Commit Graph
6 Commits
Author SHA1 Message Date
Trey ReynoldsandClaude Opus 5.5 22c6aa6918 Issue #150: Raw: NEF colour from the camera JPEG; 12-bit NEF black level
LightCraft has no colour matrix for Nikon cameras. Because of this, NEF
files showed colours that were too gray and too green.

- Colour: LightCraft now calculates a colour matrix and a tone curve from
  the JPEG preview in each NEF file. Sony ARW files use the same
  procedure and the same quality checks. White balance is relative to
  the as-shot look, as for ARW files.
- One function, camera_preview::file_local_look, selects the formats for
  the fit and for the relative white balance. Photo::relative_wb in the
  catalog uses the same formats.
- Black level: Nikon stores the black level (maker note 0x003d) in
  14-bit units, also in 12-bit files. The decoder read it as a 12-bit
  value. Because of this, 12-bit files from the D750, D780, D850, D7500
  and Z 50 were too dark. Now the decoder divides the value by 4 for
  12-bit files.
- The corpus gets the D7500 12-bit and 14-bit lossless samples. A test
  compares their levels. The render cache version increases to 9.

Results on 13 NEF files that LightCraft can decode: LightCraft accepted
the fit for all 13 files. The mean colour difference from the camera
JPEG (CIE76 dE) decreased from 13-46 to 2.9-7.8. One file with mixed
light improved by a small quantity only (12.7 to 12.0).

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-06 19:26:45 -05:00
Brandon ThomasandClaude Opus 5.5 33a84b8427 Issue #148: Raw: read white balance, black level and crop of pre-2017 Sony ARWs
Sony bodies from before ~2017 (RX100–RX100M5, RX10, NEX, SLT, ILCE-6000,
A7/A7II/A7RII, ...) write no plain 0x7313/0x7310/0x74c7 tags in the raw IFD,
so the decoder used unit WB multipliers (strong green cast, e.g. the CC0
DSC-RX100M3 sample), black 512 (800 on 1-inch sensors), and kept padding
columns at the right edge.

- White balance: WB_RGBLevels from the maker note's enciphered Tag2010
  block (layouts per ExifTool's Tag2010a..i tables; byte substitution
  p^3 mod 249 checked black-box on 15 CC0 files: SonyISO matches Exif ISO,
  ILCE-7M3 levels match its plain 0x7313).
- Black level: recovered from the encrypted SR2SubIFD by known-plaintext
  analysis (constant key in every file; RX100M6/ILCE-7M3 plain 0x7310 as
  plaintext; 8 keystream bytes at offset 2510, plausibility-checked).
- Crop: DNG DefaultCrop or the maker note's FullImageSize.
- "12-bit uncompressed" ARWs hold 14-bit-scale data: black/white follow it.
- Render cache version bumped; corpus manifest + corpus test, unit tests.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-06 15:27:33 -04:00
Brandon ThomasandClaude Opus 5.5 5b414ffb8e LR-PROF-CAMERACOLOR: record the ARW file-local fit's public-sample results
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-05 19:34:01 -04:00
Brandon ThomasandClaude Opus 5.5 4b3048c48f LR-PROF-CAMERACOLOR: accept ARW camera-look fits up to 0.10 held-out RMS
The 0.055 cap rejected half of the public Sony samples tried (ILCE-6400,
ILCE-6700, ILCE-7M4) although their fits were 1.5-3x closer to the
camera JPEG than the fallback and visibly better (mean dE vs the embedded
preview 19-26 -> 5-10). Unrelated previews stay rejected (synthetic test
lands at 0.115).

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-05 19:28:22 -04:00
arata1972andCodex 43f4e24355 M11: separate Sony ARW colour and tone and preserve decoded source facts
Co-authored-by: Codex <noreply@openai.com>
2026-10-06 07:16:15 +09:00
arata1972andCodex 05f242c445 M11: estimate missing ARW colour from guarded camera-preview correspondences
Co-authored-by: Codex <noreply@openai.com>
2026-10-06 05:55:20 +09:00