- Files with no capture date in their metadata or sidecar (e.g. exports saved without
metadata) take the file's modification time, as Lightroom does, instead of all landing
under "Unknown Date" (the loupe overlay showed the import date for them). The import
review and its folder/rename templates use the same date.
- The import review counted files with the same bytes as another file in the source as
"already in the library" (8 on a brand-new, empty library); they are now shown apart as
"identical copies".
- View > Grid Info captions are drawn on Square Grid only; choosing one from Photo Grid now
switches to Square Grid instead of seeming to do nothing.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Conflicts in crates/ui-egui/src/lightroom_import.rs: main moved the
Lightroom import's progress from its own window to the shared activity
stack, and this branch had added a second bar to that window.
Resolved by keeping main's activity row and feeding it this branch's
step-by-step progress (LightroomProgress): the row counts the step under
way (the catalog, reading the photos, adding them) and names it, so it
moves while the photos are read. The progress window stays removed; the
whole-import fraction is still in the task's status.
The engine half of this branch merged without conflict and is what main
still lacks: reading the photos is counted, and Cancel stops it.
main's two activity tests now drive the task through LightroomProgress.
"Reading photos…" and "Adding photos…" are added to the language
catalogs, cut from the existing "… N of M" translations.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
On merge: Lightroom's default profiles (Adobe Standard, Adobe Color), named by nearly every sidecar,
give no camera-profile warning; other profiles still do (test default_lightroom_profiles_are_not_reported).
The import help string keeps main's onDeleted wording and gains warnings.
Preserve Target-aware sidecar operations, add French/Ukrainian warnings, and ensure omitted diagnostic fields decode in the native UI.
Generated with Codex.
Raws without matrices in the file (ARW, NEF, RW2, RAF, CR2, CR3, PEF, SRW,
ORF) were all edited on the relative white-balance scale (6500 K / 0 = as
shot), even when lightcraft_raw::spectral has measured matrices for the
camera. Those 52 bodies (ILCE-7M3, ILCE-7M4, D850, EOS 5D Mark III...) now
edit in Kelvin like a DNG and like Lightroom.
Design:
- One decision on both sides: spectral::find_camera("Make Model") backs
catalog::relative_wb_camera (Photo::relative_wb); files::WbScaleOf decides
the same from the decoded file. A corpus test asserts they agree.
Photo::fitted_look keeps the old predicate for smart previews.
- The matrices only convert: As Shot is the file's multipliers read through
the model's ColorMatrix1/2 (spectral::as_shot_white_through). The look
(JPEG fit / profile / spectral fallback) is unchanged, and the slider
adapts from that white with Bradford. The camera-space rebalance stays
reserved for files with their own matrices.
- Presets resolve to their Kelvin values (WbMode::preset, sources cited).
- The Color panel shows the white balance in effect (effective_wb).
- XMP: crs::Target::for_file takes the camera; matrix cameras read
crs:Temperature as Kelvin (marked "scale": "kelvin"), others keep the
#510 as-shot shift.
Migration (no look changes):
- WhiteBalance.scale: WbScale { Legacy (absent in JSON), Kelvin }. A
white balance without a scale keeps its old meaning. On a spectral-Kelvin
raw (SourceInfo.legacy_relative_wb) the pipeline composes the old
adaptation (6500 -> value) with the new one (as shot -> ...) in Bradford
cone space (local::legacy_white). Von Kries scalings compose exactly, so
the matrix matches to f32 and the pixels are identical
(pipeline legacy_relative_white_balance_renders_as_before_on_a_kelvin_raw,
media old_relative_white_balance_on_a_kelvin_camera_keeps_its_look...).
- Every white-balance writer (develop.set/adjust/quickAdjust/wb/wbPick/
reset) first runs local::normalize_wb: a legacy value becomes the Custom
Kelvin value with the same look and is marked Kelvin. Partials without a
scale (old presets, develop.merge) stay legacy.
- Catalog format 7: Op::SetAsShotWb replaces the 6500/0 as-shot recorded
by older imports when the file is next decoded or reloaded (system op,
not an undo step). Format-version test updated.
- The web wire carries legacy_relative_wb.
Docs: parity (LR-EDIT-COLOR-TEMP), camera-preview-colour, xmp-interop,
lightroom-catalog-import, control-protocol, mcp, whats-new.
Import a photo, delete it, import the same file again: the import skipped
it as a duplicate "already in the library" while the grid showed it in
Recently Deleted, and the user was stuck (issues #298, #706). The default
for a file whose photo is in Recently Deleted is now to restore the photo,
with its edits, rating and albums (`onDeleted: restore`; `skip` keeps the
old behaviour, `fresh` imports a clean copy). A photo matched by content
whose file is gone is relinked to the imported file. The import review
checks such files, badges them "Will be restored", counts them as "in
Recently Deleted" and starts its choice on Restore them; dropped files
say "Restored 1 photo from Recently Deleted".
Browsing a folder in Local, Auto Import and a Lightroom catalog import
keep skipping: only an import the user asked for brings a photo back.
The import review's folder scan (and reading a folder for Local) is a
row in the activity stack: "Looking for photos…" while the folders are
listed, then the files read of the total. Its cross drops the scan at
once, without waiting for the file being read, as the old Cancel did.
The separate Scanning window is gone.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The import reused the review's probes for every file it had seen, even
one deleted (or rewritten) since: such a file was added as a photo of a
file that isn't there. A cached probe is now used only while the file
is there with the same size (checked in prepare_files, on the import's
worker thread; the web's files keep their probes).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The scan waits on the disk, not the CPU, so its two halves now run at
once: the look for new files (which probes on its own threads) beside
the checks of the library's photos (missing file, newer sidecar), which
run on several threads like the import probes do. A cancelled scan stops
checking. Results keep the photos' order.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
heic-rs reconstructs iPhone HEVC tiles bit-exactly (checked against libde265), but
its colour stage was 2-27 code values off libheif on every iPhone photo: it ignores
the HEVC VUI and assumes BT.709 limited range. lightcraft-heif now converts YCbCr
itself (nclx, else VUI, else H.265 defaults; nearest chroma, bilinear for odd clap
offsets, as libheif), inherits tile ICC/nclx on grids, follows libheif's imir axis
and clap rounding, and outputs 16-bit RGB. Measured on 30 real and synthetic
files: within 1 code value of libheif (pillow-heif 1.8 / libheif 1.23).
Also: HEIF header reader for import (no pixel decode), embedded thumbnail for small
decodes, nclx/VUI colour hint (shared CICP mapping with PNG), clear 4:2:2/4:4:4
Unsupported error, Format::not_decodable as the one source of "why not" (import
reports "HEIC/HEIF support isn't included in this build"), `.heif` imports.
Release packaging and Nix build with the heif feature, as whats-new promised.
lightcraft_heif::testdata writes lossless (PCM) synthetic HEICs for the tests.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Previews were always sRGB, which wide-gamut monitors show oversaturated.
Settings > Display > Choose Profile... (and the UI command
app.displayProfile) now shows photos through the monitor's ICC profile,
matrix/TRC or LUT-based.
- codecs: DisplayProfile (moxcms): the display's primaries (colorant tags,
or measured through the A2B tables of a LUT-only profile), the proxy ->
device correction (per-channel curve tables for matrix/TRC profiles, a
CMS transform for LUT profiles) and sRGB <-> display transforms.
- pipeline: DisplaySpace / RenderRequest::display: the per-pixel stage
renders into the display's primaries and gamut maps into its gamut
(CPU and GPU: only to_out / out_luma change). Soft proofing's display
gamut warning uses the display's gamut.
- engine: RenderJob::with_display; display::present converts sRGB
results (thumbnails, cached previews, embedded JPEGs). Histograms and
the preview caches stay sRGB; exports are unchanged.
- ui: the loupe, Before, Compare, hover and second window render for the
display; everything else is converted on the render workers. Settings >
Display tab, ui.json setting, file picker opening in the system's ICC
folder.
Tests: profile parsing and transforms (sRGB, P3, gamma 2.2, a synthetic
LUT-only profile, corrupted files), display renders equal 8-bit renders
into the matching output space, sampled histograms, and a headless UI test
of the whole flow. docs/display-profiles.md describes the design.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01WEuxxPyG8t6KcADbZSEAUj
A Custom white balance from a Lightroom catalog or XMP sidecar was taken as absolute Kelvin for every
raw. Raws LightCraft develops relative to their as-shot look (ARW, NEF, RW2, RAF, CR3, CR2, PEF; 6500 K
means as shot) then read a small tweak as a large blue shift: ΔE 22 against Lightroom's export on the
photos of issue #510.
The crs mapper now takes a `Target` (preset, rendered, raw with a measured illuminant, relative-WB raw)
instead of a bool. For relative-WB raws, and rendered files with only `Temperature`, a Kelvin value is
converted to the same mired shift from the packet's `AsShotTemperature` / `AsShotTint`. Without that
reference (Lightroom catalogs keep none for Custom photos) the photo stays As Shot and the import
report lists `Temperature, Tint` as not carried over. Import, sidecar read and catalog import decide
the target the same way through `lightcraft_catalog::relative_wb_format`.
Tests: shift from the issue's numbers (3650 → 3578 K lands at ~6275 K), the As Shot fallback with its
report entry, target selection per file, and the catalog mapper's Custom-WB case.
Samsung SRW raws whose raw IFD (private compression 32769 or 32770) stores the samples uncompressed are decoded from the sensor data: 12-bit samples packed two in three bytes (bit order told apart from the samples; NX5, NX10, NX11 and NX20, NX200, NX210, NX1000, NX1100) and 16-bit little-endian words (EX1, WB2000). CFA layout from the raw IFD's CFAPattern; framing, white balance, black and saturation levels from the maker note (value offsets relative to the note; the vectors are stored offset by its EncryptionKey); a one-direction Exif picture size crops to the centre of the framing; black from dark rows or columns when the file states none; saturation plateau below the stated level wins. Compressed codings (32770 with fewer bytes, 32772, 32773) stay preview only with that reason. srw is imported from folders; SRW takes the file-local camera look. RENDER_CACHE_VERSION 17.
TIFF raws that describe a full-resolution CFA IFD with DNG's tags (levels, crop, AsShotNeutral) but carry no DNG version tag are read by the DNG reader (RawFormat::CfaTiff, dng::decode_as). RGGB when the file states no CFAPattern. Lossless JPEG scans with a predictor selection value above 7 are rejected with that reason and stay preview-only. .3fr and .fff are imported from folders. RENDER_CACHE_VERSION 17.
Root cause (in 0.2.1 and still on main): files and folders named on the
command line were imported from the eframe app-creator closure with
`app.run("library.import", …)`, which runs the engine command synchronously:
`import::expand` walked the folder recursively (one `is_dir()` open per entry,
no depth or count bound, following links) and probed every file before the
first frame could be drawn. An argument that resolves to a drive root (`.` or
`..` with a launcher's working folder at `C:\`, `/` or `\` on Windows) or to
the home folder therefore walked the whole drive with the window stuck as a
black "not responding" box. The library-problem banner's pending import had
the same synchronous call. Every other recursive walk (Local's Include
Subfolders, Find Missing Photos, preset and LUT folders, MCP) was also
unbounded, which is the "Local folders with subfolders: not responding"
pattern of filmcraft#23, and a link loop recursed until the stack overflowed.
- engine `walk::files_in`: one bounded, iterative walker (32 folder levels,
1,000,000 entries; `Walked::truncated` says it stopped), folder or file
taken from the directory listing (no open per entry), links and junctions
to a folder followed once. `import::expand` (+ `expand_within`), preset and
LUT folder expansion and MCP `expand_paths` use it.
- engine `import::launch_path`: an empty launch argument is ignored; a
relative one is resolved against the working folder; a drive or file-system
root becomes its memory card's DCIM folder or is refused, and so is the home
folder (a notice says why and to use File > Import Photos).
- desktop: launch arguments go through it and are imported with
`import::start_paths` (the import worker), like dropped files; so does the
library-problem banner's pending import.
Not verified on Windows (no machine here). The report says PhotoCraft 0.5.0
and `--memory` hang the same way with no arguments; nothing in LightCraft
walks the disk at startup without arguments (strace of a headless demo run
with HOME=/ and cwd /: no recursive listing), so that part may be outside
this code.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01912WaK6Rmew3wxZuPyX7E8
Import -> Copy (and Move, and Copy as DNG) handled one file after another
on the import worker: copy, fsync, read back and hash, optionally decode
and re-encode the raw as DNG. Every other CPU-heavy step of an import was
already parallel (the probes, up to 8 threads), so with the probes cached
by the review dialog's scan the transfer phase ran on one core.
ImportJob::prepare_files now plans each file in order, as before
(duplicates by path and content, sidecars, rename sequence numbers,
folders, Kept notes) and collects the copies/moves, which then run on up
to 8 threads (std::thread::scope; sequential on wasm32). Outcomes keep
their places, so results, order, names and failure messages are those of
a one-by-one import:
- a file whose content matches a transfer still pending, or whose name
could collide with one (same folder, same name family: IMG.jpg,
IMG-1.jpg, img.dng), waits until that one has finished;
- cancel stops before the next file; transfers not started leave no item;
- a panic in one transfer fails that file instead of the batch;
- Copy as DNG holds a memory-gate permit (6x the file size) while it runs.
Copy verification and crash safety are unchanged (same copy_new / place).
The desktop's import worker prepares batches of 2 x workers files (8..16,
lightcraft_engine::import::batch_size) instead of 8, so a batch's slowest
file holds back fewer threads; the browser build keeps 8.
Measured (4-core shared VM, 200 procedural 3.7 MB JPEGs = 754 MB, warm
page cache, throwaway benchmark not committed):
- probe: ~80 ms CPU per file is the JPEG decode (DCT-scaled to 64 px),
1.2 ms the content hash; the dialog's scan: 4.4 s, 3.6 cores busy.
- Copy, probes cached: copy+fsync+verify 1.59 s at 0.43 cores before,
0.94 s at 0.81 cores after. Copy, not cached: 6.45 s -> 5.51 s.
- Add, probes cached: 2 ms prepare; nothing to parallelize.
- commit of a batch on the UI thread (journal append + fsync): ~4 ms,
flat for libraries of 0, 5k, 20k and 50k photos (~0.7 s for 1300).
Copy as DNG could not be measured (no raw corpus here); it is the most
CPU-heavy per-file step and was sequential.
Test: copies_run_side_by_side_with_the_same_outcome (copies under the
test fault Slow run on more than one thread; names, order and in-batch
duplicates match a one-by-one copy; the outcome assertions also pass on
the old code, the thread assertion fails there).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01912WaK6Rmew3wxZuPyX7E8
Folder import, drag and drop and MCP folder expansion skipped these extensions, so
the preview-only fallback for these containers was only reachable by naming a file.
Adds exactly the containers that now import as preview only to import::EXTENSIONS and
the headless PHOTO_EXTENSIONS. 3FR, FFF, DCR and STI still fail and stay out.
Review of the onDeleted work found that purging photos one at a time built each
op list against the unchanged catalog, so photos sharing an album or a stack made
Empty Recently Deleted (and Fresh imports) fail with NoStack or leave dangling
album entries. Catalog::delete_photos_permanently_ops builds one list for all of
them; Empty, Delete Permanently and the Fresh purge use it. Photos an import
restores now take part in album/albumName/selection, and undo labels say Restore.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
A file that is in Recently Deleted was always skipped as a duplicate with no way
forward (#298). The report now flags such duplicates (existingDeleted); onDeleted
restores the trashed photo with its edits or replaces it with a fresh import; and
Empty Recently Deleted removes every trashed photo in one undoable step.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Skip unchanged thumbnail jobs and reuse bounded settings hashes (both maps
capped at 1024 entries). Reject stale render results and cache writes after
edits, library changes and preview clears: render requests carry a request
id and cache generation, PreviewCache writes and reads hold the generation
lock that clear() takes, and library.clearPreviews also drops cached
sources. The web worker index follows the same generation rule.
The decoder guards, Windows path fixes and test fixture changes that were
bundled in a327b98 are separate commits; the benchmark follows this one.
Co-authored-by: Codex <noreply@openai.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Catalog paths may mix `/` and `\` on Windows, so raw string comparison saw
`N:/photos/IMG.jpg` and `N:/photos\IMG.jpg` as different files:
- Rename: planning, the move list, move_file_with and file_moves now compare
as paths. A separator-only "rename" is a no-op: no file move, no catalog
change and no undo entry, alone or batched with a genuine rename.
Previously it attempted a plain rename onto the existing file, failed, and
rolled back the rest of the batch. Case-only renames still work (#95).
- Import: the already-in-library index is keyed by PathBuf.
- Tests build expected paths with Path::join, and the CLI test escapes the
device path with serde_json instead of string formatting.
Split from a327b98 (T0 thumbnail work), with the follow-up rename fix that
the committed version needed.
Co-authored-by: Codex <noreply@openai.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Decode every raw encoding Panasonic and Leica bodies write, from the DMC-LX1 (2005) to the DC-S1RM2 (2025):
compressed formats 4 (most bodies, 2008-2022) and 6 (S1 / S1R / S1H / S5, GH5M2), the prefix-coded strips of
format 8 (GH6 and later), packed formats 2, 5 and 7, and the 16-bit words of the 2005-2007 .RAW files. Until now
only format 5 decoded; every other Panasonic file opened as preview only.
Clean-room: no raw-decoder source was read. Tag names come from tag documentation; every encoding was recovered
by black-box analysis of 178 CC0 files from raw.pixls.us (118 bodies), and the module docs note the measurement
that settled each rule. Format-8 tags of unknown meaning must carry the values every sample has, otherwise the file
is reported as unsupported rather than guessed at.
Levels and geometry: formats 4 and 6 store samples 15 above the recorded black level (files without one use 15);
white is the active area's saturation plateau (the linearity limits are wrong on extended low-ISO shots, the GF1
and the Digilux 3); the in-camera aspect ratio is the default crop; mapped-out defect pixels are filled from
same-colour neighbours; the CFA pattern applies at sample (0, 0).
.rwl and .raw files are imported (engine, MCP folder expansion, file dialog, Linux MIME types). One file per
encoding joins the never-panic proptest; 11 CC0 files join `cargo xtask corpus`, and corpus_panasonic_encodings
checks each encoding's bit depth, black level, crop and CFA layout against the camera's own JPEG.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01QtQmZ6peZXGn3wiqeowV2v
- safe_file: write policy documented (durable for what can't be recreated, atomic-only for
recreatable outputs); new write_atomic_nosync (temp + rename, temp removed on failure, no
file/folder sync); per-thread sync counter for tests.
- export::write_file (exports, renders, screenshots, merge previews, CLI/MCP) uses the
non-syncing writer; new write_file_durable keeps the sync for Edit a Copy (the TIFF becomes a
library photo). Catalog, sidecars, settings, DNG conversion/merges and smart previews stay
durable; the #93 original-overwrite guard is untouched.
- Import > Copy verifies the synced copy against the probe's content hash (SipHash-1-3/128 of the
whole file) instead of re-reading the source; byte compare when there is no hash. A file changed
since Review Import is now refused instead of imported with stale details. Move keeps its
byte-for-byte check before deleting sources.
- check_write_target: skip building the library-wide guard when nothing is at the target.
- write_new_unique keeps its read-back (DNGs replace raws; cheap next to encoding).
- Tests: no sync on the export path, durable writers still sync, Copy caught by the probe hash
(corrupt copy, stale hash, changed source); ignored timing test write_policy_timing.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Re-applies fix/issue-104-ui-fs on top of the data-safety fixes (integrate/safety):
- availability cache: originals and smart previews are checked on a worker thread; the UI
answers from the cache (grid, Info panel, photo menu, Missing Photos view)
- import split into ImportJob::prepare (worker) + commit_prepared, with Cancel; Copy keeps
#96's verified copies
- Find Missing Photos: find_candidates (snapshot, no I/O) + plan_find_missing (all file I/O,
on a worker, never the session) with #105's matching rules unchanged (name+size+hash;
renamed by size+hash; single name+size; ambiguous look-alikes skipped and reported; files
already in use excluded). The plan is applied with library.findMissing {found, missing,
ambiguous}, re-checked against the catalog then: photos relinked meanwhile are left alone,
files now in use are not taken. library.findMissing {folder} still runs synchronously.
- Build / Discard Smart Previews with background: true runs on a worker with progress and
Stop, keeping #106's atomic writes, is_valid checks and `repaired` count (also in
library.previewProgress); the render worker's smart-preview fallback uses is_valid
- Rename preview planned on a worker (plan_rename_photos) on the same planning core as
Session::plan_rename_with (MoveFs, case-only respelling by file identity, #95)
- Local folder listing via fs_cached; tests_offline (slow injected probe, frames < 300 ms)
Tests: worker-planned Find Missing equals the synchronous command for a renamed + ambiguous
library; a plan is re-checked when applied; background smart previews repair a damaged proxy.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Copy import used exists() then std::fs::copy: no sync, no comparison, and
a file appearing at the chosen name in between was replaced. It now goes
through import_move::copy_new, which reuses Move's copy_verified: a new
file (create_new, retrying -1, -2… on AlreadyExists), synced and compared
byte for byte with the source; a copy that fails or differs is removed and
reported as a failed import. Copy as DNG's copy step uses the same path.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Local browse records can be most of a large catalog (85k photos, 90 %
Local: 313.5 MB snapshot). Untouched Local records of folders whose last
browse is older than library.preferences forgetLocalDays (default 30,
0 = never) are now removed from the catalog when the library opens (and by
library.forgetLocal {dryRun?, days?}), as journaled, non-undoable ops, then
compacted in the background. Files and XMP sidecars are never touched;
browsing the folder again catalogues them afresh.
Untouched = a Local file record, not deleted, not a virtual copy, whose
state still hashes to the fingerprint taken when the browse catalogued it
(any change keeps it); records from before fingerprints need every
user-editable field empty/default. Kept too: records in albums (or as
cover), stacks, sources of virtual copies, visible/selected/edited ones,
ones referenced by undo/redo, ones with a smart preview.
Per-folder last-browsed times live in the catalog (Op::SetBrowsed,
normalised with folder_key; re-stamped at most hourly). Old catalogs load
unchanged; folders without a time are stamped now, so nothing is forgotten
on the first open after the upgrade.
persist_bench (85k photos, 76.5k Local, every 7th folder recent, 1 in 50
rated): 63.8k forgotten, plan 162 ms, snapshot 313.5 MB -> 94.9 MB.
Settings -> Performance -> Local folders.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
library.import mode `move` (UI: Transfer ▸ Move, MCP import tool): reuses
Copy's destination, folder organisation (incl. custom templates) and rename
template. Each photo and its XMP sidecars (both namings) are placed without
touching the source (hard link on the same volume, else a new file that is
copied, synced and compared byte for byte; taken names get -1, -2…, never
overwritten). Sources are removed only after the catalog records are
committed and saved, and only when the destination is still intact; failed,
duplicate, unchecked and in-library files keep their sources; sources that
can't be removed are kept and reported (`kept`). Undo removes the catalog
records and leaves the moved files at the destination.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
library.import organize now also takes a folder template, e.g.
{date:%Y}/{date:%Y%m%d} -> 2026/20260114 (Organize::Template). The
template's own / (or \) make the folder levels; each level is expanded
with the rename tokens and sanitized, so metadata can never add a level or
climb out of the destination; absolute paths, drive letters, ~ and . / ..
levels are refused. Dated by capture time, else the import time; a level
whose metadata is missing becomes 'unknown'. The import dialog's Folders
menu gains 'Custom template...' with a template field, tag help, live
validation and an example full destination for every mode; the dialog
stays open (with a toast) when the import is refused. The MCP import
helper passes mode/destination/organize/rename through (docs/mcp.md).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A sidecar's exif:DateTimeOriginal / photoshop:DateCreated / xmp:CreateDate
now reaches Photo.captured on import and on Read Metadata from File when
the file has no embedded capture time (embedded wins). On import the
sidecar is read before copying, so the date also files and names copies.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Browse Folder listed, probed and imported the whole folder on the UI thread, so a
network share froze the window with no feedback. It now lists and reads on a worker
(progress window with Cancel), then adds the photos in small batches reusing the
scan's probes. Folders picked with Browse Folder… stay in the Local list after
browsing elsewhere.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Raw variants the decoder can't read yet (e.g. Nikon Huffman-compressed NEF
from a D3200/D5100) silently fell back to the camera's embedded JPEG, so
users edited a JPEG with the camera's picture style (e.g. Monochrome) baked
in without being told.
- catalog: Photo.preview_only (serde default; old catalogs load), set /
cleared by Op::SetContent with an exact inverse; Photo::develops_raw().
- engine: ProbeInfo.preview_only carries the decoder's Unsupported reason
into import, the import review (previewOnly) and catalog.query
(previewOnly); photo.inspect includes it. photo.reload and photo.relink
re-probe and clear/set it when the file decodes (or not) now.
- source_info: a preview-only raw is a rendered source (relative WB scale,
display tone curve) instead of raw:true/5500 K + filmic tone map on a
display-referred JPEG; import uses the JPEG default preset for it; the
Edit panel shows the rendered-file WB sliders.
- UI: "Preview" badge on grid thumbnails, a pill on the loupe, a notice in
Edit and Info (amber caution token, Info icon drawn in code).
- Tests: catalog serde/undo, engine import -> reopen -> reload/relink,
headless UI badge/notice widgets.
Refs #10
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
bflatastic