Conflicts:
- docs/target-app-parity.md: kept the batch's rows and added Greek to the hyphenation list.
- docs/typography-parity.md: kept the batch's Justification and Hyphenation rows and added Greek (hyph-el-monoton).
Greek text set unhyphenated however narrow the column: `Lang::for_language`
resolves a language through `hypher::Lang::from_iso`, which answers only for a
language whose patterns were compiled in, and `greek` was not among the features
the compose crate asks for. So `for_language("Greek")` was None and every Greek
word stayed whole.
The feature is asked for now. Nothing else was needed: the lookup is already by
ISO code, so "Greek", "Greek: Greece", "el" and "el-GR" all resolve, and
ανθρωπος breaks αν-θρω-πος as hyph-el gives it.
The patterns are `hyph-el-monoton.tex` 5.0 from hyph-utf8, Copyright (C)
2008-2011 Dimitrios Filippou, available under the LPPL or MIT and taken here
under MIT; NOTICE carries the licence, as it does for the other languages. The
published `hypher` crate ships compiled tries rather than the pattern files, so
that came from the file in hyph-utf8 rather than from the dependency.
They are the **monotonic** patterns, which is what `hypher` maps `el` to, so
polytonic text hyphenates by them too. Written into the module's documentation
rather than left to be discovered.
`gaps.md` 13, `target-app-parity.md` and `typography-parity.md` each listed the
four languages that hyphenate; they list five.
Conflict: crates/compose/src/lib.rs: modules and exports both (outline, optical, parabox, hit_note_with); placement = next's carry/grid/wrap_slot code, entered for outlines too (and the first-word `need`); free_slots starts from the outline's intervals with cut set (1.5 em filter, segments in reading order, reversed for RTL); the branch's free_slot dropped
Conflict: crates/compose/src/lib.rs: next's bands are top..baseline (descenders hang into wraps); a shaped frame's outline holds the descenders too: wrap_slot and free_slots take the line's descent, used only for the outline's intervals (the branch's oval tests check descender corners)
Conflict: crates/compose/src/lib.rs: estimate_slots takes the band (the paragraph's ascent from line_metrics, max 0.8 em, and descent, max 0.25 em, for a shaped frame; next's 0.8 em and no descent otherwise), returns early only without wraps and outline; est_first uses that ascent; wrap_slot's 1 pt step for outlines (and contours) returns None when it makes no progress or is not finite
Conflict: crates/compose/src/tests.rs: tests both
Conflict: ROADMAP.md: logs both
Conflict: crates/render/src/text.rs: the branch's paint_glyphs with next's fill and stroke overprint (overprint_fill / overprint_stroke, an overprinting() Multiply layer around each paint); next's cell_stroke(kind, weight, length); path text strokes don't overprint, as before
Conflict: crates/pdf/src/text.rs: the branch's text_run / paint_outlines / glyph_outlines split with next's skew tan, vertical mark offsets and split_clusters glyph order (#421)
Conflict: crates/engine/src/cmd/paths.rs: next's shatai transform + the branch's stroke_behind_fill key
Conflict: crates/idml/src/tests.rs: tests both
Conflict: docs/typography-parity.md, ROADMAP.md: headers combined, logs both
A character attribute strokeBehindFill paints a text stroke under the fill
at double width, so its full weight lies outside the letters and they keep
their shape. Screen and PNG rendering, PDF export (stroke as outlines
first, then the filled text, so the text is not duplicated; clipped to the
outside of the glyphs when there is no fill), Create Outlines (outside-
aligned stroke), the Properties panel and Character Style Options.
IDML StrokeAlignment on CharacterStyleRange, CharacterStyle and
ParagraphStyle imports and exports as the attribute (OutsideAlignment =
on, CenterAlignment = off).
balance-columns 30ba4721.
Conflict: crates/compose/src/lib.rs: story-end check (balance_end) before next's deleted-paragraph filler, then prange; next's `go` closure with the branch's band tail on Next Column; next's Cursor::clip replaced by the branch's tail-aware clip (the auto-placed duplicate dropped)
Conflict: crates/compose/src/tests.rs, crates/idml/src/tests.rs: tests both
Conflict: ROADMAP.md, docs/target-app-parity.md: both (auto-size and Balance Columns lines)
In the frame a story ends in, Balance Columns lowers the bottom of the
columns after the last explicit column break as far as the text still
fits, reusing the bounded search that balances columns above spanning
paragraphs. Frames the text runs on from fill normally. Text Frame
Options gets a Balance Columns checkbox.
gaps.md gap 11, typography-parity.md (Tabs row), target-app-parity.md (typography row) and
ui-parity.md (panels row) described the Tabs panel as missing.
Enable hypher/norwegian in designcraft-compose so no/nb/nn map to the bundled hyph-no.tex patterns. Add unit + composition regression tests, NOTICE attribution, and update parity docs.
Fixes#535.
Conflict: ROADMAP.md: both progress lines
Conflict: docs/target-app-parity.md: next's header, anchored objects wrapping text added to its change list
Conflict: docs/typography-parity.md: next's header (dated 2026-10-12) with #557's change added; Text wrap row: next's text and caveat, plus "on page items and anchored objects"
Conflict: crates/compose/src/lib.rs: next's Exclusion (side, contour) with #557's after field (Exclusion::wraps_line; next's constructors and the tests' helper set None); next's contour_path and wrap_obstacles in frame_specs; next's line loop (carry, grid, wrap_slot) with the line's start byte passed to wrap_slot; wrap_slot, free_slots and estimate_slots take line_start and skip exclusions that don't wrap the line (Jump Object test and in-band edges included); #557's re-break trigger stays in the line loop
Conflict: crates/compose/src/cache.rs: next's ComposeOptions (section_marker) with #557's neighbour compositions
Conflict: crates/compose/src/tests.rs: both test blocks
Conflict: crates/render/src/damage.rs: #557's test before next's patched_diff helper
An anchored object with text wrap pushes aside the text of other stories
whose frames it overlaps on its spread, and the lines of its own story
after the line holding its anchor (custom and above-line objects). Its own
story is composed again with the objects where the previous pass placed
them until they settle, at most four more times. The composition cache
keys a story wrapped by other stories' anchored objects on their
signatures, and canvas damage repaints the stories they wrap.
Conflict: ROADMAP.md: both progress-log entries, #531's above next's 2026-10-11 lines.
Conflict: docs/typography-parity.md: status line lists next's changes and the Justification dialog.
Conflict: crates/engine/src/cmd/text.rs: selection_attrs keeps next's typing-format chars and adds paraMixed for {mixed: true}; mixed_para_attrs sits beside next's apply_typing_format and link_style.
Conflict: crates/ui-egui/src/dialogs.rs: titles, draw and confirm arms for both paragraphLocal and justification; the style dialog's justify arm calls the shared justification(), which uses next's composer_choice (Japanese composers) and selects neither composer when mixed; the style dialog's justification check moved into next's confirm_paragraph_style_options (section set to justify, reason in next's status line); tests from both sides.
Conflict: crates/ui-egui/src/i18n/ja.rs: union of rows.
Conflict: crates/ui-egui/src/i18n/uk.rs: union of rows.
Conflict: crates/ui-egui/src/menus.rs: UI_COMMANDS, run_ui arms and Type menu keep next's Paragraph Borders and Shading, Span Columns and Bullets and Numbering plus Justification… (Cmd+Alt+Shift+J, free on next) right after Paragraph Rules…; menu_enabled keeps next's IME check before the type.para check.
Auto-merged crates/ui-egui/src/panels/properties.rs: Justification… joins the Paragraph panel menu list after Paragraph Rules….
Type > Justification... and the Paragraph panel menu (Cmd+Alt+Shift+J) open
the Justification controls of Paragraph Style Options for the selected
paragraphs: word and letter spacing, glyph scaling, composer, kashidas and
Korean line breaks. Values that differ across the selection show empty, and
OK applies only the edited fields through type.para as one undo step.
Spacing values outside their range or out of minimum/desired/maximum order
keep the dialog open with the reason, in both dialogs.
type.selectionAttrs takes {mixed: true} and lists the paragraph attributes
that differ across the selected paragraphs as paraMixed.
Conflict: Cargo.lock: next's (the PR's dependency is already on next)
Conflict: ROADMAP.md: next's (the PR's earlier head is already merged)
Conflict: docs/gaps.md: next's (the PR's earlier head is already merged)
Conflict: docs/typography-parity.md: next's, test count 170 -> 172 as in d0120bf6
Conflict: crates/compose/src/optical.rs: next's plus d0120bf6's kernable() dash and fullwidth exclusion and its unit test
Conflict: crates/compose/src/tests.rs: next's plus d0120bf6's optical_kerning_leaves_dash_pairs_alone
Two dashes end to end have no ink gap to measure, so -- and the double
em dash opened up by the loosen cap; Chinese sets —— as one continuous
rule. Fullwidth Latin (U+FF21–FF5A) was kernable through its Latin
script and moved CJK text off its em grid. Both are now excluded from
kernable(), with a unit test and a compose test that failed before.
Optical kerning was treated exactly like Metrics: the font's kern pairs
and nothing else, so text set with Optical in InDesign came out wider,
rewrapped and went overset in tightly fitted frames.
Now the font's pairs are turned off for Optical text and each pair is
spaced from its outlines (crates/compose/src/optical.rs): every glyph's
ink is sampled into 28 bands across the em, the pair's mean and smallest
ink gap over the bands both glyphs ink are compared with the font's
stem-to-stem gap (the pair nn, or HH then oo), and the pair moves 60% of
the way towards it, keeping 30% of that gap and moving at most -0.12 or
+0.06 em. Latin, Greek and Cyrillic letters, digits and Western
punctuation take part; spaces, marks, missing glyphs, right-to-left
runs, upright and tate-chu-yoko glyphs and pairs across a fallback font
keep their font spacing. Profiles and references are cached, bounded.
Tests: AV, To and r. close up and nn stays; HH closes up under Optical
but not Metrics (fails on main); every change on a pangram stays within
the bounds and spaces keep their width; profile, gap, adjustment and
character-class unit tests.
Docs: typography parity Kerning row and remaining effort, gap 4,
ROADMAP milestone 6 and progress log.
Fixes#181.
Conflicts:
- Cargo.lock: designcraft-compose depends on both unicode-script (#427)
and unicode-segmentation (next).
- ROADMAP.md: the optical kerning progress-log line goes above next's two
2026-10-11 lines. Status line keeps next's Last reviewed date and names
both changes.
- docs/gaps.md, docs/typography-parity.md: same status-line merge.
The system font scan also reads the font files CoreText has available
(core-text's collection of all available fonts, safe API), so fonts that
Adobe Fonts, RightFont and other font managers register from their own
folders are cataloged. Files the font folders already hold are read once;
paths that lead to no file are skipped. FontDb::global serves the desktop
app and designcraft-cli alike; the scan stays in the background.
Fixes#261, #327.
Optical kerning was treated exactly like Metrics: the font's kern pairs
and nothing else, so text set with Optical in InDesign came out wider,
rewrapped and went overset in tightly fitted frames.
Now the font's pairs are turned off for Optical text and each pair is
spaced from its outlines (crates/compose/src/optical.rs): every glyph's
ink is sampled into 28 bands across the em, the pair's mean and smallest
ink gap over the bands both glyphs ink are compared with the font's
stem-to-stem gap (the pair nn, or HH then oo), and the pair moves 60% of
the way towards it, keeping 30% of that gap and moving at most -0.12 or
+0.06 em. Latin, Greek and Cyrillic letters, digits and Western
punctuation take part; spaces, marks, missing glyphs, right-to-left
runs, upright and tate-chu-yoko glyphs and pairs across a fallback font
keep their font spacing. Profiles and references are cached, bounded.
Tests: AV, To and r. close up and nn stays; HH closes up under Optical
but not Metrics (fails on main); every change on a pangram stays within
the bounds and spaces keep their width; profile, gap, adjustment and
character-class unit tests.
Docs: typography parity Kerning row and remaining effort, gap 4,
ROADMAP milestone 6 and progress log.
Fixes#181.
Lines beside an object that lets text through on both sides are set in
segments, left then right, and the paragraph runs on from one to the
next. One-sided wraps (left, right, spine sides, largest area) block the
other side. A contour wrap follows the object's outline band by band,
with the offset around it; graphic frames follow their contour type
(bounding box of the graphic, frame path, same as clipping; detected
edges, alpha channel and image paths follow the frame path). The Text
Wrap panel sets the wrap side and contour type through object.textWrap,
and IDML import and export keep ContourOption.
Progress docs per craftrules standards/progress-docs.md: target-app parity, gaps, roadmap with alpha gate, readiness by audience (full / mainstream / essentials) with Opus 5.5 hours, and feature, format, hardware, UI and localization parity docs.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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