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Merge pull request #752 from vangel76/gap-float-working-gamma

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#750: float footage follows Working Gamma and is encoded once
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Brandon Thomas
2026-10-12 03:03:23 -04:00
parent 41e8bf48d9 cf8b9aebc9
commit 4c9a9a9cfa
6 changed files with 183 additions and 47 deletions
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@@ -66,7 +66,7 @@ are grouped by area; the issue tracker has the rest.
| 7 | **Animation presets: 8 against 621** | After Effects ships 621 `.ffx` presets (Behaviors, Backgrounds, Shapes, Synthetics, Text, Transitions…); we ship 8 original text-animator presets and read only our `.ecpreset` | Presets are how many designers start; tutorials assume them | 20–40 h (original presets; `.ffx` reading is out of clean-room scope) | G8 · [effects-parity.md](effects-parity.md) |
| 8 | **Mask and shape bugs** | #510, #513, #527 (first Intersect/Darken mask), #509 Roto Brush size, #303 Mesh Warp, #553 pen tools on motion paths | Masks are core compositing | 10–20 h | G2 · [target-app-parity.md](target-app-parity.md) |
| 9 | **Effect behaviour bugs** | #580, #526 Fractal reset, #514 Apply Color LUT, #463 Curl Noise, #369 Motion Tile output size, #473 Cryptomatte selection, #474 multi-layer EXR decoded twice, #534–#536 community fixes pending | Each one breaks a look someone built | 10–20 h | G1/G2 · [effects-parity.md](effects-parity.md) |
| 10 | **Colour pipeline differences** | #494 32-bpc blend modes clamp and apply opacity differently; #495 no Working Gamma 2.4; #340 ProRes 4444 tagged bt709 but sRGB-encoded; ACES 2.0 / OCIO 2.5 configs (26.5) missing; #546 / #547 viewer colour | Wrong colour in delivery is a client-visible failure | 15–30 h | G1 · [file-format-parity.md](file-format-parity.md) |
| 10 | **Colour pipeline differences** | #494 32-bpc blend modes clamp and apply opacity differently; #495 Working Gamma 2.4 (in, also for float footage: #750); #340 ProRes 4444 tagged bt709 but sRGB-encoded; ACES 2.0 / OCIO 2.5 configs (26.5) missing; #546 / #547 viewer colour | Wrong colour in delivery is a client-visible failure | 15–30 h | G1 · [file-format-parity.md](file-format-parity.md) |
| 11 | **Text rendering and layout** | #453 CJK text in comps, #316 paragraph alignment inverted, #483 squeezed at 4:3, #417 soft at Fit, #583 font search, #550 toolbar font options | Text is in almost every motion graphic | 10–20 h | G2 · [ui-parity.md](ui-parity.md) |
| 12 | **3D interaction and depth** | No 3D transform gizmos (#392, #347); Z position (#489); camera aperture (#260); reflections (#261); bevel options (#315); 3D issue reopened (#307) | Advanced 3D is After Effects' growth area since 2023 | 20–35 h | G2 · [ui-parity.md](ui-parity.md) |
| 13 | **3D model formats and materials** | After Effects 26 imports FBX, USD/USDZ, STL besides glTF and OBJ (`usd_plugins`), and Substance 3D materials with mesh displacement (26.0–26.2); we read glTF, OBJ and STL (binary and ASCII, with facet colours), not FBX, USD/USDZ or Substance | Product shots and 3D scenes come as FBX/USDZ | 25–45 h | — · [file-format-parity.md](file-format-parity.md) |