* Use chrono for UTC/calendar conversion instead of hand-rolled copies
Replaces the hand-rolled Howard Hinnant civil/days-from-civil copies and the
leap-year/days-in-month table with chrono as a workspace dependency:
- apps/lightcraft/src/logging.rs: timestamp (log line time)
- crates/catalog/src/dates.rs: civil + weekday
- crates/catalog/src/stacks.rs: iso_seconds (date -> seconds)
- crates/engine/src/cmd/face_recognize.rs: capture_secs (native only)
- crates/meta/src/datetime.rs: DateTime::unix_seconds and the valid() day check
Output formats and semantics are unchanged (pre-epoch clamp, day rollover that
normalize_iso relies on, leap-second tolerance, EXIF/XMP parsing). chrono uses
only std, so wasm stays safe. AGENTS.md/CLAUDE.md now say time goes through chrono.
Follow-up to storytold/cadcraft#1785
* Never panic on a clock outside chrono's range; keep 5-digit years unprefixed
chrono's From<SystemTime> unwraps, so a clock past year 262143 panicked
inside the logger. timestamp now uses the fallible DateTime::from_timestamp
and reads such a clock as the epoch, keeping the old pre-epoch clamp.
timestamp and catalog's civil write years past 9999 with {:04} like the old
{y:04} did, because %Y would add a '+'. Tests cover the out-of-range and
5-digit-year cases.
* Don't build an unrepresentable SystemTime in the far-future test
UNIX_EPOCH + Duration::from_secs(u64::MAX / 2) overflows Windows'
SystemTime and panicked before timestamp() ran, failing the Windows
test job. Build it with checked_add and only assert where it exists.
* time: preserve old out-of-range date conversion (no epoch fallback)
`DateTime::from_timestamp(...).unwrap_or_default()` silently reset any instant
past chrono's year range to 1970-01-01, changing output the old hand-rolled
Howard-Hinnant code converted exactly (e.g. 10_000_000_000_000 s was
318857-05-20 17:46:40, not the epoch). Restore the old conversion domain with a
cycle-based helper that routes the calendar through chrono (the calendar
repeats every 400 years = 146_097 days, so month/day/time come from chrono and
only the year is carried in i128, keeping every i64 exact).
- apps/lightcraft/src/logging.rs: `timestamp` via `utc_parts`; keep the
pre-1970 epoch clamp; u64 secs past i64::MAX saturate, not epoch.
- crates/catalog/src/dates.rs: `civil` cycle-based (the callers stay inside
0000-9999, but a far clock no longer resets to the epoch).
Pinned old outputs in tests:
logging u64::MAX/2 s -> 292277026596-12-04T15:30:07.000Z (was epoch),
10_000_000_000_000 s -> 318857-05-20T17:46:40.000Z
civil 10_000_000_000_000 -> 318857-05-20T17:46:40,
-10_000_000_000_000 -> -314918-08-13T06:13:20, i64 extremes
* Don't build a year-318857 SystemTime unchecked in the logging test
Windows' SystemTime only reaches about year 30828, so
UNIX_EPOCH + Duration::from_secs(10_000_000_000_000) panicked before
timestamp() ran and failed the Windows test job. Build it with
checked_add and assert where the platform can hold it. The year-10000
case fits everywhere and stays unconditional.
* Name the 400-year range extension as the one exception to the time rule
The rule said never to hand-roll calendar math, but the range fix
(shifting by whole 400-year Gregorian cycles so dates past chrono's year
range keep their old output) is cycle arithmetic, so the rule and the code
disagreed. The rule now names that exception: the library still computes
month, day and time, and only whole cycles are carried in the year.
* Say the library computes month and day; time-of-day is plain arithmetic
Narrows the range-extension wording: the date library computes the
calendar fields, and splitting seconds into hours, minutes and seconds
is ordinary arithmetic, which is what the code does.
The web release now builds with craft-fonts too (web-craft-fonts), as VectorCraft's
does, so the published web app ships the Chinese and Japanese faces docs/releasing.md
promises.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Since the web zip moved from trunk to cargo xtask web (aeaf4154), packaging/web/package.sh needs the
wasm-bindgen CLI at Cargo.lock's version, and the shared release workflow installs only trunk, so
0.9.0's Web (wasm) job failed. In CI, install it first (as FilmCraft and EffectCraft do).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
craft-libs#169 is merged, so the fork pin is no longer needed. Pinned to
storytold/craft-libs 82a24b006eefa036b43c09a67fb9a3fbd17ffe63 (main after the merge) rather than the older 12281d07,
which predates resolve_absolute and the Windows colon refusal.
Sony ARWs record shading, lateral chromatic aberration and distortion as a camera setting plus a radial
table in the raw image IFD (0x7031-0x7037), with copies in the encrypted SR2SubIFD (0x797c-0x7982).
They are now decoded for every body that records them and carried through RawInfo and RawImage as
`lens_metadata.sony` (types in crates/raw/src/lens_metadata.rs, decoder in
crates/raw/src/vendor/arw_lens.rs):
- Raw-IFD fields are the ones the TIFF reader parsed, which is what the image itself uses. A scan of
the directory adds diagnostics only: repeated tags, and why an entry the reader skipped was dropped
(values outside the file, an unknown type, past the reader's limits). SR2SubIFD fields are read
from their first entry. Only the exact layouts are accepted: SHORT[1] or non-negative SSHORT[1]
settings, SSHORT[17] headed by 16 for shading and distortion, SSHORT[33] headed by 32 for CA.
Nothing is allocated from a count in the file.
- The raw IFD's copy wins. The SR2SubIFD copy fills in only for a tag the raw IFD lacks, never for a
malformed one, and the two copies' agreement is recorded.
- Settings keep their number and their documented meaning, Unknown(value) otherwise (never Off).
- Framing evidence (stored frame, Sony and default crops, reference rectangle, coding, 3:2) and a
per-component status. Only Applied components become opcodes.
Applied corrections are unchanged: the ILCE-7RM4A distortion conversion receives exactly the table it
received before, and no other body or component gains a correction. The ILCE-7CR distortion misses its
camera JPEG at 24 mm, and shading and CA semantics are not validated on any body; see
docs/sony-lens-corrections.md.
Locating the SR2SubIFD, now done for every ARW that has one, selects the SR2Private offset, length and
key with the TIFF reader's own rules, which lightcraft-tiff now exposes and builds its reader on
(directory_entries, entry_span, ParseOptions::budget_for, decode_value). Only each field's first value
is decoded, so the directory's other entries cost no memory sized by the file: a 16 MiB file whose
SR2Private holds eight fields aliasing it peaks at 37 kB. DirectoryEntries keeps its layout private,
and its positions() iterator uses checked arithmetic.
Tests: synthetic decoder tests; a differential test of the SR2Private selection against the TIFF
reader's in both byte orders (0 to 8,193 filler entries, unreadable and unusual first occurrences of
each field, a used-up value budget); a dhat peak-heap test; public-corpus checks against the values
ExifTool prints, with pinned and anchored SHA-256s (LIGHTCRAFT_CORPUS_REQUIRED=1 makes absent files
fail); and an opt-in local inventory check (crates/raw/tests/sony_lens_inventory.rs).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
eframe 0.36's App::on_exit takes the glow context as a second argument.
The macOS-only menu-bar Quit path still called on_exit(self), so the
0.7.0 macOS release job failed with E0061. Pass None; our on_exit ignores
it. macOS isn't built in CI, so only the release build caught it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
libtest has no skipped status and hides the output of passing tests, so a
test that returns early without a GPU, a corpus file, a craft-fonts face or
a model passed silently. `lightcraft-testkit` (the testkit slot the layering
table already reserves, dev-dependency only, std only) adds
`skip!(Need, "reason")`: it prints the note as before and, when
LIGHTCRAFT_SKIP_LOG names a file, appends one JSON line (need, reason, test,
binary, file:line). Plain `cargo test` is unchanged. The 61 existing skip
sites use it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
New crate lightcraft-geocode (L1): parses the GeoNames cities dump and finds the
nearest place within 50 km through a 1-degree cell index; NaN / out-of-range
positions and malformed lines find nothing. Engine commands
metadata.reverseGeocode (Photo menu, Info panel "Fill Location"; fills only
empty fields unless overwrite, one undo step, activity row for batches),
metadata.downloadPlaceNames (background download of the CC-BY 4.0 GeoNames
files into the settings folder, cancellable activity row) and
metadata.placeNamesStatus. No data is bundled; NOTICE records the licence.
Fixes#582.
Sources: GeoNames dump readme (prose); haversine (textbook); PKWARE APPNOTE
(ZIP, prose); cell index own design.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Brings the branch up to date with main (#869 shared docking and the docs it
added); no conflicts.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
New `inpaint` crate (L1): multi-scale patch-based completion with a PatchMatch
nearest-neighbour field, seeded by a membrane fill. Deterministic, no panics on
hostile sizes, cancellable. Ported from PhotoCraft (MIT OR Apache-2.0).
Remove tool: a fourth spot mode, `fill` ("Content-Aware"), rebuilds the spot
from patches of its surroundings instead of one source; coarse-to-fine, so the
structure is chosen at a scale set by the spot size and preview and export agree
(tested). spot.add leaves its source unset.
Sources: C. Barnes et al., PatchMatch (SIGGRAPH 2009); Y. Wexler, E. Shechtman,
M. Irani, Space-Time Completion of Video (TPAMI 2007); P. Perez et al., Poisson
Image Editing (SIGGRAPH 2003) for the membrane fill; code ported from PhotoCraft
crates/algo/src/inpaint.rs + poisson.rs (a680ed22).
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Profiles are interpolated in focal length (vignetting also in aperture and
focus distance), scaled by crop factor, and converted by least squares to the
DNG WarpRectilinear / FixVignetteRadial polynomials the pipeline already
applies. The lensfun database (CC-BY-SA) is only read from a directory the
user supplies; nothing is bundled.
Sources: lensfun's published database format and lens calibration
documentation (no lensfun code read), PanoTools wiki (a, b, c distortion
model), DNG specification 1.6 (WarpRectilinear, FixVignetteRadial);
interpolation and fitting: own design.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
ROADMAP.md: take main's restructured version; JPEG XL export is now
recorded in docs/file-format-parity.md and docs/gaps.md (gap 25).
Co-Authored-By: Claude <noreply@anthropic.com>
- release.yml: new linux-riscv64 job (ported from GridCraft): cross-compiles on
ubuntu-24.04 against ports.ubuntu.com riscv64 libs, packages a tar.gz with
package.sh --formats tar, smoke-tests lightcraft-cli under QEMU. The release
job needs it, so its tarball lands in the draft and SHA256SUMS.
- packaging/linux/package.sh: CROSS_ARCH/CROSS_TARGET/CROSS_COMPILE/EMULATOR
support (target dir, cross strip, emulated --version).
- README Downloads and docs/releasing.md list the riscv64 tarball.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
- New crate lightcraft-slideshow (L1, no UI): SlideSettings (margins linked or
independent, guides, aspect preview, zoom to fill, stroke border, cast shadow,
backdrop colour, colour wash, background image; lengths relative to the slide's
shorter side; validated and clamped) and a CPU compose() used by playback, the
Settings preview and slideshow.preview.
- Engine: slideshow.layout (partial merge, saved in prefs.json) and
slideshow.preview {id?, width?, height?, path?} (PNG to path or base64);
RenderJob::with_slide composes on the render worker; the background photo is
rendered once and shared.
- Playback: with a non-default layout each slide is the composed screen-sized
slide, prepared ahead like before; the default layout plays as before.
- Settings > Slideshow: Layout, Options and Backdrop sections and a debounced
live preview of the active photo's slide (with margin guides).
- Tests: composer geometry/pixels/hostile input, command get/set/persist/preview,
headless playback of a composed slide and of the default layout.
Previews looked more saturated than the exported files on Mac screens. The
pixels are the same: preview and export match to within one level on the CPU
and GPU paths, and exports embed a correct sRGB profile. But wgpu leaves the
window's Metal layer without a colour space for sRGB surfaces, and Core
Animation shows such a layer without colour matching ("If nil, no
colormatching occurs", CAMetalLayer.h). On a P3 screen the sRGB previews
were therefore shown too saturated, while Preview and Photos convert the
exports properly.
While no monitor profile is chosen in Settings > Display, the desktop app now
shows previews through the profile of the screen the window is on
(NSWindow.screen.colorSpace.ICCProfileData, safe objc2 calls), through the
existing display-profile path. It is read again about once a second, so
moving the window to another screen is followed. A chosen profile still wins;
"Use Screen Profile" goes back to it. app.displayProfile reports it as
path: null, screen: true. Other platforms and headless sessions are
unchanged.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Export as JPEG XL from the dialog, CLI, MCP and control channel (format jxl): lossy with
quality or lossless, 8/16-bit, effort fast/normal, progressive, EXIF/XMP boxes; HDR edits
as 16-bit Rec. 2020 PQ. Encoder: jixel (pure Rust, BSD-3-Clause OR Apache-2.0, native
only: it spawns its own threads), wrapped in catch_unwind. Lossy files declare an enum
encoding (sRGB / P3 / Rec. 2020; Adobe RGB and ProPhoto written as Rec. 2020); lossless
files embed the ICC profile.
Decoder fix: jxl-oxide desaturated colours outside sRGB when rendering XYB images to
wider primaries; lossy wide-gamut JXL now renders to linear sRGB primaries and is
converted to Rec. 2020 here. jixel's slowest effort is left out: jxl-oxide misdecodes
its (valid) files.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
`encode_avif_pq`: linear Rec. 2020 with SDR white at 1.0 → PQ (SDR white at
203 cd/m², BT.2408), BT.2020 NCL YCbCr 4:4:4, 10-bit, with CICP nclx
(9/16/9, full range) and a clli box. ravif fixes the sRGB curve, so this
drives the rav1e + avif-serialize it already uses (no new crates).
Export: AVIF with `hdr` renders the HDR edit in Rec. 2020 and writes PQ.
Photos without an HDR edit export as before, in every format. CoreImage
decodes the file as HDR (same 3.1 % of the frame above SDR white as the gain
map JPEG of the same edit).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
One config-dir helper (engine::config::config_dir; camera_profiles re-exports it) with both
the face-models and denoise-models defaults; hosts set up both model folders; Settings has
Faces and AI Denoise tabs; both command sets registered; both model dialogs; locale entries
from both; one [features] table per app manifest; Cargo.lock regenerated by cargo; the
DecodedSource cache cost counts both segmentation mattes and the denoised twin.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Recover the unpublished denoise work against current upstream. Preserve later opt-in model setup, shared Rust HTTPS downloads, pending-photo resume and an Amount-independent switch. Keep original RAWs unchanged and share the current color finish between ordinary and denoised sources.
Bound public tiling inputs, refuse corrupt-cache exports, and retain synthetic/real-model coverage. Include two Windows path spelling fixes in existing tests. No model weights, face code, media or Tract runtime are included.
Validation: cargo xtask ci (all seven gates); installed RawNIND CPU/GPU agreement 1.38e-6; native CPU preview/export on a public 24 MP Sony RAW, unchanged original SHA-256.
Co-authored-by: Codex <noreply@openai.com>
Co-authored-by: Claude Sonnet 5.5 <noreply@anthropic.com>
Generated with Codex.
New L1 crate `lightcraft-faces`, the base of a one-drop model install:
- `ModelManifest` (role, licence with a commercial yes / no / unknown flag and a
plain-language notice, provenance, input preprocessing, output, thresholds)
with strict validation: sizes capped, numbers finite and sane, https-only
addresses, bounded text. A manifest from any source is untrusted.
- `known`: models recognised by SHA-256 (YuNet, SFace, AuraFace v1), with what is
and is not known about their licences and training data.
- `onnx`: a streaming, hostile-input-safe protobuf probe of a model's graph
inputs and outputs. It reads a 248 MB model in about 4 ms and never loads the
weights; truncation at every length and random corruption never panic.
- `suggest`: known hash -> its manifest; an unknown model shaped like a face
embedder -> a draft manifest with the assumptions spelled out; anything else
-> a plain reason it is not supported yet.
- `hash`: streamed SHA-256.
Checked against the real model files with an opt-in test (LC_FACE_MODELS). It
found an old exporter listing every weight as an input, now handled. Running a
model (tract) is not part of this crate yet.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Compression 52546 tiles and strips decode through jxl-oxide (new
default-on `jxl` feature of lightcraft-raw): bare codestreams and
ISO-BMFF containers, 1 or 3 planes, 8-16-bit integers scaled back
exactly from the codestream's own bit depth, 16-bit floats. Edge tiles
may be coded at their nominal or in-image size. Headers are checked
against the IFD in header-only probing too. A single-chunk JPEG XL
preview IFD (RGB or grey) is offered as the embedded preview.
The decoder's memory is bounded by the tile: 16 bytes per sample (three
times that for a lossy grey tile, which the decoder expands to three
channels) plus 64 KiB; jxl-oxide 0.12 was measured at <= 10.3 bytes per
sample for lossless and <= 13.5 per colour sample for lossy tiles. A
codestream needing more (e.g. extra channels) is an error.
Lossless tiles are checked bit-exact on synthetic CFA and LinearRaw
files (zune-jpegxl as a test-only encoder); lossy tiles are unverified
on a real file.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Dylan M. Taylor