#258 left the Tint row at 🟡 and docs/tint-direction.md as a review note.
The sign now matches the slider's track, the DNG specification and
Lightroom XMP, so the row is back to ✅; the doc says what happens to
saved custom tints (they shift the other way; nothing is rewritten) and
What's new tells users.
Co-Authored-By: Hanmo <letsgo@88.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01912WaK6Rmew3wxZuPyX7E8
Files whose photo is in the trash stay unchecked until Restore them or Import as
new is chosen; the toast and undo label say what was restored.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
The crop overlay now reports pointer positions to crop.drag instead of
computing rectangles itself. The Crop panel gets a visible Lock toggle, a
custom W × H entry, a dropdown chevron and a button label that names the
active ratio ("Original", a preset, or 1.37 : 1) instead of pixel sizes.
LR-CROP-RECT / LR-CROP-ASPECT parity rows updated.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
A name that does not fit is cut with an ellipsis before the photo count (the
full name on hover) instead of running past it; scrolling the sidebar sideways
or widening it shows more. A row asks for room for at most 140 pt of its name,
so depth, not one long name, makes the sidebar scroll. Selection and hover
bars end at the panel's edge when the content is wider.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
- ui: counts stay at the visible edge when the sidebar scrolls sideways
(with the row's colour behind them where a long name runs under); the
smart-album dialog's live count includes the album's folder
- catalog: a folder path is used as given (a name with a space at its edge is
not its neighbour: Remove acted on the wrong folder); a plain POSIX path
is checked against the folder without building a key (about half the cost
on a big library, with a test that it agrees with the careful check)
- engine: editing a smart album's rules keeps the folder the editor cannot
show; a shown folder that loses its last photo gives way to All Photos;
library.state and view.json name the folder only while it is shown; a blank
folder filter is no filter
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Every level indents one step more than its parent however deep it goes (the
five-level indent cap is gone). The whole sidebar scrolls in both directions:
rows report how wide they need to be, the widest one of the last frame sets
the content width (at least the panel's), and a bar appears only when it
overflows. Folder names are no longer cut in the tree; Create Album stays at
the visible edge.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
- engine: a smart album made from a folder view keeps the folder; only a
folder that shows exactly its own photos can be the source (not the
startup disk, not a folder above disks, not one with no photos); a
folder source and a folder filter never coexist; a folder source with no
folder shows nothing; a saved view whose folder is gone opens on All
Photos; removing a folder above a disk needs `disk: true` even with one
disk mounted; library.folders documents volume/selectable
- ui: deep chains stop indenting after five levels, the grid title gives
way to the photo count (full name on hover), disclosure triangles have
spoken names, the remove dialog says what is included and has a disk
title; test temp folders are cleaned up on failure
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
- catalog: a row is exactly one folder (no folding of single-child levels);
the UI starts a folder that holds nothing and leads to one folder open
- engine: a library folder is a source (LibrarySource::LibraryFolder with
Session::library_folder, like Local's browse): library.source
{kind: libraryFolder, path}, kept with the library's view, shown by
library.state, followed through folder.rename / folder.move and undo,
dropped back to All Photos when its folder is removed
- ui: clicking a folder replaces whatever the grid showed (Picks, Recently
Deleted, a Local folder…) instead of narrowing it with a filter chip; the
grid is titled after the folder
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Another way to explore the library next to By Date and Keywords: a tree of
the folders that hold imported photos, with counts (subfolders included),
under the disk or network share each is on. Local stays the way to browse
any folder on disk.
- catalog: Catalog::folder_tree and Filter::library_folder. Each disk is a
volume row (drive letter, Windows share, /Volumes/<share>, /media, /mnt,
gvfs, /net…), found from the stored paths alone, so an offline share costs
nothing. Levels that hold nothing and lead to one folder fold into one row;
depth is bounded. The tree and the filter read paths through one splitter
(separators, `.`, `..`, verbatim UNC prefix, repeated separators), and a
row that would cover other disks' photos is not choosable
- engine: library.folders, library.removeFolder (to Recently Deleted, one
undo step, no file touched; a whole disk or a folder spanning several
needs `disk: true`, the startup disk never), libraryFolder in
library.filter, chip; a chosen folder follows folder.rename / folder.move
and their undo
- ui: collapsible Folders section; the chosen folder's row is always opened
into view; right-click (row or triangle) Rename, Move, Show in Finder,
Remove from Library…; disk rows Remove Disk from Library…; both ask first
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Bilevel scans, CCITT fax images and 2- or 4-bit gray TIFFs were rejected with
"sample buffer too short". The `tiff` crate returns such samples packed, most
significant bits first, eight, four or two to a byte with each row padded to a
whole byte; the converter expects one byte per sample. They are now spread out
one per byte and scaled to 0–255 (255, 85 and 17 times the sample: exact) before
conversion. 3-, 5-, 6- and 7-bit samples, and planar images with more than one
sample narrower than a byte, are refused with an "unsupported" error.
The new test builds 1-bit (both photometric conventions, a width that leaves row
padding, set padding bits), 2-bit and 4-bit strips in code, plus a truncated
strip that must fail cleanly; it fails without the fix with the old error. A
600×400 bilevel image, uncompressed and CCITT G4, now decodes to the same pixels
PIL reads from it.
The module documentation no longer claims palette support: the `tiff` crate
refuses RGBPalette images on every read path, so the palette branch here has
never been reached. The parity row lists palette TIFF as missing.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Keep macOS plain-key ratings, labels and flags with egui, adapting the
native menu ownership correction from PR #261 (4e012a5, Gardy).
Add Shift+6-9 and contextual grid Shift+P, recognize shifted digit
punctuation, and document the verified Lightroom Classic mapping.
Cover batch changes and undo, exactly-once advance, Compare targets,
text and crop context, physical number keys and native menu ownership.
Verified native demo/control screenshots and all seven cargo xtask ci gates.
Co-authored-by: Gardy <armandpro50@gmail.com>
The filmstrip painted selection chrome only for the active photo, so after
Select All or a ⌘/Shift-click multi-selection the other selected photos
looked unselected, although the selection itself was right.
Paint it as the grid does: every selected photo gets the selected cell
fill; the active one keeps its white frame and the others get the grid's
grey one.
Test: tests_scroll::filmstrip_shows_every_selected_photo samples a cell's
background in the headless render after Select All, after selecting one
photo, and after a toggle (what a ⌘-click runs); before the fix a selected
photo that was not the active one was painted like an unselected one.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
`ExportOptions::from_json` reads what it recognises and defaults the rest, so
`longEdgee=400` exported at 3000 px, `longEdge=banana` at full size, and a
`watermark` of `5` or `{"text":"x","bogus":1}` passed with `ok:true`, while
`size: 3` was silently clamped to 0.5 of the short edge (#181, #183).
`from_json` stays lenient for stored prefs and dialog prefill. New
`ExportOptions::validate(cmd, params)` / `from_params(params)` check every key
against the option and target lists (unknown ones name the nearest known key),
every value's kind and range, and a `watermark` object's keys, kinds and ranges
(`size` 0.005..0.5 and `inset` 0..0.4 of the short edge, `imageWidth` 0.01..1 of
the width, `opacity` 0..1, `color` [r,g,b]), returning
`invalid parameters for \`app.export\`: …` like the other commands. The three
places that run an export use it — the desktop `app.export`, the headless
backend behind `lightcraft-cli run` and the MCP `export` tool, and
`lightcraft-cli render --opt` — and `export.savePreset` validates a preset's
params when it is saved. Built-in presets, the Export dialog's `to_json`,
Export with Previous and `render --opt` all pass unchanged.
The `app.export` param string (`lightcraft-cli commands`, `engine.commands`),
the MCP `export` tool schema and docs/parity.md LR-EXP-WATERMARK now list the
watermark keys, their units and ranges.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
Split out of #240 without the compressed decoder (crates/raw/src/vendor/orfc.rs
is not part of this change; compressed ORF stays preview-only).
- The layout is read from Exif CFAPattern (0xa302, repeat counts in either
byte order) when it describes a 2x2 Bayer cell. BGGR and GBRG were not
reachable before.
- Without a usable tag the green diagonal is still found from the samples,
now from totals of 32x32 blocks instead of single-pixel differences, so
fine texture no longer outweighs a small red/blue difference. The old
version indexed the samples directly; this one reads them with get().
- probe_info no longer unpacks 12-bit packed ORFs that state their layout
(XZ-2: under 0.1 ms; it ran the same unpack as a decode before, which
takes 11 ms). 16-bit files still read their samples to find the bit depth.
Tests: stated layouts in both byte orders, unusable tags falling back to the
samples, the texture case, hostile areas for the fallback, probe_info equal
to decode; a corpus test comparing the E-1, E-400 and XZ-2 mosaics with
their embedded JPEGs under every layout.
No user-visible change yet for the bodies whose layout the old guess got
wrong (E-M1 and E-620 are BGGR): they write compressed ORF.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Each header folds its section on click, with a chevron after the title
showing the state. The choice is kept in the UI state across restarts.
The Albums "+" button keeps working inside its header.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Adds a "File Path" text rule so a smart album can match on where a photo
lives, e.g. contains "/Aliah Ira Polanco-Grylls/". "contains" /
"doesn't contain" match the whole string (spaces included) rather than
word by word; the other text operators are the shared ones. `\` and `/`
both separate and matching ignores case, so catalogs moved between
platforms still match. Demo photos have no path.
The rule editor, CLI and MCP pick the field up from FIELDS. parity.md's
smart-collection rows now list it (and the stale field count is fixed).
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Add pt-br as a fifth interface language beside English, Simplified
Chinese, Traditional Chinese (Taiwan) and Japanese.
`crates/ui-egui/locales/pt-br.json` and `pt-br-formats.json` carry the
messages and the format strings; the language table gains the entry
(`PtBr, "pt-br", "Português (Brasil)", "Latn", ...`), and Edit > Language
plus `app.language.portuguese` select it. Locale tags pt-BR, pt_BR.UTF-8
and pt all normalize to the same language.
Translation follows pt-BR UI conventions (Adobe terms: revelação,
balanço de branco, máscara, cópia virtual…); proper nouns and file
formats stay as written (LightCraft, ArtCraft, GitHub, DNG, TIFF, XMP).
Placeholders, format specs and punctuation match the English source; the
English plural suffix is consumed with `{:.0}` where Portuguese does not
need it.
Tests: every_language_has_a_catalog_covering_the_source,
catalogs_agree_on_placeholders_and_report_gaps, locale_tags_normalize
and the painted-window test now cover pt-br. Docs: localization.md, a
new localization-pt-br.md and the parity rows.
Co-Authored-By: DeepSeek V4 Flash (opencode) <noreply@opencode.ai>
Switching to Random from another key (without an explicit seed) derives a new seed
instead of reusing the one left behind, which was the fixed seed-0 order on a new library.
Re-choosing Random or changing only the direction keeps the shuffle on screen.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
SortKey::Random orders photos by a splitmix64 rank of (Sort.seed, id): same seed gives
the same order, and added/edited photos never reshuffle the others. library.sort takes
an optional seed; library.shuffle picks a new one (below 2^53 for JSON clients). Menus
gain Random and Reshuffle; Ascending/Descending are disabled for Random. No effect in
Recently Added (always newest import first).
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
RW2 / RWL / RAW join ARW and NEF: the starting look (matrix, hue/saturation table, tone and chroma curves) is
fitted to the file's own embedded JPEG behind the same gates, with white balance relative to the as-shot look.
Panasonic previews always show the whole active area while the default crop is the in-camera aspect ratio, so when
the preview matches the active area instead of the crop, the reference is cropped to the default crop before
fitting (corpus_rw2_with_an_in_camera_crop_gets_a_camera_look).
On 174 CC0 samples with a preview 140 fits are accepted (93 of the 114 bodies with a preview), median ΔE against
the camera JPEG 5.0 with matching lightness; most of the others are compacts and kit zooms whose camera JPEG is
distortion-corrected (tag 0x0119 isn't used yet). `lightcraft-cli calibrate` keeps collecting ARW and NEF only.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01QtQmZ6peZXGn3wiqeowV2v
Decode every raw encoding Panasonic and Leica bodies write, from the DMC-LX1 (2005) to the DC-S1RM2 (2025):
compressed formats 4 (most bodies, 2008-2022) and 6 (S1 / S1R / S1H / S5, GH5M2), the prefix-coded strips of
format 8 (GH6 and later), packed formats 2, 5 and 7, and the 16-bit words of the 2005-2007 .RAW files. Until now
only format 5 decoded; every other Panasonic file opened as preview only.
Clean-room: no raw-decoder source was read. Tag names come from tag documentation; every encoding was recovered
by black-box analysis of 178 CC0 files from raw.pixls.us (118 bodies), and the module docs note the measurement
that settled each rule. Format-8 tags of unknown meaning must carry the values every sample has, otherwise the file
is reported as unsupported rather than guessed at.
Levels and geometry: formats 4 and 6 store samples 15 above the recorded black level (files without one use 15);
white is the active area's saturation plateau (the linearity limits are wrong on extended low-ISO shots, the GF1
and the Digilux 3); the in-camera aspect ratio is the default crop; mapped-out defect pixels are filled from
same-colour neighbours; the CFA pattern applies at sample (0, 0).
.rwl and .raw files are imported (engine, MCP folder expansion, file dialog, Linux MIME types). One file per
encoding joins the never-panic proptest; 11 CC0 files join `cargo xtask corpus`, and corpus_panasonic_encodings
checks each encoding's bit depth, black level, crop and CFA layout against the camera's own JPEG.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01QtQmZ6peZXGn3wiqeowV2v
Claude