Colour emoji came out as the placeholder rectangles their outlines carry
(Apple Color Emoji) or as .notdef when the face has no outline at all:
nothing read sbix, CBDT/EBDT or COLR. A glyph now asks its face for
colour ink before its outline: an embedded bitmap strike decoded to
premultiplied RGBA and placed by the strike's bearings the way Skia (and
CoreText) places it, scaled to the size the run asks for, or a COLR v0
glyph's layers filled from the font's palette.
Faces that carry only colour tables are indexed again: Apple Color Emoji
is no longer skipped for being 190 MB (the scan still reads headers and
name tables only), and "Segoe UI Emoji" and "Noto Color Emoji" join
"Apple Color Emoji" as colour fallbacks, read only for a text that
nothing else covers. The png crate decodes the strikes; skrifa keeps
shaping, metrics and outlines.
Left for later: COLR v1 paint graphs, alpha-only strikes and the SVG and
PDF exports (text is outlines there).
Tests: 8 cases in the text crate (placement, PNG and raw-BGRA decoding,
scaling, COLR layers and bitmaps of the machine's own colour font) and a
render case gated on that font; the font-free ones run everywhere.
Verified on Windows with Segoe UI Emoji (COLR) and with Noto Color Emoji
(CBDT) read from a downloaded file; the sbix path runs through the same
code and needs a macOS run to be seen.
🤖 Generated with Codebuff
Co-Authored-By: Codebuff <noreply@codebuff.com>
- Inner shadows paint over the fills and under the children and strokes, as documented (canvas,
PNG, PDF and SVG alike; text fills every run before the inner shadow and the strokes).
- Layer and background blur gain a progressive type: the radius ramps linearly from a start radius
at a start point to the end radius at an end point (unit-box points, like gradient handles).
Rendered by blending a few geometric blur levels, each blurred only around the pixels that use
it; bands and partial renders match one piece. Design panel type menu and Start/End fields,
on-canvas handles while the settings are open, effect.add/effect.set params, startRadius
variable bindings, scale tool, REST import (blurType, startRadius, startOffset, endOffset),
Inspect row; CSS leaves progressive blurs out.
- SVG export embeds renders for what filters can't match: noise grains over the vector layer
(crisp, blended), texture and progressive layer blur whole, background blur and glass from what
lies under the layer among the exported layers. PDF and SVG share the renderer's helpers.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
- Background blur sees the whole backdrop under the layer: the renderer keeps the stack of
isolated surfaces it draws into (clipping frames, rounded clips, faded groups, masks) and
flattens it for the layer's area, reading past the layer's own box. A blur inside a clipping
frame now shows the frame's fill instead of the sharp layers below, on the canvas and in PNG
exports. The PDF export draws background blur and glass through the same code from a render of
what lies under the node (`backdrop::render_beneath`, which the PDF's backdrop now shares), and
its images match the PNG's pixels.
- Shadow spread offsets the outline: the shape filled and stroked twice the spread wide with
mitred joins (grow) or cut away (shrink), the stroked bands cached per outline. Ellipses stay
ellipses, stars keep sharp points, text keeps its letterforms, rounded corners grow their
radius. Inner shadows shrink the outline the same way. Canvas, PNG and PDF share the shadow
code; SVG writes spread shadows as the same geometry and now exports inner shadows.
- Glass effect (light angle and intensity, refraction, depth, dispersion, frost, splay): the
frosted backdrop bent towards the inside within `depth` of the edge, colour fringes, light on
the rim, from an exact distance transform with smoothed normals.
- Noise: mono, duo and multi colour modes, grain size, density, opacity and blend mode; grains
live in the layer's coordinates (stable when panning and zooming). Texture is now drawn
(pixels scattered by the radius, grain size, clip to shape).
- Design panel rows for noise mode/colours/opacity, texture clip to shape and every glass value;
`effect.add` takes `glass`; REST import of NOISE, TEXTURE and GLASS; Inspect rows and CSS;
the scale tool scales grain sizes, texture radius, glass depth and frost.
- Tests in new modules: render backdrop/spread/grain tests, PDF backdrop tests, SVG, doc,
engine and REST effect tests.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* M3: colour profiles: sRGB or Display P3 per file, convert or keep values, tagged exports
- color: ColorProfile (srgb, displayP3) with conversions derived from the primaries (shared D65
white and sRGB curve; out-of-gamut channels clip), table-driven pixel conversion, a generated
ICC v4 matrix/TRC profile and PNG cICP code points.
- doc: Document.color_profile (serde default sRGB, written only when set); every colour value
(paints, text runs, effects, grids, page and prototype backgrounds, overlay backdrops, styles,
colour variables, document colours) can be mapped; set_color_profile converts or reinterprets.
- engine: file.colorProfile {profile?, convert?} (File > Color profile...; without a profile it
opens the dialog); document.inspect reports colorProfile.
- render: images are taken as sRGB and managed into the file's space; encode_export tags PNG
(sRGB chunk, or iCCP + cICP for Display P3) and embeds the ICC profile in Display P3 JPG/WebP;
SVG and PDF export Display P3 files converted to sRGB. The CLI exports the same way.
- ui: Color profile dialog (keep appearance / keep values) and a Color profile row on the page
panel; the canvas, presenter, thumbnails, swatches and colour picker show a Display P3 file's
colours converted to the screen's sRGB, and Copy as PNG converts too.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* M3: image adjustment presets: built-in, saved in the file, reset
- color: ImageFilters::PRESETS (Vivid, Muted, Warm, Cool, Black & white, Fade, Reset), lookup by
id or label, and sanitized values.
- doc: Document.image_presets (name + adjustments; written only when there are some).
- engine: image.adjust {ids?, target?, index?, preset?, filters?} sets the adjustments of image
paints from a preset (built-in or saved) with values on top, one undo step; image.savePreset,
image.deletePreset and image.presets.
- ui: the colour picker's image section gets a presets menu named after the preset in effect
("Custom" otherwise), saved presets with delete, "Save as preset...", a Reset button, and
aligned adjustment sliders.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* M3: style picker: search, folders, list or swatch grid, edit, create, detach
The Fill, Stroke, Effects and Layout grid sections' Styles button opens a popover laid out like
the variable picker (crates/ui-egui/src/style_picker.rs):
- search over style names; styles grouped by the folders of their `/`-separated names, which
collapse (searching opens them); colour styles as a list or a grid of swatches;
- click applies, a check marks the applied style; the row's edit button (or a right-click) edits
the name, description and values: colour style paints open the colour picker on the style,
effect and grid styles update from the selection; delete;
- `+` creates a style from the selection's current values and opens it for naming; detach;
- colour slots still list colour variables to bind;
- the applied style chip opens the picker; new icons Adjust, ViewList, ViewGrid (drawn in code);
- control channel: ui.set {stylePicker, stylePickerEdit, stylePickerView}.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
- Layers gain `maskType` (alpha by default, so files are unchanged): a vector mask clips by the
mask layer's outline whatever its fills and opacity; a luminance mask shows content where the
mask is bright and hides it where it is dark.
- `node.set {maskType}` (validated), `node.get` reports it, and the Appearance section shows a
Mask dropdown when the selection is masks.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
bflatastic