One config-dir helper (engine::config::config_dir; camera_profiles re-exports it) with both
the face-models and denoise-models defaults; hosts set up both model folders; Settings has
Faces and AI Denoise tabs; both command sets registered; both model dialogs; locale entries
from both; one [features] table per app manifest; Cargo.lock regenerated by cargo; the
DecodedSource cache cost counts both segmentation mattes and the denoised twin.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
TIFF raws that describe a full-resolution CFA IFD with DNG's tags (levels, crop, AsShotNeutral) but carry no DNG version tag are read by the DNG reader (RawFormat::CfaTiff, dng::decode_as). RGGB when the file states no CFAPattern. Lossless JPEG scans with a predictor selection value above 7 are rejected with that reason and stay preview-only. .3fr and .fff are imported from folders. RENDER_CACHE_VERSION 17.
Decode every JPEG XL tile with wide (32-bit) modular buffers: the
modular_16bit_buffers header flag does not hold on real lossy files (68
of 108 tiles failed with narrow buffers).
Lossy (XYB) tiles are taken from the decoder as linear sRGB primaries
and restored to the declared primaries with a plain 3x3 matrix, instead
of the decoder's gamut-mapped, [0, 1]-clipped conversion. Lossy tiles
whose declared encoding cannot be restored faithfully (ICC profile,
non-linear transfer function, non-D65 white point, intensity target
above 255 nits, single plane) are unsupported. Lossless output is
unchanged.
A JPEG XL tile that fails to decode is now an error for the image
(the file falls back to its embedded preview) instead of a zero tile.
Render cache version 17.
The Canon maker note's AspectInfo (tag 0x009a: aspect code, cropped width,
height, left, top) holds the rectangle of the shot, measured from the
recommended image crop. Use it as the CR3 default crop, so 3:2, 4:3, 16:9 and
1:1 shots develop in the shape the photographer chose. The tag is ignored when
it is missing, does not fit, or the recommended crop itself is inconsistent.
RENDER_CACHE_VERSION 15 -> 16. The M50 C-RAW corpus sample (raw.pixls.us 2663)
was shot at 1:1 and now develops at 4000 x 4000.
Recover the unpublished denoise work against current upstream. Preserve later opt-in model setup, shared Rust HTTPS downloads, pending-photo resume and an Amount-independent switch. Keep original RAWs unchanged and share the current color finish between ordinary and denoised sources.
Bound public tiling inputs, refuse corrupt-cache exports, and retain synthetic/real-model coverage. Include two Windows path spelling fixes in existing tests. No model weights, face code, media or Tract runtime are included.
Validation: cargo xtask ci (all seven gates); installed RawNIND CPU/GPU agreement 1.38e-6; native CPU preview/export on a public 24 MP Sony RAW, unchanged original SHA-256.
Co-authored-by: Codex <noreply@openai.com>
Co-authored-by: Claude Sonnet 5.5 <noreply@anthropic.com>
Generated with Codex.
In NRW data version 0104 the u32 at byte 0x20 is the black level in sample units: 200 where the darkest samples of the B700, P950, P1000 and P1100 sit, 0 for the A1000 whose samples reach 0. Used when the maker note has no 0x003d.
Raw-IFD flag 0xf006 = 1 marks RAF samples packed MSB-first into 32-bit little-endian words at any depth; 12-bit files with it (FinePix S1, X-A10, SL1000) were read as an LSB-first stream. Nikon uncompressed 12-bit strips of exactly 1.5 bytes per pixel in a file whose maker note has an NRW data block (COOLPIX B700, P950, P1000, P1100) use the same words in file byte order; without the block (E5700, E8400, E8800) they stay an MSB-first byte stream. Shared unpack_words32_msb and Packing::Words32Msb. RENDER_CACHE_VERSION 15 to 16.
A custom white balance on a raw with a colour matrix (DNGs, and other raws
without a file-local look) re-develops the pixels for the chosen white
through the file's own colour model: lightcraft_raw::color::rebalance
re-evaluates the camera transform at the new white and maps the as-shot
development onto it, so a neutral lit by that white renders neutral and
saturated colours move as the camera's matrices say (DNG spec ch. 6, as
Lightroom does). The decoder passes the colour tags and the white the
pixels were developed for in SourceInfo::camera_color; other photos, and
relative white balances, keep the Bradford adaptation. The eyedropper and
Auto invert the same model (color::neutral_white), so a picked grey card
renders neutral.
The Tint sign is main's (#349): unchanged here. Render cache version 15.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
ColorData::baseline_sharpness holds the file's BaselineSharpness (raw IFD
or IFD 0; zero, negative, non-finite or above 16 is ignored) and the DNG
writer writes it back, so a conversion or smart preview keeps it. Merge
outputs leave it unset. Rendering doesn't use it yet.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Read DNG 1.6 semantic masks (SemanticName, SemanticInstanceID,
MaskSubArea; any coding the tile/strip reader decodes, e.g. ProRAW's
lossy-JPEG matte) with lightcraft_raw::semantic_masks, map them onto the
developed image, and carry Apple's sky / portrait / skin / hair / teeth /
glasses mattes in SourceInfo::mattes (SourceInfo is no longer Copy).
Sky, Subject, Background and People components sample them through
orientation, warp (Warp::frame, as geometry.rs) and crop like the image,
so preview = export, instead of the heuristics; files without mattes
render as before. Malformed mask IFDs are skipped, and only the first
MAX_MASKS mask IFDs are decoded, so a file full of them costs bounded
work. The render cache version is bumped once, in the white-balance commit.
The corpus test reads corpus/raw/dng-apple-iphone12pro-proraw.dng, the
name `cargo xtask corpus` downloads it under.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Parse ProfileGainTableMap (DNG 1.6) and ProfileGainTableMap2 (DNG 1.7):
both versions, DNG 1.7 precedence (version 2 in IFD 0, then the raw IFD;
version 1 in the raw IFD, then IFD 0), u8/u16/f16/f32 gains, gamma.
Malformed tags (wrong size, zero or huge grids, non-finite or negative
gains, bad spacing or gamma) are ignored, never allocated for.
Byte order: the specification gives this tag no byte order of its own,
unlike opcode lists, so the payload is read in the file's byte order with
a big-endian fallback; a wrong-order read can't pass the size checks.
The module docs quote the DNG 1.6 "Byte Order" rule.
The map is kept in ColorData, written back by the DNG writer (version 1,
or version 2 when its gamma isn't 1) and dropped from merge outputs, whose
geometry no longer matches the capture's active area. It is not applied
to the render: Lightroom Classic renders Apple ProRAW without it.
Supersedes the parser of #273.
The CC0 iPhone 12 Pro ProRAW from raw.pixls.us joins the corpus.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Compression 52546 tiles and strips decode through jxl-oxide (new
default-on `jxl` feature of lightcraft-raw): bare codestreams and
ISO-BMFF containers, 1 or 3 planes, 8-16-bit integers scaled back
exactly from the codestream's own bit depth, 16-bit floats. Edge tiles
may be coded at their nominal or in-image size. Headers are checked
against the IFD in header-only probing too. A single-chunk JPEG XL
preview IFD (RGB or grey) is offered as the embedded preview.
The decoder's memory is bounded by the tile: 16 bytes per sample (three
times that for a lossy grey tile, which the decoder expands to three
channels) plus 64 KiB; jxl-oxide 0.12 was measured at <= 10.3 bytes per
sample for lossless and <= 13.5 per colour sample for lossy tiles. A
codestream needing more (e.g. extra channels) is an error.
Lossless tiles are checked bit-exact on synthetic CFA and LinearRaw
files (zune-jpegxl as a test-only encoder); lossy tiles are unverified
on a real file.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
C-RAW is quantised wavelet coding: next to clipped highlights its
reconstruction overshoots the sensor range by a few quantisation steps.
On 17 CC0 CR3 files (SX70 HS, G5 X Mark II, M6 Mark II, EOS R, RP, 90D,
M200, R5 Mark II, R6 Mark II, R6 Mark III, R8) samples reached 16384 to
16419 at 14 bits, never below 0, and decoding failed with "decoded
sample outside its bit depth". Lossless files of the same bodies clip at
exactly 16383. Wavelet samples are now clamped to the CMP1 bit depth;
lossless samples outside it are still corrupt data.
The other 93 CR3 files have no sample outside the range and render
pixel-identically. Render cache version 13 -> 14.
scan_for_jpeg walks every JPEG-like start in a container it can't parse;
each walk runs through the marker segments that follow (up to 4096) and
their entropy data. A crafted CRW/MRW/X3F (or unsupported TIFF raw) of
fake starts one after another makes every walk cover most of the file:
quadratic, about a minute for 40 MB, on the import's probe thread. The
walks now report how far they read and share a budget of eight times the
file's size (at least 1 MiB); real files' candidates fail within a few
bytes or are the preview itself. Test: 200,000 fake starts, 0.15 s.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01912WaK6Rmew3wxZuPyX7E8
Widens the preview-only fallback. A recognised raw whose decode fails now falls back
to its embedded JPEG for any decode error (unsupported, corrupt, limit, TIFF
structure), not only an unsupported variant, and the preview search covers more
containers:
- Canon CRW, Minolta MRW and Sigma X3F are recognised by their magic (RawFormat
Crw, Mrw, X3f) instead of failing as "RawOther files are not supported yet".
- A TIFF whose IFD0 has no ImageWidth/ImageLength but a JPEG pointer or SubIFDs
(Kodak KDC) is a raw container, not a malformed image. TIFF compression 99
(Leaf MOS) counts as a raw compression.
- When no tag points to a preview, a recognised raw we cannot decode is scanned
for the largest complete three-component DCT JPEG. A preview whose first byte
was overwritten (Minolta, Epson) is restored. A one-component JPEG is skipped
(a PowerShot CRW stores its mosaic that way).
Files with no JPEG at all still fail with "without an embedded preview".
Phase One / Leaf IIQ, Canon EOS-1D / 1Ds and Kodak DCS TIFFs keep their raw data in
a private block. IFD0 is only a 160-640 px RGB copy and no IFD is marked as raw, so
they opened as an ordinary TIFF of that size (a 150 MP file rendered 296x220) with
no preview-only label.
probe() now recognises such a file from its structure (OtherTiff): a picture at
least 4x larger than IFD0 in both directions is declared by a SubIFDs child, or by
Exif PixelXDimension/PixelYDimension together with enough bytes outside every IFD's
strips and tiles to hold it at one bit per pixel. decode() reports the sizes as the
reason. A raw we cannot decode now falls back to its embedded JPEG, else to the TIFF
reader's view of its first image, so it imports preview-only with that reason.
RENDER_CACHE_VERSION 12: these files render differently.
Main already had Fujifilm RAF in relative WB, the file-local look, the
docs and the corpus lists; CR3 is added next to it. RENDER_CACHE_VERSION
was already 12 on main (from #255/#258/#282), so CR3 thumbnails rendered
by main from embedded previews would not be redone: 13.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01912WaK6Rmew3wxZuPyX7E8
Decode lossless CRX and version 0x100/0x200 C-RAW in portable Rust,
including sensor geometry, timed white balance and black/white levels.
Verify all sensor samples against six independent M50/R100/R8 references.
Any CR3 decode error falls back to the embedded JPEG, as CR3 files did
before this decoder. The full sensor buffer is allocated only after the
first plane decodes, and plane buffers grow row by row. Tile planes
decode in parallel with a windowed bit reader (24 MP: 424 -> 89 ms
lossless, 519 -> 138 ms C-RAW on an M4).
Add guarded CR3 camera-JPEG colour fitting with independent framing
validation, relative white balance and cache invalidation.
Validation: cargo xtask ci.
Maker note tag 0x4001 is UNDEFINED bytes (ColorData versions -3 and -4) on
PowerShot and EOS M bodies. It was read as one number per byte, so no plausible
as-shot levels were found and the white balance was 1, 1, 1 (green cast, a* about
-13 on neutrals). Byte and undefined data is now paired into 16-bit words in the
maker note's byte order before the existing probe (word 71). No per-model table.
RENDER_CACHE_VERSION 11 -> 12.
Maker note 0x0096 of the D780, D6, Z 5, Z 6, Z 7 and Z 7_2 starts 0x44 0x40
and holds 257 points, but its first interval rises by 2^bits / 1024 where the
0x44 0x20 tables rise by 2^bits / 256: the curve is the identity in the dark
part and covers 2^bits / 4 codes, not 2^bits. The decoder spaced the points
2^bits / 256 codes apart for both, so these files decoded to a fraction of
their values, far below the black level.
parse_table now takes the span from the version (0x20: all codes, 0x40: a
quarter). Other versions decode to identical samples. A known-answer test
built from hand-coded table bytes and bit strings fails without the change.
Bumps RENDER_CACHE_VERSION to 12.
Split out of #240 without the compressed decoder (crates/raw/src/vendor/orfc.rs
is not part of this change; compressed ORF stays preview-only).
- The layout is read from Exif CFAPattern (0xa302, repeat counts in either
byte order) when it describes a 2x2 Bayer cell. BGGR and GBRG were not
reachable before.
- Without a usable tag the green diagonal is still found from the samples,
now from totals of 32x32 blocks instead of single-pixel differences, so
fine texture no longer outweighs a small red/blue difference. The old
version indexed the samples directly; this one reads them with get().
- probe_info no longer unpacks 12-bit packed ORFs that state their layout
(XZ-2: under 0.1 ms; it ran the same unpack as a decode before, which
takes 11 ms). 16-bit files still read their samples to find the bit depth.
Tests: stated layouts in both byte orders, unusable tags falling back to the
samples, the texture case, hostile areas for the fallback, probe_info equal
to decode; a corpus test comparing the E-1, E-400 and XZ-2 mosaics with
their embedded JPEGs under every layout.
No user-visible change yet for the bodies whose layout the old guess got
wrong (E-M1 and E-620 are BGGR): they write compressed ORF.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The RW2 reader reads PanasonicRaw tag 0x0119 (16 LE words) and expresses the
camera's own correction as the equivalent DNG WarpRectilinear in OpcodeList3,
so embedded_lens() turns it into the existing EmbeddedLens/EmbeddedWarp and
"Enable Profile Corrections" applies it like a DNG's warp (no new warp path;
Convert to DNG keeps it). Rule, from our own measurements against the
embedded camera JPEGs (clean-room; ExifTool tag names only):
corrected = rho*(1 + (w8 rho^2 + w4 rho^4 + w11 rho^6)/32768), rho = r/w12
(w12 = active-area half diagonal), output = corrected / (1 + w5/32768),
on when (w7 & 0xf) == 1. Chosen on 38 GX85 photos, held out on 35 photos
from 12 other bodies / 9 other lenses; corrected renders line up with the
camera JPEG within 0.75 px at 1440 px at the corners (up to 13 % of the
half diagonal before). Implausible values leave the photo uncorrected.
The loader now removes lens opcodes before the RW2 camera-look fit (its
binned proxy needs an empty OpcodeList3); Opcode::is_lens_correction()
replaces the duplicated matches. RENDER_CACHE_VERSION 11 -> 12.
Raw format 8 codes a cell top-left, bottom-left, top-right, bottom-right.
decode_strip placed the values in row order, which put the two green
samples of every RGGB cell on each other's sites: flat areas were right,
but every edge got a one-pixel colour zipper. Measured on a G9 II and the
corpus GH6, S5 II and S9: the Gb plane sat at (+0.5, -0.5) half-res cells
from Gr instead of the Bayer (-0.5, +0.5); with this change all four match.
The test encoder used the same order, so the round trip passed either way;
a new known-answer test hand-codes one cell and checks where it lands.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
NEF (and other vendor raws without a colour matrix) carry their as-shot
white balance as vendor multipliers, not as a DNG AsShotNeutral. The DNG
writer only copied AsShotNeutral/AsShotWhiteXY, so Convert to DNG and
Copy as DNG produced files with no white balance at all, which develop
dark and green. Write the reciprocal of the vendor multipliers as
AsShotNeutral when the source has no DNG white of its own.
Decode every raw encoding Panasonic and Leica bodies write, from the DMC-LX1 (2005) to the DC-S1RM2 (2025):
compressed formats 4 (most bodies, 2008-2022) and 6 (S1 / S1R / S1H / S5, GH5M2), the prefix-coded strips of
format 8 (GH6 and later), packed formats 2, 5 and 7, and the 16-bit words of the 2005-2007 .RAW files. Until now
only format 5 decoded; every other Panasonic file opened as preview only.
Clean-room: no raw-decoder source was read. Tag names come from tag documentation; every encoding was recovered
by black-box analysis of 178 CC0 files from raw.pixls.us (118 bodies), and the module docs note the measurement
that settled each rule. Format-8 tags of unknown meaning must carry the values every sample has, otherwise the file
is reported as unsupported rather than guessed at.
Levels and geometry: formats 4 and 6 store samples 15 above the recorded black level (files without one use 15);
white is the active area's saturation plateau (the linearity limits are wrong on extended low-ISO shots, the GF1
and the Digilux 3); the in-camera aspect ratio is the default crop; mapped-out defect pixels are filled from
same-colour neighbours; the CFA pattern applies at sample (0, 0).
.rwl and .raw files are imported (engine, MCP folder expansion, file dialog, Linux MIME types). One file per
encoding joins the never-panic proptest; 11 CC0 files join `cargo xtask corpus`, and corpus_panasonic_encodings
checks each encoding's bit depth, black level, crop and CFA layout against the camera's own JPEG.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01QtQmZ6peZXGn3wiqeowV2v
CR3 files imported as preview-only with the 1620x1080 PRVW JPEG and no metadata
(no camera, capture time, exposure, lens or GPS): nothing read the container.
- crates/meta/src/cr3.rs: bounded ISO base media box parser for CR3 (Canon uuid
box with CMT1-4 and THMB, tracks with their sample entries, CMP1 coding header
and sample location, XMP uuid box). Every size/offset checked; depth and box
count bounded.
- Metadata: CMT1 (IFD0), CMT2 (Exif) and CMT4 (GPS) merged into one TIFF Exif
block, so CR3 reads like any TIFF-based raw; XMP from its uuid box.
- Preview: the full-size JPEG track (6960x4640 on an EOS R6 Mark III) before
PRVW/THMB; imports report the full image size.
- Tests: synthetic CR3 (boxes, tracks, merged Exif), truncation/corruption sweep,
JPEG track preferred over PRVW with fallback.
Raw (CRX) data is still not decoded; CR3 stays preview-only.
LightCraft has no colour matrix for Nikon cameras. Because of this, NEF
files showed colours that were too gray and too green.
- Colour: LightCraft now calculates a colour matrix and a tone curve from
the JPEG preview in each NEF file. Sony ARW files use the same
procedure and the same quality checks. White balance is relative to
the as-shot look, as for ARW files.
- One function, camera_preview::file_local_look, selects the formats for
the fit and for the relative white balance. Photo::relative_wb in the
catalog uses the same formats.
- Black level: Nikon stores the black level (maker note 0x003d) in
14-bit units, also in 12-bit files. The decoder read it as a 12-bit
value. Because of this, 12-bit files from the D750, D780, D850, D7500
and Z 50 were too dark. Now the decoder divides the value by 4 for
12-bit files.
- The corpus gets the D7500 12-bit and 14-bit lossless samples. A test
compares their levels. The render cache version increases to 9.
Results on 13 NEF files that LightCraft can decode: LightCraft accepted
the fit for all 13 files. The mean colour difference from the camera
JPEG (CIE76 dE) decreased from 13-46 to 2.9-7.8. One file with mixed
light improved by a small quantity only (12.7 to 12.0).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Sony bodies from before ~2017 (RX100–RX100M5, RX10, NEX, SLT, ILCE-6000,
A7/A7II/A7RII, ...) write no plain 0x7313/0x7310/0x74c7 tags in the raw IFD,
so the decoder used unit WB multipliers (strong green cast, e.g. the CC0
DSC-RX100M3 sample), black 512 (800 on 1-inch sensors), and kept padding
columns at the right edge.
- White balance: WB_RGBLevels from the maker note's enciphered Tag2010
block (layouts per ExifTool's Tag2010a..i tables; byte substitution
p^3 mod 249 checked black-box on 15 CC0 files: SonyISO matches Exif ISO,
ILCE-7M3 levels match its plain 0x7313).
- Black level: recovered from the encrypted SR2SubIFD by known-plaintext
analysis (constant key in every file; RX100M6/ILCE-7M3 plain 0x7310 as
plaintext; 8 keystream bytes at offset 2510, plausibility-checked).
- Crop: DNG DefaultCrop or the maker note's FullImageSize.
- "12-bit uncompressed" ARWs hold 14-bit-scale data: black/white follow it.
- Render cache version bumped; corpus manifest + corpus test, unit tests.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Lightroom-converted DNGs carry their camera profile's ProfileHueSatMapData1/2
and ProfileLookTableData (and sometimes ProfileToneCurve). We used only the
colour matrices, so such DNGs rendered flat and muted.
- raw: new `profile` module reads the tags (DNG spec ch. 6: value-major,
hue-middle, saturation-minor tables, wrap-around hue, tri-linear lookups,
sRGB value encoding) from the raw IFD or IFD 0; malformed tags are ignored.
- engine: the raw loader applies the hue/sat map (interpolated by the same
illuminant weight as the matrices) before BaselineExposure and the look
table after it, in linear ProPhoto; a ProfileToneCurve becomes the source's
camera tone. Without one the standard base tone is kept.
- dngwrite keeps the look with the data (conversions, smart previews, merges).
- Render cache version 7.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Bayer layout of Canon CR2 files differs by model (GBRG on the 7D, 50D,
60D, 550D, 600D, 1200D, 1300D, 5D Mark II, 1D Mark IV; RGGB on the 40D,
5D Mark III, 6D, 5DS R and others). Read it from raw IFD tag 0xc5e0
(CR2CFAPattern: 1 RGGB, 2 BGGR, 3 GBRG, 4 GRBG), anchored at the full
decoded sensor; fall back to RGGB when the tag is missing. No model table.
Checked on 35 decoded CC0 raw.pixls.us CR2s (35 models): the tag agrees
with the mosaic's green-diagonal statistic on every file; the SensorInfo
border parity does not predict the layout. Corpus manifest gains the
reporter's samples; a corpus test asserts each layout.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Decode Nikon Huffman-compressed NEF (compression 34713): lossless and lossy
(type 1 and 2) at 12 and 14 bits, with the maker-note 0x96 linearization
curve, predictor seeds and either byte order. Clean-room: 0x96 layout and
encoding-table sizes from prose write-ups (Clevy, Claff); the fixed Huffman
tables were recovered by black-box analysis of CC0 raw.pixls.us samples
(compressed vs uncompressed shots of the same scene) and verified on ~45
files from ~35 bodies. Lossy-after-split files stay preview only.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- ljpeg: a scan naming an undefined Huffman table is an error, not an expect.
- ARW2/RW2 block reads use get() + try_from instead of slice + expect.
- Vendor fallback CFAs use Cfa::bayer_static (literal names, tested)
instead of Cfa::bayer(..).expect("static").
- dngwrite matches (data, compression) instead of a let-else unreachable!.
- lightcraft-raw and lightcraft-tiff now #![deny] unwrap/expect/panic/
unimplemented/todo/unreachable; clippy.toml (same as the steering PR)
keeps them allowed in tests.
- tests/vendor_robust.rs: synthetic NEF, ARW, PEF, SRW, ORF, RW2, CR2 and
RAF files, truncated at every length and randomly mutated, must decode
to an error, never panic (no new crash found).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
