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* Tests: one integration-test binary per crate Each crate with several tests/*.rs files keeps them as modules of tests/it/, so cargo links one test executable per crate instead of one per file. Files that change process-wide state or time a workload stay binaries of their own. * Profiles: line tables for workspace crates, no debug info for dependencies * Windows ARM64: nightly and on release pushes instead of every push to main * xtask ci: clippy and tests in the dev profile The release profile's thin LTO and single codegen unit made linking the test binaries take most of the gate. The codec and audio crates stay at opt-level 3 in the dev profile, so their tests run at release speed. * xtask ci: nextest, doctests, no examples, one wasm check Tests run with cargo nextest when it is installed (cargo test otherwise) and build with --lib --bins --tests, so examples aren't linked; doctests run separately. The wasm check keeps going past the first failing crate. VP8 fixture generation locks across processes, since nextest runs each test in its own. * VP9 synthetic fixtures: write aside and rename A test in another process could read a fixture ffmpeg was still writing. * Fuzz tests: a third of each sweep by default, all of it with FILMCRAFT_FUZZ_ITERS Every seed, mutation kind and thread count still runs. Header bytes each get one overwrite value and two bit flips in rotation, so every value and bit index still occurs across the region. FILMCRAFT_FUZZ_ITERS=N runs the whole sweep plus N random rounds per seed, as before. * Platform fallback tests: one failure point per hybrid path The failure-anywhere test injected a failure at four points around every restart point; the hybrid's paths differ only in the first GOP, around the second and last restart points, at the end and never. The replay test needs the first two GOPs. * Export tests: shorter ranges with the same checks The bitrate test measures 0.5–1.5 s, where each preset reaches its own target (on 0–3 s the simple demo left two presets at the same rate). The every-preset test exports three frames per preset. * Audio tests: effects in parallel, a table-driven FFT for the Opus quality metric The extreme-settings test keeps both settings and the 40 s tail for every effect, one thread each. The Opus quality metric's FFT builds its twiddles once and allocates nothing per transform (same algorithm and summation order). * CI: dev-profile gate with nextest xtask ci no longer builds with --release, so the release-profile overrides go; nextest is installed for the test step. * CI: apt packages through the cached install-apt-packages action * Review fixes: fuzz tests with a panic hook in their own binaries, loud fixture lock The fuzz tests of av1, h264, hevc, mpeg2v, vp8 and vp9 count panics through a process-wide hook, so a panic in another test of the same process would fail them; they are binaries of their own again. The VP8 fixture lock fails the test instead of skipping it silently, and the full-sweep doc comments say how many truncation points the full run samples. * Fuzz tests: rotate the default subset per run (FILMCRAFT_FUZZ_SEED replays one) * platform tests: decode-switch tests in their own binaries, one NVENC lock
109 lines
5.4 KiB
Rust
109 lines
5.4 KiB
Rust
//! Multichannel AAC in MP4 against ffmpeg (#922). The AudioSpecificConfig's channel configuration
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//! is an index into ISO/IEC 14496-3 Table 1.19 (with Amd 4), not a channel count: 7 and 12 are
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//! both 7.1 (eight channels) and 11 is 6.1 (seven). Each channel carries its own tone, so a
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//! dropped or swapped channel shows up against ffmpeg's decode.
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use crate::common;
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use std::io::Cursor;
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use common::*;
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use filmcraft_isobmff::{Brand, Mp4Writer, SampleEntry, TrackConfig, WriteSample, WriterOptions};
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const RATE: u32 = 48_000;
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/// A one-second AAC MP4 of `layout` (`n` channels), channel `i` a tone of 200 + 100·i Hz, except
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/// the LFE (fourth in all these layouts) at 60 Hz: AAC band-limits it.
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fn tones(ff: &std::path::Path, name: &str, layout: &str, n: usize) -> Option<std::path::PathBuf> {
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let mut graph: String =
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(0..n).map(|i| format!("sine=frequency={}:sample_rate={RATE}:duration=1[a{i}];", if i == 3 { 60 } else { 200 + 100 * i })).collect();
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graph.extend((0..n).map(|i| format!("[a{i}]")));
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graph.push_str(&format!("join=inputs={n}:channel_layout={layout}[out]"));
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fixture(ff, name, &["-filter_complex", &graph, "-map", "[out]", "-c:a", "aac", "-b:a", "512k"])
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}
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/// The AAC access units of `path`'s audio track, rewrapped in a new MP4 whose AudioSpecificConfig
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/// says `channel_config` (AAC LC, 48 kHz), keeping each sample's duration and the priming edit.
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fn rewrap(path: &std::path::Path, name: &str, channel_config: u8, channels: u32) -> std::path::PathBuf {
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let data = bytes(path);
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let file = filmcraft_isobmff::open(&data).unwrap();
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let track = file.tracks.iter().find(|t| t.kind == filmcraft_isobmff::TrackKind::Audio).unwrap();
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// object type 2, rate index 3 (48 kHz), then the configuration
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let asc = (((2u16 << 11) | (3 << 7) | ((channel_config as u16) << 3)).to_be_bytes()).to_vec();
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let mut mux = Mp4Writer::new(Cursor::new(Vec::new()), WriterOptions::new(Brand::Mp4)).unwrap();
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let id = mux.add_track(TrackConfig::new(SampleEntry::aac(asc, channels, RATE), RATE)).unwrap();
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for s in &track.samples {
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let au = &data[s.offset as usize..s.offset as usize + s.size as usize];
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mux.write_sample(id, WriteSample { data: au, duration: s.duration, composition_offset: 0, is_sync: true }).unwrap();
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}
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let out = dir().join(name);
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std::fs::write(&out, mux.finish().unwrap().into_inner()).unwrap();
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out
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}
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/// Our decode of the whole file, channel by channel.
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fn ours(path: &std::path::Path, name: &str) -> (u32, Vec<Vec<f32>>) {
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let src = filmcraft_codecs::open_bytes(name, bytes(path)).unwrap();
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let ch = src.info().audio().map(|a| a.channels).unwrap();
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(ch, src.audio(0, RATE as usize * 9 / 10, RATE).unwrap().channels)
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}
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/// ffmpeg's decode, deinterleaved into `n` channels.
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fn theirs(ff: &std::path::Path, path: &std::path::Path, n: usize) -> Vec<Vec<f32>> {
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let all = ffmpeg_audio_f32(ff, path, &[]);
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(0..n).map(|c| all.iter().skip(c).step_by(n).copied().collect()).collect()
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}
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/// Largest sample difference over the first `len` samples, best over a small lag either way (the
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/// two decoders may place the priming differently by a few samples).
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fn diff(a: &[f32], b: &[f32]) -> f32 {
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let len = a.len().min(b.len()).saturating_sub(64);
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(0..=32).flat_map(|l| [(l, 0), (0, l)]).map(|(x, y)| (32..len).map(|i| (a[i + x] - b[i + y]).abs()).fold(0.0, f32::max)).fold(f32::MAX, f32::min)
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}
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fn peak(x: &[f32]) -> f32 {
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x.iter().fold(0.0, |m, v| m.max(v.abs()))
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}
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#[test]
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fn aac_channel_configurations_report_and_decode_every_channel() {
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let ff = filmcraft_testkit::require_ffmpeg!();
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// ffmpeg 8 writes 7.1 as configuration 7 and ffmpeg 9 as 12: the same five elements
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let Some(seven) = tones(&ff, "aac_71.mp4", "7.1", 8) else {
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eprintln!("SKIPPED: this ffmpeg can't encode 7.1 AAC");
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return;
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};
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let asc = filmcraft_isobmff::open(bytes(&seven)).unwrap().tracks.iter().find_map(|t| match &t.entries.first()?.codec {
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filmcraft_isobmff::CodecConfig::Aac(a) => Some(a.channel_config),
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_ => None,
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});
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let twelve = match asc {
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Some(7) => rewrap(&seven, "aac_71_cfg12.mp4", 12, 8),
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Some(12) => seven.clone(),
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other => panic!("ffmpeg wrote 7.1 AAC as configuration {other:?}"),
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};
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let seven = if asc == Some(7) { seven } else { rewrap(&seven, "aac_71_cfg7.mp4", 7, 8) };
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// configuration 7: eight channels reported and returned, the last one too
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let (ch, got) = ours(&seven, "aac_71_cfg7.mp4");
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assert_eq!((ch, got.len()), (8, 8), "configuration 7");
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assert!(got.iter().all(|c| peak(c) > 0.05), "configuration 7: a silent channel");
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// configuration 12 (7.1 back): decoded, in ffmpeg's (and WAV's) L R C LFE Lb Rb Ls Rs order
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let (ch, got) = ours(&twelve, "aac_71_cfg12.mp4");
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assert_eq!((ch, got.len()), (8, 8), "configuration 12");
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let want = theirs(&ff, &twelve, 8);
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for (c, (a, b)) in got.iter().zip(&want).enumerate() {
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let d = diff(a, b);
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println!("configuration 12, channel {c}: peak {:.3}, max |ours - ffmpeg| {d:.5}", peak(a));
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assert!(peak(a) > 0.05 && d < 0.01, "configuration 12, channel {c}: off ffmpeg's decode by {d}");
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}
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// controls: 5.1 (configuration 6) and 6.1 (ffmpeg writes a PCE)
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for (layout, n, name) in [("5.1", 6, "aac_51.mp4"), ("6.1", 7, "aac_61.mp4")] {
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let path = tones(&ff, name, layout, n).unwrap();
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let (ch, got) = ours(&path, name);
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assert_eq!((ch as usize, got.len()), (n, n), "{layout}");
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}
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}
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