SVG and PDF exports check the visible subtree's depth before bounds or drawing and refuse, with an actionable message, a document nested past 256 levels instead of silently leaving the deep layers out; nothing partial is written, and an inner layer can still be exported. The CLI and MCP report the same error. Fixes#208.
Also: on Windows, figcraft and figcraft-cli link with an 8 MB main-thread stack (Windows gives 1 MB where Linux and macOS give 8), so an export at the depth limit no longer overflows it.
Co-authored-by: bflatastic <bflatastic@users.noreply.github.com>
The tail of the text area, from the public documentation of the target app's text settings, with a table-driven behaviour suite (each case derived in one line; "silent" cases pin today's behaviour).
- **Lists per paragraph** (`TextData::paragraphs`, one `ParaList {list, indent}` per paragraph; empty when the layer has one list style at level 0, so old files load and save unchanged). The list buttons, Shift+Cmd+8 / Shift+Cmd+7, `text.listStyle` and Type settings act on the paragraphs the selection touches while editing (the whole layer otherwise). The per-paragraph list follows edits: a new paragraph copies the one it split from, joined paragraphs keep the first one's.
- **Nesting** up to 8 levels: Tab nests a list item, Shift+Tab moves it out; Enter on an empty item and Backspace at an item's start move it a level out, then out of the list. Typing `- `, `* ` or `1. ` at the start of a plain paragraph starts a list. Numbers count per level (1. a. i., then round again), bullets go • ◦ ▪; a plain paragraph, a shallower item or the other list kind starts the count again. Each level indents by one marker gutter; a nested bullet a font lacks comes from a fallback font.
- **List spacing** (space between two items of a list, in place of paragraph spacing), **hanging lists** (the outer gutter outside the box, item text lined up with plain paragraphs) and **hanging punctuation** (opening quotes and brackets outside the start edge of left-aligned and justified lines, closing punctuation outside the end edge of right-aligned and justified ones; hung punctuation takes no room when lines wrap).
- **Decoration look** per character (`TextStyle::decoration_look`, boxed, None by default): style (solid, dotted, wavy), thickness and underline offset (auto, px or % of the font size), skip ink (underlines break around descenders) and colour (its own style index in the layout, so canvas, PNG and PDF paint it without renderer changes). Decorations are drawn from `Decoration::path()` (bar, dots or wave) on the canvas, in PNG, PDF and outlined SVG.
- `node.set` keys: `listStyle` and `indentation` (range-aware with start/end), `listSpacing`, `hangingPunctuation`, `hangingList`, `textDecorationStyle`, `textDecorationThickness`, `textDecorationOffset`, `textDecorationSkipInk`, `textDecorationColor`; documented in `KEYS` and docs/mcp.md. `text.edit.key` documents Tab.
- Inspect: `listStyle`, or `lineTypes` and `lineIndentations` per paragraph; `listSpacing`, `hangingPunctuation`, `hangingList`, the decoration keys. CSS: `text-decoration-style`, `-thickness`, `-color`, `text-underline-offset`, `text-decoration-skip-ink: none` (browsers skip ink by default). Dev Mode rows: decoration style, list spacing.
- REST import: `lineTypes` with `lineIndentations` per paragraph (they collapsed to one list style for the layer before), `listSpacing`, `hangingPunctuation`, `hangingList`, the decoration style, thickness, offset, skip ink and colour; instance override names for them.
- Type settings ▸ Basics: decoration style, thickness and offset fields (with Auto), Skip ink, decoration colour; List spacing; Hanging punctuation and Hanging list checkboxes; the list control acts on the edited paragraphs. New strings in en/es.
- Components carry the new text fields in the characters and text-style override groups; scaling scales list spacing and px decoration lengths.
- `TextData::path` is boxed (`Option<Box<TextPath>>`) to keep `NodeKind` under clippy's enum size limit after the new fields.
A behaviour suite for export and inspect, written from public documentation of design tools'
export settings and developer handoff modes (`crates/engine/src/export_behaviour_tests.rs`,
`crates/engine/src/inspect_behaviour_tests.rs`: 19 tests, 139 table rows and asserts, each with a
one-line derivation; rows where the docs are silent say so and pin today's behaviour). 47 cases
failed on `main`; this PR fixes them in shared code.
**Fixes**
- Export bounds are what a layer paints (`Document::world_render_bounds`, used by every export):
a drop shadow adds room only in the direction it falls (it was a symmetric margin of blur +
largest offset on every side); strokes on rectangles, frames and ellipses reach their real width
(the mitre factor made a centre stroke of 4 add 8 a side); hidden children take no room; a mask
group exports the mask's area.
- Slices export everything visible in their area (they exported an empty image).
- Slashes in layer names export into folders (`icons/close` → `icons/close.png`, folders created;
`.` and `..` segments dropped).
- Copy as PNG copies the whole selection (only the first layer was copied), now from shared code
(`cmd::file::copy_png`).
- Inspect positions are measured from the frame around a layer; groups aren't frames.
**Added (documented options that were missing)**
- Export settings: contents only (off draws every layer showing in the area) and include bounding
box (the layer's own box); SVG: outline text (off writes `<text>` with a `<tspan>` per line),
id attributes (unique), simplified strokes (stroke attributes for centred strokes, and for inside
and outside strokes on boxes and ellipses). Stored per export setting, taken by `file.export`,
`export.add` / `export.update`, `file.exportLayers` and MCP `export`; a "…" popover on each row of
the Export section.
- Inspect: colour formats hex / RGB / CSS / HSL / HSB (`inspect.properties {colorFormat}`, a Color
format dropdown), a Blend row, CSS in rem (`inspect.code {unit, rootFontSize}`, px/rem dropdown),
CSS for rotation, blend modes, gradient directions and kinds (linear angle, radial, conic), text
alignment, case and decoration; icons and images in the asset list (`kind`), exported with
`file.exportLayers {assets: true}`.
**A paint and effects behaviour suite written from the public documentation, and fixes for every divergence it found.** Each documented rule (fill stacking and opacity, paint vs layer opacity, every blend mode per paint and per layer, pass-through and Normal containers, the four gradient kinds and their handles, stops, image scale modes, rotation and adjustments, the colour models and hex entry, the document colour profile, drop and inner shadows, showing shadows behind transparent areas, layer and background blurs, effects on groups, effect order, what exports include) is a table-driven case with a one-line derivation; where the documentation is silent the case says so and pins today's behaviour. Scenes are small and synthetic; pixel cases use tolerances (blurs are checked against the normal distribution with sigma = radius / 2).
**Fixes (13 render cases and 8 command/export cases fail on the old code)**
- **Pass-through and Normal containers**: a group or frame set to Normal now blends its children among themselves first (it never isolated), and a **clipping frame no longer isolates** its children: they were drawn on a fresh layer, so a Multiply child inside a frame (frames clip by default) met neither the frame's fill nor what is behind it. The clipped layer now starts as a copy of what lies under it and goes back in its place through the clip (a memcpy for rectangular clips, so no slower); backdrop effects see the right composite, also for a clipping frame inside a faded group. Same in exports: SVG gives Normal groups `isolation:isolate` and puts a clipping frame's clip on what blends instead of a clipped `<g>` (a clipped group is a stacking context, which isolates); PDF wraps Normal groups in an isolated group (`Node::isolates_children`, shared).
- **Plus darker** (linear burn) is drawn by its formula on the canvas and in pixel exports for paints, layers, shadows and noise (it was multiply); tiny-skia lacks the mode, so `fx::plus_darker` composites it and `paint::composite` routes every layer, shadow and noise composite through it.
- **Shadows hidden behind the layer**: a drop shadow that doesn't show behind transparent areas is now hidden behind what the layer covers, translucent and 0% fills included (it was cut out by the layer's alpha, so it showed through a 50% fill anyway); groups and layers whose pixels a layer blur or texture moves still hide it behind their pixels. One `shadow::Caster::new` serves the canvas, PNG and the PDF's shadow rasters. **SVG** never cut shadows out: its filters now composite them `out` of an image of the layer's outline (or `SourceAlpha` for groups), and the filter region reaches as far as the effects (a fixed 200% box cut off a small layer's long shadow).
- **Fill images cover the box to its edges**: an upscaled Fill (or covering Crop) image faded to transparent over a source pixel at the box's edge.
- **"Normal" meant pass-through** when named: `BlendMode::from_name("normal")` found pass-through first (its CSS keyword is also `normal`), so `node.set {blend: "normal"}` and the blend menu's Normal set pass-through. Labels now win, and the menu sends labels.
**Added**
- A blend mode menu for each paint in the colour picker (no pass-through for paints), sharing `right::blend_menu` with the Design panel's layer menu; strings already translated.
- Inspect (`node.get`, MCP) reports a solid paint's `blend` when it isn't normal.
A 64-case behaviour suite derived from public documentation (sizing, padding, strokes, gaps, alignment, wrap, absolute position, grid, stacking) plus command-level tests. Fixes: frames never shrink below their padding, only the frame's own inside stroke counts when strokes are included (now the default for new auto layout), auto gaps stop at 0, grid fr tracks never go below their content, and canvas stacking (reverseZ) now drives drawing, exports and hit testing. New settings: evenly/around auto gaps, vertical wrap with a column gap, per-child grid cell alignment, strokes included/excluded and canvas stacking in the Design panel.
Text layers can follow a path (start offset, flip, alignment; edited in place; canvas, PNG, SVG, PDF; SVG textPath imports as real text on a path). A new pattern paint tiles a source layer in grid or hex rows with scale, spacing and alignment, live as the source changes (SVG pattern, PDF vector tiling pattern).
PDF export gains print options, saved on PDF export settings and taken
by file.export, file.exportLayers, file.exportFramesPdf, export.add /
export.update, figcraft-cli export and the MCP export tool:
- a bleed (points or a length like 3mm / 0.125in, up to 2 in) that grows
each page and shows what lies past the frame: its fills reach out to
the bleed edge and its children are clipped there instead; a print
page of one frame is trimmed to the frame's box;
- crop and bleed marks: 0.25 pt hairlines outside the bleed in
registration colour;
- MediaBox / BleedBox / TrimBox;
- CMYK colour: fills, strokes, text, gradient stops, images and
rasterised effects converted from sRGB with the naive, deterministic
K = 1 - max(R, G, B) formula; DeviceCMYK without an output intent (no
CMYK ICC profile can ship in the repository), soft masks stay RGB.
The Design panel shows a PDF row's print settings as a summary line that
opens them; the Export dialog has print options for its PDF preset.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
- Inner shadows paint over the fills and under the children and strokes, as documented (canvas,
PNG, PDF and SVG alike; text fills every run before the inner shadow and the strokes).
- Layer and background blur gain a progressive type: the radius ramps linearly from a start radius
at a start point to the end radius at an end point (unit-box points, like gradient handles).
Rendered by blending a few geometric blur levels, each blurred only around the pixels that use
it; bands and partial renders match one piece. Design panel type menu and Start/End fields,
on-canvas handles while the settings are open, effect.add/effect.set params, startRadius
variable bindings, scale tool, REST import (blurType, startRadius, startOffset, endOffset),
Inspect row; CSS leaves progressive blurs out.
- SVG export embeds renders for what filters can't match: noise grains over the vector layer
(crisp, blended), texture and progressive layer blur whole, background blur and glass from what
lies under the layer among the exported layers. PDF and SVG share the renderer's helpers.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
- Background blur sees the whole backdrop under the layer: the renderer keeps the stack of
isolated surfaces it draws into (clipping frames, rounded clips, faded groups, masks) and
flattens it for the layer's area, reading past the layer's own box. A blur inside a clipping
frame now shows the frame's fill instead of the sharp layers below, on the canvas and in PNG
exports. The PDF export draws background blur and glass through the same code from a render of
what lies under the node (`backdrop::render_beneath`, which the PDF's backdrop now shares), and
its images match the PNG's pixels.
- Shadow spread offsets the outline: the shape filled and stroked twice the spread wide with
mitred joins (grow) or cut away (shrink), the stroked bands cached per outline. Ellipses stay
ellipses, stars keep sharp points, text keeps its letterforms, rounded corners grow their
radius. Inner shadows shrink the outline the same way. Canvas, PNG and PDF share the shadow
code; SVG writes spread shadows as the same geometry and now exports inner shadows.
- Glass effect (light angle and intensity, refraction, depth, dispersion, frost, splay): the
frosted backdrop bent towards the inside within `depth` of the edge, colour fringes, light on
the rim, from an exact distance transform with smoothed normals.
- Noise: mono, duo and multi colour modes, grain size, density, opacity and blend mode; grains
live in the layer's coordinates (stable when panning and zooming). Texture is now drawn
(pixels scattered by the radius, grain size, clip to shape).
- Design panel rows for noise mode/colours/opacity, texture clip to shape and every glass value;
`effect.add` takes `glass`; REST import of NOISE, TEXTURE and GLASS; Inspect rows and CSS;
the scale tool scales grain sizes, texture radius, glass depth and frost.
- Tests in new modules: render backdrop/spread/grain tests, PDF backdrop tests, SVG, doc,
engine and REST effect tests.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
PDF export
- Vector masks clip to the mask's outline, luminance masks are luminosity
soft masks (alpha masks as before).
- Background blur: the backdrop the page draws under the layer is rendered,
blurred and cut to its shape, under the layer's vector content.
- Text hyperlinks become clickable link annotations (one per line and link).
- Frames-to-PDF shares one path (`frames_pdf`): sRGB conversion for Display
P3 files, hidden frames left out, the file name as the PDF title.
- `figcraft-cli export -o x.pdf` and `convert x.figcraft x.pdf` write the
page's frames one PDF page each.
- Tests: mask types, backdrops, links, image deduplication, page sizes in
points, hostile inputs; CLI end to end. Checked by rendering the PDFs back
to PNG and diffing against the PNG export.
Prototyping
- Model: conditional actions (if / else if / else blocks), set variable mode,
and expressions (literals, variable references, + - * /, comparisons,
and/or/not, negate) for set-variable values and conditions; walk helpers
for nested actions (remap on paste, colours, destination checks, library
copies and pruning, canvas connections).
- REST import maps CONDITIONAL, SET_VARIABLE_MODE and SET_VARIABLE with
variable references and EXPRESSION values; unsupported functions (mode
lookups) skip the action with a warning.
- The presenter runs them in order (`figcraft_engine::proto_run`); the
Prototype panel summarises conditionals, edits set-variable-mode, and
`ui.set {protoEditor}` opens an interaction's editor.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* M3: colour profiles: sRGB or Display P3 per file, convert or keep values, tagged exports
- color: ColorProfile (srgb, displayP3) with conversions derived from the primaries (shared D65
white and sRGB curve; out-of-gamut channels clip), table-driven pixel conversion, a generated
ICC v4 matrix/TRC profile and PNG cICP code points.
- doc: Document.color_profile (serde default sRGB, written only when set); every colour value
(paints, text runs, effects, grids, page and prototype backgrounds, overlay backdrops, styles,
colour variables, document colours) can be mapped; set_color_profile converts or reinterprets.
- engine: file.colorProfile {profile?, convert?} (File > Color profile...; without a profile it
opens the dialog); document.inspect reports colorProfile.
- render: images are taken as sRGB and managed into the file's space; encode_export tags PNG
(sRGB chunk, or iCCP + cICP for Display P3) and embeds the ICC profile in Display P3 JPG/WebP;
SVG and PDF export Display P3 files converted to sRGB. The CLI exports the same way.
- ui: Color profile dialog (keep appearance / keep values) and a Color profile row on the page
panel; the canvas, presenter, thumbnails, swatches and colour picker show a Display P3 file's
colours converted to the screen's sRGB, and Copy as PNG converts too.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* M3: image adjustment presets: built-in, saved in the file, reset
- color: ImageFilters::PRESETS (Vivid, Muted, Warm, Cool, Black & white, Fade, Reset), lookup by
id or label, and sanitized values.
- doc: Document.image_presets (name + adjustments; written only when there are some).
- engine: image.adjust {ids?, target?, index?, preset?, filters?} sets the adjustments of image
paints from a preset (built-in or saved) with values on top, one undo step; image.savePreset,
image.deletePreset and image.presets.
- ui: the colour picker's image section gets a presets menu named after the preset in effect
("Custom" otherwise), saved presets with delete, "Save as preset...", a Reset button, and
aligned adjustment sliders.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* M3: style picker: search, folders, list or swatch grid, edit, create, detach
The Fill, Stroke, Effects and Layout grid sections' Styles button opens a popover laid out like
the variable picker (crates/ui-egui/src/style_picker.rs):
- search over style names; styles grouped by the folders of their `/`-separated names, which
collapse (searching opens them); colour styles as a list or a grid of swatches;
- click applies, a check marks the applied style; the row's edit button (or a right-click) edits
the name, description and values: colour style paints open the colour picker on the style,
effect and grid styles update from the selection; delete;
- `+` creates a style from the selection's current values and opens it for naming; detach;
- colour slots still list colour variables to bind;
- the applied style chip opens the picker; new icons Adjust, ViewList, ViewGrid (drawn in code);
- control channel: ui.set {stylePicker, stylePickerEdit, stylePickerView}.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
- Inline IME composition: egui Preedit events become a composition held in the text edit
session (`TextEdit.preedit`), shown inline at the caret with an underline and the IME cursor,
reflowing the text; the document only gets the committed text (`text.edit.insert`). Composing
over a selection replaces it; moving the caret or ending the edit drops an uncommitted
composition. The IME candidate window follows the cursor inside the composition.
New command `text.edit.preedit {text, cursor?}`; `text.edit.selection` reports it.
- Variable fonts: faces read their fvar axes (tag, name, range, default, hidden) and named
instances. Named instances are offered as styles and resolve in `find`; a style name with no
instance implies weight/italic/slant on the axes and optical size follows the font size.
Per-run custom axis values (`TextStyle.variations`, serde default, omitted when empty) are applied
in HarfRust shaping (ShaperInstance) and skrifa outlines/advances (cached per coordinates).
PDF export outlines non-default instances instead of embedding the default one.
- Commands/props: `fontVariations` / `variationSettings` props (whole layer or start..end),
`text.setVariations {variations, replace?}` (merges; edited range while editing),
`text.fonts {family, style?, axes: true}`; `node.get` and copy/paste properties carry the axes.
Picking a named style (Bold/Italic toggles, weight steps, fontStyle/fontWeight) drops custom
wght/ital/slnt values and keeps the others.
- Type settings ▸ Variable tab for variable fonts: a slider (default tick, double-click to reset)
and a field per visible axis, "Mixed" across differing styles, live drag as one undo step,
"Reset to style". Long style/family names stay on one line with an ellipsis and a tooltip.
- Tests: variable font shaping/outlines/clamping/instances (skipped without a variable font),
serde backward compatibility, preedit lifecycle and undo, variation commands/props/undo/junk;
junk sweeps extended with variation and preedit params.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
- Edit-mode toolbar (Move V, Pen P, Bend hold Cmd, Paint bucket Shift+B, Lasso Q, Cut X, Done)
replaces the tools while a vector is edited.
- Pen in edit mode continues open ends, branches from any point (vector networks), adds points on
segments and closes paths into fill regions; dragging pulls out mirrored handles.
- Paint bucket fills or unfills any closed area: faces of the network (half-edge walk, nested
pieces become holes), with a hatched preview of the area under the pointer.
- Bend tool / Cmd: bend segments, pull handles out of a point, click a smooth point to sharpen it.
- Lasso and marquee point selection, segment selection (shift adds), cut at a segment or a point.
- Per-point handle mirroring (none / angle / angle and length, inferred for existing files),
Alt-drag breaks it; smooth/sharp points; join and merge selected points (Cmd+J, Shift+Cmd+J).
- Delete opens the path, Shift+Delete heals it; arrows nudge points; Cmd+A selects all points.
- Design panel shows the selected points' position, corner radius and mirroring.
- Every gesture is one undo step; edit mode ends when its layer is undone away.
- Paths that end on their start without a ClosePath (ellipse outlines) stay closed and filled.
- New commands (vector.edit.tool/pen/paint/cut/lasso/mirroring/smooth/position/nudge/connect/...)
for the CLI, control channel and MCP; docs updated.
- Clippy: simplify a few boolean expressions flagged by the current toolchain.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
