effectcraft/crates/pdf

effectcraft-pdf

Vector footage from PDF files, PDF-compatible Adobe Illustrator files (.ai, which are PDF documents) and Encapsulated PostScript (.eps). Files parse into the same render tree as SVG (effectcraft_svg::Doc), so they rasterise at any scale (Continuously Rasterize), convert to shape layers (Layer ▸ Create ▸ Create Shapes from Vector Layer) and import as compositions with one layer per file layer (File ▸ Import ▸ Composition). Composition - Retain Layer Sizes uses each layer's artwork bounds and keeps its placement on the page. Images keep their rectangular bounds; clipping paths constrain the bounds, while soft masks do not change them.

Specifications used: ISO 32000-1:2008 (PDF 1.7; the public Adobe edition) for the file structure, filters, content streams, graphics state, colour spaces, functions, shadings, text, fonts, images, patterns, transparency (blend modes, soft masks) and optional content; Adobe Technical Note #5176 (The Compact Font Format Specification) and #5177 (The Type 2 Charstring Format) for CFF font programs; Adobe Type 1 Font Format (version 1.1) for Type 1 font programs; the PostScript Language Reference, third edition and the Encapsulated PostScript File Format Specification 3.0 for EPS; ITU-T T.4 (07/2003) and ITU-T T.6 (11/1988) for CCITT fax images. TrueType font programs are read through skrifa and JPEG (DCT) images through zune-jpeg (both permissively licensed, pure Rust). No third-party PDF/PostScript/font/codec code was read; test files (including the CFF and Type 1 fonts and the CCITT data) are generated in code (write and the tests). One CCITT fixture was produced once by libtiff's tiffcp (an external encoder used only as a fixture generator, like ffmpeg elsewhere) to check the code tables against an independent implementation.

What is read

• Structure: indirect objects found by scanning (damaged or incremental cross-reference sections do not matter), object streams, the page tree with inherited resources, MediaBox / CropBox and /Rotate. Filters: Flate (with PNG predictors), LZW, ASCIIHex, ASCII85, RunLength, CCITTFax (Group 3 one- and two-dimensional, Group 4; K, Columns, Rows, EndOfLine, EncodedByteAlign, EndOfBlock, BlackIs1; damaged data keeps the rows decoded before the damage). Encrypted files are refused.

• Content: q/Q, cm, line width / cap / join / miter / dash, ExtGState (CA, ca, LW, LC, LJ, ML, D), all path construction and painting operators (non-zero and even-odd), clipping (W, W*) as clipping groups, colour in DeviceGray / RGB / CMYK, ICCBased (by component count), CalGray / CalRGB, Lab, Indexed, Separation and DeviceN (tint transforms of function types 0, 2 and 3), axial and radial shadings as pattern fills and through sh, form XObjects (matrix, bounding-box clip, nested resources).

• Layers: top-level optional-content marked sequences (/OC … BDC, Illustrator's layers) become the document's layers, named after their OCG; content outside them is gathered into layers "Layer N".

• EPS: a PostScript interpreter for the subset exported vector EPS uses: operand and dictionary stacks, procedures and def/bind/load/where, arithmetic, comparisons, if/ifelse/for/repeat/loop/forall, arrays and strings, gsave/grestore, save/restore, matrices (concat, translate, scale, rotate, transform …), path construction including arc/arcn and relative operators, fill/eofill/stroke, clip/eoclip, rectfill/rectstroke/rectclip, gray / RGB / CMYK / HSB colour. DOS EPS binary headers and %%HiResBoundingBox / %%BoundingBox are honoured; %%BeginData / %%BeginBinary / preview sections are skipped. Text: findfont / findresource, scalefont, makefont, selectfont, setfont, currentfont, definefont (re-encoded copies made with forall and a new /Encoding), StandardEncoding / ISOLatin1Encoding, show, ashow, widthshow, awidthshow, xshow / yshow / xyshow, kshow / cshow (the procedure is not run), glyphshow, charpath (glyph outlines join the path, e.g. for clipping) and stringwidth. Fonts embedded in the file — Type 1 programs (… currentfile eexec … cleartomark, binary or hexadecimal) and CFF font sets (StartData) — are found by name before the program runs; other fonts are drawn with the bundled fonts as for PDF. Each show becomes one compound shape named "Text: …".

• Text (§9): text objects and state (Tc, Tw, Tz, TL, Ts, Tr, Tf, Td, TD, Tm, T*), Tj, TJ (with kerning), ' and "; render modes fill / stroke / fill-and-stroke / invisible and the clipping modes (glyph outlines clip until Q). Glyphs become outlines (one compound shape per show operator, named "Text: …" after the string through ToUnicode or the glyph names). Fonts: simple fonts with /Widths, base encodings (Standard, WinAnsi, MacRoman), /Differences and built-in encodings; composite (Type 0) fonts with Identity-H / Identity-V and embedded CMaps (cidrange / cidchar, /WMode), /W and /DW widths, vertical metrics (/W2, /DW2: the vertical displacement and the position vector from the horizontal to the vertical origin) and CIDToGIDMap. Embedded programs: TrueType (FontFile2, cmap (3,1) / (3,0) / (1,0) and post names), CFF (FontFile3 /Type1C, /CIDFontType0C, /OpenType; name-keyed and CID-keyed with FDArray / FDSelect, flex, hint masks, seac), Type 1 (FontFile, eexec, /Subrs, flex and hint replacement through othersubrs, seac) and Type 3 glyph procedures. Fonts that are not embedded (the standard 14 and others) are drawn with the bundled OFL fonts by name: Inter (sans serif, Regular / Italic / SemiBold / Bold), Noto Serif (Times and other serif names) and JetBrains Mono (Courier), with their own advances when the PDF gives no widths.

• Images (§8.9): image XObjects and inline images (BI … ID … EI, abbreviated keys); 1, 2, 4, 8 and 16 bits per component with /Decode; any colour space above (Indexed through its palette, ICCBased through its /Alternate space); DCT (JPEG, through zune-jpeg; Adobe inverted CMYK) and the general filters; stencil masks (/ImageMask) in the fill colour; soft masks (/SMask images) and colour-key and explicit /Masks. Images become image nodes of the render tree (bilinear, box-filtered when minified).

• Transparency: blend modes (/BM, all 16 PDF modes) and soft masks in the graphics state (/SMask with /S /Luminosity and /BC backdrops, or /S /Alpha) as groups of the render tree, open until the state changes or Q: what is painted while a soft mask is set is rendered to an offscreen buffer and the mask applies to that combined result. Transparency group XObjects (§11.6.6) composite as one object: the current alpha, blend mode and soft mask apply to the group's result, and its contents start from the initial alpha. Isolated groups (/I true) composite over a transparent backdrop; non-isolated groups over the page, with the backdrop's contribution removed again (§11.4.8) so group alpha and masks apply only to the group; knockout groups (/K true) composite each child with the group's initial backdrop. Clipping groups are not transparency groups: blend modes inside them reach the backdrop.

• Patterns: tiling patterns (coloured and uncoloured, XStep / YStep, the cell clipped to /BBox, at most 4096 tiles per fill) for fills; strokes with a tiling pattern use its colour (uncoloured) or grey.

• Shadings (§8.7.4.5): axial and radial shadings become gradients. Function-based shadings (type 1, Domain and Matrix) and the mesh shadings — free-form (type 4, edge flags 0–2) and lattice-form (type 5) Gouraud-shaded triangle meshes, Coons patch meshes (type 6) and tensor-product patch meshes (type 7, flags 0–3 sharing the previous patch's edges) with BitsPerCoordinate / BitsPerComponent / BitsPerFlag / Decode and an optional parametric Function — are rasterised into an image node in page space (up to 4 pixels per point, at most 1024 pixels a side, 2×2 supersampled): patches are tessellated into triangles (up to 48×48 cells), colours (or t) interpolated across each triangle. They paint through sh (their own extent only) and as shading-pattern fills (clipped to the path).

• Functions: sampled (one or several inputs, multilinear interpolation), exponential, stitching and PostScript calculator (type 4) functions.

• Pages: any page ([parse_page], [page_count]); File ▸ Import takes page (from 1) and the Import dialog asks for it; footage remembers its page (Footage::page).

Limitations

• JPX and JBIG2 images, predefined CJK CMaps other than Identity-H / Identity-V, and transfer functions (/TR) are not read. JBIG2 is deferred. Predefined CMaps (UniGB-UCS2-H, 90ms-RKSJ-H …) need the CMap data, and there is no permissively licensed pure-Rust source of it (Adobe's CMap resources are Adobe assets, which this project does not ship); text in such fonts is reported in Doc::skipped. Mesh shadings are raster images in the render tree (sharp to about 4× the document size). Knockout uses each child's coverage as its shape (a child with constant opacity knocks out fully where it covers). What a document skipped is listed in Doc::skipped.
• Illustrator EPS files whose drawing depends on Adobe's procedure-set resources (defined in the file through constructs beyond this subset) and Level 3 shfill gradients in EPS draw only what the subset understands; save such artwork as PDF-compatible .ai or PDF instead. EPS images are skipped; Type 3 (procedure) fonts defined in EPS files draw nothing (reported).
• Create Shapes from Vector Layer: clips that enclose the whole page become layer masks (the first clip Add, later ones Intersect). Nested clipping groups become Merge Paths: each closed shape inside them is a group with its geometry merged into one compound path, the clip paths, and Merge Paths ▸ Intersect before its fill and stroke, so fills match exactly and strokes follow the clipped outline; open stroked paths inside clips stay unclipped. Blend modes become the groups' Blend Mode. Images become footage layers: each is written as <file> Image <n>.png next to the source and imported, placed by its matrix (anchor at its top-left corner; position, rotation and scale — a skew is reported) and parented to the shape layer; the shapes drawn between images go to shape layers of their own (<name> Outlines <n>), so the layer stack keeps the document's paint order. Soft masks, and the clips and masks of images, are not converted (the command's skipped list says so).