LYH Studio episode 6 (1:36-2:05) builds its gradient in the Gradient
panel: it drags C=0 M=100 Y=0 K=0 from the Swatches panel onto the left
stop, drops C=100 M=0 Y=0 K=0 on the ramp (a new stop at 68.636 %), then
drags the black stop off. DesignCraft's Gradient panel took no swatches,
showed only a hint until the fill was a gradient, and laid out its
fields differently.
- Gradient panel: InDesign's layout (thumbnail; Type; Location % and
Angle; Reverse; the ramp with midpoint diamonds above and stops below).
Until the fill is a gradient it shows the default White -> Black ramp;
clicking the thumbnail or using the ramp starts one. Midpoints drag
and take a Location. A stop's colour picker moved to its right-click
menu, so selecting a stop no longer grows the panel.
- Swatches panel rows are drag sources (the chip follows the pointer):
dropped on a stop a swatch colours it, elsewhere on the ramp it adds
a stop there.
- Stops keep their colour model through panel edits (CMYK used to turn
into hex RGB whenever a stop moved).
- engine: `object.gradient` stops accept `swatch` (its colour; gradient
swatches and [None] are refused) and colours accept `{gray}`.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
.indd and .indt documents open through File › Open, drop, the web inbox,
file.open, file.openBytes, file.openIdml and the CLI. The engine converts
them to IDML in memory with storytold/indd-utils (pinned by rev, MIT OR
Apache-2.0, no dependencies, builds for wasm) and imports the result
through the existing IDML path. The converter's warnings come first in the
open result's `warnings`, before the IDML importer's and the font
warnings. A file the converter can't read is an open error, shown in the
Can't Open the File alert.
Routing: a path or name ending in .indd/.indt, or bytes starting with the
INDD signature (the web inbox passes the name without its extension).
opens_as_document and the desktop and web Open dialogs list indd/indt.
Tests use synthetic bytes only: signature-bearing junk, a zero-filled
.indd and a short .indt all fail as open errors with no document added;
a dropped unreadable .indd raises the open alert.
(cherry picked from commit bb8a6a23fa)
Table cell paragraphs go through the same run and inline path as body paragraphs, so deleted and moved-from text and field instructions stay out of cells, and field results, tabs and breaks come in.
Word's Normal imports as a paragraph style named Normal whose definition is w:docDefaults with Normal's own properties on top; paragraphs without a style use Word's default paragraph style. A styleMap entry can still map Normal to [Basic Paragraph].
to_bytes returns a Result and every caller propagates it, so a document
that can't be written is an error: the existing file, the unsaved state
and the recovery checkpoint stay. Asset entries near or over 4 GiB are
written with zip64 sizes. On the web, Save marks the document saved only
after the browser download has started.
Fields, buttons and video or sound are collected with the page content's
inclusion rule: the item's layer is visible and printable, and neither the
item nor any group around it is hidden or non-printing.
InDesign draws a radial gradient in the object's bounding box: on a
non-square frame it's an ellipse reaching the frame's sides, and a
Gradient Swatch tool drag keeps those proportions. LYH Studio episode 6
(3:16) gives the left page's background a radial gradient: magenta in
the middle, cyan out to every edge. DesignCraft drew a circle reaching
only the longer side, so a portrait page stayed purple at its sides.
- doc: `Fill::radial_ellipse(bounds)`: centre and radii (default: the
box's centre and half its width and height; with a tool vector, its
start, and its length measured with the box made square).
- render: the radial paint is that circle, stretched by the paint
transform; PDF: the shading's transform does the same.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
InDesign's Swatches panel New Swatch takes what is current: a gradient
built in the Gradient panel becomes "New Gradient Swatch" (applied, and
listed), an unnamed colour a listed swatch, a selected named swatch a
"… copy". DesignCraft's button always added the same orange swatch, and
gradient swatches could not be created at all (LYH Studio episode 6,
2:12: "this is our Swatch … create a new swatch for it").
- engine: `swatch.new {swatch?, target?}` does the above for the
selection's fill (or stroke) or a named swatch; `swatch.create` also
takes `gradient: {kind?, stops: [{location, swatch | color, opacity?,
midpoint?}]}`, its stops taking colour swatches by name, as swatches
dragged onto the Gradient panel's stops.
- Swatches panel: New Swatch runs `swatch.new`, and with nothing
selected still adds a colour.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- designcraft-color: ICC profiles (built-in RGB working spaces, user .icc files) go through
craft-cms from storytold/craft-libs. The default CMYK working space is craft-cms's Coated
FOGRA39; CMYK swatches show relative colorimetric with the settings' black point
compensation. Generic CMYK and Device CMYK stay selectable. A CMYK profile name resolves
through Builtin::stand_in_for; a name with no stand-in is an UnknownProfile error.
ColorSettings::with_known_profiles replaces unavailable saved names with the defaults; the UI
uses it when it restores saved settings at startup. Lab, gamut error and proofing of ICC CMYK
spaces use craft-cms transforms. The Generic CMYK output profile is encoded by craft-cms.
- designcraft-pdf: the PDF/X output intent is the working CMYK space's profile: the FOGRA39
built-in with identifier FOGRA39, user profiles as loaded, Generic CMYK otherwise.
- moxcms is no longer a direct dependency of designcraft-color.
With a placed graphic selected (Direct Selection, or the content
grabber), the graphic's own brown bounding box has eight handles:
dragging one resizes the image inside its frame (Shift keeps its
proportions, Alt from its centre) and leaves the frame as it is.
- tools: a content-handle hit test on the selected graphic's bounds
(after the frame's anchors under Direct Selection), a ContentResize
drag previewing `transform.set {content, bounds}`, the handle cursors,
and the content ghost while dragging. The frame's handles don't resize
the frame while its graphic is selected.
- engine: `transform.set` takes `bounds` for content: the graphic's new
bounding box on the spread (normalized, never empty).
- canvas: the brown content box gets its handles; the frame's handles
are hidden while the graphic is selected.
(cherry picked from commit 8e0e6c2f2e)
The engine's atomic module keeps its functions and signatures and delegates to craft-libs/craft-atomic (pinned to e9546e19), so every save and export caller is unchanged. write_atomic_with also turns a panicking writer into an error, so its temporary file is removed. Recovery checkpoints and package output keep their own writers, which replace links instead of following them.
On Unix, new files follow the umask and replaced files keep their permissions.
aiongg