Resolve 12 conflicted files. Where both sides changed the same code:
- format: keep main's bounded-read load_zip (MAX_ENTRIES, read_entry) and
this branch's u64 version reporting, so a version above u32::MAX is named
as written rather than clamped. Both sides had fixed the same truncation.
- render: main's natural_size supersedes image_natural_size (it already
reads an EPS bounding box and also handles PDF pages); callers in table
and data merge now use it.
- images: keep the DSC-aware header scan and (atend) trailer lookup, take
main's classic-Mac line endings, and carry its overflow guard into
parse_box. eps_proxy draws main's simple rectangles before falling back
to the placeholder, still over a retained EPS source.
- engine/file: take main's placement shape (add_asset, crop box geometry,
place cursor, finite_rect, object effects) and keep this branch's
validate_placement in both branches; edit() works on a clone and commits
only on Ok, so validating inside it stays all-or-nothing.
- engine/links: keep building the replacement before edit() so a file that
cannot be read leaves the document untouched, and move main's crop_pdf
refresh into relinked_asset, which both relink and update go through.
- engine/export: EPS preview warnings join the font-embedding warnings
rather than shadowing them.
- idml: an EPS element keeps ActualPpi (its pixels are a preview raster);
main's PDF exclusion is unchanged.
Cargo.lock regenerated. Tests and doc strings from both sides kept.
Graphic literals (cli perf, doc assets/item, engine datamerge/export/file/links/mathexpr/media/table/sample, epub, format, pdf, pptx, render, tools, ui-egui properties, and tests): name the branch's clip and wrap (#561, #381) and the PR's fill.
crates/doc/src/item.rs: Graphic keeps wrap and gains fill.
crates/idml/src/import.rs: read the image swatch, then the branch's styled FrameFittingOption lookup; the graphic keeps its wrap.
crates/idml/src/tests/assets.rs: keep both new tests.
crates/render/src/lib.rs: keep #362's crop-box sizing of placed PDFs and colour the resulting pixmap.
crates/render/tests/colorize.rs, crates/epub/tests/grouped_reading_order.rs, crates/compose/src/tests.rs: literals name the branch's Asset and Graphic fields.
crates/pdf/src/export.rs: the soft mask interpolates by the standard's raster mode (the branch has no per-exporter interpolate switch).
docs/gaps.md, docs/target-app-parity.md: status lines list both sides' changes; gap text keeps the clipping-path items and adds the image swatch.
Conflicts and how each was resolved:
- crates/idml/src/import.rs: main's linked_assets and insert_asset kept; the
crop is read beside main's page (PDFAttribute as a child or a property), and
linked_assets is keyed by (path, page, PdfCrop) so two crops of one page are
two assets.
- crates/idml/src/export.rs: PDFAttribute with PageNumber, PDFCrop and
TransparentBackground is written for every placed PDF, replacing main's
page > 0 block.
- crates/idml/src/tests.rs: main's file plus the `$ID/` font tests.
- crates/engine/src/cmd/file.rs: main's exact PDF page size, place cursor and
add_asset kept; Crop to stores the choice on the asset (the graphic spans
the box), so the place cursor's frame crop box is gone.
- crates/engine/src/cmd/{book,interchange}.rs: main's confined and reporting
imports, with the PDF crops resolved after them.
- crates/engine/src/cmd/print.rs: main's print_with, exporting with the
measured PDF boxes.
- crates/engine/src/cmd/links.rs: main's text links plus pdfCrop.
- crates/engine/src/cmd/{datamerge/fill,mathexpr,media,table}.rs,
crates/format/src/lib.rs: main's add_asset with the asset defaults.
- crates/engine/src/cmd/package.rs, crates/engine/src/tests_idml.rs: both
sides' tests.
- crates/fonts/src/fontdb.rs: main's style traits, looked up through
plain_family.
- crates/render/src/lib.rs: pdf_crop_box replaces pdf_page_box; main's
UserUnit test checks pdf_crop_box.
- crates/ui-egui/src/dialogs.rs: main's dialog with the content-bounds crops.
Also: Asset::same_file compares the PDF crop, so placing or saving no longer
merges two crops of one page; Asset literals added on main take the defaults;
main's PageNumber test checks the crop and that page 1 is written; new tests
a_pdf_page_placed_with_two_crops_imports_as_two_assets and
pdf_assets_with_different_crops_stay_apart.
Review fix from aiongg (72d7ea2e, with the line tests of 6db40bdb), ported
to this branch: Fill::linear_axis gives screen and PDF one gradient axis,
and a box with no extent along the gradient's angle takes its longer side.
Co-authored-by: aiongg <aiongtaigi@gmail.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Add multi-click text selection, pending caret formatting and clipboard support, text-aware colour controls, guide/grid snapping, and frame threading with loaded-port interactions.
Include the layout, drop-cap and IDML updates carried from #83, with safeguards for generated and linked stories, external text references, local IDs, locked frames and atomic colour edits.
Fixes#23.
Co-authored-by: Sean Hammond <sean.hammond@und.edu>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
LYH Studio episode 6 builds every gradient from C=0 M=100 Y=0 K=0 to
C=100 M=0 Y=0 K=0. InDesign blends a gradient's process stops as inks:
halfway is C 50 M 50, a light lilac. DesignCraft converted both ends to
RGB and blended there, so the middle came out a darker violet (117, 88,
189 instead of 135, 119, 181), and every Episode 6 gradient looked
different. A midpoint between CMYK stops also became an RGB colour, so
the PDF shading turned RGB with a conversion warning.
- color: `Color::lerp` blends CMYK with CMYK (or grey), and grey with
grey, in ink space; anything with RGB still blends in RGB.
- `Gradient::display_stops`: the expanded stops plus samples through
each span that isn't RGB at both ends, for renderers that interpolate
in RGB; the screen renderer uses it.
- pdf: a midpoint's expanded stop now keeps the stops' space; the
colour-space test expects no conversion for CMYK or grey midpoints.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
LYH Studio episode 6 (8:28) gives the "1969" headline the "New Gradient
Swatch" (magenta → cyan) from the Swatches panel. InDesign runs a gradient
on text across its text frame's box. DesignCraft resolved a character
fill to one solid colour, so a gradient swatch drew no text at all.
- render: a character fill or stroke that names a gradient swatch is
painted with that gradient over the frame's box in text space (type on
a path: the path's box).
- pdf: text runs take a gradient paint: the shading is laid out in the
frame's text space and mapped into each run's origin, so skew and
horizontal scale don't bend it; outlined runs and type on a path too.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A gradient swatch on a stroke drew nothing: strokes were painted with a
single resolved colour. LYH Studio episode 6 gives the loop on the right
page (9:13) and, at first by accident, the circle (1:19, "right now it
is on the stroke") a gradient stroke.
- doc: Stroke::gradient_angle / gradient_vector (as Fill's) and
Stroke::as_fill(), the stroke's paint as a fill.
- render and PDF: a gradient stroke is painted like a gradient fill,
across the path's box (dash gaps and arrowheads keep their paints).
- engine: object.gradient {target: stroke} edits the stroke's
gradient (kind, stops, angle, the Gradient Swatch tool's from/to);
scaling moves the stroke's vector with the shape.
- IDML: GradientStrokeStart/Length/Angle round-trip.
- Gradient panel: acts on the stroke when the toolbox's Stroke box is
in front, as InDesign's follows the Fill/Stroke proxy.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Fields, buttons and video or sound are collected with the page content's
inclusion rule: the item's layer is visible and printable, and neither the
item nor any group around it is hidden or non-printing.
InDesign draws a radial gradient in the object's bounding box: on a
non-square frame it's an ellipse reaching the frame's sides, and a
Gradient Swatch tool drag keeps those proportions. LYH Studio episode 6
(3:16) gives the left page's background a radial gradient: magenta in
the middle, cyan out to every edge. DesignCraft drew a circle reaching
only the longer side, so a portrait page stayed purple at its sides.
- doc: `Fill::radial_ellipse(bounds)`: centre and radii (default: the
box's centre and half its width and height; with a tool vector, its
start, and its length measured with the box made square).
- render: the radial paint is that circle, stretched by the paint
transform; PDF: the shading's transform does the same.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The DestIn mask now covers the whole render target (and the PDF's
exported area), with the gradient kept in item space through the paint
transform, since past the gradient's ends the end opacity carries on: a
child's long drop shadow or thick stroke is faded, not cut off at a box.
feather_bounds counts only shown children and active states, walking
nested groups without recursion.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A gradient feather on a group (Gradient Feather tool over grouped text, as
in LYH Studio's poster tutorial) did nothing on screen: groups never went
through the effects path. In PDF the group's mask was the group's own path
bounds, and a group has no path, so the mask covered a box of zero size and
hid the group.
- Item::feather_bounds: the box the feather spans, the objects' bounds for
a group.
- Render: a feathered group draws its objects in one layer, then fades it
with the same mask as other objects (fx::gradient_feather_mask).
- PDF: the group's mask spans its objects.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Cycle checks walk based_on with a seen-set over all parents, so a cycle
longer than the drawing depth cap is still found. Snapping lists parent
items through shown_parent_pages instead of recursing, and offers base
items on a parent spread. A base parent's text on a parent spread is
composed for that spread, so page-number markers show its prefix.
Cmd+Shift-click hits what is drawn: it honours Show Parent Items, hidden
and locked layers, the facing-page filter and layer order. IDML import
warns when a parent spread's pages name different bases or their own
spread.
Pages draw the base parent's items, then the parent's, then their own,
on the canvas, in PDF and image export, and on the parent spread itself.
Chains are followed base first with a depth bound. Overrides, parent hit
testing and the flattener's transparency check include base items.
layout.parents.options {parent, basedOn} sets or clears the base and
refuses cycles; document.inspect reports basedOn per parent. Opening a
.designcraft or IDML file clears a cyclic or dangling base with a warning.
IDML already carried the base as the parent pages' AppliedMaster; a test
covers the round trip.
- designcraft-color: ICC profiles (built-in RGB working spaces, user .icc files) go through
craft-cms. The default CMYK working space is craft-cms's Coated FOGRA39; CMYK swatches show
relative colorimetric with the settings' black point compensation, as placed images do.
Generic CMYK and Device CMYK stay selectable; names of the profiles FOGRA39 stands in for
resolve to it; ColorSettings::with_known_profiles replaces unavailable saved names with the
defaults (used when the UI restores saved settings). Lab, gamut error and proofing of ICC
CMYK spaces use craft-cms transforms. The Generic CMYK output profile is encoded by craft-cms.
- designcraft-images: Profile, Transform, TransformOptions, Intent and Builtin are craft-cms's;
its black point compensation replaces the module's sRGB table. Untrusted profiles are still
ignored with a log line.
- designcraft-pdf: the PDF/X output intent is the working CMYK space's profile: the FOGRA39
built-in with identifier FOGRA39, user profiles as loaded, Generic CMYK otherwise.
- moxcms is no longer a direct dependency.
MarekSpodBiedry