gaps.md's header asks for a ROADMAP progress-log line and a timestamp when a gap
is closed or shrunk. Gap 13 was shrunk in the first commit (four hyphenating
languages became five); this adds the two it was missing.
Docs only; the fix itself is unchanged.
Greek text set unhyphenated however narrow the column: `Lang::for_language`
resolves a language through `hypher::Lang::from_iso`, which answers only for a
language whose patterns were compiled in, and `greek` was not among the features
the compose crate asks for. So `for_language("Greek")` was None and every Greek
word stayed whole.
The feature is asked for now. Nothing else was needed: the lookup is already by
ISO code, so "Greek", "Greek: Greece", "el" and "el-GR" all resolve, and
ανθρωπος breaks αν-θρω-πος as hyph-el gives it.
The patterns are `hyph-el-monoton.tex` 5.0 from hyph-utf8, Copyright (C)
2008-2011 Dimitrios Filippou, available under the LPPL or MIT and taken here
under MIT; NOTICE carries the licence, as it does for the other languages. The
published `hypher` crate ships compiled tries rather than the pattern files, so
that came from the file in hyph-utf8 rather than from the dependency.
They are the **monotonic** patterns, which is what `hypher` maps `el` to, so
polytonic text hyphenates by them too. Written into the module's documentation
rather than left to be discovered.
`gaps.md` 13, `target-app-parity.md` and `typography-parity.md` each listed the
four languages that hyphenate; they list five.
A Flex Layout container is a frame holding its objects as nested items
(as Edit › Paste Into makes), with a `flex` record: direction, wrap,
justification, cross-axis alignment, Fixed/Auto width and height, padding
and horizontal/vertical spacing. designcraft_doc::flex lays the objects
out (a Flexbox subset: lines, justification, alignment, Auto sizing), and
the engine runs it after every edit, so the container keeps its objects
in place whatever changes.
Commands: flex.add (Add to Flex Layout; detects aligned objects: their
direction, Auto size, Space Between at their own spacing, as InDesign
does), flex.convert (a group or rectangle frame), flex.remove (objects
stay, grouped), flex.set (every panel setting, plus the alignment grid
cell), flex.reorder. Resizing a container by its handles or W/H changes
its box and makes that side Fixed instead of scaling its objects;
dragging an object inside one drops it in the nearest place.
UI: Object › Flex Layout (Add to, Convert to, Remove, Show Flex Controls),
a Flex Layout panel (Window › Panels) laid out as InDesign's (Create Flex
Layout; alignment grid, W/H with Auto/Fixed; justification menu, four
directions, wrap; padding with the link button; spacing, greyed as
InDesign does when the justification works it out or nothing wraps), and
the same section in Properties. Icons are new drawings.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The panel was a row of text buttons (Add, Subtract, …, Make Compound,
Release). InDesign's has four rows of icon buttons: Paths (Join, Open,
Close, Reverse), Pathfinder, Convert Shape and Convert Point. The icons are
new drawings in icons.rs. Two engine commands back the rows that had none:
path.join (close an open path, or join two open paths at their nearest
ends) and path.convertPoints (plain, corner, smooth, symmetrical, on the
selected points or whole paths).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
InDesign's Pathfinder result takes the attributes (and content) of the
frontmost object, except Subtract, which keeps the backmost. DesignCraft
kept the backmost for every op but Minus Back, so a photo placed over
strips and intersected with them was deleted and the black strips stayed
(Zero2Graphic's magazine tutorial, 7:19).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
InDesign's Preferences › Appearance of Black defaults to Display All
Blacks as Rich Black on screen, so [Black] text and strokes look pure
black (RGB 0,0,0), as in Adobe's magazine-layout tutorial. DesignCraft
defaulted to Display All Blacks Accurately (#343334). Settings saved
with an explicit choice keep it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Adds i18n/ka.rs (1,734 entries: every key of the shared, Arabic, Brazilian Portuguese, Japanese, Italian and Ukrainian tables, plus labels only the code and command table use), registered as ქართული in LANGUAGES and the Interface Language menu. Count captions use the category-first form Ukrainian already uses (გვერდი: 5), since Georgian nouns stay singular after a numeral. Tests: every Georgian key resolves, placeholders and ellipses are preserved, no Mtavruli, every menu title, item and submenu is translated, and switching to ka renders. Docs: localization-parity.md and ROADMAP.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01YMTAbGNRxnMEzRvYnQGphF
Command descriptions left the new-text hyphenation default and image fitting outcomes implicit. State the default and each fitting mode's semantics, and add an MCP example that disables hyphenation. No behavior changes.
LYH Studio episode 6 colours the "1969" headline (8:28) and the loop's
stroke (9:15) from the Swatches panel, whose header holds InDesign's
Fill/Stroke proxy, Formatting Affects Container/Text and the Tint field.
- Header: a Fill/Stroke proxy showing the colours of what colour edits
apply to (panels::color_target; a click brings the other to the front,
as X does), the container/text buttons (app.formattingAffectsText) and
the tint of the colour in front.
- The Tint field sends only the tint, so each selected object (or run of
text) keeps its own swatch: object.fill takes a tint without a swatch,
and a stroke tint alone doesn't give a stroke-less object a stroke.
- Clicking a swatch applies it to the fill or stroke in front
(panels::apply_swatch, to the text when colours affect text); that row
is highlighted.
- Bottom row: New Color Group, New Swatch, Delete Swatch (the swatch last
clicked). Rows and the proxy are named for accessibility (and tests).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Hamza