies these to each stored channel, not to RGB:
- Lab: Invert and Posterize work on L, a and b, and Threshold cuts on L
to a neutral black or white.
- CMYK: Invert and Posterize work on each ink, black included, so
paper inverts to 400% ink. Threshold gives paper or 100% black ink.
Adjustment layers now do the same:
- compose::adjust::apply_mode goes through the document's Lab or CMYK
channels.
- The GPU falls back to the CPU for these, as it already does for
Lab/CMYK Levels and Curves.
- The destructive Image > Adjustments path works on the stored samples
directly, so it is exact.
Photoshop oracles (lab/cmyk 8 and 16 bit), bad pixels before -> after:
- lab threshold: PASS (was 12%)
- lab invert: 72-99% -> 1%
- lab posterize: 89% -> 0.1%
- cmyk invert: 77% -> 10%
- cmyk posterize: 71% -> 9%
- cmyk threshold: 37% -> 1.6%
Floor 133 -> 139 (137 already passed on main).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* CMYK: Invert, Posterize and Threshold on the inks; 16-bit Lab Invert keeps greys neutral
Builds on main's adjust::apply_in (#4038):
- apply_in's mode dispatch gains CMYK. Invert and Posterize work on each
ink, black included, so paper inverts to 400% ink. Threshold gives
paper or 100% black ink alone. cmyk_channel_adjustment says which
adjustments do this.
- Lab Invert mirrors a and b around neutral at 16 bits; 8-bit bytes
still become 255 - v. stored_channels holds both rules, and
apply_lab uses it.
- Destructive Image > Adjustments on a Lab or CMYK layer works on its
stored channels directly, so it is exact; a selection mixes the
stored values.
- The GPU leaves CMYK Invert, Posterize and Threshold to the CPU.
Photoshop oracles, bad pixels:
- cmyk invert: 77% -> 10%
- cmyk posterize: 71% -> 9%
- cmyk threshold: 37% -> 1.6%
- lab16 invert: 52% -> 1.2%
The count stays at 145/258, which main already passes, so the floor
goes 133 -> 145.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Third-party action sets that load since 3204231 now play. Four TrueGrit
Texture Supply sets (Debaser, Distress Press, Halftone Zine Machine,
Transparency) go from 223 to 3 unmapped steps of 533 and play end to end.
- .atn import, 108 -> 112 events: Select and Mask (refineSelectionEdge),
Filter Gallery Spatter (GEfc), Ripple, Crystallize; targeting the layer
mask or composite channel, loading the targeted channel, Step
Backward/Forward, removeFromSelection (it silently imported as a plain
select), Pattern Fill layers (by name), nudges in points, Layer From
Background, Grayscale/Bitmap mode objects, Image Size by resolution.
- Engine: layer.translate units pt; layer.select mode remove;
select.loadSelection channel targeted; image.imageSize keepPrintSize;
layer.new.layerFromBackground ifPresent/select; pattern.import data.
New from Clipboard keeps the copied document's resolution (was 72 ppi).
- Filters: Spatter's Smoothness smooths the displacement (torn but
attached edges, as Photoshop's); Crystallize fills a cell from its point
instead of the average, so masks keep hard edges.
- UI: .pat opens/drops into the Patterns panel (no UI import existed).
- Docs: gaps G11, file-format and target-app parity.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Free Transform: H and V skew fields in the options bar
Photoshop's Free Transform options bar has H and V skew fields after the
angle; ours stopped at the angle (ui-parity: "Options bar H/V skew
fields | missing", gaps G5).
The bar now reads the box as Photoshop does: the frame scaled (W, H),
skewed (H, V) and rotated about the reference point (`Parts`). Typing a
skew leans the box about the reference point and keeps W, H and the
angle. A box can be read with any V skew, so the session keeps the typed
one (`TransformSession::skew_v`, serde default). Skews stop at ±89°.
A sheared box used to read as taller (H = 100/cos h %); it now reads as
an H skew with H at 100 %. Readouts without skew are unchanged, flips
included.
Docs: ui-parity row done, G5 and target-app-parity notes updated.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* i18n(sr): translate the Free Transform skew field tooltips
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Photoshop CS2 predates SoLd: its smart objects have a PlLd (plcL) block
alone, with the embedded file in a global lnkD block. Import only read
SoLd/SoLE, so such layers got an empty source id and Edit Contents said
"the smart object's contents are unavailable".
Parse PlLd from the Adobe PSD spec (unique id and the 8 corner doubles).
PlLd stores no source size, so the transform takes it from the embedded
file's header (linked::source_size_probe: PSD, TIFF, PNG and JPEG
headers, any other image decoded flat by photocraft-codecs). It never
imports the file as a document: a layered TIFF can carry PSD layer data
whose lnkD holds another file, so that would nest without bound. Without
the file, 100 % scale is assumed. source_geometry moves to linked.rs. Non-parallelogram corners give the projective placement as
for SoLd. An unreadable PlLd is reported as a warning.
The PlLd corners are the same placed quad as SoLd's Trnf, so they frame
the same source-space box (#3677, blocks::placed_frame): the bounding
box of a single-patch custom warp's 16 control points, which may spill
past the source, else the source rect. corners_affine now maps such a
frame onto the corners and is shared by parse_smart and plld_transform,
which is the inverse of smart_map::quad_points (what plld_bytes writes):
affine corners frame placed_frame(warp), projective ones the source
rect. A custom warp's box needs no source size, so a spilled mesh is
placed right even without the embedded file. corners_affine refuses
non-finite corners or an empty frame (identity, as before).
CS2 can warp a smart object, and PlLd keeps that warp after the corners
(u32 warp version, then a versioned warp descriptor). It is read with
the same code as the SoLd warp (warp_of), so a re-render from the now
available source (Free Transform, Image Size, mode changes) stays
warped. A stored warp that can't be read leaves the contents
unavailable, keeping the warped pixels, with a warning.
An edited PlLd-only layer (moved, transformed, warped, filtered or given
other contents) is saved like any other smart object, SoLd plus a
regenerated PlLd, with its current placement; an unedited one keeps its
record verbatim, as does one whose file isn't embedded (its id is never
read as a disk path). plld_edited compares against plld_transform with the
record's own warp, so it uses the same frame as import and as the
writer. A layer with both SoLE and PlLd is read from SoLE.
Tests: PlLd round trip and malformed input (truncation, bad magic,
oversized Pascal length, NaN) in blocks.rs; PlLd warps round trip
through plld_bytes (preset, custom mesh, identity, none) and unreadable
warps are reported as such; a PlLd whose custom mesh spills past the
source places like the equivalent SoLd, with and without the source
size; PlLd-only layers with a missing file, a broken record, a warp or
an unreadable warp; a spilled-mesh PlLd-only layer imports with the
SoLd layer's placement and an unedited one saves its PlLd verbatim (no
SoLd) and reopens in place; and engine tests that rewrite an export
into the CS2 layout (no SoLd, lnkD with version-2 liFD items) and check
transform, contents, re-render, Edit Contents, and that a warped smart
object re-renders warped.
source_size_probe has header tests for each format and malformed JPEG
marker walks.
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
In Photoshop, holding a tool's letter gives a temporary tool: releasing the
key returns to the tool you had. A tool letter still switches tools when
pressed; if the key then stays down for 300 ms or more, or the canvas is
used while it's down, the switch was temporary and the release gives the
previous tool back with its options. A quick tap stays a permanent switch.
- Shift+letter (cycling the group) and Alt+letter never spring; nor do
letters while typing in a field, editing type or under a dialog.
- The current group's own letter cycles the group, as before.
- A drag in progress when the key comes up finishes with the temporary
tool; the previous tool returns once the button is up.
- The newest held letter wins; the original tool returns when all are up.
- A tool picked another way while a letter is down (the toolbar, a menu,
automation) stands.
- Key repeats of tool letters are dropped instead of cycling the group.
- Z is one case: hold Z to zoom, add Alt to zoom out.
The state is UiState::spring, readable over the control channel and never
restored from settings. Tests that pressed tool letters without releasing
them now release them, as a keyboard does. docs/ui-parity.md and
docs/gaps.md mark #2672 done.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Read SMPTE 268M DPX in both byte orders (SDPX, XPDS): the first image
element, descriptor 6 (luma), 50 (RGB) or 51 (RGBA), at 8, 10, 12 or 16
bits, with 10-bit packing 0, 1 (method A) or 2 (method B) and 12-bit
packing 0 or 1. 10- and 12-bit code values open as U16
round(c * 65535 / (2^b - 1)) and come back exactly when written at their
depth. No colour transform: the transfer characteristic and colorimetric
specification are reported as import notes; extra image elements are
reported; the orientation is applied on import.
Write big-endian, one unencoded element, at 8, 10, 12 or 16 bits
(EncodeOptions::dpx_bits; `dpxBits` on the save commands, MCP and RPC;
`--dpx-bits` in the CLI), following the document depth by default. Gray
with alpha is written as luma. Creator, project, copyright, creation
time, transfer, colorimetric, frame position, frame rate and time code
travel as DPX:* text metadata and are written back.
Unsupported descriptors, signed or run-length-encoded data and other bit
depths return CodecError::Unsupported; malformed and truncated files
return errors.
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Noise, Wet Edges, Build-up, Smoothing and Protect Texture toggle from
anywhere on their row while keeping the selected controls open. Keep
lock clicks independent and expose each switch as one accessible checkbox.
Give Smoothing a default-on enable flag so disabling it preserves the
amount and modes. Old brush JSON stays compatible; toolbar amount edits
and explicit stroke overrides enable it, and ABR imports retain disabled
smoothing values.
Cover row, checkbox, lock and keyboard gestures, old section selections,
command replay, presets, legacy JSON and 8/16/32-bit rendering.
Fixes#4283
Co-authored-by: augrclk <217665348+augrclk@users.noreply.github.com>
Co-authored-by: GPT-6 <noreply@openai.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
- image.imageSize takes percent (both sides; an explicit side wins).
- actions.conditional {if, then, else}: Photoshop's Insert Conditional as a step, 33 conditions
on the document (shape, mode, depth, selection, layers, alpha channels, unsaved) and the
active layer (kind, locks, visibility, masks, effects); a failing branch stops the caller.
- .atn events: placeEvent → file.placeEmbedded/placeLinked (path, scale), open → file.openAs,
imageSize in percent, fill from a point → paint.bucket (pixels), conditional. 105 → 108.
- Panel labels conditional steps as 'If cond → then / else'.
- edit.transform gains the relative form (scaleX/scaleY %, rotate, dx/dy about the frame
centre), as a Photoshop action records a Free Transform; image.applyImage takes a source
layer by name.
- .atn events: transform (layer → translate or relative transform; selection →
transformSelection), applyImageEvent, export (Save for Web, with the txtu path record
decoded and written back; kept verbatim without a destination), newPlacedLayer /
placedLayerEditContents / updatePlacedLayer, close with the Save answer → save + close,
delete of the target channel → layer mask delete, Quick Mask on/off, polygon selections →
select.lasso, Gradient Map (direct and as an adjustment layer). 92 → 105 events.
- Export tries every event listing a command id (Quick Mask on → set, off → clearEvent).
- Docs: event counts in the parity docs.
* Actions panel: set folders, dialog toggle column, Insert Stop (#219)
- Engine actions_edit_cmds: actions.insert (any command at a position; Insert Stop… uses it
with actions.stopMessage), actions.dialog (the per-step dialog flag), actions.assignSet.
Flag sets follow inserted steps; nothing edits during playback.
- Panel: loose actions first, then each set as a collapsible folder row with its count
(ui.actions.collapsedSets); dropping an action among another set's rows moves it there;
Save Set… on a folder's context menu; a dialog toggle column next to the check marks;
Insert Stop… in the panel menu with a small message/Allow Continue dialog.
- Shell playback pauses on a dialog-toggled filter or adjustment step: the command's dialog
opens seeded with the recorded values; OK runs the dialog's values and resumes from the next
step, Cancel stops. Agents play headlessly. The play result reports paused: {step, id, dialog}.
- Docs: control protocol, scorecard AUTO-219-2 done, gaps G11.
* Translate the Actions panel's set, dialog-toggle and Insert Stop strings
* Resume a paused action only after the dialog's background job lands
A filter confirmed from a dialog runs as a background job in the desktop app; the resumed
steps met a locked document and failed. Wait for the job first (test covers background jobs).
* Load and save Photoshop Actions (.atn) (#219)
- photocraft-psd: `atn` parser and writer for version-16 action sets, exact round trip,
truncation/garbage safe, fuzz target and `atn_dump` example. Descriptor fix: `indx` and
`Idnt` reference items carry a class before the number (real action files failed to parse).
- photocraft-engine: `atn_cmds` maps 92 Photoshop events to commands and back (filters,
adjustments per channel, image/canvas/crop/trim/rotate/flip/mode, make/set/select/delete/
hide/show/move/duplicate, fill/stroke, selection, clipboard, purge, profiles, play, stop).
Other steps load as `actions.photoshopStep` (descriptor kept, written back by save, fails at
playback by name); tool selections load switched off. Commands `actions.load`,
`actions.save`, `actions.stopMessage`, `actions.photoshopStep`. `Action` gains `dialogs`
and `set`. `layer` params accept a layer name, so loaded steps replay in any document.
- UI: Actions panel menu › Load Actions… / Save Actions…; Photoshop steps labelled.
- CLI: `batch --actions set.atn`. Automation policy covers the new path params.
- Docs: file-format parity (.atn R/W), gaps G11, target-app parity, scorecard AUTO-219-2
partial, development guide.
* Translate the Actions panel's Load/Save strings in every catalog
The eight new panel strings (Load/Save Actions…, the loaded/saved counts, the kept-step label)
were missing from all 19 catalogs; the languages that were complete are back at 100%.
* Show the Actions entries in the default dock's panel menu
The legacy dock renders its own group menu and only knew the Layers and Swatches entries, so
Load Actions… and Save Actions… were missing there.
The Character panel (and the Properties Character section) gains
Photoshop's row of eight OpenType buttons: Standard Ligatures, Contextual
Alternates, Discretionary Ligatures, Swash, Stylistic Alternates, Titling
Alternates, Ordinals and Fractions. Each shows pressed while its feature is
on at the selection (else the layer) and toggles it through the existing
type.openType.* command, on the same scope as the other Character controls
(the selected characters while typing, else every selected type layer).
Scorecard TYPE-218-5 stays partial: the Numerals and Stylistic Sets
submenus are still missing.
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
The mesh was every square grid cell touching the layer's opaque pixels:
a staircase up to a cell outside the shape, and shapes closer than about
a cell shared cells, so pinning one dragged the other along.
build_mesh now traces the outline of the opaque region grown (or shrunk)
by Expansion from a signed distance field, simplifies it (Douglas-Peucker,
corners kept), splits its sides to the Density spacing, fills the inside
with a triangular lattice and triangulates the points (Bowyer-Watson
Delaunay, outline sides recovered by midpoint splits), keeping the
triangles inside the outline. Separate shapes get separate meshes, so an
unpinned one stays put, as in Photoshop. Vertices are numbered in reverse
Cuthill-McKee order to keep the solver's banded factor narrow, and the
density's spacing counts the grown region so a large Expansion on a small
layer no longer builds tens of thousands of vertices.
Scorecard TOOL-214-6 done; docs/gaps.md G7 updated.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
While editing type, a run of clicks at one spot now selects like Photoshop:
two clicks the word, three the laid-out line (a column in vertical type),
four the paragraph up to its hard return, five all text; the next quick
click starts over with a caret. egui stops counting at three, so the Type
tool keeps its own count per layer (next_click_count) and the ranges come
from a pure helper over the text and its layout (click_selection).
Scorecard TYPE-218-8 is done; docs/gaps.md G8 updated.
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Pattern Stamp (aligned through LiveRetouch, Impressionist dab by dab) and
Background Eraser now paint during the drag; the release commits exactly the
pixels the live stroke showed (per-pixel tests at 8 and 16 bits). Spot
Healing keeps healing on release and shows a dark overlay while dragging.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* i18n(cs): translate dynamic labels the literal scanner can't see
The Czech catalog covered every enforced key (menus, tl! literals, blend
modes, preferences) but not the labels built at run time: filter and
Filter Gallery parameter names and choices humanized from their keys,
Camera Raw controls, the Flame / Picture Frame / Tree render filters,
measurement columns, file info fields and the macOS application menu.
Those showed in English under Czech.
Adds 853 entries (2,441 -> 3,294) for keys that the other catalogs
already translate and that still exist in the code. Existing entries are
unchanged. Translated clean-room from the plain meaning of the English
labels, with the terminology already used in cs.tsv; no proprietary
localisation was consulted.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* i18n(cs): credit the Czech catalog in ATTRIBUTION.md and LICENSE-translations.txt
cs.tsv is a bundled translation asset but had no row in ATTRIBUTION.md
and was not named in LICENSE-translations.txt. Add both, worded like the
other catalogs (PhotoCraft contributors, original translations, MIT OR
Apache-2.0).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* i18n(cs): terminology review fixes for the new dynamic labels
Changes from an independent review pass over the added block:
- "Create By" (De-Interlace: how the missing lines are made) reads
"Vytvořit pomocí", not "Vytvořil" (author)
- luminance is "jas" in Camera Raw, as in the existing "Luminance" label
("Detail jasu", "HSL – jas", "Jas")
- slider labels are nouns, like the existing "Redukce šumu" (Reduce Color
Noise, Sharpen Details, Lighten Grout)
- grain and flame choices agree in gender with their neighbours; "Shadow"
matches "Highlight"/"Světla" as "Stíny"; "At" is "Pozice"; "Water Paper"
is "Mokrý papír"; "Leaves" is "listů" everywhere
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* contributors: add my own people.toml entry
Own entry only, as AGENTS.md describes: credited by the name on my public
GitHub profile (sync_github_name), otherwise by @username.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* i18n(cs): drop three rows that main added in the meantime
"Columns", "Margin" and "Automatic" were added to cs.tsv on main while this
branch was open, with the same translations, so the appended block no longer
needs them (the catalog has no duplicate keys).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* i18n (cs): translate two strings that are still missing from cs.tsv
"Drag (lasso) or click points (polygonal) ..." and "The current gradient
(pick one in Window > Gradients)" exist in the other catalogs but not yet
in cs.tsv on main.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
* i18n (cs): translate context-menu, channel and layer-style labels
These labels are rendered through tl!() with a variable, so the literal-based coverage test does not see them.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Localize Czech status messages and notice wrappers
Translate shell messages before interpolating file names and engine errors.
Use the existing plural API for counted objects and preserve English fallback.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Localize Czech UI labels and hardware information
Translate brush controls, accessibility names and rasterization prompts at
render sites. Preserve adapter, driver and display/profile identifiers.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Localize Czech composed labels and distinguish Navigator zoom
Translate profile, preset and shortcut messages before interpolation, and use
a Navigator context for the zoom level. Keep shortcut warning state separate
from translated text and preserve document names and shortcut codes.
Cover remaining visible counts and add rendering/glyph regression tests.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Fix Czech UI localization review follow-ups
Keep copied System Info and API diagnostics in English while localizing the
on-screen text. Avoid double translation of accessible names, honor command-id
shortcut labels, and translate stored auto backend values only for display.
Refine Czech warning punctuation and catalog wording, simplify template blocks,
and correct the documented catalog count to 3,522 rows. Add four regression tests.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* people.toml: keep axlecoffee's sync_github_name with their entry
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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Co-authored-by: Losminek <301412321+Losminek@users.noreply.github.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Select and Mask: Output To New Document, with or without a layer mask (#2998)
select.refineEdge takes output newDocument / newDocumentWithMask: a new
document like the source (size, mode, depth, resolution, profile) with
the active layer cut out by the refined edge, or with the matte as a
layer mask. The source document is left untouched. The dialog's Output
choice lists all six targets, translated in every catalog.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* i18n: drop the duplicate pt-br New Layer row (main already has it)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Select and Mask: live preview in Photoshop's view modes (#1754)
The Select and Mask dialog had no preview of the refined selection. It now
previews live in Photoshop's view modes: Onion Skin (default), Marching
Ants, Overlay, On Black, On White, Black & White and On Layers, with a
per-view Opacity, Show Edge (J) and Show Original (P). F cycles the views,
O/M/V/A/T/K/Y pick one and holding X shows the image without a view.
The view state lives in the dialog's fields, so ui.dialog.set drives it.
The preview runs select.refineEdge on the proxy with output=selection and
builds the view from it (veil fill layers, a layer mask, or the refined
selection, whose marching ants the canvas draws scaled back up), through
the existing filter-preview worker.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Select and Mask: Refine Edge Brush (#2972)
Select and Mask had no Refine Edge Brush. select.refineEdge now takes
refineStrokes: [{"points":[[x,y],...],"size":px,"mode":"add|subtract"}],
applied in painting order. Added areas become unknown and take a colour
estimate: each pixel's colour projected on the line between the mean known
foreground and background colours around it (normalised convolution over
a box of the brush size, four times as far where none are near), so hair
or fur beyond the edge-detection band joins the selection. Subtracted
areas keep the original edge. Malformed or oversized strokes are rejected
(stroke / point / swept-area limits), never a panic.
The dialog gets the brush: Refine Edge Brush (R), Mode (Expand Detection
Area / Restore Original Edge, Alt swaps), Size ([ and ]) and Clear Brush
Strokes. With it on, dragging on the canvas paints strokes into the
dialog's refineStrokes field, so the live preview, Show Edge and OK use
them, and ui.dialog.set / agents drive them like any other param.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Color Sampler tool (#1046)
Add the Color Sampler to the Eyedropper (I) flyout: click to pin numbered
sample points to canvas pixels, drag to move, Alt-click (or drag off-canvas)
to remove, Clear All in the options bar, at most 10 per document. Each point
reads one composite pixel (RGB 0-255 and naive device CMYK, same as the
pointer readout) and the Info panel lists them under their number with the
position in the ruler unit; the readouts refresh when the document changes.
Points are per-document engine view state (DocState.color_samplers): they
belong to their document, are discarded on close, and are not saved to
.pcraft or PSD. They are driven by commands shared by the UI, CLI, control
channel and MCP (view.colorSamplers.add/.move/.delete/.clear/.list); the
mutations change no pixels and add no History step.
Points follow the canvas geometry (crop, Canvas Size, Image Size, Image
rotation/flip, rotated crop) through a pending Session.sampler_map that
Session::edit applies before culling the points that land outside the new
canvas; the count removed is reported in the status bar.
- engine: new sampler_cmds.rs (commands + shared readout helpers) and the
sampler_map wiring in lib.rs, image_cmds.rs, mode_cmds.rs, commands.rs,
analysis_cmds.rs (compound rolls points back on error).
- ui-egui: Tool::ColorSampler + original sampler.svg icon, toolbar slot,
Info panel list, options bar, pointer handling, overlay markers, cursor.
- docs/scorecard.md regenerated (TOOL-1649-1 no longer says the tool is
missing). No menu item, so parity is unchanged (627/627).
* Color Sampler follow-up: tool count, README, i18n, roadmap
The full ui-egui suite (not just the filtered tests) surfaced these gaps:
- state.rs: Tool::ALL.len() assertion 52 -> 53.
- README.md: "52 tools" -> "53 tools" and add Color Sampler to the list,
so readme_tool_list_matches_tool_all passes.
- i18n: the options-bar hint, "{n} of {max} sample points" and
"No document open" need entries in every catalog that claims complete
menus (every_tl_literal_is_translated); added to all 16 (coverage
1584/1584). The translations were drafted alongside the tool.
- docs/roadmap.md: drop Color Sampler from the missing-tools list and note
it landed.
* Color Sampler: fit main's new tools and Image Size resample type
Reset Tool covers ColorSampler, the test ViewXform sets aspect, and
Image Size checks Method::None instead of an Option.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Convert Point is a tool of its own, built on the existing path.convertPoint
edit that Pen + Alt already drives. A click makes a smooth anchor a corner, a
drag from an anchor pulls out smooth handles, a drag on a handle moves it
alone. The tool selects the anchor it converts so its handles show; a press on
empty canvas or a segment does nothing, and Cmd/Ctrl is Direct Selection, as
with the Pen. It shares the Pen's key (P).
Original glyph with an ATTRIBUTION.md row; tool name in all catalogs; README
tool list and the G6 / ui-parity / roadmap counts updated (tools 56 of 68, the
earlier 53 was stale).
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
The Select and Mask dialog had no preview of the refined selection. It now
previews live in Photoshop's view modes: Onion Skin (default), Marching
Ants, Overlay, On Black, On White, Black & White and On Layers, with a
per-view Opacity, Show Edge (J) and Show Original (P). F cycles the views,
O/M/V/A/T/K/Y pick one and holding X shows the image without a view.
The view state lives in the dialog's fields, so ui.dialog.set drives it.
The preview runs select.refineEdge on the proxy with output=selection and
builds the view from it (veil fill layers, a layer mask, or the refined
selection, whose marching ants the canvas draws scaled back up), through
the existing filter-preview worker.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
AGENTS.md sends contributors to the scorecard's missing and partial rows
when picking work; these five described code that has since landed.
- TYPE-218-7 missing -> done: Warp Text opens with the layer's warp
(filter_dialog.rs warp_defaults) and previews live; covered by
warp_text_dialog_tests.rs and
warp_text_preview_matches_the_full_size_result_on_a_reduced_proxy.
- TOOL-214-13 partial -> done: Properties shows Density and Feather for
both pixel and vector masks (mask_props_ui.rs, mask_props_ui_tests.rs).
- BUG-207-5 missing -> done: all twelve retouch tools are tested against
mask, alpha channel, Channels-panel and Quick Mask targets; Sample All
Layers and the smudge fringe have their own tests (retouch_cmds/tests.rs).
Pencil and Mixer Brush targets are still untested, noted in the row.
- UI-217-18 missing -> partial: Alt+wheel zooms around the pointer at
x1.1 a notch, measured on Photoshop in #1718, not the ~5 % the row asks
for; the status bar zoom controls fit (#2823); Navigator not checked.
- BUG-208-4 stays partial with a corrected note: marquee add/subtract,
Lasso add/subtract/intersect and Polygonal Lasso are tested from
modifiers held at the press; a marquee Shift+Alt intersect test is
still missing.
docs/gaps.md (G8), docs/target-app-parity.md (Type row) and
docs/ui-parity.md updated to match, with revision-history rows.
docs/scorecard.md regenerated: Tools 26/15/2, Workspace and UI 8/9/6,
Type 2/4/3, Open bugs 30/2/0.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
LorenzoFasolino