From a6d048be8d1bf7ac453f4f1fd376f21f9d37c2c7 Mon Sep 17 00:00:00 2001 From: Andrew Frahn Date: Mon, 12 Oct 2026 05:43:30 +1100 Subject: [PATCH] LR-IMP-FORMATS: decode Epson ERF (12-bit 16-byte blocks; WB from the preview's neutrals) Sources: TIFF 6.0 and own black-box analysis of the three CC0 samples; white-balance estimate from the embedded preview: own design. Co-Authored-By: Claude Opus 5.5 (1M context) --- ROADMAP.md | 5 +- crates/catalog/src/model.rs | 3 +- crates/engine/src/camera_preview.rs | 2 + crates/pipeline/src/spots.rs | 4 +- crates/raw/src/lib.rs | 8 ++ crates/raw/src/preview.rs | 4 +- crates/raw/src/sparse.rs | 6 +- crates/raw/src/tiffraw.rs | 2 +- crates/raw/src/vendor/erf.rs | 197 ++++++++++++++++++++++++++++ crates/raw/src/vendor/mod.rs | 1 + crates/raw/src/wb_estimate.rs | 146 +++++++++++++++++++++ crates/raw/tests/corpus.rs | 33 +++++ docs/camera-preview-colour.md | 4 +- docs/gaps.md | 7 +- docs/parity-checklist.md | 5 +- docs/raw-parity.md | 20 +-- docs/raw/coverage.py | 4 +- docs/raw/coverage.tsv | 6 +- docs/raw/evidence.tsv | 3 + docs/target-app-parity.md | 3 +- xtask/src/main.rs | 3 + 21 files changed, 436 insertions(+), 30 deletions(-) create mode 100644 crates/raw/src/vendor/erf.rs create mode 100644 crates/raw/src/wb_estimate.rs diff --git a/ROADMAP.md b/ROADMAP.md index c804c36fc..c93d48108 100644 --- a/ROADMAP.md +++ b/ROADMAP.md @@ -2,7 +2,7 @@ **Stage: alpha** · next: beta, ~14 points and ~340–600 h away -> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-11 · **Change:** minor (EOS R5 Mark II CR3 verified; RAW decoding 77%) · **Target:** Adobe Lightroom Classic 15.5 / Lightroom 9.6 +> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (Epson ERF decoded, 3 bodies verified) · **Target:** Adobe Lightroom Classic 15.5 / Lightroom 9.6 One-page summary of how close LightCraft is to Adobe Lightroom. Agents: read this, then pick work from [docs/gaps.md](docs/gaps.md). The full assessment, method and evidence are in @@ -114,6 +114,8 @@ Ranked toward beta; detail in [docs/roadmap.md](docs/roadmap.md), gaps in [docs/ ## Progress log +- 2026-10-12: Epson ERF (R-D1, R-D1s, R-D1x) decodes from sensor data, white balance measured from each + file's preview; 3 bodies verified on CC0 files. 238 models verified; headline numbers unchanged. - 2026-10-11: Canon EOS R5 Mark II C-RAW decodes from sensor data (57% of its files opened as a preview): the CRX QP map's first-symbol literal and limited-length escape; four CC0 R5 Mark II files pinned, the QP maps of 33,665 private C-RAW files decode exactly ([cr3.md](docs/cr3.md)). 235 models @@ -161,6 +163,7 @@ Ranked toward beta; detail in [docs/roadmap.md](docs/roadmap.md), gaps in [docs/ | Date | Change | Summary | |---|---|---| +| 2026-10-12 | minor | Epson ERF decoded: 3 more verified models (238); headline numbers unchanged | | 2026-10-11 | minor | EOS R5 Mark II CR3 verified: CR3 on four verified bodies, RAW decoding 76% → 77%; headline numbers unchanged | | 2026-10-10 | minor | RAW measured model by model; RAW decode and colour as explicit rows: full 59% → 61%, mainstream 51% → 49%, essentials 63% → 64%; beta ~14 points | | 2026-10-10 | minor | Full ready restored to the additive weighted sum (~59%; method aligned with the standard, no new evidence); hours per audience; beta ~16 points away | diff --git a/crates/catalog/src/model.rs b/crates/catalog/src/model.rs index abeaadad4..bd7792433 100644 --- a/crates/catalog/src/model.rs +++ b/crates/catalog/src/model.rs @@ -313,7 +313,7 @@ pub struct Analysis { /// file's white balance is edited relative to its as-shot look or in Kelvin depends on the camera: /// [`relative_wb_camera`]. pub fn relative_wb_format(format: &str) -> bool { - ["ARW", "NEF", "NRW", "RW2", "RWL", "RAW", "RAF", "CR3", "CR2", "PEF", "SRW", "ORF"].iter().any(|f| format.eq_ignore_ascii_case(f)) + ["ARW", "NEF", "NRW", "RW2", "RWL", "RAW", "RAF", "CR3", "CR2", "PEF", "SRW", "ORF", "ERF"].iter().any(|f| format.eq_ignore_ascii_case(f)) } /// Whether a raw of `format` shot on `camera` (Exif make and model, as [`Meta::camera`] keeps them) is developed @@ -564,6 +564,7 @@ mod edited_tests { ("a.cr2", "CR2", true), ("a.pef", "pef", true), ("a.orf", "ORF", true), + ("a.erf", "ERF", true), ("a.dng", "DNG", false), ] { let mut p = Photo::new(PhotoId(1), Source::Demo { scene: 0 }, name, format, 10, 10, "2026-10-01T00:00:00"); diff --git a/crates/engine/src/camera_preview.rs b/crates/engine/src/camera_preview.rs index 858f3b4cf..09b6ae1c6 100644 --- a/crates/engine/src/camera_preview.rs +++ b/crates/engine/src/camera_preview.rs @@ -58,6 +58,7 @@ pub(crate) fn file_local_look(format: RawFormat) -> bool { | RawFormat::Pef | RawFormat::Srw | RawFormat::Orf + | RawFormat::Erf ) } @@ -1885,6 +1886,7 @@ mod tests { RawFormat::Pef, RawFormat::Srw, RawFormat::Orf, + RawFormat::Erf, ]; assert!(local.into_iter().all(file_local_look)); // DNG carries its own colour model diff --git a/crates/pipeline/src/spots.rs b/crates/pipeline/src/spots.rs index 483f83f3c..f8b3fbbdf 100644 --- a/crates/pipeline/src/spots.rs +++ b/crates/pipeline/src/spots.rs @@ -247,8 +247,8 @@ fn fill_box(src: &mut [[f32; 3]], tgt: &[[f32; 3]], alpha: &[f32], bw: usize, bh let flat: Vec = tgt.iter().flatten().copied().collect(); let out = lightcraft_inpaint::complete(bw, bh, 3, &flat, &hole, &lightcraft_inpaint::CompleteParams::default()) .unwrap_or_else(|| lightcraft_inpaint::membrane_fill(bw, bh, 3, &flat, &hole)); - for (d, v) in src.iter_mut().zip(out.chunks_exact(3)) { - *d = [v[0], v[1], v[2]]; + for (d, v) in src.iter_mut().zip(out.as_chunks::<3>().0) { + *d = *v; } } diff --git a/crates/raw/src/lib.rs b/crates/raw/src/lib.rs index 8a09a9edb..801ee7f5b 100644 --- a/crates/raw/src/lib.rs +++ b/crates/raw/src/lib.rs @@ -46,6 +46,7 @@ pub mod spectral; mod tiffraw; mod unpack; mod vendor; +mod wb_estimate; pub use demosaic::{Method, demosaic}; pub use dngwrite::{DngCompression, DngWriteOptions, write_dng}; @@ -110,6 +111,8 @@ pub enum RawFormat { CfaTiff, /// Kodak DCS520C TIFF: a two-component lossless JPEG CFA sub-IFD with a response curve (`vendor::kodak`). KodakDcs, + /// Epson ERF: a CFA sub-IFD of 12-bit samples in 16-byte blocks (`vendor::erf`). + Erf, /// Another TIFF-based raw (3FR, IIQ, ERF, KDC, DCR, MOS, …). OtherTiff, } @@ -131,6 +134,7 @@ impl RawFormat { | RawFormat::CfaTiff | RawFormat::Srw | RawFormat::KodakDcs + | RawFormat::Erf ) } } @@ -202,6 +206,9 @@ pub fn probe(bytes: &[u8]) -> Option { if make.starts_with("SAMSUNG") && samsung_raw { return Some(RawFormat::Srw); } + if vendor::erf::raw_ifd(&t, bytes.len()).is_some() { + return Some(RawFormat::Erf); + } if vendor::kodak::raw_ifd(&t, bytes).is_some() { return Some(RawFormat::KodakDcs); } @@ -370,6 +377,7 @@ fn decode_with(bytes: &[u8], mode: Mode) -> Result { RawFormat::CfaTiff => dng::decode_as(bytes, mode, RawFormat::CfaTiff).map(lift_clipped), RawFormat::Srw => vendor::srw::decode(bytes, mode), RawFormat::KodakDcs => vendor::kodak::decode(bytes, mode), + RawFormat::Erf => vendor::erf::decode(bytes, mode), RawFormat::OtherTiff => Err(RawError::Unsupported(other_tiff_reason(bytes))), other => Err(RawError::Unsupported(format!("{other:?} files are not decoded yet"))), } diff --git a/crates/raw/src/preview.rs b/crates/raw/src/preview.rs index 4660b737f..675f5e3c4 100644 --- a/crates/raw/src/preview.rs +++ b/crates/raw/src/preview.rs @@ -178,8 +178,8 @@ pub fn embedded_preview(bytes: &[u8]) -> Option> { .filter(|s| is_dct_jpeg(s) || is_jxl(s)) .max_by_key(|s| s.len()) .map(|s| if is_jxl(s) { s.to_vec() } else { trim_eoi(s).to_vec() }); - // a TIFF raw we can't decode whose preview no tag points to (Leaf MOS, Epson ERF) - best.or_else(|| format.filter(|f| !f.is_supported()).and_then(|_| scan_for_jpeg(bytes))) + // a TIFF raw whose preview no tag points to: one we can't decode (Leaf MOS), or Epson ERF (in its maker note) + best.or_else(|| format.filter(|f| !f.is_supported() || *f == crate::RawFormat::Erf).and_then(|_| scan_for_jpeg(bytes))) } /// The end of the DCT JPEG whose SOI is at `soi` (exclusive index after its EOI) and its component count, diff --git a/crates/raw/src/sparse.rs b/crates/raw/src/sparse.rs index 14fa3c1f8..85e599349 100644 --- a/crates/raw/src/sparse.rs +++ b/crates/raw/src/sparse.rs @@ -227,7 +227,7 @@ fn tiff_plan(bytes: &[u8], loaded: &Ranges, preview: bool) -> HeaderPlan { return plan; } // (the Make is usually in the first kilobytes: a NEF, PEF or ORF is known before the rest is read) - if matches!(crate::probe(bytes), Some(RawFormat::Nef | RawFormat::Nrw | RawFormat::Orf | RawFormat::Pef)) { + if matches!(crate::probe(bytes), Some(RawFormat::Nef | RawFormat::Nrw | RawFormat::Orf | RawFormat::Pef | RawFormat::Erf)) { return HeaderPlan::Whole("its header probe reads samples"); } let Ok(tiff) = Tiff::parse(bytes) else { return HeaderPlan::Whole("TIFF structure") }; @@ -260,7 +260,9 @@ fn tiff_plan(bytes: &[u8], loaded: &Ranges, preview: bool) -> HeaderPlan { holes.insert(off.saturating_add(HEAD), len); } finish(len, loaded, &holes, &meta, || match crate::probe(bytes) { - Some(RawFormat::Nef | RawFormat::Nrw | RawFormat::Orf | RawFormat::Pef) => HeaderPlan::Whole("its header probe reads samples"), + Some(RawFormat::Nef | RawFormat::Nrw | RawFormat::Orf | RawFormat::Pef | RawFormat::Erf) => { + HeaderPlan::Whole("its header probe reads samples") + } Some(f) if f.is_supported() => HeaderPlan::Ready, _ => HeaderPlan::Whole("not a supported raw"), }) diff --git a/crates/raw/src/tiffraw.rs b/crates/raw/src/tiffraw.rs index 676bb6197..c342edae4 100644 --- a/crates/raw/src/tiffraw.rs +++ b/crates/raw/src/tiffraw.rs @@ -225,7 +225,7 @@ fn jxl_chunk_check(src: &[u8], cw: usize, ch: usize, vw: usize, vh: usize, cpp: } /// Decode one baseline JPEG chunk to 8-bit samples: (samples, width, height, channels). -fn lossy_jpeg(src: &[u8], cpp: usize) -> Result<(Vec, usize, usize, usize)> { +pub(crate) fn lossy_jpeg(src: &[u8], cpp: usize) -> Result<(Vec, usize, usize, usize)> { use zune_core::bytestream::ZCursor; use zune_core::colorspace::ColorSpace; use zune_core::options::DecoderOptions; diff --git a/crates/raw/src/vendor/erf.rs b/crates/raw/src/vendor/erf.rs new file mode 100644 index 000000000..fae120bcc --- /dev/null +++ b/crates/raw/src/vendor/erf.rs @@ -0,0 +1,197 @@ +//! Epson ERF (R-D1, R-D1s, R-D1x): a big-endian TIFF whose `SubIFDs` child is a 12-bit CFA image in 16-byte blocks. +//! +//! Sources: TIFF 6.0 (container, `CFARepeatPatternDim` / `CFAPattern`) and our own black-box analysis of the three +//! CC0 ERF samples on raw.pixls.us (one per body); every number below was measured on them. +//! +//! - IFD0 is a 160 x 120 RGB thumbnail; its `SubIFDs` child is the raw: 3040 x 2024, 12 bits, `Compression` 32769, +//! photometric CFA, one strip of exactly `width * 8 / 5` bytes per row. Byte 15 of every 16 is zero in all rows: +//! a row is 16-byte blocks, each 15 bytes of ten 12-bit samples, most significant bits first (`b0 << 4 | b1 >> 4`, +//! `(b1 & 15) << 8 | b2`), then a pad byte. Read the other way (least significant first, as the Olympus blocks are) +//! the frame is noise: the mean step between same-colour neighbours is 150..199 codes against 11..18. +//! - `CFAPattern` `00 01 01 02`: RGGB. +//! - The maker note (`EPSON\0\x01\0`, then a big-endian IFD with offsets from the file start) holds four black levels +//! as `u32` in tag `0x0401` (61..65; in Bayer-cell order), above which the darkest 0.01% of samples sit; `0x020b` x +//! `0x020c` is the picture size, 3008 x 2000. Registered against the 640 x 424 preview JPEG (correlation of the +//! green channel over every even offset), that picture starts at column 20, row 12 in all three files. +//! - White: the saturation plateau (4095 on the clipped R-D1x frame), else 4095. +//! - No maker-note tag tracks the as-shot white balance across the three files, so it is measured from the +//! preview's neutral pixels ([`crate::wb_estimate`]); on the R-D1s sample (54,000 neutral preview pixels) that +//! gives red 2.68 and blue 1.31. +//! - The preview is the maker note's tag `0x0280`, a JPEG whose first byte is stored as `ee` (found by the +//! structural scan in `preview::scan_for_jpeg`). +use crate::{BlackLevel, Cfa, ColorData, Mode, OpcodeLists, RawData, RawError, RawFormat, RawImage, Rect, Result}; +use lightcraft_geom::Orientation; +use lightcraft_tiff::image::chunk_bytes; +use lightcraft_tiff::{Ifd, Tiff, tags as t}; + +/// Epson's private compression code for the 16-byte block layout. +const BLOCKS16: u16 = 32769; +/// Maker-note tags. +const MN_BLACK: u16 = 0x0401; +const MN_WIDTH: u16 = 0x020b; +const MN_HEIGHT: u16 = 0x020c; +/// Where the picture starts in the sensor frame (measured, see the module notes). +const CROP_ORIGIN: (usize, usize) = (20, 12); + +/// The raw IFD of an Epson ERF: CFA, 12 bits, compression 32769, one strip of 16-byte blocks of ten samples. +pub(crate) fn raw_ifd(tiff: &Tiff, len: usize) -> Option<&Ifd> { + let make = tiff.find(t::MAKE).and_then(|e| e.value.as_str())?; + if !make.to_ascii_uppercase().contains("EPSON") { + return None; + } + tiff.all_ifds().into_iter().find(|i| { + let Ok(info) = i.image() else { return false }; + let (w, h) = (info.width as u64, info.height as u64); + i.u16(t::PHOTOMETRIC) == Some(t::photometric::CFA) + && i.u16(t::COMPRESSION) == Some(BLOCKS16) + && i.u16(t::BITS_PER_SAMPLE) == Some(12) + && w > 0 + && w % 10 == 0 + && matches!(info.chunks(len as u64).as_slice(), [c] if Some(c.len) == (w * 8 / 5).checked_mul(h)) + }) +} + +/// The maker-note IFD (`EPSON\0\x01\0` then an IFD in the file's byte order, offsets from the file start). +fn maker_note(bytes: &[u8], tiff: &Tiff) -> Option { + let e = tiff.exif()?.get(t::MAKER_NOTE)?; + let start = usize::try_from(e.offset).ok()?; + if !bytes.get(start..)?.starts_with(b"EPSON\0") { + return None; + } + let opts = lightcraft_tiff::ParseOptions { max_ifds: 1, max_depth: 0, follow_children: false, ..Default::default() }; + lightcraft_tiff::parse_ifd_at(bytes, e.offset.checked_add(8)?, tiff.order, 0, false, &opts).ok().map(|(i, _)| i) +} + +/// Unpack a strip of 16-byte blocks (15 bytes of ten MSB-first 12-bit samples, one pad byte). +fn unpack(src: &[u8], out: &mut [u16]) { + let (blocks, _) = src.as_chunks::<16>(); + let (pixels, _) = out.as_chunks_mut::<10>(); + for (b, px) in blocks.iter().zip(pixels) { + crate::unpack::unpack_msb(&b[..15], 12, px); + } +} + +pub(crate) fn decode(bytes: &[u8], mode: Mode) -> Result { + let tiff = Tiff::parse(bytes)?; + let ifd0 = tiff.ifds.first().ok_or_else(|| RawError::Corrupt("Erf TIFF without IFDs".into()))?; + let raw = raw_ifd(&tiff, bytes.len()).ok_or_else(|| RawError::Unsupported("Erf raw image not found".into()))?; + let info = raw.image()?; + let (w, h) = (info.width as usize, info.height as usize); + let n = w.checked_mul(h).filter(|n| *n > 0 && *n <= crate::MAX_SAMPLES).ok_or(RawError::Limit("image too large"))?; + let cfa = match (raw.u64s(t::CFA_REPEAT_PATTERN_DIM).as_deref(), raw.bytes(t::CFA_PATTERN_EP)) { + (Some([2, 2]), Some(p)) if p.len() == 4 && p.iter().all(|&c| c <= 2) => Cfa { width: 2, height: 2, pattern: p.to_vec() }, + _ => return Err(RawError::Unsupported("Erf raw without a 2x2 CFAPattern".into())), + }; + let mn = maker_note(bytes, &tiff); + let black = match mn.as_ref().and_then(|m| m.u64s(MN_BLACK)).as_deref() { + Some(v @ [_, _, _, _]) if v.iter().all(|&b| b < 4095) => { + BlackLevel { repeat_rows: 2, repeat_cols: 2, values: v.iter().map(|&b| b as f32).collect(), delta_h: vec![], delta_v: vec![] } + } + _ => BlackLevel::uniform(0.0), + }; + let size = mn.as_ref().and_then(|m| Some((m.u32(MN_WIDTH)? as usize, m.u32(MN_HEIGHT)? as usize))); + let crop = match size { + Some((cw, ch)) if cw > 0 && ch > 0 && CROP_ORIGIN.0 + cw <= w && CROP_ORIGIN.1 + ch <= h => Rect::new(CROP_ORIGIN.0, CROP_ORIGIN.1, cw, ch), + _ => Rect::new(0, 0, w, h), + }; + // the white balance is measured from the samples, so the header probe reads them too + let chunks = info.chunks(bytes.len() as u64); + let src = chunks.first().and_then(|c| chunk_bytes(bytes, c)).ok_or_else(|| RawError::Corrupt("Erf strip outside file".into()))?; + let mut d = vec![0u16; n]; + unpack(src, &mut d); + let white = super::white_from_data(&d, 12); + let wb = crate::wb_estimate::as_shot(bytes, &crate::wb_estimate::Frame { data: &d, width: w, crop, cfa: &cfa, black: &black, white }); + let data = if mode == Mode::Full { RawData::U16(d) } else { RawData::U16(Vec::new()) }; + let mut metadata = lightcraft_meta::from_tiff(&tiff); + metadata.width = Some(crop.width as u32); + metadata.height = Some(crop.height as u32); + let img = RawImage { + format: RawFormat::Erf, + width: w, + height: h, + cpp: 1, + data, + cfa: Some(cfa), + bits: 12, + black, + white: vec![white], + active_area: Rect::new(0, 0, w, h), + crop, + orientation: Orientation::from_exif(ifd0.u16(t::ORIENTATION).unwrap_or(1)), + color: ColorData::default(), + wb_multipliers: wb, + linearized: false, + opcodes: OpcodeLists::default(), + metadata, + }; + img.validate_for(mode)?; + Ok(img) +} + +#[cfg(test)] +mod tests { + use super::*; + use lightcraft_tiff::{IfdBuilder, ImageData, TiffWriter, Value}; + + /// Pack ten-sample groups into 16-byte blocks, MSB first, zero pad. + fn pack(px: &[u16]) -> Vec { + let mut out = Vec::new(); + for g in px.chunks(10) { + for p in g.chunks(2) { + let (a, b) = (p[0], p[1]); + out.extend_from_slice(&[(a >> 4) as u8, ((a & 15) << 4) as u8 | (b >> 8) as u8, b as u8]); + } + out.push(0); + } + out + } + + fn sample(w: u32, h: u32, px: &[u16]) -> Vec { + let mut raw = IfdBuilder::new(); + raw.set(t::NEW_SUBFILE_TYPE, Value::Long(vec![0])); + raw.set(t::IMAGE_WIDTH, Value::Long(vec![w])); + raw.set(t::IMAGE_LENGTH, Value::Long(vec![h])); + raw.set(t::BITS_PER_SAMPLE, Value::Short(vec![12])); + raw.set(t::COMPRESSION, Value::Short(vec![BLOCKS16])); + raw.set(t::PHOTOMETRIC, Value::Short(vec![t::photometric::CFA])); + raw.set(t::CFA_REPEAT_PATTERN_DIM, Value::Short(vec![2, 2])); + raw.set(t::CFA_PATTERN_EP, Value::Byte(vec![0, 1, 1, 2])); + raw.set_image(ImageData::Strips { rows_per_strip: h, strips: vec![pack(px)] }); + let mut ifd0 = IfdBuilder::new(); + ifd0.set(t::MAKE, Value::Ascii("SEIKO EPSON CORP.".into())); + ifd0.set(t::MODEL, Value::Ascii("R-D1".into())); + ifd0.set(t::ORIENTATION, Value::Short(vec![1])); + ifd0.add_sub_ifd(raw); + TiffWriter::new(lightcraft_tiff::ByteOrder::Big, false).write(&[ifd0]).unwrap() + } + + #[test] + fn decodes_the_block_layout() { + let (w, h) = (20u32, 6u32); + let px: Vec = (0..w * h).map(|i| (i * 37 % 4096) as u16).collect(); + let f = sample(w, h, &px); + assert_eq!(crate::probe(&f), Some(RawFormat::Erf)); + let r = crate::decode(&f).unwrap(); + assert_eq!(r.data, RawData::U16(px)); + assert_eq!(r.cfa.as_ref().map(Cfa::name).as_deref(), Some("RGGB")); + assert!(r.wb_multipliers.is_some()); + assert_eq!(crate::probe_info(&f).unwrap(), r.info()); + } + + #[test] + fn malformed_files_never_panic() { + let px: Vec = (0..200).map(|i| (i * 13 % 4096) as u16).collect(); + let f = sample(20, 10, &px); + for n in (0..f.len()).step_by(3) { + let _ = crate::decode(&f[..n]); + } + for i in 0..f.len() { + for v in [0u8, 0xff] { + let mut g = f.clone(); + g[i] = v; + let _ = crate::decode(&g); + let _ = crate::probe_info(&g); + } + } + } +} diff --git a/crates/raw/src/vendor/mod.rs b/crates/raw/src/vendor/mod.rs index b7bef1471..45fe4549b 100644 --- a/crates/raw/src/vendor/mod.rs +++ b/crates/raw/src/vendor/mod.rs @@ -10,6 +10,7 @@ pub mod cr2; pub mod cr3; pub mod crx; pub(crate) mod crx_wavelet; +pub mod erf; pub mod kodak; pub mod nef; pub mod nefc; diff --git a/crates/raw/src/wb_estimate.rs b/crates/raw/src/wb_estimate.rs new file mode 100644 index 000000000..96918a853 --- /dev/null +++ b/crates/raw/src/wb_estimate.rs @@ -0,0 +1,146 @@ +//! As-shot white balance for raws that record none we can read: measured from the file's own embedded preview. +//! +//! Sources: own design. The camera rendered its preview with the as-shot white balance, so pixels the preview shows +//! as neutral grey were neutral for that white balance. The mosaic is averaged per colour over the preview's pixel +//! grid (inside the default crop); over the preview pixels whose channels lie within a few codes of each other +//! (not near black, not near clipping, no clipped sensor sample under them) the median green-over-red and +//! green-over-blue ratios are the gains. A colour matrix maps neutral to neutral, so its absence doesn't bias the +//! result. Without enough neutral pixels the mean of the unclipped mosaic is used instead (grey world). +use crate::{BlackLevel, Cfa, Rect}; + +/// Preview pixels whose largest and smallest channel differ by less than this (8-bit codes) count as neutral. +const NEUTRAL_SPREAD: u8 = 12; +/// At least this many neutral preview pixels are needed. +const MIN_NEUTRAL: usize = 64; +/// Previews larger than this (pixels) are not decoded for the estimate. +const MAX_PREVIEW_PIXELS: usize = 1 << 24; + +/// The raw frame the estimate looks at. +pub(crate) struct Frame<'a> { + pub data: &'a [u16], + pub width: usize, + pub crop: Rect, + pub cfa: &'a Cfa, + pub black: &'a BlackLevel, + pub white: f32, +} + +/// Gains `[R/G, 1, B/G]`: from the neutral pixels of the embedded preview, else grey world. `None` for an empty or +/// degenerate frame. +pub(crate) fn as_shot(bytes: &[u8], f: &Frame) -> Option<[f32; 3]> { + from_preview(bytes, f).or_else(|| grey_world(f)) +} + +/// Per preview-grid cell means of R, G, B (black subtracted) and whether a clipped sample lies in the cell. +fn cell_means(f: &Frame, pw: usize, ph: usize) -> Option> { + let c = f.crop; + if pw == 0 || ph == 0 || c.width < pw || c.height < ph || f.width == 0 { + return None; + } + let mut cells = vec![([0f64; 3], [0u32; 3], false); pw.checked_mul(ph)?]; + for y in c.y..c.y.saturating_add(c.height) { + let row = f.data.get(y.checked_mul(f.width)?..y.checked_mul(f.width)?.checked_add(f.width)?)?; + let cy = (y - c.y) * ph / c.height; + for x in c.x..c.x.saturating_add(c.width).min(f.width) { + let v = f32::from(*row.get(x)?); + let cx = (x - c.x) * pw / c.width; + let col = usize::from(f.cfa.color_at(x, y)).min(2); + let cell = cells.get_mut(cy * pw + cx)?; + if v >= f.white * 0.98 { + cell.2 = true; + } + cell.0[col] += f64::from(v - f.black.at(x, y, 0, 1)); + cell.1[col] += 1; + } + } + Some(cells.into_iter().map(|(s, n, clip)| ([0, 1, 2].map(|k| if n[k] > 0 { s[k] / f64::from(n[k]) } else { 0.0 }), clip)).collect()) +} + +fn median(v: &mut [f64]) -> Option { + if v.is_empty() { + return None; + } + v.sort_by(f64::total_cmp); + v.get(v.len() / 2).copied() +} + +fn from_preview(bytes: &[u8], f: &Frame) -> Option<[f32; 3]> { + let jpeg = crate::preview::embedded_preview(bytes)?; + let (px, pw, ph, ch) = crate::tiffraw::lossy_jpeg(&jpeg, 3).ok()?; + if ch != 3 || pw.checked_mul(ph)? > MAX_PREVIEW_PIXELS { + return None; + } + // the preview must show the crop: aspect ratios within 3% + let (ra, pa) = (f.crop.width as f64 / f.crop.height.max(1) as f64, pw as f64 / ph as f64); + if (ra / pa - 1.0).abs() > 0.03 { + return None; + } + let cells = cell_means(f, pw, ph)?; + let (mut gr, mut gb) = (Vec::new(), Vec::new()); + for (i, (m, clip)) in cells.iter().enumerate() { + let p = px.get(i * 3..i * 3 + 3)?; + let (lo, hi) = (p.iter().min().copied().unwrap_or(0), p.iter().max().copied().unwrap_or(255)); + if *clip || lo < 30 || hi > 240 || hi - lo >= NEUTRAL_SPREAD || m.iter().any(|v| *v <= 1.0) { + continue; + } + gr.push(m[1] / m[0]); + gb.push(m[1] / m[2]); + } + if gr.len() < MIN_NEUTRAL { + return None; + } + gains(median(&mut gr)?, median(&mut gb)?) +} + +fn gains(gr: f64, gb: f64) -> Option<[f32; 3]> { + let ok = |g: f64| g.is_finite() && (0.1..=10.0).contains(&g); + (ok(gr) && ok(gb)).then_some([gr as f32, 1.0, gb as f32]) +} + +fn grey_world(f: &Frame) -> Option<[f32; 3]> { + let c = f.crop; + let (mut s, mut n) = ([0f64; 3], [0u64; 3]); + for y in c.y..c.y.saturating_add(c.height) { + for x in c.x..c.x.saturating_add(c.width).min(f.width) { + let Some(&v) = f.data.get(y.checked_mul(f.width)?.checked_add(x)?) else { continue }; + let v = f32::from(v); + if v >= f.white * 0.98 { + continue; + } + let k = usize::from(f.cfa.color_at(x, y)).min(2); + s[k] += f64::from((v - f.black.at(x, y, 0, 1)).max(0.0)); + n[k] += 1; + } + } + if n.contains(&0) { + return None; + } + let m = [0, 1, 2].map(|k| s[k] / n[k] as f64); + if m.iter().any(|v| *v <= 0.0) { + return None; + } + gains(m[1] / m[0], m[1] / m[2]) +} + +#[cfg(test)] +mod tests { + use super::*; + + #[test] + fn grey_world_balances_a_tinted_flat_frame() { + // RGGB, R at 400, G at 800, B at 200 above a black of 100 + let (w, h) = (8, 8); + let d: Vec = (0..w * h).map(|i| [500, 900, 900, 300][(i / w % 2) * 2 + i % 2]).collect(); + let cfa = Cfa::bayer_static("RGGB"); + let black = BlackLevel::uniform(100.0); + let f = Frame { data: &d, width: w, crop: Rect::new(0, 0, w, h), cfa: &cfa, black: &black, white: 4095.0 }; + assert_eq!(as_shot(b"not a raw", &f), Some([2.0, 1.0, 4.0])); + // degenerate: everything clipped + let d = vec![4095u16; w * h]; + let f = Frame { data: &d, ..f }; + assert_eq!(as_shot(b"", &f), None); + // a crop outside the data never panics + let f = Frame { crop: Rect::new(4, 4, 100, 100), ..f }; + let _ = as_shot(b"", &f); + } +} diff --git a/crates/raw/tests/corpus.rs b/crates/raw/tests/corpus.rs index 5ca4777b7..6d43700b2 100644 --- a/crates/raw/tests/corpus.rs +++ b/crates/raw/tests/corpus.rs @@ -1133,3 +1133,36 @@ fn fuji_embedded_lens_tables_follow_the_validated_models() { } eprintln!("Fuji lens tables: {checked} RAFs, {warped} warps, {vignetted} vignette gains"); } + +/// Epson ERF (`crates/raw/src/vendor/erf.rs`): the 16-byte block strip decodes to a smooth 3040 x 2024 RGGB +/// mosaic with the maker note's black levels, the 3008 x 2000 crop and a white balance measured from the +/// preview's neutral pixels. Skips files that are absent. +#[test] +fn corpus_epson_erf() { + let root = corpus_root().join("raw"); + let mut checked = 0; + for name in ["erf-epson-rd1.erf", "erf-epson-rd1s.erf", "erf-epson-rd1x.erf"] { + let Ok(bytes) = std::fs::read(root.join(name)) else { + eprintln!("skip: {name} absent"); + continue; + }; + assert_eq!(probe(&bytes), Some(RawFormat::Erf), "{name}"); + let img = decode(&bytes).unwrap_or_else(|e| panic!("{name}: {e}")); + assert_eq!((img.width, img.height, img.bits), (3040, 2024, 12), "{name}"); + assert_eq!((img.crop.x, img.crop.y, img.crop.width, img.crop.height), (20, 12, 3008, 2000), "{name}"); + assert_eq!(img.cfa.as_ref().map(|c| c.name()).as_deref(), Some("RGGB"), "{name}"); + assert!(img.black.values.len() == 4 && img.black.values.iter().all(|b| (55.0..=70.0).contains(b)), "{name}: {:?}", img.black.values); + let wb = img.wb_multipliers.unwrap_or_else(|| panic!("{name}: no white balance")); + eprintln!("{name}: wb {wb:?}"); + if name == "erf-epson-rd1s.erf" { + assert!((wb[0] - 2.68).abs() < 0.1 && (wb[2] - 1.31).abs() < 0.1, "{name}: {wb:?}"); + } + // same-colour neighbours differ little: the bit order is right + let lightcraft_raw::RawData::U16(d) = &img.data else { panic!("float data") }; + let step: f64 = d.chunks(3040).take(400).flat_map(|r| r.windows(3).map(|w| f64::from(w[0].abs_diff(w[2])))).sum::() / (400.0 * 3038.0); + assert!(step < 40.0, "{name}: rough {step}"); + assert!(embedded_preview(&bytes).is_some(), "{name}: no preview"); + checked += 1; + } + eprintln!("ERF: {checked} corpus files checked"); +} diff --git a/docs/camera-preview-colour.md b/docs/camera-preview-colour.md index b24d9bf75..b30fb4c2b 100644 --- a/docs/camera-preview-colour.md +++ b/docs/camera-preview-colour.md @@ -1,6 +1,6 @@ -# Sony ARW, Nikon NEF, Panasonic RW2, Fujifilm RAF, Canon CR3/CR2, Pentax PEF, Samsung SRW and Olympus ORF starting look +# Sony ARW, Nikon NEF, Panasonic RW2, Fujifilm RAF, Canon CR3/CR2, Pentax PEF, Samsung SRW, Olympus ORF and Epson ERF starting look -ARW, NEF, RW2, RAF, CR3, CR2, PEF, SRW and ORF decoding supply sensor data and camera white-balance multipliers, but currently no measured camera colour matrix. Treating camera RGB as linear sRGB produces a dark, muted default rendering. The loader now estimates a file-local starting look from that file's embedded camera JPEG, only when a usable camera matrix is absent. All output pixels still come from the RAW sensor data; there is no JPEG replacement or uniform saturation boost. +ARW, NEF, RW2, RAF, CR3, CR2, PEF, SRW, ORF and ERF decoding supply sensor data and camera white-balance multipliers, but currently no measured camera colour matrix. Treating camera RGB as linear sRGB produces a dark, muted default rendering. The loader now estimates a file-local starting look from that file's embedded camera JPEG, only when a usable camera matrix is absent. All output pixels still come from the RAW sensor data; there is no JPEG replacement or uniform saturation boost. ## Colour and tone are separate diff --git a/docs/gaps.md b/docs/gaps.md index 7c4f56223..1c34f2f1c 100644 --- a/docs/gaps.md +++ b/docs/gaps.md @@ -1,6 +1,6 @@ # Gaps: where LightCraft falls short of Lightroom -> **Last reviewed:** 2026-10-11 · **Last updated:** 2026-10-11 · **Change:** minor (CR3 entry names the EOS R7 C-RAW fix and the refused CRX variants; CI and Windows / Linux entries note the 0.6.0 riscv64 build; camera colour: tone curve from black-and-white camera JPEGs; Compare and Reference get sharp zoom windows; gap 4 shrinks; gap 14: the HDR switch is read from crs XMP; gaps 2 and 10: EOS R5 Mark II CR3 verified) · **Target:** Adobe Lightroom Classic 15.5 / Lightroom 9.6 +> **Last reviewed:** 2026-10-11 · **Last updated:** 2026-10-12 · **Change:** minor (gap 20: Epson ERF decodes; CR3 entry names the EOS R7 C-RAW fix and the refused CRX variants; CI and Windows / Linux entries note the 0.6.0 riscv64 build; camera colour: tone curve from black-and-white camera JPEGs; Compare and Reference get sharp zoom windows; gap 4 shrinks; gap 14: the HDR switch is read from crs XMP; gaps 2 and 10: EOS R5 Mark II CR3 verified) · **Target:** Adobe Lightroom Classic 15.5 / Lightroom 9.6 Every known shortfall, one entry each, ranked by user impact (how many Lightroom users hit it, and how hard it blocks them), then by effort. **Agents pick work from the top** (the first entry nobody is @@ -24,7 +24,7 @@ Hours are Opus 5.5 agent wall-clock hours (see [target-app-parity.md](target-app | 7 | **Nikon High Efficiency NEF** (HE / HE★ on Z 8, Z 9, Z 6III, Z f, Z50II, Z5II when set to HE) | named and preview only (#193); needs a pure-Rust JPEG XS decoder | +1.1 points (only shots taken in HE; lossless works on the same bodies); low gain per hour (~0.04), so not a beta blocker | 20–40 | [raw-parity](raw-parity.md) | | 8 B | **No lens profile database** (LR-EDIT-OPTICS-PROFILE): only DNG opcodes, RW2 in-file distortion and Sony ILCE-7RM4A distortion | Adobe ships 3,635 lens profiles; we never use them | distortion / vignetting correction is a default step for many | 40–80 + calibration shots | [raw-parity](raw-parity.md#lens-profiles) | | 9 B | **Tests don't run in CI on macOS, Windows or Linux x64**: only FreeBSD runs `cargo test`; the others build packages | `.github/workflows/` (freebsd, packaging-lint, release, windows-arm64); the linux-riscv64 release job added in 0.6.0 (#844) runs only `lightcraft-cli --version` under QEMU | regressions reach users on the main platforms; `cargo xtask ci` runs only locally | 6–12 | [target-app-parity](target-app-parity.md#by-dimension) | -| 10 B | **Per-model verification thin, plus cheap per-body decode fixes**: 235 of 1,446 Adobe models verified (16%), ~42% of photographers on a verified body; Nikon 5 bodies verified, Canon 12. Cheap fixes: Z 6II packed 14-bit NEF (#769, PR #671), Sony A100 / F828 regression (#702), DSLR-A200…A390 / A850 12-bit ARW (#535) | measured: [raw/coverage.tsv](raw/coverage.tsv) | per-body bugs (levels, crops, WB) surface only from users | 25–45 | [raw-parity](raw-parity.md#by-maker-measured) | +| 10 B | **Per-model verification thin, plus cheap per-body decode fixes**: 238 of 1,446 Adobe models verified (16%), ~42% of photographers on a verified body; Nikon 5 bodies verified, Canon 12. Cheap fixes: Z 6II packed 14-bit NEF (#769, PR #671), Sony A100 / F828 regression (#702), DSLR-A200…A390 / A850 12-bit ARW (#535) | measured: [raw/coverage.tsv](raw/coverage.tsv) | per-body bugs (levels, crops, WB) surface only from users | 25–45 | [raw-parity](raw-parity.md#by-maker-measured) | | 11 | **Enhance: Raw Details, Super Resolution; AI denoise without shippable weights or X-Trans** | ENH rows 0%; denoise Bayer only, RawNIND weights GPL and opt-in | Fujifilm users get no AI denoise; nobody gets it out of the box | 30–60 + model decision | [raw-parity](raw-parity.md#demosaic-levels-crops-and-lens-metadata) | | 12 | **Content-aware / generative remove, detect distractions, reflections removal** | REM rows 75%; patch synthesis missing | cleanup work goes back to Photoshop | 25–45 (+ generative model) | [target-app-parity](target-app-parity.md#ai) | | 13 | **Lightroom catalog migration is one-way and approximate**: unsupported Adobe profiles / AI settings archived, history kept as data | lightroom-catalog-import.md | switching users lose some looks | 8–12 | [file-format-parity](file-format-parity.md) | @@ -34,7 +34,7 @@ Hours are Opus 5.5 agent wall-clock hours (see [target-app-parity.md](target-app | 17 | **Tethered capture** | ⬜ | studio photographers | 25–45 + cameras | [hardware-parity](hardware-parity.md) | | 18 | **Video**: playback, trim, global edits, export | VID rows 0% | users who mix stills and clips | 25–45 | [target-app-parity](target-app-parity.md#features) | | 19 | **Plug-in ecosystem**: no Lightroom SDK equivalent (export / publish plug-ins, metadata plug-ins) | ⬜ | pro workflows built on plug-ins (LR/Enfuse, Jeffrey's exporters, Negative Lab Pro) | 40–80 + owner decision | [target-app-parity](target-app-parity.md#by-dimension) | -| 20 | **Long-tail raw formats**: compressed SRW, ARQ pixel shift, IIQ, Hasselblad compression, X3F, CRW, MRW, ERF, KDC, DCR, MEF, GPR, old FinePix | raw-parity.md | small user share each | 45–85 | [raw-parity](raw-parity.md) | +| 20 | **Long-tail raw formats**: compressed SRW, ARQ pixel shift, IIQ, Hasselblad compression, X3F, CRW, MRW, KDC, DCR, MEF, GPR, old FinePix (ERF decodes since 2026-10-12) | raw-parity.md | small user share each | 43–83 | [raw-parity](raw-parity.md) | | 21 | **Localization**: 9 of 15 shipped languages partial (74–99% of catalog messages), lower-layer errors English; Hindi, Arabic, Indonesian, Korean, Vietnamese absent; no RTL or complex shaping | measured from catalogs | non-English users see mixed English | 55–90 (shipped to full); 145–255 (five new) | [localization-parity](localization-parity.md) | | 22 | **Pen pressure**, OS monitor profiles, follow-window colour | hardware-parity.md | brush users with tablets; multi-monitor setups | 11–22 | [hardware-parity](hardware-parity.md) | | 23 | **Accessibility** audit with screen readers; canvas tools keyboard-reachable | LR-BEHAV-ACCESS 🟡 | blind and low-vision users | 10–20 | [ui-parity](ui-parity.md) | @@ -72,6 +72,7 @@ Beta-blocking gaps (B) total **~230–430 h**; with the stability and platform w | Date | Change | Summary | |---|---|---| +| 2026-10-12 | minor | Gap 20 shrinks: Epson ERF decodes (`vendor/erf.rs`), 3 bodies verified; gap 10 count 235 → 238 | | 2026-10-11 | minor | Reviewed against main after 0.6.0: CR3 entry names the CRX variants `crx.rs` still refuses and the R7 / R6 Mark II C-RAW state (decoding, not verified, so the measured numbers don't move); CI and Windows / Linux entries note the riscv64 release build (#844); R7 fix added to Closed recently. Panel docking (UI.9, #869) closes no listed gap | | 2026-10-11 | minor | Camera colour entry: raws with a black-and-white camera JPEG take its tone curve (#577); gap not closed | | 2026-10-11 | minor | Gap 4: Compare and Reference views get zoom windows per pane (1:1 was a 2,560 px render magnified); overlays and soft proofing remain, 8–15 h → 4–8 h | diff --git a/docs/parity-checklist.md b/docs/parity-checklist.md index 77ae26e4c..61abd6c2e 100644 --- a/docs/parity-checklist.md +++ b/docs/parity-checklist.md @@ -1,6 +1,6 @@ # Lightroom parity checklist -> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-11 · **Change:** minor (rapid slider entry; LR-PROF-CAMERACOLOR: tone curve from black-and-white camera JPEGs; LR-VIEW-ZOOM, LR-VIEW-COMPARE: Compare and Reference zoom windows; LR-IMP-FORMATS, LR-IMP-CAMERA-COVERAGE: EOS R5 Mark II CR3 decodes; renamed from `parity.md`; Top gaps moved to gaps.md, shortcut notes to ui-parity.md; filesystem history retry/Undo/Redo evidence; renamed from `parity.md`; Top gaps moved to gaps.md, shortcut notes to ui-parity.md) · **Target:** Adobe Lightroom Classic 15.5 / Lightroom 9.6 +> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (LR-IMP-FORMATS: Epson ERF decodes; rapid slider entry; LR-PROF-CAMERACOLOR: tone curve from black-and-white camera JPEGs; LR-VIEW-ZOOM, LR-VIEW-COMPARE: Compare and Reference zoom windows; LR-IMP-FORMATS, LR-IMP-CAMERA-COVERAGE: EOS R5 Mark II CR3 decodes; renamed from `parity.md`; Top gaps moved to gaps.md, shortcut notes to ui-parity.md; filesystem history retry/Undo/Redo evidence; renamed from `parity.md`; Top gaps moved to gaps.md, shortcut notes to ui-parity.md) · **Target:** Adobe Lightroom Classic 15.5 / Lightroom 9.6 The measured, row-by-row checklist: one row per Lightroom feature, menu item and shortcut, what we have and what is missing. It answers *does the feature exist?* (feature breadth). Whether it is good @@ -80,7 +80,7 @@ differences and missing bindings are in [ui-parity.md](ui-parity.md#shortcuts). | LR-IMP-PROFILES | Import profiles & presets | P1 | ✅ | `cmd:file.importPresets`, `cmd:preset.import`, `cmd:profile.import`, `crates/engine/src/preset_import.rs`, `crates/engine/src/preset_luminar.rs` | presets: .lcpreset, XMP, classic .lrtemplate, photos carrying edits ("DNG presets"), Luminar looks (.lmp, .mplumpack collections; sliders with a counterpart), .zip bundles, folders (folder → group), drag & drop (an `.xmp` dropped together with its photo is that photo's sidecar and is not imported as a preset, issue #936); masks carried over; unmapped settings reported (fields that only describe the preset or photo, e.g. `Cluster`, `SortName`, `SupportsAmount2`, the as-shot white, empty Point Color slots, are not); profiles: .cube 3D LUTs (one toast reports both halves; a LUT that fails is named with its reason); Adobe profile formats deliberately unsupported | | LR-IMP-LOCAL | Work on files in place | P0 | ✅ | `cmd:library.browse`, `cmd:photo.addToLibrary`, `cmd:library.import` (mode add), `cmd:local.addRoot`, `cmd:local.hide`, `cmd:local.restoreHidden`, `crates/engine/src/cmd/browse.rs`, `crates/ui-egui/src/panels/left.rs` (`local_section`), `crates/ui-egui/src/panels/grid.rs` (`folder_header`) | Local: browse Pictures / Desktop / Downloads / Home or any folder without adding it (breadcrumb, Include subfolders, Add N to My Photos); browsed photos stay out of All Photos, albums and counts (album commands skip them and the album menus say to Add to My Photos first, issue #684); folders picked with Browse Folder… (or Keep in Local / Add to Local on a folder row) stay listed across restarts, and browsing a folder inside a listed one highlights it inside that tree (opened down to it, siblings reachable) instead of adding a root; edits go to XMP sidecars; importing promotes them; right-click a top-level location → Remove from Local hides the shortcut only (nothing on disk or in the catalog changes), saved with the UI state, and “Show N hidden locations” (or Browse Folder… on it) brings it back; a folder is one location however its path is spelled (`/` or `\`, trailing separator, `.`/`..`, drive-letter case; `folder_key` in `crates/catalog/src/query.rs`); browsed photos nobody changed are forgotten once their folder has not been browsed for 30 days (Settings → Performance → Local folders, 0 = never; checked when the library opens, or `cmd:library.forgetLocal` with `dryRun`; files and sidecars stay, browsing again brings them back; see `crates/catalog/src/local.rs` for what counts as a change) | | LR-IMP-SIDECAR-SPLIT | Separate XMP sidecar variants | P2 | ⬜ | `cmd:library.xmpPreferences` | sidecar naming option exists (stem/full), no split sidecars | -| LR-IMP-FORMATS | Supported formats | P0 | 🟡 | `crates/codecs/src/lib.rs`, `crates/raw/src/lib.rs`, `crates/raw/src/jxl.rs` | JPEG, PNG, TIFF (1- to 64-bit integer, 16- to 64-bit float, incl. bilevel and CCITT fax), WebP, JXL, PSD, GIF, BMP (lossy wide-gamut JXL decodes to the right colours: jxl-oxide desaturated XYB rendered to P3/Rec. 2020, worked around in `crates/codecs/src/jxl.rs`); DNG (incl. lossy / Smart Preview DNG and DNG 1.7 JPEG XL tiles/strips: lossless ones decode bit-exactly on synthetic CFA and LinearRaw files, lossy ones are restored to the declared linear primaries without clipping or gamut mapping, checked on one real file with 108 lossy tiles, and any tile that fails to decode makes the file preview-only; DNG 1.7 row/column-interleaved rasters (`RowInterleaveFactor` / `ColumnInterleaveFactor`) are undone before the mosaic is read, so a file from Adobe's converter with a 2×2 interleave no longer decodes as four scaled-down copies in the wrong colours; a dimension the factor does not divide decodes with short trailing fields; verified on 4 real ILCE-6400 JPEG XL DNGs rendering bit-identical to their non-interleaved twins, factors above 2 rest on the plain reading of the tag; a single-chunk JPEG XL preview IFD is offered as the embedded preview; a DNG whose samples pile up at one value well below its stated `WhiteLevel`, as a camera app's 12-bit Bayer DNG that states 4095 and clips at 3567, has those samples raised to the white level on decode, so highlight reconstruction sees the clipped areas instead of white balance tinting them magenta, issue #548, `crates/raw/src/saturation.rs`), CR2 (colour-filter layout from the file's `CR2CFAPattern` tag, issue #85), ARW (pre-2017 bodies: white balance and black level from the encrypted `SR2SubIFD`, issue #148, its `WB_RGGBLevels` being the white balance the camera applied, issue #535; the DSLR-A900's packed 12-bit strip, two pixels per three bytes, read only when the strip is exactly 1.5 bytes per pixel, with its camera-JPEG window centred, checked on one CC0 file (A850 unmeasured); downsized Sony lossless YCbCr 4:2:0 / 4:2:2 tiles decoded to linear RGB, verified on private ILCE-7M4 3:2 & 4:3 examples including 16-bit full-resolution export; Sony DSC-R1 .SR2 decodes, its big-endian 16-bit words read in the order that fits the sample range, checked on the CC0 3221 sample; its crop and white balance live in the SR2SubIFD and are not read yet; ARW6 Compressed / Compressed (HQ) of the ILCE-7RM6 (`crates/raw/src/vendor/arw6.rs`, `crates/raw/src/llvc.rs`; 12-bit codes exact against a black-box oracle on 8 CC0 files, FF over the full frame, APS-C in the interior (LibRaw's own edge rows differ); output through our own companding curve, measured from CC0 lossless / ARW6 pairs; geometry checked against the camera JPEG, `docs/arw6-compression.md`; the ILCE-7M5 writes the same codec, unverified)), NEF (uncompressed, lossless and lossy compressed 12/14-bit, `crates/raw/src/vendor/nefc.rs`), RAF (uncompressed, lossless/lossy compressed Bayer and X-Trans; `crates/raw/src/vendor/rafc.rs`, full sensor verification on 13 bodies, `docs/raf-compression.md`), RW2 / Leica RWL / Panasonic RAW in every raw format (compressed 4 and 6, the prefix-coded strips of format 8 from the GH6 on, packed 2/5/7, the 16-bit words of the 2005–2007 bodies; black levels, in-camera aspect crops and mapped-out defect pixels; 178 CC0 files from 118 bodies checked, `crates/raw/src/vendor/rw2.rs`), PEF, ORF (uncompressed; colour-filter layout from the file's Exif `CFAPattern`; 12.8 bit/px 16-byte blocks of ten 12-bit samples + a zero pad byte, E-300 / E-330 / E-500 verified on CC0 files, E-M5 Mark II / PEN-F high-res files decode smooth but CFA and black unverified), Kodak DCS520C TIFF (a two-component 12-bit lossless JPEG strip, the two components the even and odd columns; the file's `GrayResponseCurve` table linearises the companded samples to 12 bits, black measured per CFA position, white balance from the `KodakIFD`; `RawFormat::KodakDcs`, `crates/raw/src/vendor/kodak.rs`, checked on the one CC0 sample against its IFD0 thumbnail), Hasselblad 3FR and FFF (a TIFF without a DNG version tag that describes its CFA IFD, levels, crop and white balance with DNG's tags; `RawFormat::CfaTiff`, read by `dng::decode_as`, RGGB when the file states no `CFAPattern`): uncompressed (X1D, X1D II, X2D, CFV 100C) and Hasselblad's lossless JPEG with scan selection value 8 (every FFF; H3D, H4D and CFV-50c 3FR), `ljpeg::decode_hasselblad`, its rule measured on 14 CC0 files with the ljpeg-explorer tool, Samsung SRW without compression (NX5, NX10, NX11 and the NX20-generation bodies NX20, NX200, NX210, NX1000 and NX1100 as 12-bit packed samples in either bit order, EX1 and WB2000 as 16-bit words; layout, camera-JPEG framing, levels and white balance from the maker note, `crates/raw/src/vendor/srw.rs`; median ΔE vs the camera JPEG 2.2–7.6 on 11 of the 12 files from 10 bodies checked, 10.7 (5.7 registered) on the backlit WB2000 sample). 12-bit NEF black level: maker note `0x003d` is in 14-bit units (D750, D780, D850, D7500, Z 50 checked). Lossy type 2 NEF curves of version `0x44 0x40` (D780, D6, Z 5, Z 6, Z 7, Z 7_2) span a quarter of the sample range, read from the table's own point spacing. Import probes (`probe_info`) of compressed NEFs decode only the first 128 rows, the ones the masked-trailing-column test reads in both the probe and the full decode (the D5100 and D7000 write 8 masked columns at 0 with no maker-note tag for them, compressed and uncompressed alike), instead of the whole Huffman stream: ~3 ms instead of the full decode time per file (386 ms on a 24 MP D750 file), issue #708. CR3 lossless CRX Bayer and version 0x100/0x200 C-RAW decodes to sensor pixels with timed white balance, black/white levels and file crop (the shot's aspect ratio from the maker note's `AspectInfo`); full sensor samples match the reference on M50/R100/R8 (`crates/raw/tests/cr3_corpus.rs`, `docs/cr3.md`). EOS R5 Mark II C-RAW and RAW decode too (the QP map's first-symbol literal and 23-zero escape, odd-height Bayer planes): 4 CC0 files pinned, every QP map of 33,665 private C-RAW files decodes exactly, and full-frame images match the camera JPEG. Unsupported coding variants retain metadata and use the embedded JPEG when available; HEVC preview decoding remains unsupported. Missing: CR3 unverified CRX variants, compressed ORF, compressed Samsung SRW (NX1, NX30, NX300, NX500, NX2000, NX3000, NX3300, NX mini: preview only with the reason), NEFs labelled compressed (34713) but stored uncompressed without a `0x0096` table (Z 6 packed 14-bit, D850 12-bit uncompressed), Nikon High Efficiency NEF (HE / HE★ from the Z 8, Z 9, Z 6III and Z f: compression 34713 with a JPEG XS codestream and no `0x0096` table; no public specification, so preview only with the reason "Nikon High Efficiency NEF", issue #193; Lossless compressed NEFs from the same bodies decode), NEF "lossy after split" (preview only: imported with `preview_only` = the decoder's reason, rendered as a rendered JPEG, flagged by a grid badge and loupe/Edit/Info notices, `previewOnly` in `catalog.query`; Reload clears it once the file decodes), TIFF-based raws whose raw data sits in a private block (Phase One / Leaf IIQ, Canon EOS-1D / 1Ds and the Kodak DCS Pro / DCS760C TIFFs (compression 65000): IFD0 is only a reduced RGB image next to a much larger declared picture) are recognised from that structure and import as `preview_only` with the reason, instead of opening as a thumbnail-sized ordinary image (`thumbnail_shell` in `crates/raw/src/lib.rs`), Recognised raws LightCraft cannot decode open as `preview_only` with any usable embedded JPEG, also Canon CRW, Minolta MRW and Sigma X3F (containers recognised by magic, preview found by a structural JPEG scan), Kodak KDC (IFD0 without `ImageWidth`), Leaf MOS and Epson ERF (scan), and any decode failure of a recognised raw, not only an unsupported variant; ones with no JPEG still fail with "without an embedded preview", AVIF decode (HEIC decodes only behind the non-default `heif` feature, which the release packages enable: `crates/heif`, heic-rs for the container and HEVC (bit-exact against libde265 on iPhone tiles) plus our own colour conversion, matching libheif within 1 code value on iPhone-style grids (VUI full range, Display P3 ICC, nclx, 10-bit, irot/imir/clap, gain map/depth ignored); 4:2:0/monochrome only, 4:2:2/4:4:4 Canon/Sony HIF refused; same policy as PhotoCraft), palette (indexed-colour) TIFF (refused by the `tiff` crate) | +| LR-IMP-FORMATS | Supported formats | P0 | 🟡 | `crates/codecs/src/lib.rs`, `crates/raw/src/lib.rs`, `crates/raw/src/jxl.rs` | JPEG, PNG, TIFF (1- to 64-bit integer, 16- to 64-bit float, incl. bilevel and CCITT fax), WebP, JXL, PSD, GIF, BMP (lossy wide-gamut JXL decodes to the right colours: jxl-oxide desaturated XYB rendered to P3/Rec. 2020, worked around in `crates/codecs/src/jxl.rs`); DNG (incl. lossy / Smart Preview DNG and DNG 1.7 JPEG XL tiles/strips: lossless ones decode bit-exactly on synthetic CFA and LinearRaw files, lossy ones are restored to the declared linear primaries without clipping or gamut mapping, checked on one real file with 108 lossy tiles, and any tile that fails to decode makes the file preview-only; DNG 1.7 row/column-interleaved rasters (`RowInterleaveFactor` / `ColumnInterleaveFactor`) are undone before the mosaic is read, so a file from Adobe's converter with a 2×2 interleave no longer decodes as four scaled-down copies in the wrong colours; a dimension the factor does not divide decodes with short trailing fields; verified on 4 real ILCE-6400 JPEG XL DNGs rendering bit-identical to their non-interleaved twins, factors above 2 rest on the plain reading of the tag; a single-chunk JPEG XL preview IFD is offered as the embedded preview; a DNG whose samples pile up at one value well below its stated `WhiteLevel`, as a camera app's 12-bit Bayer DNG that states 4095 and clips at 3567, has those samples raised to the white level on decode, so highlight reconstruction sees the clipped areas instead of white balance tinting them magenta, issue #548, `crates/raw/src/saturation.rs`), CR2 (colour-filter layout from the file's `CR2CFAPattern` tag, issue #85), ARW (pre-2017 bodies: white balance and black level from the encrypted `SR2SubIFD`, issue #148, its `WB_RGGBLevels` being the white balance the camera applied, issue #535; the DSLR-A900's packed 12-bit strip, two pixels per three bytes, read only when the strip is exactly 1.5 bytes per pixel, with its camera-JPEG window centred, checked on one CC0 file (A850 unmeasured); downsized Sony lossless YCbCr 4:2:0 / 4:2:2 tiles decoded to linear RGB, verified on private ILCE-7M4 3:2 & 4:3 examples including 16-bit full-resolution export; Sony DSC-R1 .SR2 decodes, its big-endian 16-bit words read in the order that fits the sample range, checked on the CC0 3221 sample; its crop and white balance live in the SR2SubIFD and are not read yet; ARW6 Compressed / Compressed (HQ) of the ILCE-7RM6 (`crates/raw/src/vendor/arw6.rs`, `crates/raw/src/llvc.rs`; 12-bit codes exact against a black-box oracle on 8 CC0 files, FF over the full frame, APS-C in the interior (LibRaw's own edge rows differ); output through our own companding curve, measured from CC0 lossless / ARW6 pairs; geometry checked against the camera JPEG, `docs/arw6-compression.md`; the ILCE-7M5 writes the same codec, unverified)), NEF (uncompressed, lossless and lossy compressed 12/14-bit, `crates/raw/src/vendor/nefc.rs`), RAF (uncompressed, lossless/lossy compressed Bayer and X-Trans; `crates/raw/src/vendor/rafc.rs`, full sensor verification on 13 bodies, `docs/raf-compression.md`), RW2 / Leica RWL / Panasonic RAW in every raw format (compressed 4 and 6, the prefix-coded strips of format 8 from the GH6 on, packed 2/5/7, the 16-bit words of the 2005–2007 bodies; black levels, in-camera aspect crops and mapped-out defect pixels; 178 CC0 files from 118 bodies checked, `crates/raw/src/vendor/rw2.rs`), PEF, ORF (uncompressed; colour-filter layout from the file's Exif `CFAPattern`; 12.8 bit/px 16-byte blocks of ten 12-bit samples + a zero pad byte, E-300 / E-330 / E-500 verified on CC0 files, E-M5 Mark II / PEN-F high-res files decode smooth but CFA and black unverified), Kodak DCS520C TIFF (a two-component 12-bit lossless JPEG strip, the two components the even and odd columns; the file's `GrayResponseCurve` table linearises the companded samples to 12 bits, black measured per CFA position, white balance from the `KodakIFD`; `RawFormat::KodakDcs`, `crates/raw/src/vendor/kodak.rs`, checked on the one CC0 sample against its IFD0 thumbnail), Hasselblad 3FR and FFF (a TIFF without a DNG version tag that describes its CFA IFD, levels, crop and white balance with DNG's tags; `RawFormat::CfaTiff`, read by `dng::decode_as`, RGGB when the file states no `CFAPattern`): uncompressed (X1D, X1D II, X2D, CFV 100C) and Hasselblad's lossless JPEG with scan selection value 8 (every FFF; H3D, H4D and CFV-50c 3FR), `ljpeg::decode_hasselblad`, its rule measured on 14 CC0 files with the ljpeg-explorer tool, Epson ERF (R-D1, R-D1s, R-D1x: a CFA sub-IFD of 12-bit samples in 16-byte blocks, ten MSB-first samples and a pad byte; maker-note black levels and picture size, the crop registered against the preview; no white-balance tag was found, so the as-shot gains are measured from the preview's neutral pixels, grey world without them, `crates/raw/src/wb_estimate.rs`; file-local look fitted to the preview; `crates/raw/src/vendor/erf.rs`, 3 CC0 files), Samsung SRW without compression (NX5, NX10, NX11 and the NX20-generation bodies NX20, NX200, NX210, NX1000 and NX1100 as 12-bit packed samples in either bit order, EX1 and WB2000 as 16-bit words; layout, camera-JPEG framing, levels and white balance from the maker note, `crates/raw/src/vendor/srw.rs`; median ΔE vs the camera JPEG 2.2–7.6 on 11 of the 12 files from 10 bodies checked, 10.7 (5.7 registered) on the backlit WB2000 sample). 12-bit NEF black level: maker note `0x003d` is in 14-bit units (D750, D780, D850, D7500, Z 50 checked). Lossy type 2 NEF curves of version `0x44 0x40` (D780, D6, Z 5, Z 6, Z 7, Z 7_2) span a quarter of the sample range, read from the table's own point spacing. Import probes (`probe_info`) of compressed NEFs decode only the first 128 rows, the ones the masked-trailing-column test reads in both the probe and the full decode (the D5100 and D7000 write 8 masked columns at 0 with no maker-note tag for them, compressed and uncompressed alike), instead of the whole Huffman stream: ~3 ms instead of the full decode time per file (386 ms on a 24 MP D750 file), issue #708. CR3 lossless CRX Bayer and version 0x100/0x200 C-RAW decodes to sensor pixels with timed white balance, black/white levels and file crop (the shot's aspect ratio from the maker note's `AspectInfo`); full sensor samples match the reference on M50/R100/R8 (`crates/raw/tests/cr3_corpus.rs`, `docs/cr3.md`). EOS R5 Mark II C-RAW and RAW decode too (the QP map's first-symbol literal and 23-zero escape, odd-height Bayer planes): 4 CC0 files pinned, every QP map of 33,665 private C-RAW files decodes exactly, and full-frame images match the camera JPEG. Unsupported coding variants retain metadata and use the embedded JPEG when available; HEVC preview decoding remains unsupported. Missing: CR3 unverified CRX variants, compressed ORF, compressed Samsung SRW (NX1, NX30, NX300, NX500, NX2000, NX3000, NX3300, NX mini: preview only with the reason), NEFs labelled compressed (34713) but stored uncompressed without a `0x0096` table (Z 6 packed 14-bit, D850 12-bit uncompressed), Nikon High Efficiency NEF (HE / HE★ from the Z 8, Z 9, Z 6III and Z f: compression 34713 with a JPEG XS codestream and no `0x0096` table; no public specification, so preview only with the reason "Nikon High Efficiency NEF", issue #193; Lossless compressed NEFs from the same bodies decode), NEF "lossy after split" (preview only: imported with `preview_only` = the decoder's reason, rendered as a rendered JPEG, flagged by a grid badge and loupe/Edit/Info notices, `previewOnly` in `catalog.query`; Reload clears it once the file decodes), TIFF-based raws whose raw data sits in a private block (Phase One / Leaf IIQ, Canon EOS-1D / 1Ds and the Kodak DCS Pro / DCS760C TIFFs (compression 65000): IFD0 is only a reduced RGB image next to a much larger declared picture) are recognised from that structure and import as `preview_only` with the reason, instead of opening as a thumbnail-sized ordinary image (`thumbnail_shell` in `crates/raw/src/lib.rs`), Recognised raws LightCraft cannot decode open as `preview_only` with any usable embedded JPEG, also Canon CRW, Minolta MRW and Sigma X3F (containers recognised by magic, preview found by a structural JPEG scan), Kodak KDC (IFD0 without `ImageWidth`) and Leaf MOS (scan), and any decode failure of a recognised raw, not only an unsupported variant; ones with no JPEG still fail with "without an embedded preview", AVIF decode (HEIC decodes only behind the non-default `heif` feature, which the release packages enable: `crates/heif`, heic-rs for the container and HEVC (bit-exact against libde265 on iPhone tiles) plus our own colour conversion, matching libheif within 1 code value on iPhone-style grids (VUI full range, Display P3 ICC, nclx, 10-bit, irot/imir/clap, gain map/depth ignored); 4:2:0/monochrome only, 4:2:2/4:4:4 Canon/Sony HIF refused; same policy as PhotoCraft), palette (indexed-colour) TIFF (refused by the `tiff` crate) | | LR-IMP-CAMERA-COVERAGE | Camera coverage, verified per model | P0 | 🟡 | `crates/raw/tests/corpus.rs`, `xtask/src/main.rs` | a supported container is not the same as every camera that writes it decoding correctly: ~55 CC0 corpus files plus 6 exact-sensor CR3 cases and 4 pinned EOS R5 Mark II files (plus ~60 NEFs checked by hand and 178 Panasonic / Leica RW2, RWL and RAW files from 118 bodies, checked against each file's own JPEG) against the >1,000 models Lightroom lists; per-model differences still surface (e.g. the CR2 colour-filter layout differed by model until it was read from the file's own tag, issue #85, checked on 35 CR2 bodies; CR2 black levels were read from border columns light already reaches, left of `SensorInfo`'s border, so CR2s rendered dark with crushed shadows (EOS 6D: 2591 instead of 2047), now measured from the masked columns only, checked on 8 corpus bodies; pre-2017 Sony ARWs opened green until their scrambled white balance / black level were read, issue #148, checked on 16 ARWs from 15 Sony bodies; their white balance now comes from the encrypted `SR2SubIFD`'s `WB_RGGBLevels`, the gains the camera applied, which 14 bodies (DSLR-A450 … A700, NEX-3/5/C3, SLT-A33/A35/A55, ILCE-6001, UMC-R10C) had no other source for and which the maker-note estimate read before missed by up to 100 % on preset shots, issue #535, checked against ExifTool on 100 decoded ARWs from 87 Sony bodies; the encrypted SR2 black level is now read from its directory entry (the DSLR-A450/A500/A550/A700 read 354–975 instead of 512), checked on 126 ARWs from 97 Sony bodies, and downsized lossless M/S ARWs use their measured black level 1024 instead of 512, checked on 12 files from 4 bodies, issue #535, and on a fifth, the ILCE-7CM2 (issue #697: 0.5.0 rendered its lossless M file with that 512 pedestal, the darkest half of a dusk scene +11 L* and blue, the lamplight white; its darkest 0.1 % per channel sits at 1017/1020/1024, and with 1024 the render is within +3 L* of the camera JPEG; the body's compressed and uncompressed "M-size" files are Bayer at 4736×3132 with black 512, two public ones in the corpus); pre-2017 Sony bodies shot in the camera's 16:9 mode (ILCE-7SM2, DSLR-A580) now get the 16:9 crop of their camera JPEG instead of the whole 3:2 frame with padding columns, issue #535; Canon PowerShot and EOS M CR2s whose `ColorData` is stored as bytes opened green until the bytes were read as 16-bit words, 25 files from 25 bodies checked). Compressed RAF sensor arrays verified on 13 Fujifilm bodies (`docs/raf-compression.md`). ILCE-7RM6 ARW6 12-bit codes verified on 8 CC0 files (FF and APS-C, both compression modes). Sony ILCE-7CR (61 MP): lossless compressed L and M and compressed ARW2 samples of one scene in the corpus (black level, default crop, as-shot gains, lossless vs compressed mosaic agreement, fitted camera look), and all nine public codings (also uncompressed, small and APS-C crop) decode and fit. Grow the CC0 corpus per model and test each sample decodes with plausible colour. Nikon CropArea and untagged-preview colour-space regression tests; private Z 8 crop verified; the Nikon D4, which records no CropArea, gets its image area and white level measured on 148 NEFs against the camera JPEG (optical-black stripes and magenta clipped highlights gone). | | LR-IMP-PREVIEW-READ | Preview reads the header, not the raw | P0 | ✅ | `crates/raw/src/preview.rs` (`bounded_preview`, `embedded_preview_from_range`), `crates/engine/src/files.rs` (`preview_window`), `docs/raw-preview-reads.md` | a grid thumbnail and a loupe preview of an unedited raw show the camera's embedded JPEG, which sits near the start of the file (a 24 MP Fuji RAF keeps its 5.6 MB JPEG in a 56 MB file), so the preview loader reads the header and that JPEG instead of the whole file: 56.5 MB → 5.9 MB and ~10 s → 0.96 s measured on one real RAF over a GVFS/SMB Wi-Fi share (byte-identical preview pixels; `LIGHTCRAFT_PROFILE=1` reports the bytes); the RAF pointer is read from its fixed header fields, formats whose preview only the whole file reveals (CR3 boxes, TIFF pointer tags past the prefix, CRW/MRW/X3F scans) keep the whole-file path, and a lying pointer, a short read or a file that changes underneath us falls back to it rather than losing the preview. An unedited raw's **grid thumbnail is that camera JPEG itself**, so no sensor decode is scheduled behind it (`Session::embedded_thumb_is_final`, `grid::skips_the_real_render`): drawing a 512 px thumbnail used to decode the whole raw — 45 s a photo at 1.2 MB/s, 8.3 GB for a 149-raw folder — and the queue it built delayed the render the user was waiting for; a cached render as stand-in, an edited photo and a raw without an embedded JPEG still render | | LR-IMP-CULL-AT-IMPORT | Culling analysis at import | P2 | 🟡 | `cmd:photo.analyze` | run Assisted Culling on the imported photos (they're selected after an import); not automatic | @@ -787,6 +787,7 @@ Latin stays upright. Advanced Japanese composition remains open. Regression cove | Date | Change | Summary | |---|---|---| +| 2026-10-12 | minor | LR-IMP-FORMATS: Epson ERF decodes from sensor data (`vendor/erf.rs`), no longer preview-only | | 2026-10-11 | minor | KEY-SLIDER-TYPE: honor immediate Return/Escape and keep typed keys in the value editor; add regression references | | 2026-10-11 | minor | LR-PROF-CAMERACOLOR: raws with a black-and-white camera JPEG take its tone curve (issue #577) | | 2026-10-11 | minor | LR-VIEW-ZOOM and LR-VIEW-COMPARE: Compare and Reference are sharp at 1:1 (zoom windows per pane, two originals kept decoded while they are open); statuses unchanged | diff --git a/docs/raw-parity.md b/docs/raw-parity.md index 2b4b9efb5..18d087a04 100644 --- a/docs/raw-parity.md +++ b/docs/raw-parity.md @@ -1,6 +1,6 @@ # RAW parity: cameras, formats, demosaic, colour and lens profiles -> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-11 · **Change:** minor (EOS R5 Mark II decoded and verified: CRX QP-map escape, odd-height planes) · **Target:** Adobe Lightroom Classic 15.5 / Lightroom 9.6 (Camera Raw 18.7) +> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (Epson ERF decoded: 3 bodies verified) · **Target:** Adobe Lightroom Classic 15.5 / Lightroom 9.6 (Camera Raw 18.7) Raw processing is the deepest single dimension of Lightroom parity: a photographer whose camera does not decode, or decodes with the wrong colour, cannot switch. This document measures it model by @@ -14,9 +14,9 @@ ranked in [gaps.md](gaps.md). Details per format: [cr3.md](cr3.md), | Measure | Value | Kind | |---|---:|---| | Adobe-listed camera models | **1,446** | measured: [raw/adobe-cameras.tsv](raw/adobe-cameras.tsv) | -| Decoded from sensor data and **verified** on a real file | **235** (16%) | measured: [raw/evidence.tsv](raw/evidence.tsv) | +| Decoded from sensor data and **verified** on a real file | **238** (16%) | measured: [raw/evidence.tsv](raw/evidence.tsv) | | Decoder path should handle it, **unverified** | **942** (65%) | measured from the format rules (632 of them DNG, mostly phones) | -| **Preview-only** (embedded JPEG) | **233** (16%) | measured | +| **Preview-only** (embedded JPEG) | **230** (16%) | measured | | **Unsupported** (not imported, refused or decodes wrongly) | **36** (2%) | measured | | Models added since 2017 (Camera Raw 10+): verified / unverified / preview / unsupported | 82 / 640 / 24 / 8 of 754 | measured | | **Share of photographers whose camera fully works** (decodes from sensor data), use-weighted | **~85%** | estimated: measured classes × written usage weights × per-format confidence | @@ -41,7 +41,7 @@ committed table is stale. `lightcraft_engine::import::EXTENSIONS`, and `KNOWN_UNSUPPORTED` in `crates/raw/tests/corpus.rs`. Doc claims were not used. - **Verified** means a real file from that body decoded from sensor data in: the corpus test over the - `RAW_SAMPLES` manifest (`xtask/src/main.rs`, 101 CC0 files; bodies whose sample is in + `RAW_SAMPLES` manifest (`xtask/src/main.rs`, 104 CC0 files; bodies whose sample is in `KNOWN_UNSUPPORTED` excluded), `crates/raw/tests/cr3_corpus.rs` (3 bodies exact against an external decoder; the EOS R5 Mark II pinned, with a QP-map check of 33,665 private files), the RAF reference check ([raf-compression.md](raf-compression.md)), and the raw.pixls.us bulk checks recorded in issue @@ -80,8 +80,8 @@ committed table is stale. | Casio | 26 | 0 | 26 | 0 | 0 | — (DNG) | | DJI | 21 | 0 | 21 | 0 | 0 | — (DNG) | | OM Digital Solutions | 7 | 0 | 0 | 7 | 0 | **compressed ORF** | -| Kodak, Konica Minolta, Epson, Sigma, GoPro, Contax, others | 56 | 0 | 14 | 27 | 15 | DCR, GPR not imported; KDC, MRW, ERF, X3F preview | -| **All** | **1,446** | **235 (16%)** | **942 (65%)** | **233 (16%)** | **36 (2%)** | | +| Kodak, Konica Minolta, Epson, Sigma, GoPro, Contax, others | 56 | 3 | 14 | 24 | 15 | DCR, GPR not imported; KDC, MRW, X3F preview (ERF decodes) | +| **All** | **1,446** | **238 (16%)** | **942 (65%)** | **230 (16%)** | **36 (2%)** | | ## By use (estimated) @@ -97,7 +97,7 @@ committed table is stale. | Pentax / Ricoh | 1.5% | 94% | 14% | | | Leica | 1% | 95% | 5% | | | DJI | 1% | 95% | 0% | | -| Medium format and others | 0.5% | 23% | 0% | IIQ, 3FR, X3F | +| Medium format and others | 0.5% | 24% | 2% | IIQ, 3FR, X3F | | **Weighted** | 100% | **85%** | **42%** | | About 5 in 6 raw photographers' cameras decode, but only about 2 in 5 use a body we have actually @@ -144,7 +144,8 @@ checked, and Canon, the largest bucket, is the weakest of the big four. | DNG | GoPro GPR (VC-5) | ⬜ | refused | | 3FR / FFF | DNG-like layouts | 🟡 | decoded when uncompressed or LJ92 | | 3FR / FFF | Hasselblad compression | ⬜ | preview | -| IIQ, MOS, MRW, ERF, KDC, X3F | all | ⬜ | preview | +| ERF | 12-bit in 16-byte blocks (R-D1, R-D1s, R-D1x) | ✅ | 3 CC0 corpus files; crop registered and WB measured against the embedded preview (no WB tag found); `vendor/erf.rs` | +| IIQ, MOS, MRW, KDC, X3F | all | ⬜ | preview | | DCR, MEF, MFW, DXO, GPR, TIFF raws | all | ⬜ | not imported | ### Compressed ORF: a clean-room starting point @@ -251,7 +252,7 @@ works, from [raw/usage-weights.tsv](raw/usage-weights.tsv). | 7 | Sony A100 and DSC-F828 regression (#702) | +0.1 | 1–2 | ~0.07 | samples on raw.pixls.us | | 8 | Canon CRW (2000–2004 bodies) | +1.2 by the uniform tail weight, far less by real use | 6–12 | ≤ 0.1 | samples | | 9 | Nikon HE / HE★ NEF (Z 8, Z 9, Z 6III, Z f, Z50II, Z5II set to HE) | +1.1 | 20–40 | ~0.04 | a pure-Rust JPEG XS decoder | -| 10 | Compressed SRW, Hasselblad 3FR, IIQ, X3F, MRW, KDC, ERF, DCR, MEF, GPR | +0.6 together | 45–85 | ~0.01 | samples; low use | +| 10 | Compressed SRW, Hasselblad 3FR, IIQ, X3F, MRW, KDC, DCR, MEF, GPR (ERF done) | +0.6 together | 45–85 | ~0.01 | samples; low use | Beyond decoding: @@ -266,6 +267,7 @@ Beyond decoding: | Date | Change | Summary | |---|---|---| +| 2026-10-12 | minor | Epson ERF decoded (`vendor/erf.rs`): R-D1, R-D1s, R-D1x verified; 238 verified, 230 preview | | 2026-10-10 | minor | Compressed ORF: pointer to the two Olympus patents that describe the method, as a clean-room starting point | | 2026-10-11 | minor | EOS R5 Mark II verified (CRX QP-map first literal and limited-length escape, odd-height Bayer planes; 4 CC0 files pinned, QP maps of 33,665 private files): 235 verified, 942 unverified; use-weighted 85% (42% on verified bodies); decoding 77%, RAW readiness unchanged at ~56% | | 2026-10-10 (later) | major | Model-by-model measurement against Adobe's published list (1,446 models: 234 verified, 943 unverified, 233 preview, 36 unsupported); `docs/raw/` data and re-measure script; use-weighted share 84% (40% on verified bodies); variant matrix; colour and lens sections with scores; ranked next cameras; RAW readiness ~56% from written parts | diff --git a/docs/raw/coverage.py b/docs/raw/coverage.py index c635c993a..d129c2bf8 100644 --- a/docs/raw/coverage.py +++ b/docs/raw/coverage.py @@ -83,7 +83,9 @@ def classify(maker, camera, ext_field): return "preview", "SRW", "compressed SRW is not decoded" return "unverified", "SRW", "uncompressed / packed SRW" e = es[0] if es else "" - if e in ("CRW", "3FR", "FFF", "IIQ", "MOS", "ERF", "KDC", "MRW", "X3F", "RAW", "ORI"): + if e == "ERF": + return "unverified", "ERF", "ERF decoder (12-bit 16-byte blocks)" + if e in ("CRW", "3FR", "FFF", "IIQ", "MOS", "KDC", "MRW", "X3F", "RAW", "ORI"): return "preview", e, f"{e} is opened from its embedded JPEG only" return "unsupported", e, f"{e or 'unknown'} is not imported" diff --git a/docs/raw/coverage.tsv b/docs/raw/coverage.tsv index cc0dc1e66..1a0f57c3d 100644 --- a/docs/raw/coverage.tsv +++ b/docs/raw/coverage.tsv @@ -296,9 +296,9 @@ DJI DJI Mavic 4 Pro (DJI FC9284) DNG 2025 unverified DNG decoder (uncompressed, DJI DJI Mavic 4 Pro (DJI FC9287) DNG 2025 unverified DNG decoder (uncompressed, LJ92, lossy, Deflate, JPEG XL, LinearRaw) DJI DJI Mavic 4 Pro (Hasselblad L3D-100c) DNG 2025 unverified DNG decoder (uncompressed, LJ92, lossy, Deflate, JPEG XL, LinearRaw) DxO DxO ONE DNG 2015 unverified DNG decoder (uncompressed, LJ92, lossy, Deflate, JPEG XL, LinearRaw) -Epson R-D1 ERF 2003 preview ERF is opened from its embedded JPEG only -Epson R-D1s ERF 2005 preview ERF is opened from its embedded JPEG only -Epson R-D1x ERF 2008 preview ERF is opened from its embedded JPEG only +Epson R-D1 ERF 2003 verified corpus: crates/raw/tests/corpus.rs (xtask RAW_SAMPLES) +Epson R-D1s ERF 2005 verified corpus: crates/raw/tests/corpus.rs (xtask RAW_SAMPLES) +Epson R-D1x ERF 2008 verified corpus: crates/raw/tests/corpus.rs (xtask RAW_SAMPLES) Fujifilm GFX 50R RAF 2017 unverified RAF decoder (uncompressed, lossless / lossy compressed, Bayer and X-Trans) Fujifilm GFX 50S RAF 2015 verified corpus: crates/raw/tests/corpus.rs (xtask RAW_SAMPLES) Fujifilm GFX 50S II RAF 2020 unverified RAF decoder (uncompressed, lossless / lossy compressed, Bayer and X-Trans) diff --git a/docs/raw/evidence.tsv b/docs/raw/evidence.tsv index 74340fcf7..e4f66d78c 100644 --- a/docs/raw/evidence.tsv +++ b/docs/raw/evidence.tsv @@ -248,3 +248,6 @@ Sony RX1R II (DSC-RX1RM2) verified issue #535: raw.pixls.us bulk check of all 10 Sony ZV-1 (DCZV1/B) verified issue #535: raw.pixls.us bulk check of all 100 Sony bodies (decodes; BL/WL/crop/WB vs ExifTool) Sony ZV-E1 verified issue #535: raw.pixls.us bulk check of all 100 Sony bodies (decodes; BL/WL/crop/WB vs ExifTool) Sony ZV-E10 verified issue #535: raw.pixls.us bulk check of all 100 Sony bodies (decodes; BL/WL/crop/WB vs ExifTool) +Epson R-D1 verified corpus: crates/raw/tests/corpus.rs (xtask RAW_SAMPLES) +Epson R-D1s verified corpus: crates/raw/tests/corpus.rs (xtask RAW_SAMPLES) +Epson R-D1x verified corpus: crates/raw/tests/corpus.rs (xtask RAW_SAMPLES) diff --git a/docs/target-app-parity.md b/docs/target-app-parity.md index c90c1ead1..f15a6e911 100644 --- a/docs/target-app-parity.md +++ b/docs/target-app-parity.md @@ -1,6 +1,6 @@ # Target-app parity: LightCraft vs Adobe Lightroom -> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-11 · **Change:** minor (EOS R5 Mark II CR3 verified: RAW decoding 76% → 77%; headline numbers unchanged) · **Target:** Adobe Lightroom Classic 15.5 (August 2026) and Lightroom 9.6 (desktop) +> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-12 · **Change:** minor (Epson ERF decoded: 3 models verified; headline numbers unchanged) · **Target:** Adobe Lightroom Classic 15.5 (August 2026) and Lightroom 9.6 (desktop) The authoritative assessment of how close LightCraft is to Lightroom. The row-by-row checklist is [parity-checklist.md](parity-checklist.md); the ranked work list is [gaps.md](gaps.md); deep areas @@ -297,6 +297,7 @@ P2 items 12–25 h; look tuning, performance, packaging, hardening 25–45 h. | Date | Change | Summary | |---|---|---| +| 2026-10-12 | minor | Epson ERF decoded (raw-parity.md): 238 models verified, 230 preview-only; shares and rounded numbers unchanged | | 2026-10-11 | minor | EOS R5 Mark II CR3 verified (raw-parity.md): use-weighted share whose camera decodes 84% → 85%, RAW decoding 76% → 77%; full 60.6% → 60.7%, mainstream depth 71.8% → 72.1%, essentials depth 77.4% → 77.5%; the rounded numbers (~61%, ~49%, ~64%) are unchanged | | 2026-10-10 | minor | RAW measured model by model (raw-parity.md): RAW decoding (76%) and colour (35%) are explicit rows of the full sum (59% → 61%); mainstream uses the use-weighted 84% plus a ×0.85 colour discount (51% → 49%); essentials uses 84% × colour 0.75 (63% → 64%); beta ~14 points | | 2026-10-10 | minor | Full number restored to an additive weighted sum over the dimensions (~59%; method aligned with the standard, no new evidence); hours to ~95% for each of the three audiences; beta distance ~16 points | diff --git a/xtask/src/main.rs b/xtask/src/main.rs index 08ef435c5..b900136d1 100644 --- a/xtask/src/main.rs +++ b/xtask/src/main.rs @@ -885,6 +885,9 @@ const RAW_SAMPLES: &[(&str, &str, &str)] = &[ "https://raw.pixls.us/getfile.php/4204/nice/Leica%20-%20D-Lux%207%20-%204:3.RWL", "4f6db6492da83f7f2a5012591e370557249d1ed44d4c948784016605b799327c", ), + ("erf-epson-rd1.erf", "https://raw.pixls.us/data/Epson/R-D1/_EPS0672.ERF", "09d8e533d93116294a9f3e161ed868e929454c7b946e083b644bd6bb75bcb5e4"), + ("erf-epson-rd1s.erf", "https://raw.pixls.us/data/Epson/R-D1s/EPSN3575.ERF", "45bb0081baf1c813c7cd9e05b3e6ae734b90aba408dd1195118dc94dc6abbbb9"), + ("erf-epson-rd1x.erf", "https://raw.pixls.us/data/Epson/R-D1x/_EPS1919.ERF", "fa1bff3e0b9b9a14f83b8db9fae022c2aca8d455896bf4f25f2c1a0034e295e6"), ]; fn cmd_corpus(download: bool) -> Result<(), String> {