A drag that started on a script control stopped at the window edge:
moves outside were dropped and a release outside never reached the
control. While a button is held, the control it was pressed on now gets
the moves (with screen and control-relative coordinates) and the
release, wherever the pointer is, as in After Effects. Every MouseEvent
also carries buttons (held: 1 left, 2 right, 4 middle), so a handler can
tell a drag from a hover; scriptui.mouse accepts it too.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Dragging a mask or shape vertex, a tangent or a Pen point against the
edge of the Composition panel now pans the view toward that edge, faster
the further out the pointer is, and the point keeps moving with it, so
zoomed-in rotoscoping no longer stops at the panel edge (as in After
Effects).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Dragging an effect's (or mask's, shape item's, text animator's) row in
the Timeline drew a marquee. The row now drags: a line shows where it
lands among its siblings and the drop runs prop.moveGroup (one undo
step); Escape cancels, as the layer reorder drag does.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Text strokes were always drawn with round joins. The document gets a
Line Join (`lineJoin: miter|round|bevel` in layer.setText / newText),
Miter for new text as in After Effects, Round for documents saved before
it so their look is kept. The 2D and Advanced 3D (extruded) text strokes
use it, expressions' style copies carry it, and the Character panel has
Miter / Round / Bevel buttons under the stroke width.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Gesture::Vertices took the raw drag delta; it now goes through one_axis, as a
Shift-dragged layer's move does, before snapping.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Timeline's comp tabs had a × on the shown comp only, so closing another
comp meant showing it first. A comp tab the Timeline does not show now shows
its × while the pointer is over it, and clicking it closes that comp without
showing it. Every comp tab keeps the ×'s room, so a tab keeps its width when
it is shown or hovered. Automation: `panel.tab.Timeline.<comp>.close` for
each comp's ×; `panel.tab.Timeline.close` stays for the shown comp's.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Composition and Layer viewers took every scroll as a zoom, so a trackpad
could not pan. A trackpad's two-finger scroll now pans; a pinch,
Ctrl/Cmd+scroll, a mouse wheel and Alt + a trackpad scroll zoom around the
pointer.
Where the platform names the device (egui's MouseWheelSource, macOS), that
decides. Elsewhere browsers and some high-resolution wheels report a mouse
wheel in points, as a trackpad does, so the unit alone doesn't decide. A
scroll in points pans only once it has shown it is a trackpad: a touch phase,
movement on both axes at once, or a pinch. That holds until a wheel scrolls
in lines. Until then the vertical part zooms and the horizontal part pans.
ui.scroll gains unit (point|line), source (wheel|trackpad) and pinch so
agents can drive both gestures.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The button row followed each tab's content, so it jumped when switching
between Basic, Advanced and 3D Renderer. The tabs not on show are laid out
unseen each frame and the dialog pads to the tallest, so Cancel and OK stay
put with any font, language or scale.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Conflicts:
- viewer.rs: the undecodable-footage notice moved into phase_scene on main; it now
collects its layers in footage_problems, which keeps the proxy and collapsed-precomp
rules of #1701.
- project.rs: main's row layout, with the problem marker going by item_problem.
- movie_bytes.rs: the H.264 pin is FilmCraft 09aaf9b's bytes plus main's 19-byte
BT.709 colr box (104_322 + 19 = 104_341).
render/footage.rs imports ItemKind now that main names its imports.
A double-click on a creation tool in the Tools bar makes what it draws, as in After Effects: a text layer from the Type tools; from the shape tools a shape that fills the comp - into the selected shape layer's Contents, as a mask on the selected layer (or when Tool Creates Mask is on), or as a new shape layer when neither applies. The shape geometry defaults now match AE: the Rounded Rectangle tool's Roundness is a fixed 20 instead of growing with the drawn size, and the Polygon tool draws five points.
The empty Composition viewer's button only ran File > Import, so the picked
file landed in the Project panel and no composition was made. file.import
now takes newComp: when the import lands (at once or when its background job
applies), what it made becomes one composition via New Comp from Selection.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Main split the panels' value editors into one function per value kind.
The expression colour now comes from Tokens::for_value in each of them:
Effect Controls through PropCx::value_tokens, the Timeline's scalar,
vector and enum editors, and the Properties transform row.
Groups, paths, fills, strokes and operators in a shape layer's Contents show the
Video eye in the A/V column (a group's Transform doesn't). Clicking it runs
prop.setGroupEnabled, which the shape renderer already honours; layer-style
eyes keep layer.style.toggle. Row building and search results share eye_of.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
