to_bytes returns a Result and every caller propagates it, so a document
that can't be written is an error: the existing file, the unsaved state
and the recovery checkpoint stay. Asset entries near or over 4 GiB are
written with zip64 sizes. On the web, Save marks the document saved only
after the browser download has started.
With a placed graphic selected (Direct Selection, or the content
grabber), the graphic's own brown bounding box has eight handles:
dragging one resizes the image inside its frame (Shift keeps its
proportions, Alt from its centre) and leaves the frame as it is.
- tools: a content-handle hit test on the selected graphic's bounds
(after the frame's anchors under Direct Selection), a ContentResize
drag previewing `transform.set {content, bounds}`, the handle cursors,
and the content ghost while dragging. The frame's handles don't resize
the frame while its graphic is selected.
- engine: `transform.set` takes `bounds` for content: the graphic's new
bounding box on the spread (normalized, never empty).
- canvas: the brown content box gets its handles; the frame's handles
are hidden while the graphic is selected.
(cherry picked from commit 8e0e6c2f2e)
The engine's atomic module keeps its functions and signatures and delegates to craft-libs/craft-atomic (pinned to e9546e19), so every save and export caller is unchanged. write_atomic_with also turns a panicking writer into an error, so its temporary file is removed. Recovery checkpoints and package output keep their own writers, which replace links instead of following them.
On Unix, new files follow the umask and replaced files keep their permissions.
A frame holding items pasted into it isn't a group. Ungroup took it
apart like one, leaving its content loose and losing the clipping shape,
and the Properties panel called it "Group" with an Ungroup quick action.
As in InDesign, Ungroup now only takes real groups apart; other objects
stay as they are and stay selected (Ungroup used to clear them from the
selection). Such frames are labelled by their shape (<ellipse>, ...), so
Properties shows "Ellipse" with Convert Shape.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
As in InDesign, outlining a text frame gives a group with one compound
path per line (split further by text colour within a line), so Ungroup
leaves each line on its own: LYH Studio episode 14 ungroups the outlined
title at 4:56 to tighten the space between its lines before making one
compound path again. A single line in one colour stays a single compound
path.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Backspace at the start of the second of two consecutive tables merged their
anchor paragraphs: Story::delete kept one table id, the other table was
dropped and the paragraph held two anchors. Pasting a table next to an anchor
replaced the existing table the same way, and pasting several paragraphs
right before an anchor left its table unreferenced. Saving succeeded;
reopening failed with "paragraph must hold exactly one anchor".
fix_tables now splits a table paragraph that holds further anchors, so every
anchor gets its own paragraph again. delete and insert_story tell it which
table each surviving anchor belongs to (fix_tables_with), and insert_story
fixes tables up once after the whole paste instead of after every run.
Regression tests in doc (Backspace between tables, deleting the middle of
three, paste before/after an anchor, paragraphs pasted before an anchor) and
engine (text.delete and edit.paste through commands, then a file round-trip);
all failed before the fix.
Claude-Session: https://claude.ai/code/session_01La6SDgsmdZfgfDDmx3wiGU
With a placed image selected via Direct Selection (InDesign's content
selection), Copy now copies the graphic itself: a frame of the whole
image's bounds (uncropped) at its spread position, without the frame's
fill, stroke or effects. Paste Into then puts the full picture in place
inside the target shape, as InDesign does (LYH Studio episode 14, 5:44).
Cut and Delete with the graphic selected remove only the graphic; the
frame stays, empty and selected.
Nested items copy in spread coordinates (parent transform applied).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- A preview that a menu or script edits or saves while the window is open
becomes a document of its own: Close keeps it and gives it its Untitled
number. document.list and the control inspect mark the preview.
- Close shows the previously active document again only if the preview was
still active; a document opened meanwhile stays active.
- Create refuses invalid fields with a status beside the buttons, keeping
the window and the preview. When the settings are the previewed ones, the
preview document becomes the new document; otherwise file.new makes it,
and a failure puts the window back with the error.
- The preview is rebuilt once the fields have stayed the same for 200 ms,
and refused settings are not retried until they change.
- No recovery discard for preview documents, which are never written.
- The window's key is _previewedDoc, distinct from the interaction preview
key, and ending the preview is a no-op without one.
A Preview checkbox beside Close and Create shows a document with the
window's settings in the workspace and rebuilds it as they change: size,
orientation, pages, facing pages, margins, columns, gutter, bleed and slug.
It is off by default and kept for the session. Fields that don't hold a
value yet, and sizes file.new refuses, keep the last preview.
The engine keeps the preview document (Session::preview_new_document,
end_new_document_preview): it replaces itself in its tab, takes no
Untitled number and is never written as recovery data. Create removes it
and makes the document with file.new, so it starts with a clean undo
history. Close, Escape, ui.dialog.cancel, turning Preview off or another
dialog replacing the window remove it and show the previously active
document again, unchanged.
aiongg