An owned corpus slice checks combo charts with data labels, merged
tables with diagonal borders, and text columns, autofit, vertical text
and a WordArt warp. Trendlines (type, order, period, forecast,
intercept, equation and R²) are now read and written.
New owned corpus test on PowerPoint-shaped XML: a custom-theme deck with
shadow, glow, soft-edge and reflection effects and every common text and
shape hyperlink, and a two-master deck with its own themes and layouts.
The one loss it found: a:hlinkMouseOver on text runs was dropped; it is
now read into RunProps::hover and written back.
An owned corpus opens, saves and reopens SmartArt and OLE kept as XML, audio and video bookmarks and trims, a section with a hidden slide, slide-number and date fields, ink, .glb models and animation repeat, bounce end and triggers. Relationship-bearing SmartArt and OLE, playback options and rewind stay with their open PRs.
An owned corpus of those kinds survives open, save and reopen. A run's
inner shadow, reflection and soft edge were dropped, and a bevel preset
with no kept 3-D XML was not written back, so import and export now keep
them.
An owned corpus of those element kinds survives open, save and reopen.
Paragraph default run properties, including a link, and action sounds
were dropped on save, so import and export now keep them.
Adds Basic (stars, heart, crescent moon, teardrop, ...), Lines & Curves
(zigzag, waves, S curves, spirals, bounces, ...) and Special (figure 8,
bean, peanut, neutron, ...) motion paths with PowerPoint preset ids, so
they appear in the Motion Paths gallery, play back, and round-trip
through PPTX.
Co-authored-by: Cursor <cursoragent@cursor.com>
Follow-up to the transition sound picker. The Sound box now lists
[Stop Previous Sound] and six built-in sounds (Chime, Click, Camera,
Whoosh, Drum Roll, Laser) that are synthesised as small WAVs when
chosen, so no sound files ship with the app; the same built-in sound is
embedded once however many slides use it. Loop Until Next Sound repeats
a sound in the show until another slide's sound or Stop Previous Sound.
PPTX reads and writes p:stSnd loop="1" and p:endSnd, keeps the sound's
file name in p:snd/@name, and setting a slide's transition to None no
longer drops its sound.
Co-authored-by: Cursor <cursoragent@cursor.com>
Pie and doughnut data labels still went through fmt_num, which rounded
anything non-integral to one decimal (999.99 drew as "1000.0"). They now
use Chart::data_label like the other label paths (series format, else
axis format, else General), and fmt_num is gone.
Co-authored-by: Cursor <cursoragent@cursor.com>
A deck that embeds a TrueType or OpenType face, including one wrapped as Embedded OpenType, now draws with that face and saves it back. MicroType Express subsets stay in the file and still draw in a stand-in.
Co-authored-by: Cursor <cursoragent@cursor.com>
A shape's picture fill marked not to rotate with the shape turned and
flipped with it (rotWithShape was neither kept nor written: always 1).
PowerPoint keeps such a picture upright, stretched (or tiled) over the
box the rotated shape covers on the slide and clipped to the shape. Now
read, written (PictureFill::upright) and drawn so.
Wild synthetic set: picture fills on rotated/flipped shapes 12.89 ->
3.87.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
- a:biLevel (Color > Black and White) was ignored. It is now read, written
and drawn: white where the luminance reaches the threshold, else black
(observed thresholds at 30/50/70% on colour swatches).
- a:alphaInv was ignored; an opaque picture with it is invisible in
PowerPoint. Now read, written and drawn.
- Grayscale, duotone and saturation weighed channels 0.299/0.587/0.114;
PowerPoint's export greys pure red to 54 and green to 182: Rec. 709
weights (0.2126/0.7152/0.0722).
Wild synthetic set: recolour slide 7.60 -> 1.15, picture corrections
13.36 -> 7.36.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Gradient tile rectangles were dropped on import. PowerPoint's "from
corner" radial presets depend on them: fillToRect puts the focus on a
corner and tileRect stretches the gradient's box a whole size past it, so
the circle is centred on that corner and reaches the far one. Without it
(after the two-point radial change) such fills washed out. A linear
gradient now spans its tile rectangle; a radial one ends on the circle
around it, with the focus still placed in the shape's own box (fitted to
PowerPoint's export of the corpus deck tdf114848: mean diff over the
filled box 0.77). Round-trips through pptx.
Wild synthetic set: tile-rect gradients 16.74 -> 2.48.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Observed on PowerPoint's export (w14-xml s12):
- a two-column body with rtlCol="1" starts its first column on the right; DeckCraft read and
saved the attribute but laid columns out left to right;
- anchor="just" and anchor="dist" place the text at the bottom of the box, like anchor="b";
DeckCraft drew them at the top;
- wordArtVertRtl stacks characters like wordArtVert but runs its lines from right to left; it was
read as wordArtVert (and saved back as it). It is now its own TextDir, kept on save.
w14-xml s12 9.47 -> 5.39.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
mongolianVert was read as vert (and saved back as vert). PowerPoint turns it like vert but runs
its lines from left to right, the anchor mirrored with them (bottom-anchored text sits on the
right). It is now its own TextDir, kept on save; its lines' places are mirrored across the box.
wordArtVert (Stacked) was turned like vert. PowerPoint stands every character upright, one
under the other (Latin letters about one em apart, spaces their own width), with lines running
left to right. Stacked text now stands each character upright in an em of its own and mirrors
the line order.
Also: a bullet in the second or later column of a multi-column body is drawn on its line's
baseline (it kept the first column's).
w01-vertical s4 (mongolianVert) 11.54 -> 9.38, s5 (wordArtVert) 13.84 -> 13.56; w14-xml s13
6.78 -> 6.60.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Every transition and Effect Option was built in PowerPoint (COM), exported as
video and compared frame by frame with DeckCraft at the same progress
(mean abs diff over 150 variants 35.7 -> 15.0, 0-255).
- anim: transition_frame(kind, option, t, aspect) with measured curves
(smoothstep fades, ease-in-out moves, Cover/Uncover/Pan curves), directions
and option meanings, soft edges as per-corner opacity, 3-D effects as
perspective-projected cards, Dynamic Content moving slide contents over
cross-fading backgrounds (Source::OldBack/NewBack/OldContent/NewContent);
layer_mesh subdivides perspective quads so textures stay straight.
- New options: Page Curl Single, Glitter Hexagons, Shred In/Out, Zoom and
Rotate; PowerPoint-style Effect Options labels.
- render: composite_transition (CPU twin of the show), render_slide_part,
render_transition; deckcraft-cli render-transition FILE --slide N --t T.
- show: per-vertex opacity meshes, slide parts rendered once per transition.
- pptx: PowerPoint's elements and defaults (p:strips diagonal wipes, p14:warp
and p:newsflash for Zoom, p:zoom for Shape In/Out, glitter pattern, shred
rectangle/dir, prstTrans invX per preset, pageCurlSingle, defaults for
randomBar/doors/window/pan/zoom); PowerPoint reopens DeckCraft's files with
the same effects.
- Tests: measured curves, probes of which slide shows where at t, option
coverage, per-frame triangle budget, PowerPoint XML and defaults round trip.
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Upstream ce1c7b7 ("Charts: axis number formats, automatic major unit,
hidden axes") replaced the value-axis scaling this branch changed, and
already draws #144's chart as 0-45 in steps of 5. Take its structure and
API as they are (axis_scale with fixed bounds/unit and a room-based
interval count, Chart::axis_scale(secondary, max_intervals), axis_range,
combo charts' secondary axis) and drop this branch's auto_scale.
On top of it, the Office rules upstream lacked:
- Automatic minimum: zero only when every value is >= 0 and the smallest
is below 5/6 of the largest; otherwise the first major unit at or below
min - (max - min)/20. All-negative data mirrors it (the axis ends at
zero only when the largest is above 5/6 of the smallest). Headroom is
5 % of the data range, as documented. Chart::axis_scale feeds it the
plotted extremes (stacked sums still count from zero, 100 % series are
0-1); axis_range and value_range keep returning zero-inclusive ranges.
- A fixed limit beyond the data makes the automatic end give way instead
of producing an inverted axis.
- The renderer stops values past the axis limits at the plot edge, on
both value axes.
The model tests from this branch are ported to the new signature with
ten intervals of room.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Value axes showed raw numbers ("800000") with a fixed ~5-interval scale and
fixed label gutters, deleted axes were still drawn, and data labels ignored
their number format, so Russian business charts read "516600000" where
PowerPoint shows "516 600 000 ₽".
- New deckcraft_model::numfmt: Excel number format codes (sections for
positive/negative/zero, quoted and escaped literals, _x padding, *x fill,
[$sym-lcid] currency, [colour]/conditions dropped, 0/#/? placeholders,
grouping with ',' or the locale's literal space, trailing-comma scaling,
%, General) with digit grouping and decimal mark from the chart's
language (c:lang: ru-RU -> "800 000", "12,5%").
- Reading: each value axis' numFmt, c:delete, scaling min/max and
majorUnit, for the primary and a combo chart's secondary axis; data
labels' numFmt (series, then group, else the source data's formatCode);
the chart's c:lang. The primary value axis is the one on the left
(bottom) and the secondary the one on the right/top or crossing at max,
whatever the plot groups' order.
- Scale (Chart::axis_scale): fixed bounds and unit where given, else the
data plus 5% headroom rounded out to the smallest 1-2-5 unit that leaves
as many intervals as the axis has room for labels, as PowerPoint does
(0-800 000 by 100 000, 0-7 000 by 1 000 on the sample deck).
- Rendering: labels in the axis format, gutters sized to the longest label,
deleted axes draw no labels and take no room, data labels in their own
format.
A combo chart (columns plus lines, often with the lines on a second value
axis) was read with each series' type but drawn as lines only, on one
scale, so a spend-and-clicks chart showed the clicks as a flat line along
the bottom and no columns.
- Reading: a plot group whose value axis isn't the first group's is on the
secondary axis (Series::secondary_axis, now set).
- Model: Chart::series_kind, on_secondary and axis_range (per axis; a combo
stacks only its stacked series).
- Rendering: bar-like series are drawn as bars (clustered or stacked among
themselves), the others as lines/areas over them, each against its own
axis; the secondary axis' labels go on the right. Line series use their
line's colour and width (where PowerPoint keeps them), also in the legend.
Long category labels wrap onto two lines.
* Text: Ctrl+arrows, Ctrl+Backspace/Delete and the other text keys work like PowerPoint (#268)
Observed black-box in PowerPoint for Windows on synthetic text:
- Word stops (crates/model/src/words.rs): words, punctuation runs, symbol
runs, tabs, line breaks and each CJK character are tokens; trailing spaces
join the token before. it's, a-b, 3.14, 1,000 are one word; e.g., a_b and
x@y.com are not. Grapheme clusters never split.
- Ctrl+Left/Right and Ctrl+Shift+Left/Right move by those stops, across
paragraphs; with a selection they go on from its start/end. In a
right-to-left paragraph Left and Right swap.
- Ctrl+Backspace deletes to the previous stop; Ctrl+Delete deletes the rest
of the word, or spaces plus the next word, then applies PowerPoint's smart
spacing. With a selection both work from its start.
- Ctrl+Up/Down by paragraph, Ctrl+Home/End to the text's ends.
- End on a wrapped line goes past the trailing space and the caret stays
drawn at that line's end (TextSel::line_end); End again stays, Home
returns to the same line.
- Ctrl+]/[ and Ctrl+Shift+>/< change font size (egui's Period/Comma/
bracket key names now match registry shortcuts).
- Shift+F3 cycles lower -> Title -> UPPER; a caret changes its word.
- Double-click selects the word without trailing spaces; triple-click
includes the paragraph mark.
- Mac keeps Option for words and Cmd for line/text ends (Session::mac_keys).
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* rustfmt
* Canvas: one caret, drawn at a wrapped line's end after End
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* #133: Selection pane engine: restack inside groups, Show/Hide All, Lock like PowerPoint
- arrange.bringForward/sendBackward/bringToFront/sendToBack and arrange.reorder work on a
group's children, which stay in their group (as PowerPoint's pane arrows and drag do);
steps that change nothing leave no undo step.
- selection.select (pane click: Ctrl toggles, children and top-level objects don't mix,
picking a hidden object shows it), selection.showAll (everything, children too) and
selection.hideAll (top level).
- shape.lock cascades through groups; locked objects can be selected, formatted and typed
in, but not moved, sized, rotated, flipped, reshaped or cropped (commands and canvas).
- PPTX: Lock reads and writes PowerPoint's full locking attribute set per element kind
(observed by saving locked objects from PowerPoint); partial locks aren't Lock.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* Front-most first with groups folding; drag a row to restack among its siblings (accent
insertion line); Bring Forward / Send Backward arrows; Show All / Hide All; per-row eye and
padlock; double-click or F2 renames in place; Ctrl+click toggles, Shift+click selects a run;
arrows, Home, End and Esc in the list; right-click menu. Lock/Unlock on the canvas menu,
greyed handles on locked objects. egui_kittest tests drive the pane.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* Text warps: draw WordArt prstTxWarp presets, round-trip their adjusts
All 40 DrawingML text-warp presets now render instead of drawing flat text.
A warp is a list of bands over the shape's text rectangle (insets ignored):
fill bands stretch the ink of their lines between a top and a bottom guide
(positions by arc length, one horizontal scale for the whole text), follow
bands (arch, circle, button) set lines at natural size along an ellipse arc,
lines stacking outwards on parallel curves, with no wrapping. Lines are
shared over multi-band presets in order (ceil(n/k) per band).
The guide curves were fitted to PowerPoint renders of synthetic decks of
"I" bars (black-box observation, defaults and changed adjusts, 1-3 lines);
most presets match within about a point on a 420 x 200 pt box.
- geom: warp module (guides, presets, band mapping) with unit tests
- render: glyph outlines and underlines flattened, subdivided and mapped
- text: follow warps lay out without wrapping
- model/pptx: BodyProps.warp_adj read from and written to prstTxWarp/avLst
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* Text warps: bands with fewer lines keep the fuller band's text height
Multi-band fill warps (Deflate-Inflate, Button Pour) map a box as tall as
the tallest band's ink onto every band, centred on the band's own ink, as
PowerPoint does: a band holding one line next to a band of two keeps the
line at the same size instead of stretching it over the whole band.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* Tables: styles the file defines are read, drawn and kept
PowerPoint writes the definition of every table style a deck uses into
ppt/tableStyles.xml. DeckCraft mapped a handful of GUIDs to its own looks
and drew any other style as Medium Style 2, so themed and light styles came
out in the wrong colours, and dropped the definitions on save.
The reader now keeps each definition (whole table, bands, first/last
rows and columns, corner cells, table background; fills, theme fill and
line references, borders, text colour and bold) on the presentation, and
tables using one keep its GUID. The renderer applies the parts that cover
each cell in the spec's order, a part's edge lines on its region's edges
and its inside lines within it, and paints fills as real fills (gradients
and see-through colours). The writer puts the definitions back as read.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* Tables: DeckCraft's own table styles still map back to their ids
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* Fix a brace lost in the rebase
---------
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* Text: wrap lines where PowerPoint does
- Without latinLnBrk (PowerPoint's default) a word doesn't break after '/'
or '\': URLs and paths fill the line and break at its edge.
- Korean wraps between words, not between syllables.
- With hangingPunct, closing East Asian punctuation hangs past the end of
the line instead of dragging the previous character down.
ParaProps gains latin_line_break and hanging_punct, read and written as
latinLnBrk and hangingPunct.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* Text: simpler break guard (clippy)
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Theme background pictures (Office 2007-era themes such as Treck) carry an
a:duotone recolour in phClr; DeckCraft read it but drew the picture
unchanged, so those backgrounds came out grey. The painter now resolves the
duotone's colours against the slide's colours and placeholder colour, and
the decoded-image cache applies them (luminance picks a colour between dark
and light) and keys on them.
Layouts and slides can replace the master's colour map
(p:clrMapOvr/a:overrideClrMapping, e.g. dark section layouts mapping bg1 to
dk1). They were read as the master's map; now Layout and Slide carry an
optional colour map, resolve::Ctx uses slide > layout > master, and the
writer keeps them.
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Exit effects DeckCraft had no entry for (Peek Out, Strips, Blinds, Box,
Checkerboard, Diamond, Sink Down, Spinner, Contract) imported as a plain
Fade and lost their direction, so a Peek Out or Sink Down didn't move.
Each mirrors an entrance DeckCraft already plays, so it is played as that
entrance in reverse (Sink Down as Rise Up, leaving downward); the import
keeps PowerPoint's direction and saving writes a matching filter or
motion. Float Out now also writes its motion.
The preset ids and directions come from PowerPoint: every effect, as
entrance and exit, in every direction it accepts, saved and read back.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The value axis used a generic "nice" scale: about five intervals and no
headroom, so data with a maximum of 42.1 got 0-50 in steps of 10, while
PowerPoint and LibreOffice draw 0-45 in steps of 5.
`auto_scale` now follows the rule Office documents for automatic limits:
the maximum is the first major unit at or above max + (max - min)/20, the
minimum is zero when all values are positive and the smallest is below 5/6
of the largest (otherwise the first major unit at or below min - the same
headroom), and all-negative data mirrors that. The major unit is the
smallest 1, 2 or 5 x 10^n that gives at most 10 intervals. Fixed
`<c:min>`/`<c:max>` limits are kept as they are and no longer get rounded
or padded; values beyond them stop at the plot edge. 100% charts get
0-1 in steps of 0.1.
Fixes#144
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Text with a:hlinkClick (to a URL or a slide) looked like the text around it. As in PowerPoint,
a linked run now takes the theme's hlink colour and a single underline, unless the run itself
sets a colour (PowerPoint 2019 and later honour it) or an underline (u="none" removes it).
Colours from list and master styles don't count, so links in titles are blue too.
This is part of run resolution, so links added with insert.hyperlink look the same, Format
shows them underlined, and turning underline off writes u="none". The run's own props are left
alone, so the look follows the theme.
Co-authored-by: lloyd <lloyd@stackworx.io>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Sprint 1: bidi and Arabic typography engine
fonts: ISO 15924 script and a:latin/a:ea/a:cs slot classification;
shape_range shapes an item with the whole paragraph as HarfRust
pre/post context, explicit script/language/direction, glyphs kept in
visual order; per-grapheme-cluster fallback (slot face, theme script
font, OS cascade families, bundled craft-fonts face); GDEF ligature
carets.
text: UAX #9 levels for the whole paragraph (a:pPr/@rtl), itemization
by level, script, face and shaping style (paint-only changes no longer
split words), logical line breaking at cluster boundaries, per-line
L1/L2 reordering (L4 mirroring by the shaper); RTL start edge and
bullets, justLow kashida; caret Affinity, logical/visual movement,
bidi hit testing and selection as the union of visual boxes.
model/pptx: theme a:font script fonts and algn="justLow" round-trip.
engine: format.rtl (Right-to-Left Text Direction), justifyLow align.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Fonts: the bundled script face comes before installed fonts; no Microsoft family names
Arabic, Hebrew, Thai and Devanagari clusters try the craft-fonts face first, so every machine
draws the same, then openly licensed or OS-native installed families, then any installed face.
Installed Microsoft faces are still used through that scan, but not named (AGENTS.md §1.1).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Tayeb <tayeb@192.168.11.179>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Brandon Thomas