#2054's own merge of main re-added zh-hans/zh-hant rows that main already
had, so catalogs_are_unique_and_keep_the_english_shape failed on main.
The catalog is the batch-tested one, with ('ka', GEORGIAN_PANELS) back in
ROWS (the batch's merge helper had folded it into the first 'ka' entry).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A drag that started on a script control stopped at the window edge:
moves outside were dropped and a release outside never reached the
control. While a button is held, the control it was pressed on now gets
the moves (with screen and control-relative coordinates) and the
release, wherever the pointer is, as in After Effects. Every MouseEvent
also carries buttons (held: 1 left, 2 right, 4 middle), so a handler can
tell a drag from a hover; scriptui.mouse accepts it too.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Resolve the two conflicts the panel catalogs and the Composition Settings
rewrite left:
- i18n/ui.rs: keep both sides' rows in the Simplified and Traditional Chinese
catalogs, which grew at the same anchor (the PR's 301 panel/dialog rows, then
main's 43 tool and Preview-panel rows). The tables are grouped by feature, not
sorted by key, so the two blocks sit one after the other. Both sides also added
"Frame Rate" once: keep one row per catalog, main's 影格速率 in Traditional
(matching the table's existing 影格速率：) and 帧速率 in Simplified.
- comp_settings.rs: take main's rewritten tab_body (it returns () and matches on
the tab, and show() measures the tabs) and re-apply the wrapping the old layout
had: the three tab labels go through tr(), as Basic, Advanced and 3D Renderer
already have rows. The old horizontal layout and its out accumulator are gone.
cargo test -p effectcraft-ui-egui --lib: 336 passed, 0 failed, 3 ignored.
The job reports its times when a frame finishes, so with slow frames the
Current Render strip held the same Est. Remain long enough to look
stalled, then jumped. Between reports both times now count on from the
last one, as a clock does (remaining never below zero, a finished job
stands still), and the panel repaints twice a second while rendering.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The menu only carried Mute, so unmuting meant the timeline's context menu.
Add the second row bound to `keys.setMuted {"muted":false}`, its translation
in the ten catalogs, and a test that runs both rows through Session::execute
with undo and redo.
Add a muted flag to Keyframe. Muted keys stay in the Timeline and Graph Editor (dimmed, selectable and movable) but evaluation skips them, so the active neighbours interpolate as if they were not there; auto-Bezier and eases use the active neighbours. When every key is muted the property falls back to its static value.\n\nkeys.setMuted {muted} mutes or unmutes the selected keys in one undo step. The Timeline context menu offers Mute/Unmute Keyframes and the Animation menu has Mute Keyframes. Muted keys have no Bezier handles and motion-path points are dimmed.\n\nLottie export omits muted keys (with a warning) because Lottie has no mute state; scripting keeps seeing them in numKeys/key().\n\nTests: keyframe evaluation (linear, auto-Bezier spatial, all muted), serialization and value replacement, engine command + undo, Lottie export.
Dragging a mask or shape vertex, a tangent or a Pen point against the
edge of the Composition panel now pans the view toward that edge, faster
the further out the pointer is, and the point keeps moving with it, so
zoomed-in rotoscoping no longer stops at the panel edge (as in After
Effects).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
