Right-clicking the Effect Controls panel did nothing outside an
effect's header. As in After Effects, a right-click anywhere a control
has no menu of its own (the empty area, property names, buttons such
as Reset) now opens the Effect menu: Effect Controls, Last Effect,
Remove All, Manage Effects and every effect category, applying the
chosen effect to the selected layers. It is the menu bar's own Effect
menu tree and drawing code; an effect header keeps its own menu.
Test: right_click_in_effect_controls_shows_the_effect_menu.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Spacebar started or stopped the preview on its press, so holding it to
pan the Composition panel (Space+drag already panned there) also
toggled playback. As in After Effects, plain Spacebar now runs its
shortcut when it is released, and only if no mouse button went down
while it was held and the press didn't go to a text field; key
auto-repeat toggles nothing more. Shift+Spacebar and the numpad
preview shortcuts still run on the press.
Holding Spacebar over the Timeline's ruler and time graph is the Hand
tool there too: dragging scrolls the time graph (when zoomed in, never
before the comp's start or past its end) instead of moving bars, keys
or markers.
Test: spacebar_taps_preview_and_held_spacebar_pans_the_viewer,
spacebar_drag_scrolls_the_time_graph.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A press in the Composition panel always acted on the topmost layer
under the pointer, so a selected layer could not be dragged where
another layer covered it: the press selected the layer in front. As in
After Effects, a selected layer under the pointer now comes first: it
stays selected and a drag moves it. With no selected layer there the
topmost layer is picked as before, and Shift still toggles the topmost
one. The context menu's list of layers under the pointer shares the
same hit test.
Test: viewer_press_prefers_a_selected_layer_under_the_pointer
(ui_viewer).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Project panel's vertical scroll bar clamped its thumb between 16
points and the track's height. When the track was shorter than 16
points (an empty project in a 1280 x 800 browser window at device pixel
ratio 2, or any short panel), that clamp panicked on the first frame:
the browser canvas went blank and the app stopped responding. The
thumb is now at most the track's length, and both scroll bars share
the calculation.
Test: a_short_project_panel_draws (ui_project_rows).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- Selecting a mask in the Timeline (its row or Mask Path), or a shape's
Path, selects all its points, so dragging one in the viewer moves the
whole mask, as in After Effects. Delete still removes the mask, and
selecting another property deselects the points.
- Mask Feather has the chain link (Constrain Proportions, on by
default, Alt edits one value) and no longer takes negative values;
Scale's link shows as a toggle too.
- Dragging in the Project panel's empty area draws a selection box
(Shift / Cmd adds); a click there deselects.
Tests: selecting_a_mask_selects_its_points,
mask_feather_values_are_linked_and_not_negative,
dragging_in_the_empty_area_box_selects_items.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_018gnTnH3Jmk5zr4tMq1Mc9f
- With a shape layer selected, the toolbar shows its Fill, Stroke and
Stroke Width (with any tool) and editing them changes the layer's
fills and strokes, as in After Effects (new shape.fillStroke, one
undo step per picker or drag). Shapes drawn without a stroke get one
when a stroke colour or width is set, so changing the stroke now works.
- Alt+Shift+P (A, S, R, T) reveals the property it keyed on each layer.
- A click in the time graph below the last layer deselects the layers
(it only deselected keyframes), so a shape tool draws a new shape
layer instead of a mask on the selected image.
Tests: toolbar_fill_and_stroke_paint_selected_shape_layers,
toolbar_stroke_edits_the_selected_shape_layer,
add_position_key_reveals_position,
clicking_below_the_layers_deselects_them.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_018gnTnH3Jmk5zr4tMq1Mc9f
Trim Paths, Merge Paths, Repeater and the other path operations
existed (layer.addShapeItem) but no menu added them to a shape layer.
Like After Effects, a shape layer's Contents row now has "Add:" with
Group, Rectangle, Ellipse, Polystar, Path, Fill, Stroke, Gradient Fill,
Gradient Stroke and the path operations; with a shape group selected
they go into it. layer.addShapeItem gains the empty Path and Gradient
Stroke kinds.
A 3D text or shape layer in a Classic 3D comp now shows Geometry
Options with "Change Renderer…", which opens Composition Settings on
its 3D Renderer tab (Advanced 3D comps show the extrusion options).
Popup menus are as tall as the window allows and open upward near its
bottom: the 20-entry Add menu was cut at 420 px, hiding Trim Paths.
Tests: shape_contents_add_menu_adds_path_operations,
classic_3d_shape_layers_offer_change_renderer.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_018gnTnH3Jmk5zr4tMq1Mc9f
An 11000 x 2200 comp at Full resolution renders on the CPU, and the
frame went to egui as one texture over the device's 8192 px limit:
the upload failed every frame (a panic in debug builds) and the window
stopped drawing. Creating a comp that size at Full did the same.
Frames, snapshots, the channel / exposure view, other viewers, the
Layer and Footage panels and the Roto Brush overlay now go up averaged
down by the smallest whole factor that fits. The full frame stays
readable for pixel readouts.
Tests: frames_over_the_texture_limit_are_averaged_down and
full_resolution_frames_wider_than_the_texture_limit_fit (panicked
before).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_018gnTnH3Jmk5zr4tMq1Mc9f
Since #103, a preview with audio stayed silent until every frame from
the playhead to the end of the preview (or what fits in the RAM
preview) was cached. The prefetch only renders a few frames ahead, so
on a normal work area the sound came near the end or on the second
loop, even when the comp rendered in real time.
The held sound now also starts once the silent preview has kept real
time for a quarter second with the prefetch window ahead cached. A
comp that can't render in real time still waits for the cache, as #103
intended; a stall clears the measured rate so the sound doesn't cut in
and out.
Test: preview_with_audio_sounds_once_rendering_keeps_up (a 30 s comp
sounds within 2 s, without skipping a frame first).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_018gnTnH3Jmk5zr4tMq1Mc9f
Clicking an item's Output To file name opened an inline editor on the
name template (`[compName].[fileExtension]`), so there was no way to
pick a folder from there. Choose File… in the menu beside it did open
a dialog, but the project save dialog: filtered to .ecproj and opening
wherever the OS chose.
As After Effects' Output Movie To, clicking the file name now opens a
save dialog at the current output (its folder and name) for the output
format's extension, and the chosen file becomes the output. Choose
File… opens the same dialog. Alt-click still edits the template in
place, and hosts without a save dialog (the web) keep the inline
editor. The desktop `pick_save_file` hook opens in the folder of a
default path.
Test: clicking_the_output_file_name_opens_the_save_dialog.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Save as New Workspace stored the layout and `window.workspace` could
switch to it, but the Workspace submenu was a fixed list of the
built-in workspaces, so a saved one never appeared and could not be
chosen from the menu.
The submenu now has a `savedWorkspaces` dynamic node after the
built-ins (DynCtx carries the saved names), in the in-window and native
menus, with a check mark on the current one as the built-ins have.
The in-window submenu was also too short to show it. egui lays out a
new submenu in a default 400 pt area, and the scroll area inside took
that height and kept it, so Window ▸ Workspace (514 pt) opened with its
last rows (Undocked Panels and below, where saved workspaces go)
scrolled out of view. Submenus now open at their full height and scroll
only when taller than the window.
Tests: saved_workspace_is_listed_in_the_workspace_menu (picks it from
the menu bar), saved_workspaces_are_in_the_native_workspace_menu.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Cause: a `DockNode::Stack` laid its panels out from fixed heights (Preview
46 pt) with the rest shared, but only split gutters were interactive, so
the right column's panels could be expanded or collapsed and never resized.
Fix: the gap below a stacked panel drags the nearest open panels above and
below it against each other, neither going below 40 pt. The new sizes are
stored as the entries' heights, so they persist in the layout like split
sizes. The last panel without a height keeps sharing the rest, and when no
panel takes the rest, or space runs short, the heights scale so the stack
fills its column. Split and stack gaps share one `gutter` helper.
Automation ids: `dock.gutter.<path>s<i>` for the gap below stacked entry i.
Test: ui_tabs `stacked_panel_gaps_resize_the_panels` (drag, persistence,
collapse/expand, minimum); dock unit tests `stacked_panels_fill_their_column`
and `dragging_a_stack_gap_trades_height_between_its_neighbours`.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Cause: the click-to-edit fields (hot numbers and revolutions, the Timeline
time display and layer comments, Project rename/comment, the Render Queue
output path, Essential Graphics control names) opened a text edit with
egui's default caret at the end of the text, so typing appended to the old
value. The Timeline time display, layer comment and Essential Graphics name
editors also re-requested focus before checking `lost_focus()`, which hid
the loss, so Enter, Escape and clicking away never closed them.
Fix: a shared `widgets::keep_focus` keeps an open inline editor focused and
selects its whole text on the frame it opens (`widgets::select_all`, which
the layer rename now reuses). Those editors check for a lost focus first,
and Escape now cancels in the time display and the Essential Graphics
name editor.
Test: ui_angles `typing_replaces_the_clicked_value` (degrees and revolutions
in Effect Controls, Timeline and Properties, typed without Ctrl+A);
ui_inline_edit `project_rename_replaces_the_name` and
`timecode_field_replaces_commits_and_cancels`.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Project panel (like other panels) runs comp.open while it draws, so the
new comp became the active comp mid-frame. Later in the same frame the
active, locked viewer drew and recorded the active comp as its own. On the
next frame on_open_comp compared that record with the opened comp, found
them equal and skipped the lock, so the locked viewer switched comps.
The active viewer no longer records its comp while an OpenComp event is
pending (it asks for a repaint instead); on_open_comp then sees the comp
the locked viewer really shows and routes the new one to an unlocked or
new viewer.
The viewers test's click helper now releases a frame after the press, as
a hand does: a press in a tab strip focuses the shown panel first, and a
same-frame press and release refocused it after the tab's own click.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Pan Behind gesture ignored modifiers other than Ctrl (snapping): it
always moved Anchor Point and Position together and never constrained the
move, and the tool's button had no double-click action.
- Alt held as the drag begins moves the Anchor Point alone (Position is
left as it is, so the layer shifts).
- Shift keeps the move to the axis dragged along most; Move and Pan
Behind now share that rule (one_axis).
- Ctrl+double-clicking the Pan Behind tool's button runs
layer.centerAnchor (Center Anchor Point in Layer Content).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Pan Behind drag passed its layer to the snapper's exclude list, which
dropped all of that layer's targets: its corners, edge midpoints and centre
as well as the anchor being dragged. The layer's box doesn't move in comp
space while the anchor pans (Position compensates), so those points are
valid targets.
The engine's per-layer snap targets are now one function, layer_targets,
which can leave out the anchor point. The gesture records its layer's
targets without the anchor as the drag begins and passes them to the
snapper (snap_with) as extra targets.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Each Project panel row registered its click / drag area after the twirl,
proxy indicator, label swatch and comment cell drawn on it, so the row sat
on top and took their clicks: a folder's arrow selected the folder instead
of opening it, and the swatch never opened the label menu.
The row's area now goes in first and those widgets sit on top of it. A
single click on the arrow twirls the folder; a click on the swatch opens
the label menu (project.setLabel). Clicks, double-clicks and drags on the
rest of the row work as before; a single click on the comment cell still
selects the row, and a double-click there now edits the comment.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Its setup wrote the Timeline's old global reveal field, which no longer
filters on its own since reveals are kept per layer.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The navigator drew handles on both ends but the whole bar was one drag
area that scrolled. Each end is now a handle (timeline.navigator.start /
.end) that moves that side of the visible span while the other stays:
pulled in, the ruler zooms in; stretched to the track's ends, it shows
the whole comp again. The middle still scrolls at the current zoom.
; (timeline.zoomFrameToggle) zooms in to frame level around the current
time and, pressed again, back out to the whole comp. timeline.zoomFit
stays as the plain fit command (no shortcut). Both go through set_zoom.
Tests: navigator_ends_drag_to_zoom and
semicolon_toggles_frame_level_and_the_whole_comp (real pointer drags).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Alt+wheel's zoom took its lower limit from the current zoom rather than
the comp's fit and kept the ruler's start where the pointer had put it,
so on long comps it stopped zoomed out on a slice from the middle of the
comp (0:05:02–0:10:27 of a 10-minute comp). The = / - zoom used a
different limit again.
Both now go through set_zoom: the limit is the zoom that fits the comp
(fit_pps, the same formula the ruler and the zoom slider use), and
reaching it switches the ruler back to fitting the whole comp from 0.
Test: alt_wheel_zooms_out_until_the_whole_comp_shows (real Alt+wheel
events on a 10-minute comp); it failed before (Some(1.135) px/s, start
still offset).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Composition viewer ignored drags from other panels. Now, as in After
Effects:
- A Project item dropped on the viewer becomes a layer centred where it
lands (above the selected layer, like any new layer); while dragging, the
viewer is outlined and the layer's frame follows the pointer.
- Media Browser files do the same; files dropped from the OS file manager
do too when the platform reports where the pointer is during the drag
(otherwise they import as before).
- An effect from Effects & Presets goes on the layer under the pointer,
which is outlined while dragging.
layer.addItem and layer.newModel take `position` ([x, y] comp px).
file.import takes `addToComp` with `time`, `index` and `position`;
mediaBrowser.import shares it (file::add_to_comp): layered files go in as
their comps, the comp they were dropped in stays open, and items that
can't be layers are reported in `errors`. viewer::layer_at is the hit
test pick() and the drop share.
Tests: ui_drag_drop.rs (project item and effect dropped on the viewer)
and imported_files_go_into_the_comp_where_they_were_dropped (engine).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A Project item (or Media Browser file) dropped in the Timeline always
went above the selected layer, starting where new layers start.
Now, as in After Effects, a line shows where it goes in the stack (above
the first layer row whose middle is below the pointer, else below the
last), and over the time graph a marker with a timecode tag shows its In
point, which follows the pointer (frame-snapped) or, with Shift, the
current time. The layer reorder drag shares the insertion logic.
layer.addItem and layer.newModel take `index` (1-based stack position);
mediaBrowser.import passes `time` and `index` on, one layer under the
other.
Tests: project_items_land_where_they_are_dropped_in_the_timeline
(ui_drag_drop.rs, real pointer drags: outline, time graph, Shift, below
the last layer) and add_item_at_a_stack_index_and_time (engine).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
egui takes i.modifiers from ModifiersChanged events, not from the modifiers
on a pointer event, so a control-channel Shift-click arrived as a plain click
(e.g. Shift-click in the Timeline replaced the selection instead of adding).
ui.click and ui.drag now queue ModifiersChanged before the gesture and clear
it after. The synthetic-input feeding moves into EffectcraftApp::feed_synthetic
so it can be tested; the new tests fail without the fix.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Toggling a layer's Audio, Lock or Shy switch (or Hide Shy Layers) threw
away every cached frame: the RAM preview identity hashes each comp's
address, which any edit replaces, and the layer and disk cache keys
hashed every switch. None of these change pixels.
- Switches::pixels, Layer::same_pixels and Comp::same_pixels (exhaustive
field lists, so a new field must be considered) and Comp::pixel_form.
- Layer cache keys hash Switches::pixels; the disk cache's comp content
key hashes Comp::pixel_form.
- Frames::identity: when a new revision's comps draw the same pixels as
those of the comp's last new identity, that identity (and the project
holding its comps' addresses) is kept, so the frames stay, also when the
switch is toggled back.
With audio on, playback skipped frames that weren't rendered yet. Now the
sound waits: until the frames ahead (to the end of the preview, or what
fits in the RAM preview) are cached, every frame shows as it renders,
silently, like a preview without audio; then the sound starts in sync.
Reaching an uncached frame stops the sound instead of skipping frames.
Tests: audio_lock_and_shy_switches_keep_the_frames (frames.rs, nested
comps and toggling back), audio_lock_and_shy_keep_cached_layers (engine),
the disk key in tests_disk_cache, and
preview_with_audio_shows_every_frame_and_sounds_once_cached.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
An angle's revolutions were painted text: only the degrees could be
dragged or typed, so full turns needed the dial or typing past 360.
fx_widgets::angle_field draws `0x+45.0°` as two hot numbers: the
revolutions (widgets::hot_int_at, ten pixels a turn, fractions adding up
between frames so slow drags still step; a typed value is truncated) and
the degrees, each keeping the other. Effect Controls, the Timeline and
the Properties panel use it, so they read and edit angles alike (the
Timeline showed `-1x-40.0°` and Properties had its own split).
Automation ids: timeline.prop.<uid>.revolutions,
effectControls.prop.<uid>.revolutions, properties.prop.<uid>.revolutions.
Regression test: angle_revolutions_scrub_and_take_typing drags and types
the revolutions in all three panels.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Choosing Draft Settings (or any entry) in a Render Queue item's Render
Settings menu did nothing when the menu had been moved up to fit the
window. egui hit-tests a fixed-position Area where it was asked to go,
not where it was moved, so the popup's "pressed outside" check was true
over its own entries and the menu closed on the press, before the click.
widgets::pressed_outside tests the press against the rect the popup was
drawn at. Every popup with the same check uses it: popup_menu (Render
Queue, Effect Controls, dropdowns), the colour popup, the Preview and
viewer popups, the panel menu, the Flowchart, OpenType and font menus.
Regression test: ui_render_queue.rs picks Draft Settings from a menu
moved up to fit a 1000 px window; it failed before the fix.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
effect.apply / effect.applyLast run through the menu dispatcher (Effect
menu, Last Effect, an effect dropped on a Timeline layer or on Effect
Controls) now bring up Effect Controls, opened if closed and brought to
the front without taking the focus, on the layer the effect went to
(selecting it if it was dropped on an unselected layer, keeping the new
effect selected). Double-clicking an effect's name in the Timeline opens
it in Effect Controls (layer.select, prop.select, window.panel) instead
of twirling it, as in After Effects.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
(cherry picked from commit 04bd305b9dccbb34d8c70fe870513208cdae0b7b)
Opening a comp (Project double-click, Open Composition, a Timeline tab)
now reopens the Composition panel if it was closed and brings it (and
the Timeline) to the front, as in After Effects. A closed Composition
panel also reopens in the centre (with the Layer panel or other viewers,
else above the Timeline) instead of beside Effects & Presets, which also
fixes Window > Composition.
App::raise_panel opens/fronts a panel without moving the focus;
show_panel builds on it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
(cherry picked from commit adf2c6dac78ce426ea0bf6b4199b7238d8ad99dd)
A selected pin was drawn only 1 px bigger and slightly brighter. Now, like
selected and unselected mask vertices in the viewer, a selected pin is
filled with its kind colour and ringed in white, and an unselected pin is
hollow (dark centre, coloured outline). Drawing only; hit-testing is
unchanged.
Regression test: selected_puppet_pins_are_filled_and_unselected_hollow.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
(cherry picked from commit 103b5c41e9e8ea84008593e05af50b01a2800b3e)
Clicking an effect's name selected it (prop.select with the effect's group
uid) but group rows never painted the selection, so there was no feedback.
Group rows (effects, masks, shape groups...) now fill with row_selected when
selected, exactly like selected property rows.
Regression test: timeline_selected_effect_row_highlights.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
(cherry picked from commit 8b140428b39a24c3e1207ffde0430e759e316112)
- Project panel Clear (#95's focus routing) goes through invoke, so deleting
items that compositions use still asks first (M3.16).
- ui_project_delete: let a dialog finish egui::Modal's sizing frame before
clicking its buttons (#95 moved dialogs to egui::Modal).
- #71's i18n / theme tests clear the frame's texture delta; egui asserts on
unhandled deltas in debug builds.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
As in After Effects, the Delete key and the Project panel's trash button ask before deleting
items that layers in other compositions use, saying how many layers in how many compositions go
with them (Delete / Cancel; Escape cancels). Unused items are deleted at once; agents running
project.delete directly are not asked. project.usage {items?} reports the count, sharing the
deletion's item and usage helpers. Follow-up to #72.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
`cargo xtask ci` runs clippy and the tests with --release, where egui has no Style::debug (it
exists only with debug_assertions), so ui_agent_audit.rs failed to compile since M13.14. The
debug option is set only in debug builds, and the test, which needs the widget types egui records
with it, is ignored in release builds.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
As in After Effects, a double-click below the items in the Project panel opens File ▸ Import ▸
File... (rows and the scroll bar keep their own clicks). Dropping files on the window already
imported them; the test now covers both. (On Wayland, winit delivers no file drops at all, so
dragging files in works on X11, macOS and Windows.)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The details header (item name, size, duration, codec) and the "Select an item" hint were painted
with no width limit, so in a narrow Project panel they ran past its right edge. They now stop
10 px short of it and end in "…" when they don't fit (widgets::text_fit, a shared helper), and
are registered for automation (project.details.*).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Covers what issue #46 reports (v0.1.1 on Linux): a panel dragged by its hamburger onto another
group's edge docks there as its own group, and dragging the gap between panels resizes them.
Both work on main (tab dragging was reworked in M3.15 for v0.2.0); this keeps them working.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
While paused, the app prefetched the frames around the current one as soon as the viewer's
frame finished. During a drag every step changes the project, so those frames were stale at the
next step, and they held the CPU and GPU the next viewer frame needed: on the demo project a
drag step took 102 ms on average to show (up to 413 ms) though a frame renders in 20 ms. Paused
prefetch now waits until edits pause for 0.3 s: 16 ms a step (11 ms render).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Two implementations of Show 3D Reference Axes had landed (M13.5 and M14.5) and both drew,
offset by a few pixels: lines, and arrows. Keep the arrowed one (perspective-correct, shown
while a 3D layer is active) and test that only one is drawn.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The handle drag rescaled incrementally from the current scale every frame: errors built up,
edge handles scaled both axes, and once a factor reached ~0 the drag could never bring it
back. It also tested the handle at the point where egui recognised the drag (past the drag
threshold), so a quick grab often missed the handle and moved the layer instead.
Now, as in After Effects, the drag scales about the anchor point relative to the layer as the
drag began, so the grabbed point stays under the pointer: corners scale both axes, edges one,
Shift keeps the proportions, and dragging past the anchor flips. Selection-tool gestures start
at the press point.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
egui-wgpu creates its device on GL with WebGL2's limits (no storage buffers), so the desktop
app on FreeBSD built the compositor's pipelines on it: validation errors (only logged in
release builds) and wrong frames. GpuContext::new now checks the limits its pipelines bind
(storage buffers and textures per stage, bind groups, workgroup sizes) and returns Err, which
keeps the app on the CPU. ui_gpu skips its GPU-vs-CPU comparison when that happens on GL.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
