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JonRC
d0e7e09ecb
ProRes renders had no colr atom, so the stream reported no primaries, transfer or matrix. Write an nclc atom, as FilmCraft does for MOV, with the codes of what the render path makes: the project's output space when it has a working space, BT.709 otherwise. sRGB output stays at transfer 1, which is still open on #340 and #464. The frames don't change, so the pinned ProRes bytes move by exactly the atom's 18 bytes.