Commit Graph
9 Commits
Author SHA1 Message Date
Andrew FrahnandClaude Opus 5.5 506566d436 Merge pr/raw-erf (with upstream/main) into pr/raw-mef
Docs recounted with docs/raw/coverage.py: 241 verified, 35 unsupported. The MCP
headless extension list now comes from engine::import::EXTENSIONS upstream, which
already carries mef.

Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
2026-10-14 07:56:09 +11:00
Andrew FrahnandClaude Opus 5.5 a3071fe0f3 Merge upstream/main into pr/raw-erf
Docs conflicts resolved on upstream's newer state (Leica Q3, Hasselblad Lunar);
ERF counts recomputed with docs/raw/coverage.py: 240 verified, 229 preview.

Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
2026-10-14 07:55:22 +11:00
bflatastic 4e78514948 Merge PR #1324
# Conflicts:
#	docs/gaps.md
#	docs/parity-checklist.md
#	docs/raw-parity.md
#	docs/whats-new.md
2026-10-13 11:05:53 +07:00
Alex ChambersandClaude Opus 5.5 ecd6618f6f LR-IMP-FORMATS: uncompressed Leaf MOS is a raw, the Hasselblad Lunar decodes as an ARW (#1275)
An uncompressed Leaf Aptus 22 MOS keeps its 16-bit mosaic in IFD0
(compression 1, BlackIsZero, one sample per pixel) with no Make tag and
no CFA photometric, so `probe` returned None and the file imported as a
greyscale image of the mosaic. Leaf's data block, tag 0x8606 (LeafData
in the ExifTool EXIF tag-name documentation), now marks such an IFD0 as
a raw: OtherTiff, preview only with the reason, as the lossless-JPEG MOS
already is. A rendered RGB image that kept the block stays an image.

The Hasselblad Lunar is a Sony NEX-7 that writes an ARW under Make
HASSELBLAD; only SONY files reached the ARW reader, so it opened as its
preview. A HASSELBLAD file with Sony's raw coding (an IFD with
compression 32767 or the tone-curve tag 0x7010, which no 3FR / FFF has)
now goes there and decodes like a NEX-7: black 512, the SR2SubIFD white
balance. The Tag2010 white-balance fallback, the one table arw.rs keys
by model, takes the body from the maker note's SonyModelID (0xb001)
when the file is not Sony-branded.

Docs: the Lunar is verified in docs/raw/evidence.tsv (236 verified),
raw-parity.md, parity-checklist.md, gaps.md and whats-new.md.
RENDER_CACHE_VERSION 61 -> 62: a Lunar's thumbnails were rendered from
its preview.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-12 19:02:19 +02:00
Andrew FrahnandClaude Opus 5.5 9181aa0b6c LR-IMP-FORMATS: import and decode Mamiya MEF (uncompressed 12-bit; WB from the RGB preview)
Sources: TIFF 6.0 and own black-box analysis of the CC0 ZD sample.

Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
2026-10-12 06:27:05 +11:00
Andrew FrahnandClaude Opus 5.5 a6d048be8d LR-IMP-FORMATS: decode Epson ERF (12-bit 16-byte blocks; WB from the preview's neutrals)
Sources: TIFF 6.0 and own black-box analysis of the three CC0 samples;
white-balance estimate from the embedded preview: own design.

Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
2026-10-12 05:43:30 +11:00
Alfons HoogervorstandClaude Sonnet 5.5 8c19c9f60a LR-IMP-CAMERA-COVERAGE: Leica Q3 verified by a recorded check of 38 private DNGs (236 models verified)
All 38 files decode from sensor data and develop at full size (9520x6336 and
6336x9520) without error; mean CIE76 dE to the camera JPEG is 6.3-13.9 at 400 px.
The files are not committed and the evidence entry carries no path. Leica is now
14 verified / 47 unverified, the Leica bucket on a verified body 5% -> 21%; the
weighted shares (85% decode, 42% on a verified body) do not move.

Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
2026-10-11 16:54:06 +02:00
ingolfteetzandClaude Opus 5.5 4700c8a74e LR-IMP-FORMATS: decode Canon EOS R5 Mark II C-RAW (CRX QP-map first literal and escape)
The CRX 0x200 QP map opens with its first symbol as a 32-bit literal; every
later symbol is Rice coded with a limited-length escape: 23 zeros, the
terminating 1 and the symbol in 8 bits (the ITU-T T.87 layout for a 32-bit
limit and 8-bit symbols, without its minus-one offset). The old rule (an
escape after 16 zeros with a 16-bit literal) matched only the first symbol,
which is all the R8 and R7 maps need. R5 Mark II maps (QP 150-162) jump by up
to 12 where the Rice parameter is 0, giving 18- to 22-zero prefixes that
misparsed ("Canon CRX adaptive QP value -21087"): 174 of 306 sampled files
from a private R5 Mark II library opened as previews. Every QP map of its
33,665 C-RAW files now decodes to the exact end of its entropy stream; the six
oracle fixtures are unchanged. Established by black-box analysis of the
bitstream; no third-party decoder source consulted.

Adds the four CC0 R5 Mark II samples (raw.pixls.us 7881-7884) to the corpus
with pinned sensor hashes (the crop-mode framing is left to #754), bumps
RENDER_CACHE_VERSION to 43, and updates cr3.md, raw-parity (235 verified
models), coverage, gaps, the checklist rows, ROADMAP, target-app-parity and
What's New.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-11 09:20:49 +02:00
Brandon ThomasandClaude Opus 5.5 964d9338ba Progress docs: target-app parity, RAW coverage vs Adobe, gaps, alpha gate, readiness by audience (#788)
Progress docs per craftrules standards/progress-docs.md: target-app parity, gaps, roadmap with alpha gate, readiness by audience (full / mainstream / essentials) with Opus 5.5 hours, model-by-model RAW coverage against Adobe's camera list (docs/raw/), and format, hardware, UI and localization parity docs.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-10 14:25:15 -04:00