Placed PDFs rendered through hayro 0.7 from crates.io, whose
hayro-interpret divides integers in calculator functions without a
check, does not limit how deep functions nest and samples each mesh
triangle over its whole bounding box. A placed PDF whose calculator
function runs `1 0 idiv` or `-2147483648 -1 idiv` panicked the render.
A chain of 100,000 functions, each stitching function naming the next,
overflowed the stack and aborted the process. Mesh shadings with points
far off the page, ten thousand overlapping triangles or forty thousand
patches ran for over a minute or passed 2 GiB of memory.
[patch.crates-io] now takes hayro, hayro-interpret, hayro-syntax and
hayro-jbig2 from pdfcraft's vendor/ directory at b5467d93, with the
patches its vendor/README.md lists. The crate versions do not change.
The patched hayro-syntax sizes a page with a /UserUnit in points, and
pdf_page_box scales the page's boxes by the same unit, so with Crop to
the frame still shows the chosen box. NOTICE names the new source and
the licenses. The function and mesh tests in
crates/render/tests/placed_pdf.rs follow pdfcraft's tests in
crates/render/src/raster.rs.
InDesign's Effects dialog sets an Inner Glow's blend Mode (Screen by
default) and Technique (Softer or Precise), and a Basic Feather's Choke
and Corners (Sharp, Rounded, Diffused). LYH Studio episode 14 shows them
at 12:05–12:20 (Screen 75 %, Softer, 0.25 in; 0.0625 in, Diffused).
- doc: InnerGlow.mode and .technique (GlowTechnique), Effects.
feather_options (FeatherOptions: choke %, FeatherCorners), with
InDesign's defaults; old documents read as before.
- render: the glow uses its mode; Precise keeps it nearer the edge; the
feather's choke shortens the fade, Sharp and Rounded corners follow
the shape more tightly or softly than Diffused (unchanged, so the
goldens stay).
- render fix: an inner glow's (and a bevel's) blend mode was applied
inside the clip layer, against its empty backdrop, so Screen and
Multiply acted as Normal; the blend layer now wraps the finished edge
and mixes with the object below.
- engine: choke clamped to 0–100; the params documented.
- Effects dialog: Mode and Technique on Inner Glow; Choke and Corners on
Basic Feather; strings translated.
Builds on #643 (the Effects dialog).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
(cherry picked from commit a3b971654f)
LYH Studio episode 6 builds every gradient from C=0 M=100 Y=0 K=0 to
C=100 M=0 Y=0 K=0. InDesign blends a gradient's process stops as inks:
halfway is C 50 M 50, a light lilac. DesignCraft converted both ends to
RGB and blended there, so the middle came out a darker violet (117, 88,
189 instead of 135, 119, 181), and every Episode 6 gradient looked
different. A midpoint between CMYK stops also became an RGB colour, so
the PDF shading turned RGB with a conversion warning.
- color: `Color::lerp` blends CMYK with CMYK (or grey), and grey with
grey, in ink space; anything with RGB still blends in RGB.
- `Gradient::display_stops`: the expanded stops plus samples through
each span that isn't RGB at both ends, for renderers that interpolate
in RGB; the screen renderer uses it.
- pdf: a midpoint's expanded stop now keeps the stops' space; the
colour-space test expects no conversion for CMYK or grey midpoints.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
InDesign draws a radial gradient in the object's bounding box: on a
non-square frame it's an ellipse reaching the frame's sides, and a
Gradient Swatch tool drag keeps those proportions. LYH Studio episode 6
(3:16) gives the left page's background a radial gradient: magenta in
the middle, cyan out to every edge. DesignCraft drew a circle reaching
only the longer side, so a portrait page stayed purple at its sides.
- doc: `Fill::radial_ellipse(bounds)`: centre and radii (default: the
box's centre and half its width and height; with a tool vector, its
start, and its length measured with the box made square).
- render: the radial paint is that circle, stretched by the paint
transform; PDF: the shading's transform does the same.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A frame holding items pasted into it (Edit › Paste Into) was drawn by
its own branch in draw_item that skipped every effect: Basic Feather,
Inner Glow, shadows and the rest were stored but never drawn. LYH Studio
episode 14 (11:51) gives the outlined "GET MORE." title, with a photo
pasted into it, an Inner Glow and a Basic Feather.
Such a frame now goes the way of any other object: draw_body draws its
fill, its items clipped to the frame and its stroke, so draw_item_fx
wraps all of it. Its silhouette counts as solid for shadow spread.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Conflict: crates/render/src/text.rs: the branch's paint_glyphs with next's fill and stroke overprint (overprint_fill / overprint_stroke, an overprinting() Multiply layer around each paint); next's cell_stroke(kind, weight, length); path text strokes don't overprint, as before
Conflict: crates/pdf/src/text.rs: the branch's text_run / paint_outlines / glyph_outlines split with next's skew tan, vertical mark offsets and split_clusters glyph order (#421)
Conflict: crates/engine/src/cmd/paths.rs: next's shatai transform + the branch's stroke_behind_fill key
Conflict: crates/idml/src/tests.rs: tests both
Conflict: docs/typography-parity.md, ROADMAP.md: headers combined, logs both
Object > Effects (Transparency..., Drop Shadow... and the rest, and their
shortcuts) and the Effects panel's fx button open the Effects dialog on
the chosen effect, turned on: the effect list with checkboxes on the left
and a summary line, the chosen page's settings on the right in the
document's units (Blending, Position with X/Y offsets, Options...),
Preview on the page while it is open, Cancel putting the page back, and
OK as one undo step.
- engine: object.effects {effects (merged, kept in range), opacity, blend}
- doc: drop and inner shadows default to InDesign's 120 degree light
- ui: dialogs::cancel (a previewing dialog reverts)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A character attribute strokeBehindFill paints a text stroke under the fill
at double width, so its full weight lies outside the letters and they keep
their shape. Screen and PNG rendering, PDF export (stroke as outlines
first, then the filled text, so the text is not duplicated; clipped to the
outside of the glyphs when there is no fill), Create Outlines (outside-
aligned stroke), the Properties panel and Character Style Options.
IDML StrokeAlignment on CharacterStyleRange, CharacterStyle and
ParagraphStyle imports and exports as the attribute (OutsideAlignment =
on, CenterAlignment = off).
Conflict: crates/render/src/lib.rs: push_layer after next's back document-grid drawing and pop_layer before the front grid, so items never blend with the grid
Conflict: ROADMAP.md: kept both progress-log lines
The renderer painted the paper, then blended page items with it: black
text in Color Dodge over blank paper dodged the white to white and
vanished, and other modes showed the same way. In InDesign (and in PDF,
where the page group starts transparent) the paper is not a backdrop:
over blank paper an object in any blend mode shows as it is, and only
the objects below it are blended with. On spreads that use a blend mode
the items are now drawn in their own group, laid over the paper once;
other spreads render as before.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Vertical Type is now the story's direction: the full-descent check reads
FrameSpec::vertical, and the vertical-extent test sets the story vertical.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
aiongg