filmcraft/crates/mxf

filmcraft-mxf

A clean-room MXF demuxer and writer. Layer L0: no dependencies beyond std, no unsafe, builds for wasm32-unknown-unknown. No GPL/LGPL code (FFmpeg, libMXF, bmx, MXFLib) was consulted; FFmpeg is used only as an external fixture generator and test oracle.

Specifications

Implemented from the SMPTE documents (editions used):

Document	Edition	Used for
SMPTE ST 336	2017	KLV coding: 16-byte UL keys, BER lengths
SMPTE ST 377-1	2011 (+ Amd 1:2012)	partitions, primer pack, header metadata sets and local tags, index table segments, random index pack, run-in
SMPTE ST 378	2004	OP1a
SMPTE ST 390	2011	OP-Atom
SMPTE ST 379-1 / 379-2	2009 / 2010	generic container: content packages, element keys, frame / clip wrapping
SMPTE ST 381-1	2005	MPEG video mapping (MPEG-2 identified, MPEG video descriptor; decoded by filmcraft-mpeg2v in filmcraft-codecs)
SMPTE ST 381-3	2013	AVC byte-stream mapping and AVC sub-descriptor
SMPTE ST 382	2007	AES3 and Broadcast Wave audio mapping (wave / AES3 descriptors)
SMPTE ST 331	2011	element data of 8-channel AES3 sound (D-10)
SMPTE ST 386	2004	D-10 (IMX) mapping: container label, sound element type
SMPTE ST 2019-4	2009	VC-3 (DNxHD / DNxHR) mapping
SMPTE RDD 44	2017	Apple ProRes mapping
SMPTE RP 224 / RP 210	registers	labels: data definitions, picture coding, essence containers, operational patterns; property labels of the primer pack (writer)
SMPTE ST 330	2011	basic UMIDs of the written packages

Reading a file

let file = std::fs::read("clip.mxf")?;
let mxf = filmcraft_mxf::open(&file)?;
println!("{} {:?}", mxf.operational_pattern.name(), mxf.timecode.map(|t| t.format()));
let v = mxf.track_of_kind(filmcraft_mxf::TrackKind::Picture).unwrap();
let t = &mxf.tracks[v];
let key = t.sync_before(t.sample_at(42).unwrap());    // stored index of the random-access picture
let bytes = mxf.read_sample(&file, v, key)?;           // one edit unit's essence
let a = mxf.track_of_kind(filmcraft_mxf::TrackKind::Sound).unwrap();
let pcm = mxf.read_pcm(&file, a, 48_000, 1920)?;       // planar f32, sample-exact

• Open. The header partition pack is found in the run-in (≤ 64 KiB). Every KLV packet is then walked (keys and lengths only; essence values are skipped, never read): partition packs, primer packs, header metadata local sets, index table segments, fill, and generic-container elements (system items are ignored). A lost KLV sync resynchronises on the next partition pack; a truncated file keeps everything before the cut (a truncated frame-wrapped picture is dropped, clip-wrapped essence keeps its whole edit units).
• Metadata. The header metadata of the most complete partition is used (closed complete > open complete > closed > open; later partitions win ties, so the footer's final durations are preferred). Dynamic local tags resolve through the primer pack (e.g. SubDescriptors).
• Tracks. Material package picture/sound tracks → source clip → file package track (track number, edit rate, origin) → descriptor (a multiple descriptor's sub-descriptor by LinkedTrackID). Without a usable material package the file packages' tracks are used directly. Elements are matched by track number, or — when the number is 0 or does not match (some OP-Atom writers) — the only unclaimed element stream of the right kind.
• Pictures. One Sample per edit unit in stored order: frame wrapping (one element each) or clip wrapping (one element split by the index: constant EditUnitByteCount or VBR entries). Random access from index flag bit 7 (intra-only codings: every picture); without an index the essence is scanned (AVC IDR, MPEG-2 sequence header). Presentation order from the index temporal offsets (display position n is stored at n + TemporalOffset[n]). When the index marks B pictures but has no temporal offsets (FFmpeg-written AVC), needs_reorder is set: the caller orders by the bitstream (filmcraft-codecs uses the AVC picture order counts).
• Codecs. From the picture essence coding label, then the essence container label, then the essence bytes: AVC / AVC-Intra, VC-3, ProRes (profile from the label), MPEG-2 (decoded in filmcraft-codecs), MPEG-4 visual, JPEG 2000, DV, uncompressed.
• Sound. PCM chunks (frame- or clip-wrapped) with sample counts; read_pcm decodes little-endian 8/16/24/32-bit PCM (wave / AES3 descriptors) and ST 331 AES3 elements (D-10).
• Timecode. The material package timecode component (start frame count, rounded base, drop frame), falling back to the file package's; Timecode::format gives HH:MM:SS:FF / HH:MM:SS;FF.

Not supported: OP1b/OP2x+ edit lists beyond the first source clip, external essence (OP-Atom material packages whose other tracks live in other files are opened track by track), partial or encrypted essence (ST 429-6), and descriptive metadata (parsed sets are ignored).

Writing a file

use filmcraft_mxf::*;
let ids = PackageIds::from_seed("unique seed (path + time)", "Clip name"); // material + file UMIDs
let mut cfg = WriterConfig::new(Pattern::Op1a, Rational::new(25, 1), ids);
cfg.picture = Some(PictureDesc::new(PictureCoding::Vc3 { cid: 1272 }, 1920, 1080));
cfg.sound = vec![SoundDesc { sample_rate: 48_000, channels: 2, bits: 24 }];
cfg.timecode = Some(StartTimecode { frames: 90_000, rate: Rational::new(25, 1), drop_frame: false });
let mut w = MxfWriter::new(std::io::BufWriter::new(std::fs::File::create("out.mxf")?), cfg)?;
w.push_picture(&frame_bytes, FrameInfo::intra())?;   // stored order; AVC: key / P / B + display position
w.push_sound(0, &interleaved_le_pcm)?;              // any chunking: content packages are cut per edit unit
w.finish()?;

• Streaming. Any Write + Seek sink. new writes the header partition (open, incomplete, durations unknown) and a body partition; essence follows as it is pushed; finish writes the footer partition (closed, complete header metadata with the final durations and the index table segments), the random index pack, then rewrites the header partition pack and header metadata in place (the metadata's size does not depend on the durations; a reserved fill item absorbs any difference) and the body partition pack's footer offset. Only the index entries (11 bytes per edit unit, plus 4 per sound slice) are kept in memory.
• OP1a (ST 378): one content package per edit unit, frame wrapping (ST 379-1): the picture element then one element per sound track. Sound is buffered and cut into edit units exactly (floor((n+1)·rate·den/num) − floor(n·rate·den/num) samples: 1601/1602 at 29.97). Pictures without their sound yet wait; finish pads the last units' sound with silence. A multiple descriptor with one sub-descriptor per track (linked track ids), the "multiple wrappings" container label.
• OP-Atom (ST 390, Avid style): exactly one essence track per file, clip-wrapped (one element with a 9-byte BER length patched by finish). Several atom files of one clip can share the material package UMID with distinct track ids (WriterConfig::first_track_id). Sound files may use the sample rate as the edit rate (a constant-bytes index) or the frame rate (VBR entries).
• Index tables (ST 377-1 §11): VBR entries per edit unit — stream offset (from the first essence byte; clip-wrapped: from the element value), key-frame offset, flags (0x80 random access, 0xC0 AVC IDR with its parameter sets, 0x22 P, 0x33 B) and temporal offsets from the display positions (TO[d] = stored(d) − d); a delta entry and a slice per sound element. Split into segments of at most ~60 KB (the entry array is a 2-byte-length local set item).
• Metadata. Preface, identification (company / product / version / modification date), content storage, essence container data (BodySID 1, IndexSID 2), material and file packages (PackageIds: UMIDs and names) with a timecode track (start, rounded base, drop frame) and one timeline track per essence (source clip → file package track; track numbers = element keys), CDCI picture descriptors (size, aspect ratio, depth, subsampling, black / white / range, BT.709 / BT.2020 PQ / HLG colour labels, coding label) and wave audio descriptors.
• Mappings. VC-3 (ST 2019-4: coding label …71 cc from the compression id, container 02 11, element types 0x0C / 0x0D), ProRes (RDD 44: coding label profile byte, container 02 1C), AVC byte stream (ST 381-3: container 02 10 60, coding label from profile_idc; Annex B access units with in-band SPS / PPS — the AVC sub-descriptor is not written), Broadcast Wave PCM (ST 382: container 02 06 01/02, element types 0x01 / 0x02).
• write_opatom_pcm(&OpAtomPcm, &[i32]) builds a complete in-memory OP-Atom PCM file (AAF media consolidation); encode_pcm interleaves planar f32 as little-endian PCM.

Tests

• src/tests.rs: a small OP1a writer builds synthetic files (temporal offsets, key flags, PCM, timecode); open, presentation order, sample bytes, PCM values; truncation at every 37 bytes and 600 random mutations never panic and only list fully-present samples.
• crates/codecs/tests/it/mxf_oracle.rs (FFmpeg-written fixtures, FFmpeg as the decode oracle): H.264 long-GOP with B pictures (bit-exact every frame + 25 random seeks), H.264 29.97 DF timecode, DNxHR LB (±2), ProRes 422 (±1), MPEG-2 long GOP, XDCAM HD422 and D-10 (±4), OP-Atom VC-3 (clip-wrapped) and PCM, D-10 AES3 audio; PCM sample-exact in every file; truncated and corrupted files. cargo xtask fixtures codecs pre-generates them.
• src/write/tests.rs: writer output read back by open: OP1a with two sound tracks pushed in uneven chunks (durations, codec label, aspect, PCM exact, index slices, closed partitions), 29.97 sound per edit unit (1601/1602), a long-GOP AVC index (presentation order, key and B flags), OP-Atom picture (clip wrapping) and PCM files at both edit rates, multi-segment index of 12 000 units, UMIDs; truncation and random mutation of written files never panic.
• crates/export/src/mxf_tests.rs (ffprobe / ffmpeg as external oracles): OP1a exports with DNxHR, ProRes and H.264 — ffprobe reports the OP1a label, codec, 24 frames, frame rate, duration and 01:00:00:00 timecode; ffmpeg decodes the MXF picture exactly as it decodes the same essence exported as MOV, and its PCM equals our demuxer's sample for sample; OP-Atom exports — picture file and one mono file per channel, each channel equal to the WAV export's.