- Open a file: missing IDML parts now open with an Import Warnings
alert in the release; drop the "not in a release yet" note.
- Place: an image placed into a frame leaves Auto-Fit off (0.7.0).
- Install, supported systems: add the 32-bit Windows x86 builds and
the RISC-V .deb and .rpm; example version 0.7.1.
- Set verified: 0.7.1 on every checked page.
- docs/user/CLAUDE.md: a regular file pointing to AGENTS.md instead of
a symlink.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
With a placed graphic selected (Direct Selection, or the content
grabber), the graphic's own brown bounding box has eight handles:
dragging one resizes the image inside its frame (Shift keeps its
proportions, Alt from its centre) and leaves the frame as it is.
- tools: a content-handle hit test on the selected graphic's bounds
(after the frame's anchors under Direct Selection), a ContentResize
drag previewing `transform.set {content, bounds}`, the handle cursors,
and the content ghost while dragging. The frame's handles don't resize
the frame while its graphic is selected.
- engine: `transform.set` takes `bounds` for content: the graphic's new
bounding box on the spread (normalized, never empty).
- canvas: the brown content box gets its handles; the frame's handles
are hidden while the graphic is selected.
(cherry picked from commit 8e0e6c2f2e)
The engine's atomic module keeps its functions and signatures and delegates to craft-libs/craft-atomic (pinned to e9546e19), so every save and export caller is unchanged. write_atomic_with also turns a panicking writer into an error, so its temporary file is removed. Recovery checkpoints and package output keep their own writers, which replace links instead of following them.
On Unix, new files follow the umask and replaced files keep their permissions.
open_dropped sent every dropped file that is not a document to
file.place, so a swatch exchange (.ase) file dropped on the desktop
window failed with a "Can't Place the File" alert: "invalid parameters
for `file.place`: unsupported or corrupt image".
open_dropped now sends .ase files to swatch.load with the dropped path,
as Load Swatches in the Swatches panel menu does with the picked path.
The web app already sent dropped .ase files to swatch.load. The
swatches are added to the active document as Load Swatches adds them,
and if the file can't be loaded, the status line shows the error.
eot() only refused fsType 0x0002 exactly, so 0x0003 (which
FontFace::restricted_licence and file.package already treat as
restricted) and Bitmap embedding only (bit 9, e.g. 0x0200, 0x0208) were
embedded with their glyf outlines. Reuse restricted_licence and also
refuse bit 9, matching VectorCraft's Package (storytold/vectorcraft#782).
With a placed graphic selected (Direct Selection, or the content
grabber), InDesign shows the graphic's own brown bounding box with eight
handles: dragging one resizes the image inside its frame (Shift keeps its
proportions, Alt from its centre) and leaves the frame as it is. LYH
Studio episode 14 does this at 2:46 to make the photo cover the page.
- tools: a content-handle hit test on the selected graphic's bounds
(after the frame's anchors under Direct Selection), a ContentResize
drag previewing `transform.set {content, bounds}`, the handle cursors,
and the content ghost while dragging. The frame's handles don't resize
the frame while its graphic is selected.
- engine: `transform.set` takes `bounds` for content: the graphic's new
bounding box on the spread (normalized, never empty).
- canvas: the brown content box gets its handles; the frame's handles
are hidden while the graphic is selected.
Builds on #415 (content selection and moves) and #550 (transform.set
on content).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A frame holding items pasted into it (Edit › Paste Into) was drawn by
its own branch in draw_item that skipped every effect: Basic Feather,
Inner Glow, shadows and the rest were stored but never drawn. LYH Studio
episode 14 (11:51) gives the outlined "GET MORE." title, with a photo
pasted into it, an Inner Glow and a Basic Feather.
Such a frame now goes the way of any other object: draw_body draws its
fill, its items clipped to the frame and its stroke, so draw_item_fx
wraps all of it. Its silhouette counts as solid for shadow spread.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A frame holding items pasted into it isn't a group. Ungroup took it
apart like one, leaving its content loose and losing the clipping shape,
and the Properties panel called it "Group" with an Ungroup quick action.
As in InDesign, Ungroup now only takes real groups apart; other objects
stay as they are and stay selected (Ungroup used to clear them from the
selection). Such frames are labelled by their shape (<ellipse>, ...), so
Properties shows "Ellipse" with Convert Shape.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
As in InDesign, outlining a text frame gives a group with one compound
path per line (split further by text colour within a line), so Ungroup
leaves each line on its own: LYH Studio episode 14 ungroups the outlined
title at 4:56 to tighten the space between its lines before making one
compound path again. A single line in one colour stays a single compound
path.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Backspace at the start of the second of two consecutive tables merged their
anchor paragraphs: Story::delete kept one table id, the other table was
dropped and the paragraph held two anchors. Pasting a table next to an anchor
replaced the existing table the same way, and pasting several paragraphs
right before an anchor left its table unreferenced. Saving succeeded;
reopening failed with "paragraph must hold exactly one anchor".
fix_tables now splits a table paragraph that holds further anchors, so every
anchor gets its own paragraph again. delete and insert_story tell it which
table each surviving anchor belongs to (fix_tables_with), and insert_story
fixes tables up once after the whole paste instead of after every run.
Regression tests in doc (Backspace between tables, deleting the middle of
three, paste before/after an anchor, paragraphs pasted before an anchor) and
engine (text.delete and edit.paste through commands, then a file round-trip);
all failed before the fix.
Claude-Session: https://claude.ai/code/session_01La6SDgsmdZfgfDDmx3wiGU
With a placed image selected via Direct Selection (InDesign's content
selection), Copy now copies the graphic itself: a frame of the whole
image's bounds (uncropped) at its spread position, without the frame's
fill, stroke or effects. Paste Into then puts the full picture in place
inside the target shape, as InDesign does (LYH Studio episode 14, 5:44).
Cut and Delete with the graphic selected remove only the graphic; the
frame stays, empty and selected.
Nested items copy in spread coordinates (parent transform applied).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The .docx/.xlsx text import iterates attributes with quick-xml's default duplicate check, so one crafted
start tag with N attributes cost O(N^2) (RUSTSEC-2026-0194, fixed in quick-xml 0.41). Bumping also clears
RUSTSEC-2026-0195 (NsReader namespace allocation), which this workspace does not reach (no NsReader).
unescape_value() is deprecated in 0.41 (clippy -D warnings); normalized_value(Implicit1_0) is what the
deprecated method now does. Regression test: an element with 100,000 attributes parses in < 5 s.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
- Previews were kept in the context's data for each sample text, size
and colour, and never let go: every new text selection loaded textures
for every visible row. They now live in a cache of at most 256 that
drops the least recently used.
- A family the background read didn't list (installed since) was read
from disk on the UI thread every frame and never kept; it is now read
once and stored with the others.
- Return and Escape in a dialog's font menu are covered by #447's test
on main; this branch's duplicate is dropped.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The class, Recently Added and Show Similar Fonts filters read every
family's kind through face(), which loads the family and keeps its bytes
for the session (with no size cap). They use family_kind now, which
reads each file and lets it go.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- Return, Escape and the arrows are consumed by the menu (Escape closes
it), so a dialog under the menu never confirms or cancels (#447).
- The class and Recently Added filters and Show Similar Fonts read every
family's kind on a background thread, once per document font scope;
the menu says Loading fonts... meanwhile. The web reads its few bundled
fonts inline.
- The colour font badge uses theme tokens instead of fixed colours.
- Every font field, the hand-drawn ones included, reports as a combo box
with the current family as its value.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
With few fonts installed the font's own row in the main list is on screen
too, so the label matched twice (FreeBSD CI).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The font menu (Control bar, Character panel, Properties, task bar, style
dialogs, Find Font, Glyphs) now has InDesign's layout:
- a search field with a clear button, and a Filters row: classification
(All Classes, serif, slab serif, sans serif, script, monospaced,
decorative, symbol), Show Favorites Only, Show Recently Added (fonts
added in the last 30 days);
- the sample text (Selected Text, Sample, Aa Bb Cc, a pangram, digits)
in three sizes, remembered with the UI state;
- Recently Used fonts at the top, then every family;
- a family of several styles shows how many and opens to list them, each
previewed in its own face; picking a style applies it as it is;
- each family's format after its sample, and Show Similar Fonts (≈) to
list the families of the same class nearest by PANOSE.
Find More and the activated-fonts filter are Adobe Fonts services and
are left out. The font combo is a field and a plain popup now: egui's
combo box kept its menu at the size it last had, so a family opening or
a filter clearing didn't show. The ≈ button stays while the pointer is
on it (the row under it no longer counts as hovered there). New strings
are translated.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
As in InDesign, the Eyedropper applies a colour sampled from a placed image
to the fill or the stroke, whichever is in front in the toolbox: with the
Stroke box in front a selected line takes it on its stroke (it has no
fill to show it). The toolbox's state reaches tools through
ViewInfo/ToolContext::stroke_in_front.
Depends on #572.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Review follow-up.
- OK ran layout.section and then layout.chapterNumbering: two undo steps,
and a chapter start the second command refused (over 99 999) left the
section applied. `layout.numberingOptions {page, …section, chapter}`
checks both parts before the document changes and applies them in one
edit; the window's OK runs it. layout.section and
layout.chapterNumbering share its parsing.
- Enter or Escape with a Style menu open confirmed or closed the whole
dialog. Dialogs now leave both keys to an open popup (read before the
dialog draws, since egui closes a popup on Escape that frame).
- A start page of 4294967295 overflowed page_number (a panic in debug
builds, page 0 in release). Page numbers saturate; layout.section
refuses start numbers outside 1-99 999 (MAX_PAGE_NUMBER, as chapter
numbers) and Document Setup clamps its start page instead of wrapping
a 64-bit number into 32 bits.
Also rebased on main: the restructured ROADMAP keeps main's text, and the
inventory in docs/target-app-parity.md lists chapter numbering and the
window.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Layout > Numbering & Section Options now opens its own window instead of
the generated command form, on the section of the page in view: Start
Section (always on for page 1), Automatic Page Numbering or Start Page
Numbering at, and a Page Numbering group with Section Prefix, Style,
Section Marker and Include Prefix when Numbering Pages; then Document
Chapter Numbering with its style, Automatic Chapter Numbering, Start
Chapter Numbering at, Same as Previous Document in the Book (only in a
book) and the book's name. OK and Cancel sit beside the options, out of
the scrolling body.
OK runs layout.section and layout.chapterNumbering; a refused value
(a prefix over eight characters or with + or a comma, a start number
below 1) keeps the window open and changes nothing. Opening the window
reads the chapter numbering without running a command, so it doesn't
stop a Data Merge preview. New strings are translated (German, French,
Spanish, Japanese, Chinese, Italian).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Rebased on the progress-docs restructure: the ROADMAP bullet moved to the
inventory in docs/target-app-parity.md (Books), with a progress-log line.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A section prefix is at most eight characters and contains no plus or
comma (page references and ranges use them); `layout.section` refuses
others and leaves the section unchanged. Symbols, a footnote style,
no longer number pages. The parameter documentation lists the 01, 001
and 0001 styles, and a test pins the fields the generated dialogs read
from both numbering commands.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A document's chapter number now has a style (1, I, i, A, a, 01, 001,
0001) and a source, as in Numbering & Section Options > Document
Chapter Numbering: Automatic Chapter Numbering (one more than the
previous document in the book; 1 first), Start Chapter Numbering at,
or Same as Previous Document in the Book.
`layout.chapterNumbering {style?, start?, source?}` sets them (undoable)
and, with no parameters, reports them with the open book that holds the
document. The book's Update Numbering (`book.paginate`) resolves chapter
numbers in book order and reports them. Chapter Number variables and
cross-reference chapter numbers use the style.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
