From e090c32f76ca24b4f0e69031f2b40e84f9ed7710 Mon Sep 17 00:00:00 2001 From: aiongg Date: Sat, 10 Oct 2026 16:17:52 +0000 Subject: [PATCH] UI: note the CJK style sections and Ruby dialog panes in the roadmap --- ROADMAP.md | 2 +- 1 file changed, 1 insertion(+), 1 deletion(-) diff --git a/ROADMAP.md b/ROADMAP.md index c79954d37..cec5429e4 100644 --- a/ROADMAP.md +++ b/ROADMAP.md @@ -121,7 +121,7 @@ DesignCraft aims at full Adobe InDesign parity — and to be better: faster, ope - Keyboard: Tab / Shift+Tab hide and show all panels / all but Tools (`window.hidePanels`, `window.hidePanelsExceptTools`); Cmd+F6 / Cmd+Shift+F6 cycle documents; panel fields are reached with Tab and Escape returns to the layout. - Smart guides and snapping (View ▸ Snap to Guides / Snap to Document Grid / Smart Guides, `view.snapPreferences` and Preferences ▸ Guides & Pasteboard): moving, drawing, resizing, rotating and pen/anchor drags snap in order to the document and baseline grids, ruler guides, margins and columns, other objects' edges and centres (parent-page items too, by visible stroked bounds), equal spacing, matching dimensions and matching rotation, with guides, gap marks and measurements drawn on the canvas. Shift and Cmd constrain the gesture. - View ▸ Rotate Spread (`view.rotateSpread`, `layout.rotateSpreadView`): the spread in view turns in quarter turns on screen (stored with the document; output is unaffected). The canvas maps each spread through its own transform, so tools, snapping, resize handles, guides, overlays and rendering all follow the turned spread. -- Vertical type (Vertical Type Tool, Type ▸ Story Direction `type.storyDirection`, IDML StoryOrientation): the direction belongs to the story, so every frame of a thread is vertical or horizontal together and a frame threaded onto a story takes its direction (`object.textFrameOptions {vertical}` sets the frames' stories); lines run top to bottom and follow each other right to left; the arrow keys follow them (Down and Up along the line, Left and Right to the next and previous line, keeping the position along it); CJK characters stay upright and other text turns, on screen and in PDF; CJK line breaking with basic kinsoku (also in horizontal text); Korean breaks at spaces, word by word (Hangul in any language, hanja in Korean text), or between syllables when the paragraph asks for it (`type.para {koreanCharBreaks}`, Paragraph Style Options ▸ Justification; not written to IDML). Upright text is shaped top to bottom: punctuation and brackets take their vertical forms (OpenType `vert`; `vkrn` and `vpal` through OpenType features), glyphs advance by their vertical metrics (`vmtx`) and hang from their vertical origins (`VORG`) on the centre of the ideographic em box (`BASE`, else OS/2), which the first line's ascent follows; turned text keeps its horizontal forms. Tate-chu-yoko (Type ▸ Tate-Chu-Yoko, `type.tateChuYoko`, IDML `Tatechuyoko`) sets a run such as "12" side by side within one em of the line. Ruby (Type ▸ Ruby…, `type.ruby`, IDML `Ruby*`): group and per-character (jukugo) ruby with every placement, font, overhang, parent-spacing, auto-scaling and colour setting of InDesign's four ruby panes, set over the text (to its right in vertical frames) or under it, and beyond kenten on the same side; longer ruby spaces its parent out before line breaking and keeps its group on the line of each neighbour it overhangs. Kenten emphasis marks (`type.kenten`, IDML `Kenten*`) are set beside their text. Ruby and kenten overprint shows in Overprint Preview; PDF export writes no overprint. +- Vertical type (Vertical Type Tool, Type ▸ Story Direction `type.storyDirection`, IDML StoryOrientation): the direction belongs to the story, so every frame of a thread is vertical or horizontal together and a frame threaded onto a story takes its direction (`object.textFrameOptions {vertical}` sets the frames' stories); lines run top to bottom and follow each other right to left; the arrow keys follow them (Down and Up along the line, Left and Right to the next and previous line, keeping the position along it); CJK characters stay upright and other text turns, on screen and in PDF; CJK line breaking with basic kinsoku (also in horizontal text); Korean breaks at spaces, word by word (Hangul in any language, hanja in Korean text), or between syllables when the paragraph asks for it (`type.para {koreanCharBreaks}`, Paragraph Style Options ▸ Justification; not written to IDML). Upright text is shaped top to bottom: punctuation and brackets take their vertical forms (OpenType `vert`; `vkrn` and `vpal` through OpenType features), glyphs advance by their vertical metrics (`vmtx`) and hang from their vertical origins (`VORG`) on the centre of the ideographic em box (`BASE`, else OS/2), which the first line's ascent follows; turned text keeps its horizontal forms. Tate-chu-yoko (Type ▸ Tate-Chu-Yoko, `type.tateChuYoko`, IDML `Tatechuyoko`) sets a run such as "12" side by side within one em of the line. Ruby (Type ▸ Ruby…, `type.ruby`, IDML `Ruby*`): group and per-character (jukugo) ruby with every placement, font, overhang, parent-spacing, auto-scaling and colour setting of InDesign's four ruby panes, set over the text (to its right in vertical frames) or under it, and beyond kenten on the same side; longer ruby spaces its parent out before line breaking and keeps its group on the line of each neighbour it overhangs. Kenten emphasis marks (`type.kenten`, IDML `Kenten*`) are set beside their text. Ruby and kenten overprint shows in Overprint Preview; PDF export writes no overprint. With Show CJK Features on, Paragraph and Character Style Options list every Japanese section (Auto Tate-chu-yoko, Tate-chu-yoko, Ruby Placement and Spacing, Ruby Font and Size, Adjustment When Ruby Is Longer Than Parent, Ruby Color, Kenten Settings, Kenten Color, Shatai, Japanese Composition, Grid Settings, Warichu), and the Ruby dialog has the four ruby panes. - Math expressions (Type ▸ Insert Math Expression…, `math.insert`, `math.svg`): a LaTeX subset (fractions, scripts, roots, big operators with limits, Greek, relations and operators with math spacing, `\left…\right`, `\text`) typeset by our own engine into SVG, placed inline at the cursor or as a frame; the LaTeX is kept as alt text and can be edited. - Object Layer Options for placed PDFs (`object.pdfLayers`, `object.layerOptions`, Object ▸ Object Layer Options…): the file's optional-content layers listed and shown or hidden per frame on screen; in exported PDFs such graphics go out as 300 ppi images of their visible layers. - Effects: Inner Glow (edge or centre), Bevel and Emboss (inner bevel lit from the light angle), Satin (`object.innerGlow`, `object.bevel`, `object.satin`); PDF export now keeps soft effects: objects with shadows, glows, feathers, bevels or satin go out as 300 ppi transparent images of their appearance (threaded text frames excepted).