diff --git a/crates/ui-egui/src/frame_rate.rs b/crates/ui-egui/src/frame_rate.rs
index 74299b635..62132744a 100644
--- a/crates/ui-egui/src/frame_rate.rs
+++ b/crates/ui-egui/src/frame_rate.rs
@@ -1,4 +1,4 @@
-//! Help ▸ Debug ▸ Show Frame Rate (`view.frameRate`; `LIGHTCRAFT_FPS=1` starts with it on): a
+//! Help ▸ Debug ▸ Frame Rate (`view.frameRate`; `LIGHTCRAFT_FPS=1` starts with it on): a
 //! frame-rate display in the window's top-right corner, to watch how a slider drag or a zoom holds
 //! up. It shows where a frame's time goes: the UI
 //! thread's CPU time (layout, painting, texture uploads) and the rest of the frame interval, which
@@ -237,7 +237,7 @@ mod tests {
         })
     }
 
-    /// Help ▸ Debug ▸ Show Frame Rate toggles the display (a checked menu item), `{show}` sets it,
+    /// Help ▸ Debug ▸ Frame Rate toggles the display (a checked menu item), `{show}` sets it,
     /// and frames draw with it on.
     #[test]
     fn show_frame_rate_is_a_debug_toggle() {
diff --git a/crates/ui-egui/src/menus.rs b/crates/ui-egui/src/menus.rs
index 1d9949a20..a3688d954 100644
--- a/crates/ui-egui/src/menus.rs
+++ b/crates/ui-egui/src/menus.rs
@@ -260,7 +260,7 @@ pub const UI_COMMANDS: &[UiCommand] = &[
     ("app.systemInfo", "System Info…", None, "Help"),
     ("app.openLogFolder", "Open Log Folder", None, "Help"),
     // the frame-rate display (`frame_rate`): a debugging aid, never saved
-    ("view.frameRate", "Show Frame Rate", None, "Help>Debug"),
+    ("view.frameRate", "Frame Rate", None, "Help>Debug"),
     ("app.whatsNew", "What's New", None, "Help"),
     ("dialog.cull", "Assisted Culling…", None, "Photo"),
     ("app.help", "LightCraft Help", Some("F1"), "Help"),
diff --git a/crates/ui-egui/src/state.rs b/crates/ui-egui/src/state.rs
index d9e9a8d81..a256e3fee 100644
--- a/crates/ui-egui/src/state.rs
+++ b/crates/ui-egui/src/state.rs
@@ -719,7 +719,7 @@ pub struct UiState {
     /// a later save succeeds).
     #[serde(skip)]
     pub unsaved_seen: bool,
-    /// Help ▸ Debug ▸ Show Frame Rate (`view.frameRate`): the frame-rate display
+    /// Help ▸ Debug ▸ Frame Rate (`view.frameRate`): the frame-rate display
     /// (`crate::frame_rate`). A debugging aid, never saved; `LIGHTCRAFT_FPS=1` starts with it on.
     #[serde(skip)]
     pub frame_rate: bool,
diff --git a/docs/gaps.md b/docs/gaps.md
index c85cc39f6..78fe71242 100644
--- a/docs/gaps.md
+++ b/docs/gaps.md
@@ -23,11 +23,8 @@ Hours are Opus 5.5 agent wall-clock hours (see [target-app-parity.md](target-app
 | 6 B | **Compressed ORF** (every Olympus / OM body since ~2008) | measured: 66 of 78 Olympus / OM models preview-only; `orf.rs` refuses; OM bucket 3% of photographers, 3% of them fully work | +2.6 points; best gain per hour of any raw gap (~0.2) | 8–15 | [raw-parity](raw-parity.md#compressed-orf-a-clean-room-starting-point) (the two Olympus patents that describe the method) |
 | 7 | **Nikon High Efficiency NEF** (HE / HE★ on Z 8, Z 9, Z 6III, Z f, Z50II, Z5II when set to HE) | named and preview only (#193); needs a pure-Rust JPEG XS decoder | +1.1 points (only shots taken in HE; lossless works on the same bodies); low gain per hour (~0.04), so not a beta blocker | 20–40 | [raw-parity](raw-parity.md) |
 | 8 B | **No lens profile database** (LR-EDIT-OPTICS-PROFILE): only DNG opcodes, RW2 in-file distortion, Sony ILCE-7RM4A, full-frame ILCE-7CR distortion (Auto only) and ILCE-7RM6 distortion (`docs/sony-ilce7rm6-lens-corrections.md`) and Nikon Z 6II / Z 8 / Z f distortion (`docs/nikon-lens-corrections.md`) | Adobe ships 3,635 lens profiles; we never use them | distortion / vignetting correction is a default step for many | 40–80 + calibration shots | [raw-parity](raw-parity.md#lens-profiles) |
-| 9 B | **Tests don't run in CI on macOS, Windows or Linux x64**: only FreeBSD runs `cargo test`; the others build packages | `.github/workflows/` (freebsd, packaging-lint, release, windows-arm64); the linux-riscv64 release job added in 0.6.0 (#844) runs only `lightcraft-cli --version` under QEMU | regressions reach users on the main platforms; `cargo xtask ci` runs only locally | 6–12 | [target-app-parity](target-app-parity.md#by-dimension) |
-| 10 B | **Per-model verification thin, plus cheap per-body decode fixes**: 551 of 1,446 Adobe models verified (38%), ~85% of photographers on a verified body; Nikon 5 bodies verified, Canon 34, Leica 14 (the Q3 by a recorded check of 38 private DNGs). Cheap fixes: Z 6II packed 14-bit NEF (#769, PR #671), Sony A100 regression (#702); F828 SRF now discovered and imported as preview-only, sensor decoding still missing, DSLR-A200…A390 / A850 12-bit ARW (#535) | measured: [raw/coverage.tsv](raw/coverage.tsv) | per-body bugs (levels, crops, WB) surface only from users | 25–45 | [raw-parity](raw-parity.md#by-maker-measured) |
-| 8 B | **No lens profile database** (LR-EDIT-OPTICS-PROFILE): only DNG opcodes, RW2 in-file distortion, Sony ILCE-7RM4A and ILCE-7RM6 distortion (`docs/sony-ilce7rm6-lens-corrections.md`) and Nikon Z 6II / Z 8 / Z f distortion (`docs/nikon-lens-corrections.md`) | Adobe ships 3,635 lens profiles; we never use them | distortion / vignetting correction is a default step for many | 40–80 + calibration shots | [raw-parity](raw-parity.md#lens-profiles) |
 | 9 B | **Tests don't run in CI on macOS or Windows**: Linux x64 runs `cargo xtask ci` on every PR and push to main (`.github/workflows/ci.yml`) and FreeBSD runs `cargo test`; the others build packages | `.github/workflows/` (ci, freebsd, packaging-lint, release, windows-arm64); the linux-riscv64 release job added in 0.6.0 (#844) runs only `lightcraft-cli --version` under QEMU; macOS / Windows jobs: #1148 | regressions in `cfg(target_os)` code reach macOS and Windows users | 6–12 | [target-app-parity](target-app-parity.md#by-dimension) |
-| 10 B | **Per-model verification thin, plus cheap per-body decode fixes**: 545 of 1,446 Adobe models verified (38%), ~85% of photographers on a verified body; Nikon 5 bodies verified, Canon 34, Leica 14 (the Q3 by a recorded check of 38 private DNGs). Cheap fixes: Z 6II packed 14-bit NEF (#769, PR #671), Sony A100 / F828 regression (#702), DSLR-A200…A390 / A850 12-bit ARW (#535) | measured: [raw/coverage.tsv](raw/coverage.tsv) | per-body bugs (levels, crops, WB) surface only from users | 25–45 | [raw-parity](raw-parity.md#by-maker-measured) |
+| 10 B | **Per-model verification thin, plus cheap per-body decode fixes**: 551 of 1,446 Adobe models verified (38%), ~85% of photographers on a verified body; Nikon 5 bodies verified, Canon 34, Leica 14 (the Q3 by a recorded check of 38 private DNGs). Cheap fixes: Z 6II packed 14-bit NEF (#769, PR #671), Sony A100 regression (#702); F828 SRF now discovered and imported as preview-only, sensor decoding still missing, DSLR-A200…A390 / A850 12-bit ARW (#535) | measured: [raw/coverage.tsv](raw/coverage.tsv) | per-body bugs (levels, crops, WB) surface only from users | 25–45 | [raw-parity](raw-parity.md#by-maker-measured) |
 | 11 | **Enhance: Raw Details, Super Resolution; AI denoise without shippable weights or X-Trans** | ENH rows 0%; denoise Bayer only, RawNIND weights GPL and opt-in | Fujifilm users get no AI denoise; nobody gets it out of the box | 30–60 + model decision | [raw-parity](raw-parity.md#demosaic-levels-crops-and-lens-metadata) |
 | 12 | **Content-aware / generative remove, detect distractions, reflections removal** | REM rows 75%; patch synthesis missing | cleanup work goes back to Photoshop | 25–45 (+ generative model) | [target-app-parity](target-app-parity.md#ai) |
 | 13 | **Lightroom catalog migration is one-way and approximate**: unsupported Adobe profiles / AI settings archived, history kept as data; main-file pages read on demand up to 16 GiB, with dense-table and WAL bounds retained (#798); offline record counts and destination are now shown in a lasting import result | lightroom-catalog-import.md | switching users lose some looks | 8–12 | [file-format-parity](file-format-parity.md) |
diff --git a/docs/gpu-pipeline.md b/docs/gpu-pipeline.md
index 3fb3db297..0addc647b 100644
--- a/docs/gpu-pipeline.md
+++ b/docs/gpu-pipeline.md
@@ -267,7 +267,7 @@ Remaining differences come from f32 vs f64 coordinate math, fast-math transcende
 Metal and summation order in the box filters — all far below one 8-bit step.
 
 ## Measurements
-**In the app:** Help ▸ Debug ▸ Show Frame Rate (`view.frameRate`, `{show?}`; `LIGHTCRAFT_FPS=1`
+**In the app:** Help ▸ Debug ▸ Frame Rate (`view.frameRate`, `{show?}`; `LIGHTCRAFT_FPS=1`
 starts with it on, never saved) draws frames per second, each frame's UI CPU time against its
 time spent waiting (for vsync, or for the GPU), the latest whole-frame and zoom-window render
 times, the render queue, renders thrown away as superseded, the GPU adapter and its memory, and a
diff --git a/docs/parity-checklist.md b/docs/parity-checklist.md
index a3f4ecd5d..63043fec6 100644
--- a/docs/parity-checklist.md
+++ b/docs/parity-checklist.md
@@ -100,10 +100,8 @@ differences and missing bindings are in [ui-parity.md](ui-parity.md#shortcuts).
 | LR-LIB-SHARED-ALBUM | Shared albums | P2 | ⬜ | | needs a sharing service |
 | LR-LIB-OFFLINE | Keep album offline | P2 | 🚫 | | not applicable: local-first library |
 | LR-LIB-TARGET | Target album | P2 | ✅ | `cmd:album.setTarget`, `cmd:album.toggleTarget` | see LRC-LIB-COLLECTIONS |
-| LR-LIB-RATING | Star ratings | P0 | ✅ | `cmd:photo.rate` (`advance`), `cmd:photo.decreaseRating`, `cmd:photo.increaseRating`, `crates/ui-egui/src/shortcuts.rs`, `crates/ui-egui/src/rating.rs` | one shared star row in the bottom bar, Info panel and filter bar (hover previews, ←/→ on a focused star) and one painter for badges (grid cells, filmstrip, Compare caption); menu rows with star text (Photo ▸ Set Rating, Select By Rating, the grid context menu) are separate menu items, unchanged; 0 clears; 1–5 set; Shift+0–5 applies and advances once, including with Auto Advance. Default grid brackets adjust each photo by one, clamped to 0–5; one batch undo and AutoWrite. Batch grid and undo/redo regressions; macOS native ownership corrected (PR #261) |
+| LR-LIB-RATING | Star ratings | P0 | ✅ | `cmd:photo.rate` (`advance`), `cmd:photo.decreaseRating`, `cmd:photo.increaseRating`, `crates/ui-egui/src/shortcuts.rs`, `crates/ui-egui/src/rating.rs` | one shared star row in the bottom bar, Info panel and filter bar (hover previews, ←/→ on a focused star) and one painter for badges (grid cells, filmstrip, Compare caption); menu rows with star text (Photo ▸ Set Rating, Select By Rating, the grid context menu) are separate menu items, unchanged; 0 clears; 1–5 set; Shift+0–5 applies and advances once, including with Auto Advance. A rating, flag or label that takes the active photo out of the view (filter bar, Picks, smart album) makes the photo after it active (the one before at the end), and Shift / Auto Advance doesn't step past it (#2312). Default grid brackets adjust each photo by one, clamped to 0–5; one batch undo and AutoWrite. Batch grid and undo/redo regressions; macOS native ownership corrected (PR #261) |
 | LR-LIB-FLAG | Pick / reject flags | P0 | ✅ | `cmd:photo.pick`, `cmd:photo.reject`, `cmd:photo.unflag`, `cmd:photo.flag` | P pick, X reject, U clear; Shift+P picks and advances in both grids (Presets elsewhere); Shift+X/U and legacy Shift+Z advance; no flag cycle; rejection does not delete the file; a pick shows as a filled flag on thumbnails, in Compare, in the loupe and on the Pick button, a reject outlined (#1013) |
-| LR-LIB-RATING | Star ratings | P0 | ✅ | `cmd:photo.rate` (`advance`), `cmd:photo.decreaseRating`, `cmd:photo.increaseRating`, `crates/ui-egui/src/shortcuts.rs` | 0 clears; 1–5 set; Shift+0–5 applies and advances once, including with Auto Advance. A rating, flag or label that takes the active photo out of the view (filter bar, Picks, smart album) makes the photo after it active (the one before at the end), and Shift / Auto Advance doesn't step past it (#2312). Default grid brackets adjust each photo by one, clamped to 0–5; one batch undo and AutoWrite. Batch grid and undo/redo regressions; macOS native ownership corrected (PR #261) |
-| LR-LIB-FLAG | Pick / reject flags | P0 | ✅ | `cmd:photo.pick`, `cmd:photo.reject`, `cmd:photo.unflag`, `cmd:photo.flag` | P pick, X reject, U clear; Shift+P picks and advances in both grids (Presets elsewhere); Shift+X/U and legacy Shift+Z advance; no flag cycle; rejection does not delete the file |
 | LR-LIB-LABEL | Colour labels | P1 | ✅ | `cmd:photo.label`, `cmd:label.setNames`, `cmd:label.names`, `cmd:dialog.labelNames`, keys 6–9 in `crates/ui-egui/src/shortcuts.rs` | Photo menu and grid context menu (coloured, named), Info-panel swatches, label dot plus translucent colour on square-grid/filmstrip surrounds and photo-grid footers (photo pixels unchanged); colour-label toasts have pale matching backgrounds; setting/clearing through keys (including Shift), menus or Info swatches shows the same bottom toast as ratings, with the colour/custom name; editable label names (undoable, journaled); no purple key (as in Lightroom), no custom extra labels |
 | LR-LIB-KEYWORD | Keywords | P0 | ✅ | `cmd:panel.keywords`, `cmd:photo.setMeta` (`addKeywords`/`removeKeywords`), `cmd:keyword.list`, `cmd:keyword.rename`, `cmd:keyword.delete`, `cmd:keyword.merge`, `cmd:keyword.suggest`, `crates/catalog/src/keywords.rs`, `crates/ui-egui/src/panels/left.rs` | left-panel keyword tree with counts (click filters, children included; context menu rename / merge / delete / add / remove); library-wide ops are one undo step and replay from the op log; suggestions (co-occurring / most used / completions) in the Keywords panel; keywords reorganize by drag and drop in the Keyword List (LRC-LIB-KEYWORDS) |
 | LR-LIB-PEOPLE | People / faces | P2 | 🟡 | `cmd:faces.detect`, `cmd:view.people`, `cmd:view.faceBoxes`, `cmd:photo.removeRegion`, `cmd:photo.setRegion`, `cmd:library.filter`, `crates/ui-egui/src/panels/people.rs`, `crates/catalog/src/query.rs` (`people`), `crates/engine/src/media.rs` (`face_job`), `crates/meta/src/xmp.rs` | MVP: named face regions read from XMP (MWG-RS, read-only, see `docs/xmp-interop.md`; clipped to the photo; Lightroom's `Rotation` of ±π/2 and π handled, mirrored orientations taken as written; boxes follow Rotate Left/Right and flips; a sidecar stating `mwg-rs:Regions`, even empty, replaces the photo's on re-read, one without leaves them) become cards in the People view (View ▸ People, or the People button in the toolbar): a close-up of the person's largest face, name and photo count; a click filters the grid (`person` in `library.filter`, `person:` search token, filter chip). Face boxes in the loupe can be switched off (View ▸ Face Boxes, toolbar) resized with eight drag handles and removed with the × shown on hover (catalog-only and undoable, one undo step per drag; the sidecar is never rewritten for either); no moving a box by dragging it yet. Photo ▸ Detect Faces (`cmd:faces.detect`) finds faces with the YuNet detector (pure Rust, about 200 ms a photo, matches OpenCV's own YuNet on a 45-photo test set; the 232 KB model is a one-time download offered in the same step, never part of LightCraft) and adds them as unnamed boxes; names are suggested from the faces already named (recognition models are opt-in downloads, run on the CPU in a background thread; a face is named only when you confirm it); a person's page shows their cropped faces and the unnamed faces that look like them (LRC-LIB-PEOPLE), with a user-triggered ↑ action or targeted A key to name all shown suggestions at or above one score in one undo step; with recognition on, a background scan finds faces in photos that have none and embeds every face (one to three worker threads, raws through their embedded preview); an Unnamed faces section orders faces by likeness and names a selected group at once; no separated clusters, no manual tagging, no writing regions back |
@@ -131,11 +129,8 @@ differences and missing bindings are in [ui-parity.md](ui-parity.md#shortcuts).
 | LR-VIEW-EDIT | Edit view | P0 | ✅ | `cmd:panel.edit` | |
 | LR-VIEW-FULLSCREEN | Full-screen preview | P1 | ✅ | `cmd:view.fullScreenPreview`, `cmd:view.enterFullScreen` | photo on black, arrows step, Esc exits; ⇧⌘F window full screen |
 | LR-VIEW-FILMSTRIP | Filmstrip | P0 | ✅ | `cmd:view.filmstrip`, `crates/ui-egui/src/panels/detail.rs` | the photo context menu on right-click; the mouse wheel scrolls it sideways, a third of its width per notch as in Lightroom Classic (trackpads scroll the points they report); it follows the active photo only when that changes (centred if off screen), so a scrolled strip stays put; every selected photo is highlighted, the active one framed in white, as in the grid |
-| LR-VIEW-ZOOM | Zoom & pan | P0 | ✅ | `cmd:view.zoomFit`, `cmd:view.zoom100`, `cmd:view.zoomIn`, `cmd:view.zoomOut`, `cmd:view.zoomToggle`, `cmd:view.clickZoom`, `cmd:view.navigate`, `crates/ui-egui/src/panels/detail.rs`, `crates/ui-egui/src/headless.rs` | continuous native pinch / modifier-wheel zoom (Fit–800%, anchored under the pointer), two-finger scroll / touch pan with edge limits; Detail (including tools, Before/After and full-screen preview), Compare and Reference; fractional percentages preserve small gestures; image, picker and targeted-adjustment cursors stay steady between gesture events; keyboard steps 25–800 % (not 6–1600 %); Fill in the bottom bar; click / Z / Space eases to the chosen ratio (1:1 default, 2:1, 3:1, 4:1, 8:1). The loupe's cost follows the canvas, not the zoom (issue #323): the whole frame is rendered at about canvas size (at most the 2560 px preview source level unless a larger Preview size is chosen, and never above the GPU's texture side), and once the view is zoomed well past that (more than 25 %) the window on screen is rendered too, cut from a frame of at most the photo's own pixels, so beyond 100 % the GPU magnifies it (`region::plan`, `RenderRequest::window`, `Session::region_job`, `crates/ui-egui/src/region.rs`); 1:1 and 2:1–8:1 are sharp at any photo size. A slider tick takes 7–12 ms on a 1400 × 900 canvas and 11–25 ms on a 2800 × 1700 one at 100 % and 400 % of a 24 MP photo (M1 Max, GPU, `profile_slider_drag`); about 20–25 ms at 100 % on the big canvas is over a 16 ms frame. A slider drag renders the whole frame at full size where the GPU draws the view, so the fit view stays sharp while dragging, and at 0.6 of it where that would be too slow: on the CPU, with soft proofing or the HDR range shown, or for a control whose full-size drafts on this photo went clearly over the 16 ms slider budget (more than 20 ms) in two drags in a row (a LUT profile or refined mask the CPU renders, a photo past a GPU limit, a slow GPU); a draft's time is its render plus the frame that uploads and shows it, and a host frame time over 1 s (a hidden or stalled window) counts as unknown. A slow verdict is per photo and control (the same control on another photo, or another control on this one, is timed afresh) and expires: after 30 s a drag tries full size again, the wait doubling after each slow retry up to 240 s. Only a drag timed at full size changes it: one whose full-size drafts' median time (leaving out the first) is at most 20 ms forgets it; a drag that drafts small from its start (while the verdict holds, or where the GPU does not draw the view) or times fewer than two full-size drafts leaves it unchanged. At most 256 (photo, control) pairs are remembered, the oldest forgotten first. The size is chosen when a drag starts and kept until it ends, unless its full-size drafts take more than twice the budget, when it drops to 0.6 after three of them (`region::DragScale`, issue #330). Zoomed in, the whole-frame draft under the window is the 0.6 one (only the histogram and the window's stand-in use it). Render workers convert the pixels for their textures, not the UI thread. Handing GPU renders to egui without a CPU readback is #1228. A continuous pinch holds the render sizes (and the windows there are) and the size the fit view is shrunk to until it is quiet. A fit view on a canvas up to about 3200 px (a Retina Mac) never decodes the original; larger displays get a window at fit, which does. Diagnostic overlays that need whole-frame context (Visualize Spots, Point Color range, HDR range) and photos whose spots or Auto Mask strokes read too far for one window (only photos longer than 8192 px) render the whole frame at the size it is drawn, as before windows; while a preset or profile is hovered, or over a picture that is not the frame (an unsupported raw's embedded JPEG), the whole frame stays canvas-sized. Before/After (side by side, stacked, `\\` and both wipes) gets the same windows on both sides, clipped to their pane or side of the line. Windows render on the GPU like whole frames (equivalence-tested against the CPU), in the browser build too (windows no wider than its GPU's texture side, at most 3072 px), and are not made while hovering a look or showing a diagnostic overlay, nor over a picture that is not the frame (an unsupported raw's embedded JPEG with another crop). No texture is larger than the GPU allows. Spots and Auto Mask brushes work while what a window reads fits one render (8192 px along an axis, 4096 in the browser): the window grows to hold the spot and its source patch, or the dabs near it, and if that would take more (a clone from far away at 8:1) the loupe keeps the whole-frame render instead, and spots with an automatic source pick it from a fixed-size render of the whole frame (so a window's choice can differ from a whole-frame render's, which picks at its own resolution). The wide stages (dehaze, clarity, highlights/shadows base) and Refine Edges on masks read a window margin capped at 768 px; measured on hard-edged blocks that costs at most a few levels at 8:1. the histogram and Navigator come from the whole-frame render. Compare and Reference get the same windows, one per pane (`Slot::CompareRegion`, `panels/compare.rs`), over each pane's whole-frame render (at most 2560 px); while either view is open two originals stay decoded (`MediaCache::set_full_capacity`), so one pane's window does not evict the other's source; a pinch, or a slider drag on the active photo in Reference, keeps the windows there are until it ends. Mask overlays and soft proofing get the same windows (the window carries the overlay or the proof; the proof renders on the CPU, so a tick at 100 % on a 1400 × 900 canvas takes about 36 ms instead of a full-size 24 MP proof). Verified: a 1:1 window of a 24 MP photo with tone and colour edits is the full-size export to within one level (`one_to_one_window_pixels_are_export_pixels`). Measured on Linux (Ryzen AI Max+ 395, Radeon 8060S, GPU, `profile_slider_drag`): median tick→shown 7 ms at fit, 33 ms at 100 % and 6 ms at 400 % on 1400 × 900; 21 ms at 100 % and 9 ms at 400 % on 2800 × 1700; 36 ms at 100 % with soft proof. Not windowed: the diagnostic overlays named above |
+| LR-VIEW-ZOOM | Zoom & pan | P0 | ✅ | `cmd:view.zoomFit`, `cmd:view.zoom100`, `cmd:view.zoomIn`, `cmd:view.zoomOut`, `cmd:view.zoomToggle`, `cmd:view.clickZoom`, `cmd:view.navigate`, `crates/ui-egui/src/panels/detail.rs`, `crates/ui-egui/src/headless.rs` | continuous native pinch / modifier-wheel zoom (Fit–800%, anchored under the pointer), two-finger scroll / touch pan with edge limits; in Detail a middle-button drag (the wheel pressed) pans with a hand cursor whatever tool is active, so Remove / Heal / Clone, mask brushes and Crop don't paint or move meanwhile (`middle_pan`, `tests_canvas_pan.rs`); Detail (including tools, Before/After and full-screen preview), Compare and Reference; fractional percentages preserve small gestures; image, picker and targeted-adjustment cursors stay steady between gesture events; keyboard steps 25–800 % (not 6–1600 %); Fill in the bottom bar; click / Z / Space eases to the chosen ratio (1:1 default, 2:1, 3:1, 4:1, 8:1). The loupe's cost follows the canvas, not the zoom (issue #323): the whole frame is rendered at about canvas size (at most the 2560 px preview source level unless a larger Preview size is chosen, and never above the GPU's texture side), and once the view is zoomed well past that (more than 25 %) the window on screen is rendered too, cut from a frame of at most the photo's own pixels, so beyond 100 % the GPU magnifies it (`region::plan`, `RenderRequest::window`, `Session::region_job`, `crates/ui-egui/src/region.rs`); 1:1 and 2:1–8:1 are sharp at any photo size. A slider tick takes 7–12 ms on a 1400 × 900 canvas and 11–25 ms on a 2800 × 1700 one at 100 % and 400 % of a 24 MP photo (M1 Max, GPU, `profile_slider_drag`); about 20–25 ms at 100 % on the big canvas is over a 16 ms frame. A slider drag renders the whole frame at full size where the GPU draws the view, so the fit view stays sharp while dragging, and at 0.6 of it where that would be too slow: on the CPU, with an output-device profile proof or the HDR range shown, or for a control whose full-size drafts on this photo went clearly over the 16 ms slider budget (more than 20 ms) in two drags in a row (a LUT profile or refined mask the CPU renders, a photo past a GPU limit, a slow GPU); a draft's time is its render plus the frame that uploads and shows it, and a host frame time over 1 s (a hidden or stalled window) counts as unknown. A slow verdict is per photo and control (the same control on another photo, or another control on this one, is timed afresh) and expires: after 30 s a drag tries full size again, the wait doubling after each slow retry up to 240 s. Only a drag timed at full size changes it: one whose full-size drafts' median time (leaving out the first) is at most 20 ms forgets it; a drag that drafts small from its start (while the verdict holds, or where the GPU does not draw the view) or times fewer than two full-size drafts leaves it unchanged. At most 256 (photo, control) pairs are remembered, the oldest forgotten first. The size is chosen when a drag starts and kept until it ends, unless its full-size drafts take more than twice the budget, when it drops to 0.6 after three of them (`region::DragScale`, issue #330). Zoomed in, the whole-frame draft under the window is the 0.6 one (only the histogram and the window's stand-in use it). Render workers convert the pixels for their textures, not the UI thread. Handing GPU renders to egui without a CPU readback is #1228. A continuous pinch holds the render sizes (and the windows there are) and the size the fit view is shrunk to until it is quiet. A fit view on a canvas up to about 3200 px (a Retina Mac) never decodes the original; larger displays get a window at fit, which does. Diagnostic overlays (Visualize Spots, Point Color range, HDR range) get windows too, tested equal to the whole-frame render's pixels. Photos whose spots or Auto Mask strokes read too far for one window (only photos longer than 8192 px) render the whole frame at the size it is drawn, as before windows; while a preset or profile is hovered, or over a picture that is not the frame (an unsupported raw's embedded JPEG), the whole frame stays canvas-sized. Before/After (side by side, stacked, `\\` and both wipes) gets the same windows on both sides, clipped to their pane or side of the line. Windows render on the GPU like whole frames (equivalence-tested against the CPU), in the browser build too (windows no wider than its GPU's texture side, at most 3072 px), and are not made while hovering a look, nor over a picture that is not the frame (an unsupported raw's embedded JPEG with another crop). No texture is larger than the GPU allows. Spots and Auto Mask brushes work while what a window reads fits one render (8192 px along an axis, 4096 in the browser): the window grows to hold the spot and its source patch, or the dabs near it, and if that would take more (a clone from far away at 8:1) the loupe keeps the whole-frame render instead, and spots with an automatic source pick it from a fixed-size render of the whole frame (so a window's choice can differ from a whole-frame render's, which picks at its own resolution). The wide stages (dehaze, clarity, highlights/shadows base) and Refine Edges on masks read a window margin capped at 768 px; measured on hard-edged blocks that costs at most a few levels at 8:1. the histogram and Navigator come from the whole-frame render. Compare and Reference get the same windows, one per pane (`Slot::CompareRegion`, `panels/compare.rs`), over each pane's whole-frame render (at most 2560 px); while either view is open two originals stay decoded (`MediaCache::set_full_capacity`), so one pane's window does not evict the other's source; a pinch, or a slider drag on the active photo in Reference, keeps the windows there are until it ends. Mask overlays and soft proofing get the same windows (the window carries the overlay or the proof; only an output-device-profile proof renders on the CPU, where a tick at 100 % on a 1400 × 900 canvas takes about 36 ms instead of a full-size 24 MP proof). Verified: a 1:1 window of a 24 MP photo with tone and colour edits is the full-size export to within one level (`one_to_one_window_pixels_are_export_pixels`). Measured on Linux (Ryzen AI Max+ 395, Radeon 8060S, GPU, `profile_slider_drag`): median tick→shown 7 ms at fit, 33 ms at 100 % and 6 ms at 400 % on 1400 × 900; 21 ms at 100 % and 9 ms at 400 % on 2800 × 1700; 36 ms at 100 % with an output-device-profile soft proof (the CPU path) |
 | LR-VIEW-FOCUSPOINT | Camera focus point overlay and zoom (beyond Lightroom) | P2 | 🟡 | `cmd:view.focusPoint`, `cmd:view.zoomToFocus`, `cmd:view.zoomToggle`, `cmd:photo.reload`, `cmd:photo.readFocusPoints`, `cmd:focus.pump`, `crates/meta/src/focus.rs`, `crates/meta/src/focus_read.rs`, `crates/engine/src/focus_scan.rs`, `crates/engine/src/tests_focus_scan.rs`, `crates/ui-egui/src/panels/detail.rs` (`focus_box`, `draw_focus_point`), `crates/ui-egui/src/panels/compare.rs`, `crates/ui-egui/src/tests_focus_point.rs`, `docs/focus-points.md` | an extra (Lightroom shows no focus points): the AF frame read from the file at import; photos imported earlier get it in the background from a header-only read of each file (about 32 KB, ~100 photos/s from a spinning disk; activity row, cancellable, resumable; Photo ▸ Read Focus Points) as a box on the upright photo, drawn in Detail, Compare and Survey through rotation and crop (View ▸ Focus Point, ⌥F); Toggle Zoom centres on it (View ▸ Zoom to Focus Point, on by default); Info panel row `AF-C · Wide · Animal Eye Tracking`; `meta.focus` in `photo.inspect`. Partial: Sony ILCE-1 and ILCE-7SM3 only (layout checked against 333 files); other Sony bodies and other makers not yet; manual focus and centre-only Wide reports show nothing; Compare panes share one pan, so Z centres on the active photo's point only |
-| LR-VIEW-ZOOM | Zoom & pan | P0 | ✅ | `cmd:view.zoomFit`, `cmd:view.zoom100`, `cmd:view.zoomIn`, `cmd:view.zoomOut`, `cmd:view.zoomToggle`, `cmd:view.clickZoom`, `cmd:view.navigate`, `crates/ui-egui/src/panels/detail.rs`, `crates/ui-egui/src/headless.rs` | continuous native pinch / modifier-wheel zoom (Fit–800%, anchored under the pointer), two-finger scroll / touch pan with edge limits; in Detail a middle-button drag (the wheel pressed) pans with a hand cursor whatever tool is active, so Remove / Heal / Clone, mask brushes and Crop don't paint or move meanwhile (`middle_pan`, `tests_canvas_pan.rs`); Detail (including tools, Before/After and full-screen preview), Compare and Reference; fractional percentages preserve small gestures; image, picker and targeted-adjustment cursors stay steady between gesture events; keyboard steps 25–800 % (not 6–1600 %); Fill in the bottom bar; click / Z / Space eases to the chosen ratio (1:1 default, 2:1, 3:1, 4:1, 8:1). The loupe's cost follows the canvas, not the zoom (issue #323): the whole frame is rendered at about canvas size (at most the 2560 px preview source level unless a larger Preview size is chosen, and never above the GPU's texture side), and once the view is zoomed well past that (more than 25 %) the window on screen is rendered too, cut from a frame of at most the photo's own pixels, so beyond 100 % the GPU magnifies it (`region::plan`, `RenderRequest::window`, `Session::region_job`, `crates/ui-egui/src/region.rs`); 1:1 and 2:1–8:1 are sharp at any photo size. A slider tick takes 7–12 ms on a 1400 × 900 canvas and 11–25 ms on a 2800 × 1700 one at 100 % and 400 % of a 24 MP photo (M1 Max, GPU, `profile_slider_drag`); about 20–25 ms at 100 % on the big canvas is over a 16 ms frame. A slider drag renders the whole frame at full size where the GPU draws the view, so the fit view stays sharp while dragging, and at 0.6 of it where that would be too slow: on the CPU, with soft proofing or the HDR range shown, or for a control whose full-size drafts on this photo went over the 16 ms slider budget in an earlier drag (a LUT profile or refined mask the CPU renders, a photo past a GPU limit, a slow GPU); a draft's time is its render plus the frame that uploads and shows it. The size is chosen when a drag starts and kept until it ends, unless its full-size drafts take more than twice the budget, when it drops to 0.6 after three of them (`region::DragScale`, issue #330). Zoomed in, the whole-frame draft under the window is the 0.6 one (only the histogram and the window's stand-in use it). Render workers convert the pixels for their textures, not the UI thread. Handing GPU renders to egui without a CPU readback is #1228. A continuous pinch holds the render sizes (and the windows there are) until it is quiet. A fit view on a canvas up to about 3200 px (a Retina Mac) never decodes the original; larger displays get a window at fit, which does. Diagnostic overlays that need whole-frame context (Visualize Spots, Point Color range, HDR range) and photos whose spots or Auto Mask strokes read too far for one window (only photos longer than 8192 px) render the whole frame at the size it is drawn, as before windows; while a preset or profile is hovered, or over a picture that is not the frame (an unsupported raw's embedded JPEG), the whole frame stays canvas-sized. Before/After (side by side, stacked, `\\` and both wipes) gets the same windows on both sides, clipped to their pane or side of the line. Windows render on the GPU like whole frames (equivalence-tested against the CPU), in the browser build too (windows no wider than its GPU's texture side, at most 3072 px), and are not made while hovering a look or showing a diagnostic overlay, nor over a picture that is not the frame (an unsupported raw's embedded JPEG with another crop). No texture is larger than the GPU allows. Spots and Auto Mask brushes work while what a window reads fits one render (8192 px along an axis, 4096 in the browser): the window grows to hold the spot and its source patch, or the dabs near it, and if that would take more (a clone from far away at 8:1) the loupe keeps the whole-frame render instead, and spots with an automatic source pick it from a fixed-size render of the whole frame (so a window's choice can differ from a whole-frame render's, which picks at its own resolution). The wide stages (dehaze, clarity, highlights/shadows base) and Refine Edges on masks read a window margin capped at 768 px; measured on hard-edged blocks that costs at most a few levels at 8:1. the histogram and Navigator come from the whole-frame render. Compare and Reference get the same windows, one per pane (`Slot::CompareRegion`, `panels/compare.rs`), over each pane's whole-frame render (at most 2560 px); while either view is open two originals stay decoded (`MediaCache::set_full_capacity`), so one pane's window does not evict the other's source; a pinch, or a slider drag on the active photo in Reference, keeps the windows there are until it ends. Mask overlays and soft proofing get the same windows (the window carries the overlay or the proof; the proof renders on the CPU, so a tick at 100 % on a 1400 × 900 canvas takes about 36 ms instead of a full-size 24 MP proof). Verified: a 1:1 window of a 24 MP photo with tone and colour edits is the full-size export to within one level (`one_to_one_window_pixels_are_export_pixels`). Measured on Linux (Ryzen AI Max+ 395, Radeon 8060S, GPU, `profile_slider_drag`): median tick→shown 7 ms at fit, 33 ms at 100 % and 6 ms at 400 % on 1400 × 900; 21 ms at 100 % and 9 ms at 400 % on 2800 × 1700; 36 ms at 100 % with soft proof. Not windowed: the diagnostic overlays named above |
-| LR-VIEW-ZOOM | Zoom & pan | P0 | ✅ | `cmd:view.zoomFit`, `cmd:view.zoom100`, `cmd:view.zoomIn`, `cmd:view.zoomOut`, `cmd:view.zoomToggle`, `cmd:view.clickZoom`, `cmd:view.navigate`, `crates/ui-egui/src/panels/detail.rs`, `crates/ui-egui/src/headless.rs` | continuous native pinch / modifier-wheel zoom (Fit–800%, anchored under the pointer), two-finger scroll / touch pan with edge limits; Detail (including tools, Before/After and full-screen preview), Compare and Reference; fractional percentages preserve small gestures; image, picker and targeted-adjustment cursors stay steady between gesture events; keyboard steps 25–800 % (not 6–1600 %); Fill in the bottom bar; click / Z / Space eases to the chosen ratio (1:1 default, 2:1, 3:1, 4:1, 8:1). The loupe's cost follows the canvas, not the zoom (issue #323): the whole frame is rendered at about canvas size (at most the 2560 px preview source level unless a larger Preview size is chosen, and never above the GPU's texture side), and once the view is zoomed well past that (more than 25 %) the window on screen is rendered too, cut from a frame of at most the photo's own pixels, so beyond 100 % the GPU magnifies it (`region::plan`, `RenderRequest::window`, `Session::region_job`, `crates/ui-egui/src/region.rs`); 1:1 and 2:1–8:1 are sharp at any photo size. A slider tick takes 7–12 ms on a 1400 × 900 canvas and 11–25 ms on a 2800 × 1700 one at 100 % and 400 % of a 24 MP photo (M1 Max, GPU, `profile_slider_drag`); about 20–25 ms at 100 % on the big canvas is over a 16 ms frame. A slider drag renders the whole frame at full size where the GPU draws the view, so the fit view stays sharp while dragging, and at 0.6 of it where that would be too slow: on the CPU, with an output-device profile proof or the HDR range shown, or for a control whose full-size drafts on this photo went over the 16 ms slider budget in an earlier drag (a LUT profile or refined mask the CPU renders, a photo past a GPU limit, a slow GPU); a draft's time is its render plus the frame that uploads and shows it. The size is chosen when a drag starts and kept until it ends, unless its full-size drafts take more than twice the budget, when it drops to 0.6 after three of them (`region::DragScale`, issue #330). Zoomed in, the whole-frame draft under the window is the 0.6 one (only the histogram and the window's stand-in use it). Render workers convert the pixels for their textures, not the UI thread. Handing GPU renders to egui without a CPU readback is #1228. A continuous pinch holds the render sizes (and the windows there are) until it is quiet. A fit view on a canvas up to about 3200 px (a Retina Mac) never decodes the original; larger displays get a window at fit, which does. Diagnostic overlays (Visualize Spots, Point Color range, HDR range) get windows too, tested equal to the whole-frame render's pixels. Photos whose spots or Auto Mask strokes read too far for one window (only photos longer than 8192 px) render the whole frame at the size it is drawn, as before windows; while a preset or profile is hovered, or over a picture that is not the frame (an unsupported raw's embedded JPEG), the whole frame stays canvas-sized. Before/After (side by side, stacked, `\\` and both wipes) gets the same windows on both sides, clipped to their pane or side of the line. Windows render on the GPU like whole frames (equivalence-tested against the CPU), in the browser build too (windows no wider than its GPU's texture side, at most 3072 px), and are not made while hovering a look, nor over a picture that is not the frame (an unsupported raw's embedded JPEG with another crop). No texture is larger than the GPU allows. Spots and Auto Mask brushes work while what a window reads fits one render (8192 px along an axis, 4096 in the browser): the window grows to hold the spot and its source patch, or the dabs near it, and if that would take more (a clone from far away at 8:1) the loupe keeps the whole-frame render instead, and spots with an automatic source pick it from a fixed-size render of the whole frame (so a window's choice can differ from a whole-frame render's, which picks at its own resolution). The wide stages (dehaze, clarity, highlights/shadows base) and Refine Edges on masks read a window margin capped at 768 px; measured on hard-edged blocks that costs at most a few levels at 8:1. the histogram and Navigator come from the whole-frame render. Compare and Reference get the same windows, one per pane (`Slot::CompareRegion`, `panels/compare.rs`), over each pane's whole-frame render (at most 2560 px); while either view is open two originals stay decoded (`MediaCache::set_full_capacity`), so one pane's window does not evict the other's source; a pinch, or a slider drag on the active photo in Reference, keeps the windows there are until it ends. Mask overlays and soft proofing get the same windows (the window carries the overlay or the proof; only an output-device-profile proof renders on the CPU, where a tick at 100 % on a 1400 × 900 canvas takes about 36 ms instead of a full-size 24 MP proof). Verified: a 1:1 window of a 24 MP photo with tone and colour edits is the full-size export to within one level (`one_to_one_window_pixels_are_export_pixels`). Measured on Linux (Ryzen AI Max+ 395, Radeon 8060S, GPU, `profile_slider_drag`): median tick→shown 7 ms at fit, 33 ms at 100 % and 6 ms at 400 % on 1400 × 900; 21 ms at 100 % and 9 ms at 400 % on 2800 × 1700; 36 ms at 100 % with an output-device-profile soft proof (the CPU path) |
-| LR-VIEW-FOCUSPOINT | Camera focus point overlay and zoom (beyond Lightroom) | P2 | 🟡 | `cmd:view.focusPoint`, `cmd:view.zoomToFocus`, `cmd:view.zoomToggle`, `cmd:photo.reload`, `cmd:photo.readFocusPoints`, `cmd:focus.pump`, `crates/meta/src/focus.rs`, `crates/meta/src/focus_read.rs`, `crates/engine/src/focus_scan.rs`, `crates/engine/src/tests_focus_scan.rs`, `crates/ui-egui/src/panels/detail.rs` (`focus_box`, `draw_focus_point`), `crates/ui-egui/src/panels/compare.rs`, `crates/ui-egui/src/tests_focus_point.rs`, `docs/focus-points.md` | an extra (Lightroom shows no focus points): the AF frame read from the file at import; photos imported earlier get it in the background from a header-only read of each file (about 32 KB, ~100 photos/s from a spinning disk; activity row, cancellable, resumable; Photo ▸ Read Focus Points) as a box on the upright photo, drawn in Detail, Compare and Survey through rotation and crop (View ▸ Show Focus Point, ⌥F); Toggle Zoom centres on it (View ▸ Zoom to Focus Point, on by default); Info panel row `AF-C · Wide · Animal Eye Tracking`; `meta.focus` in `photo.inspect`. Partial: Sony ILCE-1 and ILCE-7SM3 only (layout checked against 333 files); other Sony bodies and other makers not yet; manual focus and centre-only Wide reports show nothing; Compare panes share one pan, so Z centres on the active photo's point only |
 | LR-VIEW-NAVIGATOR | Navigator mini map | P1 | ✅ | `cmd:view.navigator`, `crates/ui-egui/src/panels/detail.rs` | shown while zoomed (bottom right); click/drag pans |
 | LR-VIEW-BEFOREAFTER | Before / after | P0 | ✅ | `cmd:view.showOriginal`, `cmd:view.beforeAfter`, `cmd:view.beforeAfterSplit`, `cmd:view.beforeAfterTopBottom`, `cmd:view.beforeAfterSplitTopBottom`, `cmd:beforeAfter.setBefore`, `cmd:beforeAfter.copyAfterToBefore`, `cmd:beforeAfter.copyBeforeToAfter`, `cmd:beforeAfter.swap`, `cmd:beforeAfter.resetBefore` | all four layouts; before = the import state (defaults + import preset) or a chosen history step / version / the current settings; copy and swap (View → Before/After Settings, History row menu). The chosen before lasts for the session; in side by side and top / bottom, clicks with the white-balance selector, colour samplers and targeted adjustment work in the Before view too (`crates/ui-egui/src/tests_before_after.rs`). Zoomed in, the side by side and stacked views each stay in their pane, with their labels under it. Click zoom animates both panes together, including cached window tiles; input follows the displayed image and render requests use the final size (#1821) |
 | LR-VIEW-COMPARE | Compare two photos | P1 | ✅ | `cmd:view.compare`, `cmd:compare.swap`, `cmd:compare.makeSelect`, `cmd:compare.set`, `crates/ui-egui/src/panels/compare.rs`, `crates/ui-egui/src/tests_compare.rs` | select / candidate, synced zoom + pan, arrows move the candidate; a filmstrip click puts the photo into the active side (a photo on the other side swaps), so the active photo is always one of the two shown; a ⌘/Ctrl- or Shift-click on the filmstrip changes the selection as in the grid while the two photos shown stay selected and the active photo is unchanged (#187); 1:1 to 8:1 sharp on both sides (zoom windows, see LR-VIEW-ZOOM); no zoom-link toggle; each pane says “Rendering…” (widget `compare:rendering:<pane>`) or “This photo can't be opened” (`compare:renderFailed:<pane>`) as the loupe does |
@@ -357,10 +352,8 @@ differences and missing bindings are in [ui-parity.md](ui-parity.md#shortcuts).
 
 | Id | Feature | Tier | Status | Evidence | Missing / notes |
 |---|---|---|---|---|---|
-| LR-MERGE-HDR | HDR merge | P2 | 🟡 | `cmd:merge.hdr`, `cmd:dialog.mergeHdr`, `crates/merge/src/frame.rs` (`Frame::lens`), `crates/merge/src/hdr.rs` | auto align (Lanczos-3 warp), deghost None–High + overlay, auto settings, float DNG, Create Stack; the DNG keeps the reference frame's embedded lens corrections (tested by `hdr_merge_keeps_the_reference_frames_lens_corrections`); raws without colour matrices of their own (CR2, NEF, ARW…) keep the colour they open with, written as DNG tags (`starting_colour_tags`; the look's chroma curve has no tag; panoramas too), issue #965; the DNG's `AsShotNeutral` is the median of the inputs' vendor white-balance multipliers, issue #1144. Tested on real Sony A7R VI brackets (67 MP, 2026-10-14): frames agree with the merged radiance within ~1 % in all channels, exposure steps match EXIF within 0.03 EV. A clipped highlight of the reference that moved in other frames (a star at 200 mm) stays instead of becoming a black hole, and deghost (≤ 2048 px maps) catches a brighter frame's ghost in a dark sky (`a_clipped_star_of_the_reference_is_not_erased_by_frames_where_it_moved`, `deghost_removes_a_bright_frames_ghost_in_a_dark_sky`). 🟡 because: AI Denoise doesn't run on merged DNGs (Bayer only; Lightroom's does), JPEG brackets are treated as linear (no camera response curve), and every frame is held as 32-bit float (~0.86 GB per 67 MP frame, so 7 frames need ~7 GB); gap 29 |
+| LR-MERGE-HDR | HDR merge | P2 | 🟡 | `cmd:merge.hdr`, `cmd:dialog.mergeHdr`, `crates/merge/src/frame.rs` (`Frame::lens`), `crates/merge/src/hdr.rs` | auto align (Lanczos-3 warp), deghost None–High + overlay, click-to-zoom preview (drag pans; the zoom stays while options change), auto settings, float DNG, Create Stack; the DNG keeps the reference frame's embedded lens corrections (tested by `hdr_merge_keeps_the_reference_frames_lens_corrections`); raws without colour matrices of their own (CR2, NEF, ARW…) keep the colour they open with, written as DNG tags (`starting_colour_tags`; the look's chroma curve has no tag; panoramas too), issue #965; the DNG's `AsShotNeutral` is the median of the inputs' vendor white-balance multipliers, issue #1144. Tested on real Sony A7R VI brackets (67 MP, 2026-10-14): frames agree with the merged radiance within ~1 % in all channels, exposure steps match EXIF within 0.03 EV. A clipped highlight of the reference that moved in other frames (a star at 200 mm) stays instead of becoming a black hole, and deghost (≤ 2048 px maps) catches a brighter frame's ghost in a dark sky (`a_clipped_star_of_the_reference_is_not_erased_by_frames_where_it_moved`, `deghost_removes_a_bright_frames_ghost_in_a_dark_sky`). 🟡 because: AI Denoise doesn't run on merged DNGs (Bayer only; Lightroom's does), JPEG brackets are treated as linear (no camera response curve), and every frame is held as 32-bit float (~0.86 GB per 67 MP frame, so 7 frames need ~7 GB); gap 29 |
 | LR-MERGE-PANO | Panorama | P2 | ✅ | `cmd:merge.panorama`, `cmd:dialog.mergePanorama` | spherical/cylindrical/perspective + auto (projected with Lanczos-3), boundary warp, auto crop, fill edges (diffusion), DNG whose `AsShotNeutral` is the median of its frames' as-shot white balance (vendor multipliers for CR2, NEF, ARW…), issue #1144; no lens model / 360° wrap |
-| LR-MERGE-HDR | HDR merge | P2 | 🟡 | `cmd:merge.hdr`, `cmd:dialog.mergeHdr`, `crates/merge/src/frame.rs` (`Frame::lens`), `crates/merge/src/hdr.rs` | auto align, deghost None–High + overlay, click-to-zoom preview (drag pans; the zoom stays while options change), auto settings, float DNG, Create Stack; the DNG keeps the reference frame's embedded lens corrections (tested by `hdr_merge_keeps_the_reference_frames_lens_corrections`); raws without colour matrices of their own (CR2, NEF, ARW…) keep the colour they open with, written as DNG tags (`starting_colour_tags`; the look's chroma curve has no tag; panoramas too), issue #965; the DNG's `AsShotNeutral` is the median of the inputs' vendor white-balance multipliers, issue #1144. Tested on real Sony A7R VI brackets (67 MP, 2026-10-14): frames agree with the merged radiance within ~1 % in all channels, exposure steps match EXIF within 0.03 EV. A clipped highlight of the reference that moved in other frames (a star at 200 mm) stays instead of becoming a black hole, and deghost (≤ 2048 px maps) catches a brighter frame's ghost in a dark sky (`a_clipped_star_of_the_reference_is_not_erased_by_frames_where_it_moved`, `deghost_removes_a_bright_frames_ghost_in_a_dark_sky`). 🟡 because: AI Denoise doesn't run on merged DNGs (Bayer only; Lightroom's does), JPEG brackets are treated as linear (no camera response curve), and every frame is held as 32-bit float (~0.86 GB per 67 MP frame, so 7 frames need ~7 GB); gap 29 |
-| LR-MERGE-PANO | Panorama | P2 | ✅ | `cmd:merge.panorama`, `cmd:dialog.mergePanorama` | spherical/cylindrical/perspective + auto, boundary warp, auto crop, fill edges (diffusion), DNG whose `AsShotNeutral` is the median of its frames' as-shot white balance (vendor multipliers for CR2, NEF, ARW…), issue #1144; no lens model / 360° wrap |
 | LR-MERGE-HDRPANO | HDR panorama | P2 | ✅ | `cmd:merge.hdrPanorama`, `cmd:dialog.mergeHdrPanorama` | brackets grouped by EXIF |
 | LR-MERGE-HEADLESS | Merge with last settings | P2 | ✅ | `cmd:merge.hdrLast`, `cmd:merge.panoramaLast`, `cmd:merge.hdrPanoramaLast`, `cmd:merge.hdrBatch`, `crates/catalog/src/stacks.rs` (`bracket_sets`) | no dialog; the options of the last merge of that kind (defaults the first time), kept in the library's prefs.json so they survive a restart; the HDR / Panorama / HDR Panorama dialogs open with them too (`merge_dialog_remembers_the_last_settings_per_kind`). HDR for Each Bracket Set merges a batch like Lightroom's merge of stacks: one HDR per stack among the photos, then per bracket (photos taken less than a second apart, after the shutter time, at exposures ≥ ½ EV apart; bursts at one exposure are skipped), one after the other in the activity stack (cancelling one stops the rest; a failed set doesn't); CLI `merge hdr-batch FILES…` |
 
@@ -399,8 +392,6 @@ differences and missing bindings are in [ui-parity.md](ui-parity.md#shortcuts).
 | LR-EXP-DIALOG | Export dialog | P0 | ✅ | `cmd:dialog.export`, `cmd:app.export` (`preset`), `cmd:export.presets`, `cmd:export.savePreset`, `cmd:export.deletePreset`, `crates/ui-egui/src/panels/dialogs.rs`, `crates/engine/src/export.rs` | batch export; built-in presets (JPEG Small 2048 px / Large full size, Original + Settings, DNG) and saved user presets (library prefs) load into the dialog; deleting a user preset is command-only; on a short window the options scroll and Cancel / OK stay visible (LR-BEHAV-DIALOGS, issue #781) |
 | LR-EXP-TYPE | File types | P0 | ✅ | `cmd:app.export` (`format`), `crates/engine/src/export.rs` (`ExportFormat`), `crates/engine/src/tests_export.rs` | JPEG, PNG, TIFF, PSD (flat, 8/16-bit, no layers: `crates/codecs/src/psd.rs`), WebP, AVIF, JPEG XL (issue #247: `jixel`, native only; lossy with quality or lossless, 8/16-bit, effort fast/normal (jixel's slowest search left out: jxl-oxide misdecodes its files), progressive, EXIF/XMP boxes; lossy files in Adobe RGB / ProPhoto are written as Rec. 2020, lossless keep any space via ICC; `crates/codecs/src/jxl_encode.rs`), DNG (raw photos: lossless re-encode with the edits in the embedded XMP; a raw without colour matrices of its own, as a NEF, gets the colour it opens with as `ColorMatrix1` / `ForwardMatrix1` / `AsShotNeutral`, also in Convert / Copy as DNG, so other raw converters open it, issue #1745), Original (+ XMP sidecar). Non-raw → DNG not supported; no JPEG XL export in the web build. Opaque 8-bit PNG/TIFF/WebP exports omit the redundant alpha channel; real transparency is retained (#1670). |
 | LR-EXP-DIM | Output size | P0 | ✅ | `cmd:app.export` (`longEdge`, `shortEdge`, `width`, `height`, `fit`, `megapixels`, `percent`, `dontEnlarge`, `ppi`), `crates/engine/src/export.rs` (`Resize`), `crates/ui-egui/src/panels/dialogs.rs` | full size = the cropped native size (no longer upscaled); both of Lightroom's boxes: Dimensions (W × H fits either orientation) and Width & Height (`fit: widthHeight`, each edge bound to its own number, #1620); ppi written to JFIF / pHYs / TIFF tags; at most 65,535 px an edge, and an export enlarged past the photo's size stops at 512 megapixels (Lightroom's ceiling too) and is refused, with the size it would need, when it needs more memory than the computer has (it aborted the process before) |
-| LR-EXP-QUALITY | JPEG quality | P0 | ✅ | `cmd:app.export` (`quality`, `limitKb`), `crates/codecs/src/jpeg_par.rs` | 4:4:4 chroma (4:2:0 when a file-size limit is set); Huffman tables made for each image from its own symbol counts (T.81 Annex K.2) instead of the example tables: the same pixels, 12–14 % smaller files at quality 80–100 on a 24 MP photo-like image, still interleaved baseline (issue #1373) |
-| LR-EXP-DIM | Output size | P0 | ✅ | `cmd:app.export` (`longEdge`, `shortEdge`, `width`, `height`, `megapixels`, `percent`, `dontEnlarge`, `ppi`), `crates/engine/src/export.rs` (`Resize`), `crates/ui-egui/src/panels/dialogs.rs` | full size = the cropped native size (no longer upscaled); W × H fits either orientation; ppi written to JFIF / pHYs / TIFF tags; at most 65,535 px an edge, and an export enlarged past the photo's size stops at 512 megapixels (Lightroom's ceiling too) and is refused, with the size it would need, when it needs more memory than the computer has (it aborted the process before) |
 | LR-EXP-QUALITY | JPEG quality | P0 | ✅ | `cmd:app.export` (`quality`, `limitKb`), `crates/codecs/src/jpeg_par.rs` | 4:4:4 chroma (4:2:0 when a file-size limit is set); Huffman tables made for each image from its own symbol counts (T.81 Annex K.2) instead of the example tables: the same pixels, 12–14 % smaller files at quality 80–100 on a 24 MP photo-like image, still interleaved baseline (issue #1373); ordinary and HDR gain map JPEGs search quality up to the requested maximum to fit `limitKb`, including gain map and metadata, or return an error. Tested by `size_limit_respected` and `hdr_jpeg_size_limit_respected`. |
 | LR-EXP-BITDEPTH | Bit depth | P1 | ✅ | `cmd:app.export` (`bitDepth`), `crates/pipeline/src/output.rs` (`OutputDepth`), `crates/engine/src/export.rs` | 16-bit PNG/TIFF/JPEG XL rendered at 16 bits (TIFF defaults to 16), 32-bit float linear TIFF with a linear profile, 10-bit AVIF; high-bit-depth renders run on the CPU |
 | LR-EXP-COMPRESSION | TIFF compression | P1 | ✅ | `cmd:app.export` (`tiffCompression`: none / lzw / zip) | |
@@ -408,8 +399,7 @@ differences and missing bindings are in [ui-parity.md](ui-parity.md#shortcuts).
 | LR-EXP-HDR | HDR output | P2 | 🟡 | `cmd:app.export`, `crates/ui-egui/src/panels/dialogs.rs` | HDR output checkbox in the export dialog: gain map JPEG, PQ or HLG AVIF, PQ PNG, PQ JPEG XL, float TIFF; no HDR presets yet |
 | LR-EXP-SHARPEN | Output sharpening | P1 | ✅ | `cmd:app.export` (`sharpen`, `sharpenAmount`) | |
 | LR-EXP-METADATA | Metadata policy | P1 | ✅ | `cmd:app.export` (`metadata`, `removeLocation`) | |
-| LR-EXP-WATERMARK | Watermark | P1 | ✅ | `cmd:app.export` (`watermark`: text, or `{text, vertical, size, opacity, anchor, insetX, insetY, inset, rotation, color, shadow, image, imageWidth}`), `crates/engine/src/export.rs` (`Watermark`, `WATERMARK_PARAMS`) | text (`size` = height as a fraction of the short edge, 0.005..0.5, default 0.035; `color` sRGB `[r,g,b]`; `shadow`; Japanese vertical glyph forms and origins, tested by `biz_ud_vertical_watermarks_place_punctuation_at_the_top_right`; extended grapheme cells keep decomposed dakuten/handakuten and Latin accents together, tested by `vertical_watermarks_keep_combining_marks_in_one_cell` and `upright_watermark_cell_retains_multiple_glyphs` (see `docs/vertical-watermarks.md`)) or a graphic with transparency (EXIF orientation applied before sizing; oversized graphics fit the rotated image bounds without stretching, tested by `graphic_watermark_honours_exif_orientation` and `graphic_watermark_keeps_aspect_when_fitted_and_rotated`; `image` path, `imageWidth` = fraction of the photo's width, 0.01..1, converted to the output colour space); `anchor` (nine positions), `insetX` / `insetY` (margins from the side and from the top/bottom edges, each a fraction of the short edge, 0..0.4; the Export dialog's Horizontal and Vertical inset sliders, as in Lightroom Classic; the older single `inset` still reads as both; tested by `watermark_insets_are_horizontal_and_vertical`), `rotation` (0, 90, 180 or 270 degrees clockwise, the Export dialog's Rotate row, as Lightroom Classic's rotate buttons; sized before it is turned, placed and inset by the turned box; tested by `watermark_rotation_turns_the_text_in_its_corner` and `graphic_watermark_is_placed_scaled_and_blended`), `opacity` 0..1. Unknown keys and out-of-range values are errors (issue #183). The Export dialog previews it on the first exported photo's thumbnail (`draw_watermark_preview` scales the 6 px minimum text size to the preview so it matches the file), tested by `watermark_preview_scales_the_minimum_text_size` and `export_dialog_previews_the_watermark` |
-| LR-EXP-WATERMARK | Watermark | P1 | 🟡 | `cmd:app.export` (`watermark`: text, or `{text, vertical, size, opacity, anchor, insetX, insetY, inset, rotation, color, shadow, image, imageWidth}`), `crates/engine/src/export.rs` (`Watermark`, `WATERMARK_PARAMS`) | text uses Inter SemiBold, the existing Mincho-first CJK chain, then Thai faces from `CRAFT_FONTS_DIR`, shared with contact-sheet captions and slideshow overlays (#2052, partial). Horizontal Thai mark positioning remains incomplete. Arabic export fallback is deferred until joining and bidi reordering exist; UI font fallback is unchanged. Text (`size` = height as a fraction of the short edge, 0.005..0.5, default 0.035; `color` sRGB `[r,g,b]`; `shadow`; Japanese vertical glyph forms and origins, tested by `biz_ud_vertical_watermarks_place_punctuation_at_the_top_right`; extended grapheme cells keep decomposed dakuten/handakuten and Latin accents together, tested by `vertical_watermarks_keep_combining_marks_in_one_cell` and `upright_watermark_cell_retains_multiple_glyphs` (see `docs/vertical-watermarks.md`)) or a graphic with transparency (`image` path, `imageWidth` = fraction of the photo's width, 0.01..1, converted to the output colour space); `anchor` (nine positions), `insetX` / `insetY` (margins from the side and from the top/bottom edges, each a fraction of the short edge, 0..0.4; the Export dialog's Horizontal and Vertical inset sliders, as in Lightroom Classic; the older single `inset` still reads as both; tested by `watermark_insets_are_horizontal_and_vertical`), `rotation` (0, 90, 180 or 270 degrees clockwise, the Export dialog's Rotate row, as Lightroom Classic's rotate buttons; sized before it is turned, placed and inset by the turned box; tested by `watermark_rotation_turns_the_text_in_its_corner` and `graphic_watermark_is_placed_scaled_and_blended`), `opacity` 0..1. Unknown keys and out-of-range values are errors (issue #183). The Export dialog previews it on the first exported photo's thumbnail (`draw_watermark_preview` scales the 6 px minimum text size to the preview so it matches the file), tested by `watermark_preview_scales_the_minimum_text_size` and `export_dialog_previews_the_watermark` |
+| LR-EXP-WATERMARK | Watermark | P1 | 🟡 | `cmd:app.export` (`watermark`: text, or `{text, vertical, size, opacity, anchor, insetX, insetY, inset, rotation, color, shadow, image, imageWidth}`), `crates/engine/src/export.rs` (`Watermark`, `WATERMARK_PARAMS`) | text uses Inter SemiBold, the existing Mincho-first CJK chain, then Thai faces from `CRAFT_FONTS_DIR`, shared with contact-sheet captions and slideshow overlays (#2052, partial). Horizontal Thai mark positioning remains incomplete. Arabic export fallback is deferred until joining and bidi reordering exist; UI font fallback is unchanged. Text (`size` = height as a fraction of the short edge, 0.005..0.5, default 0.035; `color` sRGB `[r,g,b]`; `shadow`; Japanese vertical glyph forms and origins, tested by `biz_ud_vertical_watermarks_place_punctuation_at_the_top_right`; extended grapheme cells keep decomposed dakuten/handakuten and Latin accents together, tested by `vertical_watermarks_keep_combining_marks_in_one_cell` and `upright_watermark_cell_retains_multiple_glyphs` (see `docs/vertical-watermarks.md`)) or a graphic with transparency (EXIF orientation applied before sizing; oversized graphics fit the rotated image bounds without stretching, tested by `graphic_watermark_honours_exif_orientation` and `graphic_watermark_keeps_aspect_when_fitted_and_rotated`; `image` path, `imageWidth` = fraction of the photo's width, 0.01..1, converted to the output colour space); `anchor` (nine positions), `insetX` / `insetY` (margins from the side and from the top/bottom edges, each a fraction of the short edge, 0..0.4; the Export dialog's Horizontal and Vertical inset sliders, as in Lightroom Classic; the older single `inset` still reads as both; tested by `watermark_insets_are_horizontal_and_vertical`), `rotation` (0, 90, 180 or 270 degrees clockwise, the Export dialog's Rotate row, as Lightroom Classic's rotate buttons; sized before it is turned, placed and inset by the turned box; tested by `watermark_rotation_turns_the_text_in_its_corner` and `graphic_watermark_is_placed_scaled_and_blended`), `opacity` 0..1. Unknown keys and out-of-range values are errors (issue #183). The Export dialog previews it on the first exported photo's thumbnail (`draw_watermark_preview` scales the 6 px minimum text size to the preview so it matches the file), tested by `watermark_preview_scales_the_minimum_text_size` and `export_dialog_previews_the_watermark` |
 | LR-EXP-NAMING | File naming | P1 | ✅ | `cmd:app.export` (`naming`, `startNumber`), `crates/engine/src/rename.rs` (`expand_tokens`) | one template language for export, Rename Photos and import renaming: `{name}`, `{num}` (number at the end of the name), `{seq}` / `{seq:N}`, `{date}` / `{date:%Y-%m-%d}`, `{folder}`, `{camera}`, `{lens}`, `{iso}`, `{rating}`, `{title}`, `{creator}`, `{ext}`; free-form template rather than a list of named schemes |
 | LR-EXP-LOCATION | Destination folder | P0 | ✅ | `cmd:app.export` (`dir`, `destinationMode`: specificFolder / sameAsOriginal, `subfolder`, `conflict`: unique / overwrite / skip), `cmd:export.checkTarget`, `crates/ui-egui/src/panels/dialogs.rs` (Choose… folder picker), `crates/engine/src/originals.rs`, `crates/catalog/src/safe_file.rs` | folder picker on the desktop; Export to: Specific folder or Same folder as original photo (each photo into its original's folder + the subfolder; a demo/browser photo or a missing folder is that photo's error, issue #956); existing files get `-2`, `-3`… by default; the policy covers a file and its sidecars together; a catalogued original (or its sidecar) is never written over, whatever the policy or an exact `path` (export, `ui.render`, MCP `render_photo`, merge `previewPath`, `lightcraft-cli render`); files are written to a temp file and renamed into place (issue #93; not synced file by file — exports can be made again, issue #134) |
 | LR-EXP-PREVIOUS | Export with previous settings | P0 | ✅ | `cmd:app.exportPrevious`, `cmd:dialog.export` | last options persist in prefs.json; dialog prefilled; no named export presets yet |
@@ -490,10 +480,8 @@ differences and missing bindings are in [ui-parity.md](ui-parity.md#shortcuts).
 | LR-BEHAV-TEXTFIELD | Text fields behave alike | P1 | 🟡 | `crates/ui-egui/src/text_field.rs`, `crates/ui-egui/src/panels/topbar.rs`, `crates/ui-egui/src/widgets.rs`, `crates/ui-egui/src/panels/right.rs` (`meta_field`), `crates/ui-egui/src/panels/dialogs.rs`, `crates/ui-egui/src/panels/unnamed.rs` | one shared field: right-click Cut / Copy / Paste / Select All (no Paste in the browser), Esc gives back the text from before the edit, Return / leaving / Esc reported to the caller, optional select-on-focus; agents use `ui.clipboard` (MCP `clipboard`) and `ui.inspect` → `copied`. Used by Search Photos, slider values, the Info panel's metadata fields (multi-line captions), the one-field dialogs (New / Rename Album, New Smart Album, Rename / Merge Keywords, text prompts) and the unnamed faces' name field so far; the other text fields (most dialogs, import, settings, masking, keywords …) still use egui's own and have no menu |
 | LR-BEHAV-HEADLESS | Headless UI snapshots | P2 | ✅ | `apps/lightcraft-cli/src/main.rs`, `crates/ui-egui/src/headless.rs`, `docs/control-protocol.md` | `snapshot` rasterizes the UI and defaults photo development to the CPU before the first frame, without adapter discovery; scaled dimensions are validated before allocation, and UI zoom preserves the requested physical viewport; JSON-lines control scripts are supported |
 | LR-BEHAV-ACCESS | Accessibility | P2 | 🟡 | `crates/ui-egui/src/widgets.rs`, `crates/ui-egui/src/text_field.rs`, `crates/ui-egui/src/panels/grid.rs`, `crates/ui-egui/tests/accessibility.rs` | AccessKit (VoiceOver / Narrator / AT-SPI): sliders announce control, value, range and step and take Increment / Decrement, buttons / icon buttons / dropdowns / section headers / sources their labels and state, text fields their caption, grid thumbnails file name, rating, flag and label. `tests/accessibility.rs` fails on an unnamed control, a slider without range or an untitled dialog in every view, Develop tool and 13 dialogs, and checks that Crop and Remove sliders are reached with Tab and that Tab walks the right panels top to bottom. Canvas tools by keyboard (`crates/ui-egui/src/canvas_keys.rs`, `crates/ui-egui/src/tests_canvas_keys.rs`): crop corners, edges and box, spot targets and sources, a New spot point (Return adds), radial / linear gradient handles and mask pins take the focus, are announced with their position and move with the arrows (Shift: further). Brush strokes and red-eye ellipses are pointer-only; not tried with a real screen reader ([audit](ui-parity.md#accessibility-audit)) |
-| LR-BEHAV-LOCALE | Language options | P2 | ✅ | `cmd:app.language.english`, `cmd:app.language.simplifiedChinese`, `cmd:app.language.traditionalChinese`, `cmd:app.language.japanese`, `cmd:app.language.portuguese`, `cmd:app.language.french`, `cmd:app.language.spanish`, `cmd:app.language.german`, `cmd:app.language.russian`, `cmd:app.language.ukrainian`, `cmd:app.language.georgian` | Edit > Language lists every language in the table and the active one is checked; shared with Settings > General (docs/localization.md) |
-| LR-BEHAV-LOCALIZE | Localisation | P2 | 🟡 | `crates/ui-egui/src/i18n.rs`, `crates/ui-egui/locales/`, `docs/localization.md`, `docs/localization-zh-hans.md`, `docs/localization-zh-hant.md`, `docs/localization-ja.md`, `docs/localization-pt-br.md`, `docs/localization-es.md`, `docs/localization-de.md`, `docs/localization-ru.md`, `docs/localization-ka.md` | One table entry per language (code, endonym, ISO 15924 script, catalog): English, Simplified Chinese, Traditional Chinese (Taiwan), Japanese, Brazilian Portuguese, Spanish, German, Russian, Ukrainian and Georgian UI with a persisted language preference and craft-fonts regular/bold faces per script (a variable face, as for Arabic, is drawn heavier for bold from its one file); menus, edit, crop/masks, settings, import/export and primary progress messages. Adding a language registers the locale and its language command, plus two catalogs. Stock presets/profiles, history steps, library headings, date headings and capture times are localised (user-named items stay verbatim); the Ukrainian catalog covers every existing catalog key, command/control label and rule-editor label; the German catalog reports newly added gaps; the other catalogs fall back to English for messages they lack. Technical errors remain English; release notes are translated in German and Ukrainian; craft-fonts faces for other scripts (Thai, Arabic, …) are UI fallbacks in every language, for file, folder and album names (#736); Traditional Chinese borrows the Simplified Chinese face (no TC face in craft-fonts yet), and the web build embeds the Japanese, Thai and Georgian faces in WASM while loading the Simplified Chinese face from a separate font file. |
-| LR-BEHAV-LOCALE | Language options | P2 | ✅ | `cmd:app.language.english`, `cmd:app.language.simplifiedChinese`, `cmd:app.language.traditionalChinese`, `cmd:app.language.japanese`, `cmd:app.language.portuguese`, `cmd:app.language.french`, `cmd:app.language.spanish`, `cmd:app.language.german`, `cmd:app.language.russian`, `cmd:app.language.ukrainian`, `cmd:app.language.polish` | Edit > Language lists every language in the table and the active one is checked; shared with Settings > General (docs/localization.md) |
-| LR-BEHAV-LOCALIZE | Localisation | P2 | 🟡 | `crates/ui-egui/src/i18n.rs`, `crates/ui-egui/locales/`, `docs/localization.md`, `docs/localization-zh-hans.md`, `docs/localization-zh-hant.md`, `docs/localization-ja.md`, `docs/localization-pt-br.md`, `docs/localization-es.md`, `docs/localization-de.md`, `docs/localization-ru.md`, `docs/localization-pl.md` | One table entry per language (code, endonym, ISO 15924 script, catalog): English, Simplified Chinese, Traditional Chinese (Taiwan), Japanese, Brazilian Portuguese, Spanish, German, Russian and Ukrainian UI with a persisted language preference and craft-fonts regular/bold faces per script (a variable face, as for Arabic, is drawn heavier for bold from its one file); menus, edit, crop/masks, settings, import/export and primary progress messages. Adding a language registers the locale and its language command, plus two catalogs. Stock presets/profiles, history steps, library headings, date headings and capture times are localised (user-named items stay verbatim); the Ukrainian catalog covers every existing catalog key, command/control label and rule-editor label; the German catalog reports newly added gaps; the other catalogs fall back to English for messages they lack. Technical errors remain English; release notes are translated in German and Ukrainian; craft-fonts faces for other scripts (Thai, Arabic, …) are UI fallbacks in every language, for file, folder and album names (#736); Traditional Chinese borrows the Simplified Chinese face (no TC face in craft-fonts yet), and the web build embeds the Japanese face in WASM while loading the Simplified Chinese face from a separate font file. |
+| LR-BEHAV-LOCALE | Language options | P2 | ✅ | `cmd:app.language.english`, `cmd:app.language.simplifiedChinese`, `cmd:app.language.traditionalChinese`, `cmd:app.language.japanese`, `cmd:app.language.portuguese`, `cmd:app.language.french`, `cmd:app.language.spanish`, `cmd:app.language.german`, `cmd:app.language.russian`, `cmd:app.language.ukrainian`, `cmd:app.language.georgian`, `cmd:app.language.polish` | Edit > Language lists every language in the table and the active one is checked; shared with Settings > General (docs/localization.md) |
+| LR-BEHAV-LOCALIZE | Localisation | P2 | 🟡 | `crates/ui-egui/src/i18n.rs`, `crates/ui-egui/locales/`, `docs/localization.md`, `docs/localization-zh-hans.md`, `docs/localization-zh-hant.md`, `docs/localization-ja.md`, `docs/localization-pt-br.md`, `docs/localization-es.md`, `docs/localization-de.md`, `docs/localization-ru.md`, `docs/localization-ka.md`, `docs/localization-pl.md` | One table entry per language (code, endonym, ISO 15924 script, catalog): English, Simplified Chinese, Traditional Chinese (Taiwan), Japanese, Brazilian Portuguese, Spanish, German, Russian, Ukrainian and Georgian UI with a persisted language preference and craft-fonts regular/bold faces per script (a variable face, as for Arabic, is drawn heavier for bold from its one file); menus, edit, crop/masks, settings, import/export and primary progress messages. Adding a language registers the locale and its language command, plus two catalogs. Stock presets/profiles, history steps, library headings, date headings and capture times are localised (user-named items stay verbatim); the Ukrainian catalog covers every existing catalog key, command/control label and rule-editor label; the German catalog reports newly added gaps; the other catalogs fall back to English for messages they lack. Technical errors remain English; release notes are translated in German and Ukrainian; craft-fonts faces for other scripts (Thai, Arabic, …) are UI fallbacks in every language, for file, folder and album names (#736); Traditional Chinese borrows the Simplified Chinese face (no TC face in craft-fonts yet), and the web build embeds the Japanese, Thai and Georgian faces in WASM while loading the Simplified Chinese face from a separate font file. |
 | LR-BEHAV-LEARN | Tutorials | OOS | 🚫 | | |
 | LR-BEHAV-WHATSNEW | What's new | P2 | ✅ | `cmd:app.whatsNew`, `docs/whats-new.md` | Help ▸ What's New: release highlights |
 | LR-BEHAV-AI-EA | Early-access badges | P2 | ⬜ | | |
diff --git a/docs/target-app-parity.md b/docs/target-app-parity.md
index 0642dc6fa..c610da99d 100644
--- a/docs/target-app-parity.md
+++ b/docs/target-app-parity.md
@@ -158,8 +158,7 @@ essentials replaces its guessed 45% raw look with 84% × 0.75 (+1 point).
 | Discount | Mainstream | Essentials | Evidence |
 |---|---:|---:|---|
 | Interaction fidelity / UI clarity | ×0.95 | ×0.95 | brush live preview gaps and feathering (#517, #518); crop artefacts and limits (#731, #742, #770, #771); Compare white-balance selector (#743–#745); low-res slider previews (#330); dialogs taller than the window (#781); mouse-wheel scroll (#714) |
-| Stability on real machines | ×0.92 | ×0.92 | launch and quit crashes or silent startup failures (#250 macOS 12 Intel, #315 Windows Intel GPU, #431 Intel Mac, #260, #462, #783 Linux / Nouveau, #790 Windows installer, fixed in 0.9.1); tests run in CI on FreeBSD only (gap 9) |
-| Stability on real machines | ×0.92 | ×0.92 | launch and quit crashes or silent startup failures (#250 macOS 12 Intel, #315 Windows Intel GPU, #431 Intel Mac, #260, #462, #783 Linux / Nouveau, #790 Windows installer); tests run in CI on Linux x64 and FreeBSD only (gap 9) |
+| Stability on real machines | ×0.92 | ×0.92 | launch and quit crashes or silent startup failures (#250 macOS 12 Intel, #315 Windows Intel GPU, #431 Intel Mac, #260, #462, #783 Linux / Nouveau, #790 Windows installer, fixed in 0.9.1); tests run in CI on Linux x64 and FreeBSD only (gap 9) |
 | File exchange with Lightroom users (mainstream) / opening files people send (essentials) | ×0.92 | ×0.95 | Adobe XMP sidecars change colours (#290), XMP CameraProfile and Upright ignored (#204, #205), catalog import fails (#599), same Light values render differently (#523, #209), no write-back to `.lrcat`; for casual users: CR3 beyond verified bodies, compressed ORF, HE NEF open as previews (#473, #485, #556), HEIC trouble (#693) |
 | **Product** | **×0.804** | **×0.830** | |