Commit Graph
674 Commits
Author SHA1 Message Date
Claude 62ece65ac9 Merge PR #664
# Conflicts:
#	crates/engine/src/tests_export.rs
#	crates/mcp/src/headless.rs
#	crates/mcp/src/tools.rs
2026-10-11 11:50:59 +00:00
Claude 44acde3a41 Merge PR #666
# Conflicts:
#	apps/lightcraft/src/main.rs
#	crates/engine/src/config.rs
2026-10-11 11:50:35 +00:00
Claude b6ad706aa6 Merge PR #712
# Conflicts:
#	crates/engine/src/export.rs
2026-10-11 11:50:06 +00:00
Claude 31734dea86 Merge PR #689
# Conflicts:
#	crates/engine/src/media.rs
#	crates/raw/src/vendor/arw.rs
2026-10-11 11:50:05 +00:00
Claude 4e6cd5d7b9 Merge PR #704
# Conflicts:
#	docs/parity-checklist.md
2026-10-11 11:49:37 +00:00
Claude 40492d238e Merge PR #690
# Conflicts:
#	crates/ui-egui/locales/de.json
#	crates/ui-egui/locales/es.json
#	crates/ui-egui/locales/fr.json
#	crates/ui-egui/locales/ja.json
#	crates/ui-egui/locales/pt-br.json
#	crates/ui-egui/locales/ru.json
#	crates/ui-egui/locales/uk.json
#	crates/ui-egui/locales/zh-hans.json
#	crates/ui-egui/locales/zh-hant.json
#	crates/ui-egui/src/tests_panels.rs
#	docs/parity-checklist.md
2026-10-11 11:48:06 +00:00
Claude edb95894b4 Merge PR #695
# Conflicts:
#	crates/engine/src/media.rs
2026-10-11 11:47:51 +00:00
Claude 16bbaff14c Merge PR #700
# Conflicts:
#	crates/engine/src/media.rs
#	docs/parity-checklist.md
2026-10-11 11:47:50 +00:00
Claude db8b82c6d7 Merge PR #703 2026-10-11 11:47:28 +00:00
Claude 27d2bfda86 Merge PR #663
# Conflicts:
#	docs/gaps.md
2026-10-11 11:47:28 +00:00
Claude 1f3bfbdb25 Merge PR #698 2026-10-11 11:47:26 +00:00
Claude b46adf0640 Merge PR #720
# Conflicts:
#	docs/parity-checklist.md
2026-10-11 11:47:25 +00:00
Claude c97b2790d3 Merge PR #843
# Conflicts:
#	crates/engine/src/export.rs
#	docs/parity-checklist.md
2026-10-11 11:46:15 +00:00
Claude 06ef27bb37 Merge PR #751
# Conflicts:
#	docs/parity-checklist.md
2026-10-11 11:44:45 +00:00
Claude 3ac2b21d9e Merge PR #900
# Conflicts:
#	docs/gaps.md
#	docs/parity-checklist.md
2026-10-11 11:44:12 +00:00
Claude 0d022b7506 Merge PR #938
# Conflicts:
#	crates/engine/src/camera_preview.rs
#	crates/engine/src/media.rs
#	docs/gaps.md
#	docs/parity-checklist.md
2026-10-11 11:43:40 +00:00
Claude 33a29dcdc3 Merge PR #907 2026-10-11 11:43:08 +00:00
Claude 36cd72bb33 Merge PR #925 2026-10-11 11:43:08 +00:00
Claude cb5cd22bd3 Merge PR #723
# Conflicts:
#	docs/whats-new.md
2026-10-11 11:42:45 +00:00
Claude cba621e55c Merge PR #854
# Conflicts:
#	crates/engine/src/media.rs
2026-10-11 11:42:42 +00:00
Claude 8df7b008c0 Merge PR #847 2026-10-11 11:41:21 +00:00
Claude 0449a3fc51 Merge PR #845 2026-10-11 11:41:21 +00:00
Claude ee2cd6f4bb Merge PR #726 2026-10-11 11:41:20 +00:00
Claude 4b93c90024 Merge PR #729 2026-10-11 11:41:20 +00:00
Claude 69f117632b Merge PR #754
# Conflicts:
#	crates/engine/src/media.rs
2026-10-11 11:39:46 +00:00
Claude f30ad32d93 Merge PR #858 2026-10-11 11:39:25 +00:00
Claude 09461d04c7 Merge PR #873 2026-10-11 11:39:25 +00:00
Claude 14679de823 Merge PR #885 2026-10-11 11:39:25 +00:00
Claude b038c018c2 Merge PR #829 2026-10-11 11:39:24 +00:00
Claude 72a7cd80b8 Merge PR #792 2026-10-11 11:39:24 +00:00
Alex ChambersandClaude Opus 5.5 f05a52968f LR-PROF-CAMERACOLOR: a tone curve from black-and-white camera JPEGs (#577)
A raw shot in a monochrome picture style records full colour, but its
camera JPEG is grey: neither the full look nor the partial look has
colour to fit, so the photo started from the spectral matrices or the
neutral fallback with the default tone curve, about 1.3 EV darker than
the same body's colour-shot photos. The grey JPEG still shows the
camera's tone curve.

When no look was fitted and the JPEG is black and white (`monochrome`),
fit the quantile tone curve alone on top of the colour the photo gets
otherwise: the camera profile's (in `fit_preview`), else the spectral
matrices or the fallback (`monochrome_look`, after the spectral step).
The chroma curve stays neutral; the partial look's checks apply. A
tone-only look keeps the file's colour model for white balance.

LOOK_VERSION 2 -> 3, RENDER_CACHE_VERSION 42 -> 43.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-11 11:19:49 +02:00
Andrew FrahnandClaude Opus 5.5 db7e37843e Export: Remove location info also covers Original and DNG formats
No location in the XMP sidecar or the DNG's packet; exporting an original
that embeds GPS with the option on is refused instead of leaking it.

Sources: own design.

Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
2026-10-11 19:30:23 +11:00
PiMinusMaxandClaude Opus 5.5 385348b258 LR-PROF-CAMERACOLOR: the camera-look guard blends in smoothly instead of switching (#820)
Between a kept luminance share of 0.15 and 0.25 the table colour is now blended in with a smoothstep,
so noisy shadows show no step between pixels that get the table colour and pixels that keep theirs.
At 0.25 and above pixels render exactly as before.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-11 10:24:09 +02:00
Jason Baldwin 43f31532a7 LRC-LIB-CATALOG-IMPORT: Open Library recognises a Lightroom catalog and offers to import it (#891)
Open Library given a Lightroom Classic catalog folder, one of its .lrdata /
.lrcat-data folders, Backups/, the .lrcat or its -wal/-shm/.lock files used to
create an empty LightCraft library inside Lightroom's folder (or, for the
.lrcat file, close the current library and then fail). Now:

- engine: lightroom_folder::lightroom_catalog_at (names only, top-level scan
  bounded to 10 000 entries, never fails); Session::open_library refuses those
  places with EngineError::LightroomCatalog {path, catalog} before creating
  anything. A LightCraft library (catalog.snap / catalog.log) always wins.
- app: app.openLibrary checks before closing the current library, keeps it,
  returns {opened: false, lightroomCatalog, path} and shows a dialog with
  Import Lightroom Catalog… (file.importLightroom with the catalog found) and
  Cancel. The library problem window gets the error instead.
- Lightroom import status keeps the catalog path after the task ends.
- CLI --library explains how to import instead.
2026-10-11 08:40:18 +02:00
cookingwithsimonandClaude Opus 5.5 5bb43a51f7 LR-VIEW-ZOOM: sharp 1:1 in Compare and Reference (zoom windows per pane)
Compare and Reference drew each pane from a whole-frame render of at most
2560 px, so 1:1 was a magnified preview and focus could not be checked.
Each pane now also renders the window on screen from the photo's own
pixels (Slot::CompareRegion), as the loupe does (#323). The media cache
keeps up to two full-size originals while either view is open, so one
pane's window does not evict the other's source.

Docs: gaps.md entry 4 shrinks to overlays and soft proofing; checklist
LR-VIEW-ZOOM / LR-VIEW-COMPARE and ui-parity zoom row updated.

Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01UyHnpE9573a7nJFQqnGNex
2026-10-11 05:55:48 +00:00
JordyUSAandClaude Opus 5.5 15f6718a2e LR-HDR-EDIT: read crs:HDREditMode from XMP into hdr.enabled
Lightroom's Light panel "HDR" switch (`crs:HDREditMode`, `1`/`True` on,
`0`/`False` off) now sets `hdr.enabled` when importing XMP sidecars, presets,
DNG presets and Lightroom catalogs, instead of being reported as unmapped (an
off value was already silent). The rest of the HDR settings keep their
defaults. Follow-up to #646, ported from #466.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-11 12:47:04 +07:00
JordyUSAandClaude Opus 5.5 c9c0268f8b LR-HDR-EXPORT: say how viewers without cICP show a PQ PNG
Readers that don't read the PNG cICP chunk show the PQ samples as if they
were sRGB (flat, washed out): expected for PQ PNG, but it surprises people.
Noted in What's new (with the gain map JPEG as the look-right-everywhere
choice), as the export dialog's HDR PNG hint, and in the option and encoder
docs. Review suggestion on #664.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-11 12:46:27 +07:00
JordyUSAandClaude Opus 5.5 cbc0e2d7db LR-HDR-EXPORT: HDR PNG export as 16-bit Rec. 2020 PQ (cICP, cLLI)
With HDR output on, a photo edited in HDR exports as a 16-bit PNG with the PQ
curve in Rec. 2020 (SDR white at HDR_REFERENCE_WHITE_NITS), described by a
`cICP` chunk (PNG third edition: BT.2020 primaries, PQ, RGB, full range) and
a `cLLI` content light level chunk (the levels the HDR AVIF records). EXIF,
XMP and print resolution are kept; no ICC profile next to cICP. Photos without
an HDR edit, and HDR edits with HDR output off, export as before.

`codecs::encode_png_pq` sits next to `encode_avif_pq` and takes the same
input. Follow-up to #646, ported from #466.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-11 12:46:27 +07:00
Jason Baldwin c52ff0f014 Merge origin/main into albums-library-photos-only (0.6.0 and shared docking; locale catalogs: kept both sides' keys) 2026-10-11 06:40:00 +02:00
Nigel Ihza Firdausy 38756b89d0 fix(query): saturate pagination values in 32-bit web builds 2026-10-11 11:04:36 +07:00
THEtheChadandGPT-6 Astra aec298c116 test(engine): LRC-LIB-LIBFOLDERS cover mixed Windows separators
Exercise both separator directions for folder and individual-file imports.
Verify duplicate detection, stable photo IDs, added/deleted file detection,
and reuse of a confirmed scan when the folder spelling changes.

Co-Authored-By: GPT-6 Astra <noreply@openai.com>
2026-10-11 01:59:03 +00:00
THEtheChadandGPT-6 Astra dac0d4c6e2 test(engine): LRC-LIB-LIBFOLDERS normalize sync fixture paths
Rebuild fixture path components with native separators so expected paths
match directory scans on Windows, including files that have been removed.
This is a prerequisite for Windows validation and overlaps the path-helper
fix in upstream PR #660; it can be dropped once that change lands.

Co-Authored-By: GPT-6 Astra <noreply@openai.com>
2026-10-11 01:59:03 +00:00
PiMinusMaxandClaude Opus 5.5 d76a4121e6 LR-PROF-CAMERACOLOR: near-black pixels no longer turn white in the camera look (#820)
HueSat::apply restores luminance with before / after. Near black, where noise makes some channels
negative, the hue/saturation table can bring after close to 0, and the gain turned single pixels
white (isolated white dots in dark areas, most visible at fit). Luminance is now restored only if
the table kept at least 25 % of it; such colours keep their colour, like black and non-finite ones.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-11 02:32:34 +02:00
radialmonster f032d6e389 LR-PROF-CAMERACOLOR: read an untagged camera JPEG in the colour space the raw's EXIF states, for every make (#778)
A Sony body shot in Adobe RGB writes ColorSpace Uncalibrated with InteropIndex R03 in the raw's EXIF and leaves the
embedded JPEG untagged, so the look was fitted against the JPEG decoded as sRGB. The EXIF fallback now applies to
all makes (the Nikon maker note still wins); DNGs are skipped, since their previews come from the converter.
2026-10-10 20:06:50 -04:00
john01px2022andClaude Opus 5.5 6f44b33ca7 LR-EXP-WATERMARK: rotate the watermark in quarter turns (#827)
A watermark (text, horizontal or vertical, or a graphic) can be turned 0,
90, 180 or 270 degrees clockwise, like Lightroom Classic's rotate buttons.
It is sized before it is turned and placed and inset by the turned box; the
shadow still falls down and to the right. New watermark key `rotation`
(other values are errors); settings without it draw unturned. The Export
dialog gets a Rotate row.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-10 16:18:57 -07:00
john01px2022andClaude Opus 5.5 ffd737ceab LR-EXP-WATERMARK: separate horizontal and vertical watermark insets (#827)
Watermark.inset becomes inset_x (from the left or right edge) and inset_y
(from the top or bottom edge), like Lightroom Classic's watermark editor.
The watermark keys are insetX and insetY; the old inset key still reads as
both, so saved presets and existing MCP calls keep working.

The Export dialog's Inset slider becomes Horizontal inset and Vertical
inset, each greyed out when the position is centred along its axis.
cargo fmt reflows WM_POSITIONS and its test from the previous commits.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-10 16:11:03 -07:00
john01px2022andClaude Opus 5.5 aa6054cd1a LR-EXP-WATERMARK: preview the watermark in the Export dialog (#827)
With Watermark on, the Export dialog shows the first photo it will export
(its cached thumbnail) with the watermark drawn as the file will have it.
The watermark is redrawn on a copy only when it or the output size changes.

draw_watermark_preview scales the 6 px minimum text size and the 1 px
minimum shadow offset by the preview size over the export size, so a small
watermark doesn't look bigger in the preview than in the file. Exports draw
with a scale of 1 and are unchanged.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-10 15:58:53 -07:00
skylar taylor-barrick 9bfabc98b1 UI.9: integrate shared docking and preserve panel interactions 2026-10-10 16:22:21 -06:00
radialmonster 5a975d0d75 LR-IMP-FORMATS: CR3 CRX quantization 44 (QP 168) decodes, continuing the step sequence
Canon EOS R50 C-RAW files reach QP 168 (quant 44, step 102, measured about 100). The quantization step and the adaptive QP map range accept it; anything above stays rejected. Bumps RENDER_CACHE_VERSION since such files change from the embedded preview to a raw decode.
2026-10-10 17:20:31 -04:00
radialmonster 9da719c6ed LR-EDIT-RESET: Reset Edits returns a raw to its import defaults, sharpening and colour NR included
Reset Edits rebuilt a photo without a default-preset look from DevelopSettings::default(),
so a raw imported with capture sharpening 40 and colour noise reduction 25
(DevelopSettings::for_raw) came back with both at 0, and with its embedded lens
corrections off. It now starts from the photo's own built-in defaults
(Photo::camera_defaults, the same as import) and keeps the white balance of its
current as-shot reference, as before. Rendered files are unchanged (their defaults
are DevelopSettings::default()). Reported in #763's notes.
2026-10-10 14:01:26 -04:00