Add Edit always cut every targeted track, so with one clip selected it cut
all tracks. As in Premiere, selected clips under the playhead are now cut
and nothing else; with none there, the targeted tracks are, as before.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
egui 0.36 reports pressing Shift, Ctrl, Alt or the Windows / Cmd key as a
key event of its own, before the key they modify. The Keyboard Shortcuts
recorder took that first press and refused it ("AltLeft can't be used as a
shortcut"), so no chord with a modifier could be recorded. Modifier keys on
their own are now skipped; the chord is recorded with the key they modify.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Looking at a folder probes each visible file for its properties. A format
no streaming reader takes (AVI, which isn't supported at all, and WAV,
MP3 and the other byte-opened formats) fell through open_reader's
whole-file path: a 290 MB AVI took 518 MB of memory and a full read just
to report that it isn't supported, a 247 MB WAV 500 MB.
- filmcraft-media: open_reader_within(.., max_whole) refuses, after the
sniffing head, a file no reader opener takes when it is larger than
max_whole. open_reader is open_reader_within with no limit.
- engine: MediaPool::probe_file uses it with PROBE_WHOLE_FILE_MAX (64 MiB);
media_browser::probe calls probe_file. Import and playback still use
open_file.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The playhead follows the audio clock (frames the output device consumed).
An output stream can open without error and then never call back (ALSA
with a busy or misconfigured device): the clock stayed at 0 and Play did
nothing, with no message.
advance_playback now notes when the audio clock last moved; if it stands
still for AUDIO_STALL_S (1 s) while playing, playback continues from where
the audio got to on the wall clock, the stream is stopped, a warning is
logged and the status bar says the audio output is not responding.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- transcript.generate is enabled only with a recogniser: one installed in
Session::transcriber, or the build's own (feature `whisper`). Otherwise
describe, command_list enabled_only and the menu report it disabled with
"speech-to-text is not available in this build" as the reason (#97).
Transcribe Sequence, which runs it, follows.
- transcript.downloadModel is enabled only with `speech-download` (#98).
- file.import with Automatically transcribe clips on no longer skips
transcription silently when it can't run: the disabled command's reason
lands in the import's errors as "transcription: ..." (#89).
- docs/transcripts.md describes the disabled state.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- File ▸ New ▸ Color Matte… (and Project ▸ New Item) opens a New Color Matte
dialog: color picker, name, width, height and duration. Called with params
(CLI, control, MCP) it still creates the matte directly.
- project.matteColor {item?, color}: change a Color Matte's color (the
selected one by default); every clip of it follows and it undoes.
Double-clicking a Color Matte in the Project panel opens its color picker,
as in Premiere.
- media pool: a generator's cache key now holds its parameters, so a matte
whose color changes (or comes back with undo) is generated again instead of
the pool serving the first one forever.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- aac: the decoder notes SBR data in fill elements (EXT_SBR_DATA /
EXT_SBR_DATA_CRC), so implicitly signalled HE-AAC is recognised;
Decoder::sbr() covers explicit signalling too.
- codecs: aac_output_rate() gives an AAC stream's output rate (the
extension rate, or twice a <= 24 kHz core when SBR data is present); the
MP4 reader reports it instead of the core rate, so sequences made from an
HE-AAC clip get 44.1 kHz instead of 22.05 kHz. Our decoder now also takes
explicitly signalled HE-AAC (it decodes the AAC-LC core) and, when the
stream rate is twice the core rate, interpolates the core to it with a
streaming half-band upsampler. The SBR high band is not reconstructed yet.
- export: the AAC bitrate is capped at 6 bits per sample and channel
(ISO/IEC 14496-3 frame limit) instead of failing with "bitrate out of
range" (320 kbps stereo at 22.05 kHz).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Linux, macOS, web and Windows packaging still carried PhotoCraft's
image-editor metadata.
- nfpm.yaml (#94): deb/rpm summary and description describe the video
editor; filmcraft-cli is a command runner, MCP server and exporter;
Debian section video instead of graphics.
- AppStream (#100): AudioVideo/Video/AudioVideoEditing categories, matching
the desktop entry; video keywords; the screenshot is the README hero image
(the old filmcraft-demo.jpg URL was a 404).
- macOS Info.plist.in (#100): export the .fcproj project type (JSON) instead
of PhotoCraft's .pcraft; app category video; drop the PSB and QOI imported
types, which FilmCraft does not read.
- filmcraft.wxs header comment: the MSI declares no file associations.
- web hosting guide: iframe title "FilmCraft video editor".
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Add Español next to English and 日本語 (Edit ▸ Language ▸ Español, also in the
native menu bar). SPANISH covers every menu, submenu and menu item label
(347 entries, Latin American Spanish); names, formats and percentages stay
as they are. A new test checks that every entry is a current menu label, so
a renamed command cannot leave a dead entry behind.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
