Add Layer Styles submenu to the Timeline and Composition viewer layer context menu, matching After Effects parity and the application Layer ▸ Layer Styles menu.
- Adds Layer Styles submenu between Blending Mode and Effects
- Exposes Layer Style Options..., Convert to Editable Styles, Show All, Remove All, and the 9 individual styles
- Translates Layer Styles across all 7 UI catalogs
- Adds regression test verifying submenu presence, position, and action invocation
Drop the byte-count tooltip, the "—" marker and their strings and UI test,
and the bench wrapper script: they are outside this PR's scope and After
Effects leaves the Size cell blank when the size is unknown. The size sort
and its tests are unchanged.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
`pen_press` placed each new vertex where it was clicked (after snapping)
whatever the modifiers, so Shift did nothing and a vertical, horizontal or
45° segment had to be lined up by eye. With Shift held, the new vertex now
moves onto the nearest line at a multiple of 45° through the vertex before
it, as far along that line as the click lies (`constrain_45`). Masks and
shape paths both go through this path.
The PDF / Illustrator import dialog now offers Composition - Retain Layer
Sizes. Each file layer's footage is cropped to its artwork bounds (fills,
stroke outlines, images, clips) and positioned to keep its place on the
page. Decoding, continuous rasterisation, shape conversion and reload share
one crop (effectcraft_pdf::layer_doc_with_sizes), so they agree.
Also collapses a match guard in the STL reader for current stable clippy.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Merge each offloaded property-group result against the snapshot the job started from. Preserve disjoint live edits, group identity and child changes; refuse conflicting results without changing the document or undo/redo history.
Record an apply rejection on its originating job so completion logs and waiting control commands report failure. Keep concurrent jobs' outcomes separate and retain the correct completion position when the bounded log rolls over.
Add actual-worker regressions for conflicts, disjoint edits, concurrent analyses and undo/redo, plus control completion/error regressions.
Fixes#1249
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Problem: effect colour labels (26.5) were drawn only on the Effect Controls header; the Timeline's effect rows looked unlabelled.
Fix: an effect group row in the Timeline paints the label colour as a 4 px bar on its left edge (same look as the Effect Controls header) and registers `timeline.group.<uid>.label` with the label's name for agents. Docs: gaps.md row 21 and ui-parity.md updated.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Two German menu labels described a different command:
- `layer.timeReverse` was "Ebenenreihenfolge umkehren", which reads as reversing
the stacking order rather than time -- now "Ebene zeitlich umkehren", matching
`keys.timeReverse`;
- `layer.style.convertToEditable` was "In editierbare Formate umwandeln", and
"Formate" are formats, not layer styles -- now "In bearbeitbare Stile
umwandeln".
Where the same English term had more than one German rendering, the one already
in the majority wins, so this settles rather than re-translates:
- "Expression" is "Ausdruck" in seven entries and "Expressions" in the two
`layer.expressions` ones, which now read "Ausdrücke aktivieren/deaktivieren";
- "Reveal" is "anzeigen" in eleven of twelve entries, so `layer.revealInFinder`
joins `file.revealInFinder` at "Im Finder anzeigen" -- in every other
catalogue both commands already share one string;
- "Track" as a verb is "verfolgen" in the other four entries, so `track.mask`
is "Maske verfolgen" rather than "Maske tracken";
- one spelling of "nach vorne", matching the neighbouring arrange entry.
German also had no platform variants for the file manager. The engine puts the
platform's name into the label before the catalogue sees it, so on Windows the
source is "Reveal in Explorer" and on Linux "Reveal in File Manager"; only
Ukrainian and Czech special-cased those, and a German UI showed the English
string. Added, with a test mirroring `czech_…` and `ukrainian_…`.
Two of the reported six are left alone: "Essential Graphics" is a 3-3 split and
a panel's proper name, and "Null" partly mirrors the English, which itself says
both "Null Object" and "Nulls". Both are translator's choices with no majority
to follow, not corrections.
Follow up on #1210: remove the fixed menu index from automation and click handling, and move the preset-folder documentation into the Effects & Presets section.
In After Effects solo is not time-dependent: while any AV layer is soloed,
non-soloed layers are excluded at every time. The renderer, nested/collapsed
3D paths, engine viewer helpers and viewer hit tests only counted solo layers
active at the current time, so outside the soloed layer's in-out range the
whole comp reappeared. Drop the time condition (audio already ignored it).
Update the #66 viewer regression test to the AE behaviour and add a render
test for it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Every layer gets the Video switch (eye) in the Timeline (nulls, cameras and lights
were excluded by an is_av() check). A selected layer whose eye is off no longer
draws its box, handles, anchor or paths in the viewer. Alt-click on an eye and
Layer > Switches > Hide Other Video now take nulls along.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Marco Arnulfo