Fonts installed, edited or removed while the app runs needed a restart
(#328, #547). font.reload rescans the font folders, lets go of the shared
faces whose installed file changed (length or modification time) or is
gone, so the next lookup reads the file as it is now, and recomposes the
open documents with a new composition cache. It isn't an undo step.
Contextual alternates are part of how many Arabic fonts join (connecting
strokes, tatweel and letter variants). InDesign keeps them in Arabic text
when Contextual Alternates is off, so `calt` off is now dropped for
Arabic runs.
Conflicts and how each was resolved:
- crates/idml/src/import.rs: main's linked_assets and insert_asset kept; the
crop is read beside main's page (PDFAttribute as a child or a property), and
linked_assets is keyed by (path, page, PdfCrop) so two crops of one page are
two assets.
- crates/idml/src/export.rs: PDFAttribute with PageNumber, PDFCrop and
TransparentBackground is written for every placed PDF, replacing main's
page > 0 block.
- crates/idml/src/tests.rs: main's file plus the `$ID/` font tests.
- crates/engine/src/cmd/file.rs: main's exact PDF page size, place cursor and
add_asset kept; Crop to stores the choice on the asset (the graphic spans
the box), so the place cursor's frame crop box is gone.
- crates/engine/src/cmd/{book,interchange}.rs: main's confined and reporting
imports, with the PDF crops resolved after them.
- crates/engine/src/cmd/print.rs: main's print_with, exporting with the
measured PDF boxes.
- crates/engine/src/cmd/links.rs: main's text links plus pdfCrop.
- crates/engine/src/cmd/{datamerge/fill,mathexpr,media,table}.rs,
crates/format/src/lib.rs: main's add_asset with the asset defaults.
- crates/engine/src/cmd/package.rs, crates/engine/src/tests_idml.rs: both
sides' tests.
- crates/fonts/src/fontdb.rs: main's style traits, looked up through
plain_family.
- crates/render/src/lib.rs: pdf_crop_box replaces pdf_page_box; main's
UserUnit test checks pdf_crop_box.
- crates/ui-egui/src/dialogs.rs: main's dialog with the content-bounds crops.
Also: Asset::same_file compares the PDF crop, so placing or saving no longer
merges two crops of one page; Asset literals added on main take the defaults;
main's PageNumber test checks the crop and that page 1 is written; new tests
a_pdf_page_placed_with_two_crops_imports_as_two_assets and
pdf_assets_with_different_crops_stay_apart.
Montilla Design's Flex Layout file names its body face "Regular " (with a
trailing space, as the designer's copy of Articulat CF did). Face lookup
already ignores spacing and case, so the text is drawn in Regular, but
font.list (Find Font) compared names exactly and reported the style
missing. It now uses the lookup's comparison (designcraft_fonts::same_style).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A font whose fsType allows embedding bitmaps only (bit 9, 0x0200) was
packaged with its outlines; it is now refused like a restricted one.
char_css wrote font-weight: bold for any style containing "bold", so
Semibold showed as Bold and Light as Regular; it now writes the numeric
weight (100-900) and style from the face's style name. Same approach as
aiongg's integration branch (#259, 8f54d1cc), with his test.
A Typography panel (Window ▸ Show Panel, and the icon column) lists the
features of the selected text's fonts, merged over those fonts, grouped as
Ligatures, Alternates, Stylistic Sets (named by the font), Figure Style,
Figure Width, Figure Position and Capitals. A section or choice appears only
when a font offers it.
Each feature is a checkbox: checked when all of the selection has it, a dash
when only some of it does, empty when none does. A feature only some of the
selection's fonts offer is italic. Mutually exclusive choices are checkboxes
too, and choosing one turns the others off.
type.openTypeFeatures reports each feature's applied and available state over
the selection. type.feature turns features on or off across the selection,
keeping each run's other features. The fonts crate reads GSUB and GPOS
feature lists and stylistic set names.
The Character panel's OpenType menu is now a button that opens or focuses the
Typography panel.
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Add multi-click text selection, pending caret formatting and clipboard support, text-aware colour controls, guide/grid snapping, and frame threading with loaded-port interactions.
Include the layout, drop-cap and IDML updates carried from #83, with safeguards for generated and linked stories, external text references, local IDs, locked frames and atomic colour edits.
Fixes#23.
Co-authored-by: Sean Hammond <sean.hammond@und.edu>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Malayalam took the first installed file mapping it: on macOS Arial Unicode MS, which has no Malayalam shaping, so conjuncts like ക്ഷ fell apart. Fonts made for Malayalam are tried first, loaded on demand through the CJK chain lookup.
Rebased onto the atomic save work: book chapter replacement, canonicalize and
the writability probe, and every command write now check the roots before
they reach crate::atomic. IDML import no longer reads linked images itself
(the engine passes its checked reader), load_icc_file is gone (profiles
arrive as bytes), the script loader goes through the host reader, and
FontDb::load_document_fonts asks a caller-supplied check about the folder and
each font file, so a link that leads out of the read root is skipped.
ScopedFonts::family_kind reads a family's format, class, PANOSE and file
date from its Regular face. A loaded face is asked; an installed family
that isn't loaded is read from its file, which is let go afterwards,
instead of loading every family the font menu's filters look at for the
rest of the session. Files over MAX_DOCUMENT_FONT_BYTES are skipped.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Each face reports what InDesign's font menu shows and filters by, read
once from its tables: its format (TrueType, OpenType/CFF, variable,
colour), its class (serif, slab serif, sans serif, script, monospaced,
decorative, symbol) from PANOSE, else the OS/2 IBM family class, else
the family name, else the shape of its "l" (serifs widen the foot), its
PANOSE numbers (with a distance for similar fonts) and when its file
was added.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
#466 and #537 (already on next) add the same test at different places in
tests_sysfonts.rs, so the merge kept both and the fonts tests no longer compiled.
The PR's first three commits are patch-identical to #536/#537, already on next.
Conflict: crates/engine/src/cmd/text.rs: next's side (its `type.selectionAttrs` already carries the PR's selected text, plus next's later `mixed` and typing-format work)
Conflict: crates/fonts/src/fontdb.rs, crates/fonts/src/lib.rs: next's side (the PR's font-kind code is already there through #536; next adds aliases, PostScript names, mac_fonts)
Conflict: crates/ui-egui/src/lib.rs: kept both field sets (`recent_new_documents`, `font_sample`/`font_preview_size`)
Conflict: crates/ui-egui/src/panels/mod.rs: took the PR's move of `font_menu_body` into font_menu.rs; next's #447 test edit and `swatch_list_tests` stay
Conflict: crates/ui-egui/src/i18n.rs, crates/ui-egui/src/i18n/it.rs, ROADMAP.md: kept both sides' rows
ScopedFonts::family_kind reads a family's format, class, PANOSE and file
date from its Regular face. A loaded face is asked; an installed family
that isn't loaded is read from its file, which is let go afterwards,
instead of loading every family the font menu's filters look at for the
rest of the session. Files over MAX_DOCUMENT_FONT_BYTES are skipped.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Each face reports what InDesign's font menu shows and filters by, read
once from its tables: its format (TrueType, OpenType/CFF, variable,
colour), its class (serif, slab serif, sans serif, script, monospaced,
decorative, symbol) from PANOSE, else the OS/2 IBM family class, else
the family name, else the shape of its "l" (serifs widen the foot), its
PANOSE numbers (with a distance for similar fonts) and when its file
was added.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Conflict: ROADMAP.md: both progress lines
Conflict: crates/fonts/src/fontdb.rs: next's style_traits/traits_of/linked_style, canonical_family lookup, family_kind and postscript_face; #558's alternate_names (as written, then trimmed) now chains plain_family ($ID/ prefix and format suffix) and is the fallback in style_traits, face (canonical_family, then substitute_family) and has_family
Conflict: crates/idml/src/import.rs: #558's CR/LF-only stripping (next's f.trim() dropped), next's composite_names lookup (by the trimmed name) and names::font_family_in; #558's FontStyle Nothing → unset
Conflict: crates/idml/src/tests.rs: both tests
Conflict: crates/fonts/src/fontdb.rs: FontFace, CatalogEntry and ScannedFace keep next's aliases and kind plus the PR's postscript (both catalog paths fill it); next's family_kind and has_family, plus the PR's ScopedFonts::postscript_face
Conflict: crates/fonts/src/tests_sysfonts.rs: both tests
Conflict: crates/images/src/lib.rs: next's case-insensitive query (#404) with the PR's PostScript lookups, using next's spelled() in place of the PR's has_family helper; both tests
A font-family that names no family but matches a face's PostScript name
(as Illustrator's SVG export writes them, e.g. 'MyriadPro-Regular') now
sets the text in that face, from the bundled, loaded or installed fonts.
The name picks the face, so font-weight and font-style don't change it.
Family names and the generic fallbacks resolve as before.
Part of #430
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Conflict: crates/fonts/src/fontdb.rs: FontFace keeps next's family/style alias fields and the PR's kind
Conflict: crates/fonts/src/lib.rs: both mod mac_fonts (macOS) and mod kind
ScopedFonts::family_kind reads a family's format, class, PANOSE and file
date from its Regular face. A loaded face is asked; an installed family
that isn't loaded is read from its file, which is let go afterwards,
instead of loading every family the font menu's filters look at for the
rest of the session. Files over MAX_DOCUMENT_FONT_BYTES are skipped.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Each face reports what InDesign's font menu shows and filters by, read
once from its tables: its format (TrueType, OpenType/CFF, variable,
colour), its class (serif, slab serif, sans serif, script, monospaced,
decorative, symbol) from PANOSE, else the OS/2 IBM family class, else
the family name, else the shape of its "l" (serifs widen the foot), its
PANOSE numbers (with a distance for similar fonts) and when its file
was added.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Conflict: crates/compose/src/tests.rs: next's baseline-fit and keep tests, then the branch's OS/2 offset doc and code-page constant
Conflict: crates/fonts/src/tests_vertical.rs: testing imports from both (with_base, with_code_pages)
A font's em box is its BASE em box; else, for a CJK font (its font
menu group isn't Western: meta or name languages, CJK code pages, else
kana, Hangul or ideograph coverage), the OS/2 typo ascender when the
typo ascender and descender span exactly one em; else 0.5 em + cap
height / 2; else 0.88 em. Latin fonts with a one-em typo box, such as
DejaVu Serif, centre on the cap height.
Linux font discovery ignored XDG_DATA_HOME and always scanned ~/.local/share/fonts.
Use XDG_DATA_HOME/fonts when the base path is absolute, otherwise keep the default. Preserve ~/.fonts and system directories, with environment-independent regression tests for directory selection.
Brandon Thomas