New vendor::arw_lens_rm6 reads the raw IFD's lens tables (0x7037 distortion,
0x7032 vignetting, 0x7035 lateral CA, their flags) and turns the distortion
table into a one-plane WarpRectilinear in OpcodeList3, with the conventions
measured on 54 ILCE-7RM6 photos: knots at i/15 of the full-frame crop half
diagonal, S(r) = r (1 + v(r)/15000), frame-filling zoom, centred on the
default crop. Only the ILCE-7RM6 is enabled; vignetting is read, not applied.
The radial least-squares fit is split out as vendor::fit_radial_warp (RW2
results unchanged); its error gate can be limited to the radii the crop
shows, so a padded active area (lossless files) doesn't refuse a fit over
pixels that are never rendered.
It sits next to main's vendor::arw_lens (#498), which holds the ILCE-7RM4A
conventions measured against Sony's exports (unit 16384, table indexed at the
output radius); the two are selected by camera model (disjoint allowlists).
arw::decode chains this module's opcodes after arw_lens::distortion, with the
same active area and the same crop (the DNG-style default crop when the file
has one, which on the ILCE-7RM6 equals Sony's crop tags), and like it only
for CFA data (not the downsized linear-RGB lossless sizes, where the knot
spacing in full-frame pixels would not hold).
The corpus test checks the conversion on the two lossless RawDB files (CC0).
The APS-C one is pinned in xtask RAW_SAMPLES with its sha256; the full-frame
one is not (at most two pins per PR, and #625 pins two Compressed ARW 6.0
files), so its case runs only where the file is present.
RENDER_CACHE_VERSION 62 -> 63.
Co-Authored-By: Claude <noreply@anthropic.com>
The CRX 0x200 QP map opens with its first symbol as a 32-bit literal; every
later symbol is Rice coded with a limited-length escape: 23 zeros, the
terminating 1 and the symbol in 8 bits (the ITU-T T.87 layout for a 32-bit
limit and 8-bit symbols, without its minus-one offset). The old rule (an
escape after 16 zeros with a 16-bit literal) matched only the first symbol,
which is all the R8 and R7 maps need. R5 Mark II maps (QP 150-162) jump by up
to 12 where the Rice parameter is 0, giving 18- to 22-zero prefixes that
misparsed ("Canon CRX adaptive QP value -21087"): 174 of 306 sampled files
from a private R5 Mark II library opened as previews. Every QP map of its
33,665 C-RAW files now decodes to the exact end of its entropy stream; the six
oracle fixtures are unchanged. Established by black-box analysis of the
bitstream; no third-party decoder source consulted.
Adds the four CC0 R5 Mark II samples (raw.pixls.us 7881-7884) to the corpus
with pinned sensor hashes (the crop-mode framing is left to #754), bumps
RENDER_CACHE_VERSION to 43, and updates cr3.md, raw-parity (235 verified
models), coverage, gaps, the checklist rows, ROADMAP, target-app-parity and
What's New.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
lightcraft-web-<version>.zip carried Cargo host build output next to the site: deps/ (81 files, 90.6 MB), build/ (149 files, 22.4 MB) and .fingerprint/ (297 files), ~113 MB that the app never references and that leaked build paths and crate names to anyone hosting the zip.
Cause: xtask wrote the bundle to <target>/web (SITE in packaging/web/package.sh) while building with --profile web. Cross-compiling with --target wasm32-unknown-unknown makes Cargo write the selected profile host artifacts (build scripts, proc-macros, deps/, build/, .fingerprint/) to <target>/<profile>/, so they landed in the bundle directory and package.sh copied the whole tree into the zip.
Fix: write the bundle to <target>/web-site, a directory that is not a Cargo profile name, and point SITE at it. The wasm32/web/ target artifacts and the web profile are unchanged, so the rust-cache keys and the CI web job keep working.
Guard: package.sh now fails if deps/, build/ or .fingerprint/ exists in $SITE, and a unit test asserts the bundle directory is not a Cargo profile name, so the collision cannot come back silently.
Reference (#793)
`cargo xtask corpus --download` now fetches one full-frame Compressed and
one APS-C Compressed HQ file (about 94 MB) instead of all 12 (about
630 MB); the corpus test checks those two and the lossless-sibling
regression test is gone, since nothing would download those files.
docs/arw6-compression.md keeps the full table with source paths and
SHA-256, says which two xtask fetches and how to fetch the rest with
`curl -L`, and records the CC0 1.0 statement of RawDB's set record
(accessed 2026-10-10).
Co-Authored-By: Claude <noreply@anthropic.com>
Progress docs per craftrules standards/progress-docs.md: target-app parity, gaps, roadmap with alpha gate, readiness by audience (full / mainstream / essentials) with Opus 5.5 hours, model-by-model RAW coverage against Adobe's camera list (docs/raw/), and format, hardware, UI and localization parity docs.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Issue #697 (ILCE-7CM2 lossless compressed M-size ARW "washed out" in 0.4
and 0.5) is the 512-vs-1024 YCbCr pedestal of #535 item 3, fixed on main
by 3100cc1a after v0.5.0. Measured on the reporter's file: 0.5.0 renders
the darkest half of the dusk scene +11 L* and blue against the camera
JPEG, with the lamplight turned white (mean dE 11.8); main is within
+3 L* (dE 8.9). Its darkest 0.1 % per channel sits at 1017/1020/1024,
confirming the 1024 pedestal on a fifth body.
- Corpus: two CC0 raw.pixls.us ILCE-7CM2 files, lossless L and the
compressed "M-size" coding, which is Bayer at 4736x3132 with black 512
(only the lossless M/S codings are YCbCr), so a size-based pedestal
rule would break it.
- Tests: corpus_sony_a7cm2_codings (model, layout, levels, crop, as-shot
gains, header/full agreement) and both files in the #535 data-floor
test.
- docs/parity.md: the ILCE-7CM2 verification on the Sony coverage row.
Main (#575, #580) rewrote default_crop. The image crop now keeps main's
order for every Sony body (Sony's crop tags, then DefaultCrop, then the
recorded-size crop), so framing does not change. Only the ILCE-7RM4A
distortion warp takes its centre and normalization from DefaultCrop when
the file has one, which keeps the geometry validated against Sony's
exports (centre x 4783.5 on the A7R IVA sample). The DNG round-trip test
now checks both: Sony's crop on the image, the warp centred on the
default crop. RENDER_CACHE_VERSION 38.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Main's SR2SubIFD white balance (#575) already reads the A900's applied
levels (2688 / 1024 / 1024 / 1516, the same 2.625 / 1.480 gains), so the
hard-coded maker-note 0x0020 block at offset 188 is dropped. The centred
crop now goes through #580's recorded_size_crop (a `centred` flag, only
for the packed 12-bit layout); every other body keeps main's framing.
Adds the CC0 A900 sample to the corpus with checks for its white balance,
black level, bit depth and crop. RENDER_CACHE_VERSION 38.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Sensor-clipped pixels are rebuilt at raw decode. The tone map rolls them off to
white at Neutral, so any colour they carry shows only when Highlights, a negative
Exposure or Whites darkens them. They took colour from the nearest unclipped pixel
(dark foliage, lens fringes along branches, pixels demosaiced from clipped samples),
left two clipped channels at their white-balance-scaled clip levels (red or pink),
and were neutral only in camera RGB, not after the colour model (a look fitted to
the camera's JPEG, a camera profile).
- highlight::reconstruct_with: chromaticity only from bright unclipped content away
from edges and from the clip, through a normalised push-pull pyramid; a neutral
estimate blended in where reliable content is scarce at every scale up to a
quarter of the long edge, applied only as far as the pixel lies past the nearest
near-clip unclipped pixels (so a surface still runs into clipping without a
step); clipped pairs keep the estimate's ratio at their clip floors; partly
clipped pixels fade into the clipped neutral on their way from the first channel
clipping to the last; fully clipped pixels become the colour model's neutral.
Pixels without a clipped channel are left exactly as they were.
- engine: the decode colour step as CameraColourModel, with clipped_white, which
keeps the camera's neutral for nearly singular or implausible models.
- Tests in raw (continuity along a ramp through every clip, also as lines 1 to 16
rows thick with no reliable colour, on canvases 32 to 1024 rows), engine
(pipeline renders at Highlights -100, #523's edit and Exposure -2 through the
first clip, over the same sweep; a CC0 ILCE-7RM4 corpus file added to
RAW_SAMPLES) and the GPU equivalence suite.
- Render cache version 27.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
High Efficiency NEFs (HE / HE★, Z 8, Z 9, Z 6III, Z f) keep compression
34713 but carry a JPEG XS-based codestream (SOC + CAP, FF10 FF50) and no
maker-note 0x0096 table. They fell through to "Nikon compressed NEF
without a linearization table", so the Preview only notice gave Z f users
no hint why their raw wasn't decoded or that Lossless compressed NEFs work.
Detect the codestream before asking for the table and report "Nikon High
Efficiency NEF" with the workaround. Add a synthetic regression test, CC0
Z f HE + Lossless samples to the corpus (raw.pixls.us) with a corpus test,
and list HE NEF among the format gaps in parity.md and ROADMAP.md.
No decoder: the format has no public specification and the existing
decoders (LibRaw, rawler) are LGPL and derived from Nikon's binaries.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_011bbmJTxYJyYqKfNH8uXRC6
heic-rs reconstructs iPhone HEVC tiles bit-exactly (checked against libde265), but
its colour stage was 2-27 code values off libheif on every iPhone photo: it ignores
the HEVC VUI and assumes BT.709 limited range. lightcraft-heif now converts YCbCr
itself (nclx, else VUI, else H.265 defaults; nearest chroma, bilinear for odd clap
offsets, as libheif), inherits tile ICC/nclx on grids, follows libheif's imir axis
and clap rounding, and outputs 16-bit RGB. Measured on 30 real and synthetic
files: within 1 code value of libheif (pillow-heif 1.8 / libheif 1.23).
Also: HEIF header reader for import (no pixel decode), embedded thumbnail for small
decodes, nclx/VUI colour hint (shared CICP mapping with PNG), clear 4:2:2/4:4:4
Unsupported error, Format::not_decodable as the one source of "why not" (import
reports "HEIC/HEIF support isn't included in this build"), `.heif` imports.
Release packaging and Nix build with the heif feature, as whats-new promised.
lightcraft_heif::testdata writes lossless (PCM) synthetic HEICs for the tests.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Part of #535 (items 4 and 5).
- Pre-2017 bodies without Sony crop tags shot in the camera's 16:9 mode now get
the 16:9 crop of their camera JPEG: width from FullImageSize, anchored left as
before (drops the ILCE-7SM2's 32 padding columns); height from FullImageSize
(ILCE-7SM2) or from an Exif image size of the same width (DSLR-A580, whose
FullImageSize still says 3:2); centred vertically at an even offset, as
measured by registering each camera JPEG on its raw. The aspect now matches
the JPEG, so the camera-look fit runs: ILCE-7SM2 dE 15.2 -> 4.8,
DSLR-A580 dE 26.7 -> 3.9 (vs main 88ea1a8).
- The DSC-R1's SR2 (maker-note FileFormat 1 0 0 0) stores encrypted samples and
decoded to noise; it is now Unsupported in full and header mode and imports
preview-only with that reason.
- Only these 3 of 140 Sony decodes change; render cache version 26 (23-25 are
taken by #568, #542, #575).
- Tests: crop helper (3:2 unchanged, both 16:9 sources, even offsets, hostile
sizes), synthetic Sony file with FileFormat SR2 vs ARW, corpus test of the
two crops and the SR2 refusal; three samples added to the corpus list.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Part of #535 (item 1). Stacked on #542 (SR2 black levels); supersedes its
positional keystream tables.
- White balance is WB_RGGBLevels (0x7313), the gains the camera applied:
the raw IFD's plain copy when present, else the copy in the encrypted
SR2SubIFD, which every ARW from the DSLR-A200 on carries (identical to
the plain one on all 57 CC0 files that have both). The maker note's
Tag2010 gains stay only as a last resort.
- 14 bodies had no white balance and rendered green whenever the camera
look was rejected (A450 ... A700, NEX-3/5/C3, SLT-A33/A35/A55,
ILCE-6001, UMC-R10C). On others Tag2010 missed the applied gains by up
to 100 % (ILCE-3500 at 5600 K: R -31 / B +101 % against the camera
JPEG's neutral pixels, now +4 / +0 %; ILCE-7S on Shade -9 / +15 ->
-1 / +1 %; SLT-A57 -25 / +26 -> -6 / -3 %).
- New vendor/sr2.rs decrypts the whole SR2SubIFD, found black-box:
exiftool -v5's decrypted dump as known plaintext gives the keystream
(key 11 22 33 44, the same at every position in 126 CC0 ARWs from 97
bodies, 15 layouts); an exhaustive search over lag pairs found
k[n] = k[n-63] ^ k[n-127] on 32-bit words, so the first 127 words
generate the rest, matching all 126 files (5.2 MB of keystream).
- The SR2 black level (0x7310) is now read through the same decryptor,
replacing #542's head and per-position keystream tables: one SR2
decryption path. Identical results on all 131 Sony files (every
value #542 decoded; the 51 it could not are the files' plain 0x7310).
Unit tests pin the keystream against answers recorded without the
generator: every byte #542 and #148 had recovered, the SHA-256 of the
whole 62112-byte keystream recovered from the CC0 DSLR-A700 sample, and
the encrypted WB_RGGBLevels of four CC0 files (one per layout) with the
levels ExifTool decrypts.
- Sweep (4f350c4 -> this): gains equal ExifTool's decrypted
WB_RGGBLevels on all 100 decoded CC0 CFA files; on 83 files with
>= 200 JPEG-neutral pixels, within 10 % of the camera's applied gains
71 -> 83, over 10 % 5 -> 0. Accepted fits unchanged (max 0.15 dE);
forced fallback median dE 18.50 -> 18.06, neutral-area cast on the 22
changed files 8.8 -> 1.2.
- Corpus test for five CC0 samples (A500, A33, A700, ILCE-3500 5600 K,
ILCE-7S Shade; three added to RAW_SAMPLES); the pre-2017 test's gains
move to WB_RGGBLevels (RX100 III, RX100, ILCE-7RM2: within 2.6 % of
the old Tag2010 values in Auto). Synthetic tests for decryption,
directory parsing, source precedence, black level through the full
DNGPrivateData chain, and hostile input; #542's layout tests (incl.
the A700 trap) now run through the decryptor.
- Render cache version 25.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Part of #535 (items 2 and 3).
- SR2SubIFD black level: decrypt the directory's first entry (always the
black level, 0x7310) to find where its value sits, and decrypt it with the
keystream known for that position (1638, 2166, 2418, 2510). The fixed read at
2510 gave 354-365 on the DSLR-A450/A500/A550 and 975 on the DSLR-A700, where
ExifTool and the data floor say 512 (A700 render: dE 20.1 -> 8.8,
dL* -9.8 -> 0.0). Keystreams recovered black-box (plain 0x7310 and exiftool -v3
as known plaintext), consistent over 115 ARWs from 97 bodies, 15 layouts.
- Downsized lossless M/S ARWs (linear YCbCr): black 1024 and white 16895, i.e.
the recorded 512 plus 512, measured against same-scene full-size codings on
12 files from 4 bodies (offset 1015-1052, scale 0.98-1.02). The 512 pedestal
lifted shadows by ~3 % of white; M/S renders now match their full-size twins
(7RM5 M dE 6.7 -> 3.1).
- Only these 16 of 140 Sony files change; render cache version 24.
- Tests: synthetic SR2 blocks for every known layout (incl. the A700 trap),
YCbCr black/white; corpus test of black levels against the data floor;
A500 and A700 samples added to the corpus list.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Three CC0 raw.pixls.us files of one ILCE-7CR (61 MP) scene: lossless
compressed L and M (subsampled YCbCr) and compressed ARW2. A raw corpus
test pins model, colour-filter layout, black level, white level, as-shot
gains and default crop, and checks that the lossless and compressed
mosaics agree inside the crop (green block correlation 0.9976). An engine
corpus test checks each gets a fitted camera look, not the neutral
fallback. All nine public codings decode and fit (mean dE76 1.59 against
their camera JPEGs).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Each RAW_SAMPLES entry now carries its SHA-256 (computed from the file as downloaded; the ProRAW value was only a comment). cargo xtask corpus --download hashes every file, new or already present, deletes any mismatch so the next run fetches it again, and fails listing the actual and expected hashes. A unit test keeps names unique and hashes well-formed.
Samsung SRW raws whose raw IFD (private compression 32769 or 32770) stores the samples uncompressed are decoded from the sensor data: 12-bit samples packed two in three bytes (bit order told apart from the samples; NX5, NX10, NX11 and NX20, NX200, NX210, NX1000, NX1100) and 16-bit little-endian words (EX1, WB2000). CFA layout from the raw IFD's CFAPattern; framing, white balance, black and saturation levels from the maker note (value offsets relative to the note; the vectors are stored offset by its EncryptionKey); a one-direction Exif picture size crops to the centre of the framing; black from dark rows or columns when the file states none; saturation plateau below the stated level wins. Compressed codings (32770 with fewer bytes, 32772, 32773) stay preview only with that reason. srw is imported from folders; SRW takes the file-local camera look. RENDER_CACHE_VERSION 17.
Resolve the docs/parity.md conflict, keep the HEIC rows. `cargo xtask ci` gets
a heif step (clippy + tests for lightcraft-codecs with --features heif), since
the workspace build leaves the feature off. The Cargo.toml comments no longer
say official builds enable it; the web one notes that wasm32 aborts on panic.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Parse ProfileGainTableMap (DNG 1.6) and ProfileGainTableMap2 (DNG 1.7):
both versions, DNG 1.7 precedence (version 2 in IFD 0, then the raw IFD;
version 1 in the raw IFD, then IFD 0), u8/u16/f16/f32 gains, gamma.
Malformed tags (wrong size, zero or huge grids, non-finite or negative
gains, bad spacing or gamma) are ignored, never allocated for.
Byte order: the specification gives this tag no byte order of its own,
unlike opcode lists, so the payload is read in the file's byte order with
a big-endian fallback; a wrong-order read can't pass the size checks.
The module docs quote the DNG 1.6 "Byte Order" rule.
The map is kept in ColorData, written back by the DNG writer (version 1,
or version 2 when its gamma isn't 1) and dropped from merge outputs, whose
geometry no longer matches the capture's active area. It is not applied
to the render: Lightroom Classic renders Apple ProRAW without it.
Supersedes the parser of #273.
The CC0 iPhone 12 Pro ProRAW from raw.pixls.us joins the corpus.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Decode lossless CRX and version 0x100/0x200 C-RAW in portable Rust,
including sensor geometry, timed white balance and black/white levels.
Verify all sensor samples against six independent M50/R100/R8 references.
Any CR3 decode error falls back to the embedded JPEG, as CR3 files did
before this decoder. The full sensor buffer is allocated only after the
first plane decodes, and plane buffers grow row by row. Tile planes
decode in parallel with a windowed bit reader (24 MP: 424 -> 89 ms
lossless, 519 -> 138 ms C-RAW on an M4).
Add guarded CR3 camera-JPEG colour fitting with independent framing
validation, relative white balance and cache invalidation.
Validation: cargo xtask ci.
Installed RAM overcommits a busy machine: on a 32 GB desktop with browsers,
a VM and editors open, about 7 GB was free and the installed-RAM rule chose
16 jobs. A fresh build then pushed free RAM below 1 GB.
`cargo xtask ci` now uses one build job per 1.5 GB of RAM available when it
starts (Linux MemAvailable, Windows AvailableMBytes, macOS free + inactive +
speculative pages), capped at the CPU count. With line-table debuginfo,
4 jobs measured about 3 GB in use, so this leaves about half the available
RAM spare. If available RAM can't be read, half the installed RAM is
assumed; if neither can, 4 jobs. Test threads follow, capped at 4.
Explicit CARGO_BUILD_JOBS / RUST_TEST_THREADS still win.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
#243 dropped every result whose request id wasn't the newest for its slot. The loupe requests a new
draft every frame while a slider moves, so when a draft took longer than a frame nothing landed
until the drag paused. Main, Before and Hover now take a superseded draft that is newer than what
they show (never one from before a library or preview-cache reset, never an error or its source).
Also saturate the xtask RAM rounding.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The fixed four jobs were safe on 8 GB but too many for 4 GB, and slower than
needed on large machines. `cargo xtask ci` now uses one build job per 2 GB of
installed RAM, capped at the CPU count, and 4 if the RAM can't be read
(/proc/meminfo, Win32_ComputerSystem, hw.memsize). With line-table debuginfo,
4 jobs measured about 3 GB of RAM in use and 2 jobs about 1.5 GB.
Test threads follow but stop at 4: more barely shortens CI, and at 16 threads
on a loaded machine the wall-clock frame-budget test
offline_originals_never_block_a_frame failed (one 303 ms frame). Explicit
CARGO_BUILD_JOBS / RUST_TEST_THREADS still win.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A full-debuginfo workspace test build with one rustc/link.exe per CPU peaked
at 14-20 GB commit on a 32-thread Windows machine before any test ran; the
test binaries themselves peak at about 3.3 GB each. `cargo xtask ci` now sets
CARGO_PROFILE_DEV_DEBUG=line-tables-only, CARGO_BUILD_JOBS=4 and
RUST_TEST_THREADS=4 unless they are already set. Ordinary cargo commands are
unchanged; GPU coverage is unchanged.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Decode every raw encoding Panasonic and Leica bodies write, from the DMC-LX1 (2005) to the DC-S1RM2 (2025):
compressed formats 4 (most bodies, 2008-2022) and 6 (S1 / S1R / S1H / S5, GH5M2), the prefix-coded strips of
format 8 (GH6 and later), packed formats 2, 5 and 7, and the 16-bit words of the 2005-2007 .RAW files. Until now
only format 5 decoded; every other Panasonic file opened as preview only.
Clean-room: no raw-decoder source was read. Tag names come from tag documentation; every encoding was recovered
by black-box analysis of 178 CC0 files from raw.pixls.us (118 bodies), and the module docs note the measurement
that settled each rule. Format-8 tags of unknown meaning must carry the values every sample has, otherwise the file
is reported as unsupported rather than guessed at.
Levels and geometry: formats 4 and 6 store samples 15 above the recorded black level (files without one use 15);
white is the active area's saturation plateau (the linearity limits are wrong on extended low-ISO shots, the GF1
and the Digilux 3); the in-camera aspect ratio is the default crop; mapped-out defect pixels are filled from
same-colour neighbours; the CFA pattern applies at sample (0, 0).
.rwl and .raw files are imported (engine, MCP folder expansion, file dialog, Linux MIME types). One file per
encoding joins the never-panic proptest; 11 CC0 files join `cargo xtask corpus`, and corpus_panasonic_encodings
checks each encoding's bit depth, black level, crop and CFA layout against the camera's own JPEG.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01QtQmZ6peZXGn3wiqeowV2v
LightCraft has no colour matrix for Nikon cameras. Because of this, NEF
files showed colours that were too gray and too green.
- Colour: LightCraft now calculates a colour matrix and a tone curve from
the JPEG preview in each NEF file. Sony ARW files use the same
procedure and the same quality checks. White balance is relative to
the as-shot look, as for ARW files.
- One function, camera_preview::file_local_look, selects the formats for
the fit and for the relative white balance. Photo::relative_wb in the
catalog uses the same formats.
- Black level: Nikon stores the black level (maker note 0x003d) in
14-bit units, also in 12-bit files. The decoder read it as a 12-bit
value. Because of this, 12-bit files from the D750, D780, D850, D7500
and Z 50 were too dark. Now the decoder divides the value by 4 for
12-bit files.
- The corpus gets the D7500 12-bit and 14-bit lossless samples. A test
compares their levels. The render cache version increases to 9.
Results on 13 NEF files that LightCraft can decode: LightCraft accepted
the fit for all 13 files. The mean colour difference from the camera
JPEG (CIE76 dE) decreased from 13-46 to 2.9-7.8. One file with mixed
light improved by a small quantity only (12.7 to 12.0).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Sony bodies from before ~2017 (RX100–RX100M5, RX10, NEX, SLT, ILCE-6000,
A7/A7II/A7RII, ...) write no plain 0x7313/0x7310/0x74c7 tags in the raw IFD,
so the decoder used unit WB multipliers (strong green cast, e.g. the CC0
DSC-RX100M3 sample), black 512 (800 on 1-inch sensors), and kept padding
columns at the right edge.
- White balance: WB_RGBLevels from the maker note's enciphered Tag2010
block (layouts per ExifTool's Tag2010a..i tables; byte substitution
p^3 mod 249 checked black-box on 15 CC0 files: SonyISO matches Exif ISO,
ILCE-7M3 levels match its plain 0x7313).
- Black level: recovered from the encrypted SR2SubIFD by known-plaintext
analysis (constant key in every file; RX100M6/ILCE-7M3 plain 0x7310 as
plaintext; 8 keystream bytes at offset 2510, plausibility-checked).
- Crop: DNG DefaultCrop or the maker note's FullImageSize.
- "12-bit uncompressed" ARWs hold 14-bit-scale data: black/white follow it.
- Render cache version bumped; corpus manifest + corpus test, unit tests.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Bayer layout of Canon CR2 files differs by model (GBRG on the 7D, 50D,
60D, 550D, 600D, 1200D, 1300D, 5D Mark II, 1D Mark IV; RGGB on the 40D,
5D Mark III, 6D, 5DS R and others). Read it from raw IFD tag 0xc5e0
(CR2CFAPattern: 1 RGGB, 2 BGGR, 3 GBRG, 4 GRBG), anchored at the full
decoded sensor; fall back to RGGB when the tag is missing. No model table.
Checked on 35 decoded CC0 raw.pixls.us CR2s (35 models): the tag agrees
with the mosaic's green-diagonal statistic on every file; the SensorInfo
border parity does not predict the layout. Corpus manifest gains the
reporter's samples; a corpus test asserts each layout.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- tiffraw: Mode::Header parses the first LJ92 frame header (Compression 7),
so probe_info reports Unsupported for subsampled frames (Sony lossless
M/S) as the full decode does, instead of claiming the file decodes.
- corpus: CC0 ILCE-7M4 lossless L/M/S samples from raw.pixls.us in
`cargo xtask corpus`; M/S listed as known unsupported.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- ↑/↓ over any slider nudge it by ≈ 1/200 of its range (exposure 0.05, most sliders 1,
temperature 50 K; ⇧ ×5), one undo step each; the key doesn't also move the selection.
- ⇧Z picks and moves to the next photo (with ⇧X / ⇧U).
- library.source {kind: missing}: photos whose file can't be found; a "Missing Photos" row
appears in the left panel when there are any (checked every 5 s).
- Loupe context menu: Zoom submenu. Parity: stale rows fixed (compare/survey, per-camera
defaults, paste from previous, capture-time edit).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
