AutoCorrect gains PowerPoint's options: correct TWo INitial CApitals,
capitalize the first letter of sentences and the names of days, fix
accidental cAPS LOCK, and replace 1/2, 1/4, 3/4 with fraction
characters. "word..." becomes "word…", "word," and "word." are corrected
too, and the built-in list grows from 13 to ~70 entries. The case rules
apply only to typing, not pasted text.
New text.autocorrect sets the options and adds or deletes replace
entries (your own win over the built-in list; deleted built-ins stay
deleted) and returns the list. Preferences ▸ AutoCorrect Options… opens
an AutoCorrect dialog with the options and the editable list.
Co-authored-by: Cursor <cursoragent@cursor.com>
A selected text warp shows one yellow handle per adjust.
Dragging it sets that guide value in one undo step.
Co-authored-by: Cursor <cursoragent@cursor.com>
New picture.artisticEffect applies one of 7 effects (blur, pencil
grayscale, line drawing, film grain, cutout, glow edges, photocopy) to a
picture's pixels, as PowerPoint does: the processed PNG becomes the
picture and the original is kept on PictureFill::artistic, so another
effect starts from the original and `none` (or Reset Picture) restores
it. Change Picture drops the effect.
PPTX: written and read as PowerPoint does, the blip being the processed
picture with the original and the effect name in
a:extLst/a14:imgProps/a14:imgLayer, so a deck from PowerPoint keeps its
effect, original and all, when saved again.
Picture Format gets an Artistic Effects menu.
Co-authored-by: Cursor <cursoragent@cursor.com>
shape.pointType makes a vertex smooth (handles in line and equal),
straight (in line) or corner (independent), turning its segments into
curves so it has handles. shape.moveHandle drags a control handle; the
other one follows as the point's type says (given, or read from the
handles). shape.points also reports each vertex's type.
Canvas: clicking a vertex shows its handles, which drag (one undo step
per drag) and follow the type chosen for it. Right-click a vertex for
Smooth / Straight / Corner Point and Delete Point, or anywhere for Exit
Edit Points; a shape's context menu gets Edit Points. The selection box
is hidden while points are edited.
Co-authored-by: Cursor <cursoragent@cursor.com>
New cmd::points with shape.editPoints (enter/leave; a preset becomes a
freeform in shape-local points), shape.points (vertices in slide points),
shape.movePoint, shape.addPoint (splits a line, quadratic or cubic
segment) and shape.deletePoint. After each change the box is fitted
around the outline and kept in place on the slide, rotation and flips
included. Closing edges are made explicit so they take points too.
On the canvas the edited shape shows its vertices as handles: drag one
(one undo step per drag), Cmd/Ctrl-click a vertex to delete it or the
outline to add one; Escape, Enter or a click elsewhere leaves Edit
Points. Shape Format ▸ Edit Shape gets an Edit Points item.
Not yet: smooth/straight/corner point types and Bézier control handles.
Co-authored-by: Cursor <cursoragent@cursor.com>
shape.effects gains `threeD`: top and bottom bevel (preset, width,
height), depth, contour, material, lighting, camera preset, X/Y/Z
rotation, distance from ground, and reset. The settings are read from and
written back to the shape's kept a:scene3d / a:sp3d XML (new
cmd::three_d), so they render through the existing camera and bevel code
and survive a PPTX save; extrusion and contour colours are kept as is.
The `bevel` key used to set only Effects::bevel, which neither the
renderer nor the PPTX writer reads, so a bevel set from the app vanished
on save; it now goes through the same path.
The Effects page of the Format Shape pane gets 3-D Format and 3-D
Rotation sections.
Co-authored-by: Cursor <cursoragent@cursor.com>
shape.fill gains pictureProps for a picture fill: tile on/off, tile
offset X/Y (pt), scale X/Y, alignment and mirror type, stretch offsets
(left/top/right/bottom), and rotate with shape. `transparency` now also
sets a picture fill's opacity. Values are clamped and unknown keywords or
non-finite numbers ignored. The Fill page of the Format Shape pane gets a
"Picture or texture fill" option with a picture source button and these
controls. The model, renderer and PPTX reader/writer already carry the
fields; a new engine test checks they survive a PPTX save and reopen.
Co-authored-by: Cursor <cursoragent@cursor.com>
Shape Format ▸ Text Effects lists the 40 prstTxWarp presets and
No Transform. format.textWarp sets or clears that warp on the
selected text, with optional adjust values.
Co-authored-by: Cursor <cursoragent@cursor.com>
There was no way to make text see-through: the only Transparency
slider was the shape fill's. The new format.textTransparency command
keeps the text's colour and sets its alpha (replacing any it had, and
dropping it at 0). A run without its own colour takes the colour it
shows now, so inherited placeholder or theme colours stay as they are.
Gradient text gets the alpha on every stop. The Format Shape pane's
Text Options page gains a Text Fill section (colour and Transparency),
and the Shape Format › Text Fill dropdown has the same slider.
Co-authored-by: Cursor <cursoragent@cursor.com>
shape.effects gains shadowProps / glowProps / reflectionProps that adjust
the current effect (or add a default one): shadow colour, transparency,
blur, angle and distance; glow colour, transparency and size; reflection
transparency, size, distance and blur. Values are clamped, non-finite ones
ignored. The Effects page of the Format Shape pane exposes them as sliders
and colour pickers.
Co-authored-by: Cursor <cursoragent@cursor.com>
The Format Shape pane's Line page had only colour, width and dash. It now
has PowerPoint's compound type, cap type, join type, begin/end arrow type
and begin/end arrow size drop-downs, and the Size page has Lock aspect
ratio for the width and height fields. shape.line gains compound,
headSize and tailSize, and changing an arrow's kind keeps its size.
Co-authored-by: Cursor <cursoragent@cursor.com>
The Print page always laid notes pages and handouts out on portrait US
Letter. It now offers Letter, A4, Legal and A3 in portrait or landscape,
as PowerPoint's Print settings do, and the preview shows the chosen
page. file.export, app.print and the MCP export tool take the same
`paper` and `orientation` params; unknown values are an error. A notes
page keeps its slide within the top half of the page, so landscape
paper still leaves room for the notes. Full-page slides still print on
slide-shaped pages.
Co-authored-by: Cursor <cursoragent@cursor.com>
deckcraft_geom::squircle builds a rectangle outline whose corners start
curving earlier along the edge and keep a shorter circular arc, as design
tools' corner smoothing does. shape.smoothCorners turns rectangles and
rounded rectangles into that outline (custom geometry, so it round-trips
through PPTX), and Edit Shape gains a Smooth Corners slider.
Co-authored-by: Cursor <cursoragent@cursor.com>
The font menu lists every family the scan of the system font folders finds,
but on Linux the scan only looked in /usr/share/fonts, /usr/local/share/fonts,
~/.fonts and ~/.local/share/fonts. Fonts under XDG data dirs, in folders
fontconfig is configured with (NixOS, Guix, custom setups) and, inside
Flatpak, the host's fonts never showed.
- system_font_dirs adds $XDG_DATA_HOME/fonts and each $XDG_DATA_DIRS/fonts,
Flatpak's /run/host/{fonts,local-fonts,user-fonts}, and the <dir> entries
of /etc/fonts/fonts.conf, local.conf and conf.d; duplicates are dropped.
- font.add {data} adds a font from its bytes for the session; font.rescan
catalogs the installed fonts again, and the font menu has a
"Rescan Installed Fonts" item for fonts installed while DeckCraft runs.
Co-authored-by: Cursor <cursoragent@cursor.com>
Paste added clashing media under a fresh id but left the pasted shapes on the
old id, reid did not touch connector ends despite its comment, pasted slides
kept animations on the original shape ids, and slide.duplicate remapped
animation targets but not triggers.
- reid returns the old-to-new shape map; connector ends on a copied shape
follow the copy, ends on a shape outside the copied set are detached.
- remap_animations points targets and triggers at the copies (an animation
whose target wasn't copied is dropped, an uncopied trigger cleared); used
by slide paste and slide.duplicate.
- bring_media returns the media ids it had to change and paste rewrites the
shapes (and a pasted slide's picture background) to use them; slide copy
now also carries a picture background's media.
Co-authored-by: Cursor <cursoragent@cursor.com>
A deck that embeds a TrueType or OpenType face, including one wrapped as Embedded OpenType, now draws with that face and saves it back. MicroType Express subsets stay in the file and still draw in a stand-in.
Co-authored-by: Cursor <cursoragent@cursor.com>
alloc_id bumped next_id with saturating_add: a presentation whose
next_id reached u32::MAX (a hostile file can arrive that way;
fix_next_id imports it) handed out that same id to every new slide,
shape, layout and media - duplicate ids, ambiguous references, silent
corruption on every later insert.
alloc_id now returns Option<u32> via checked_add, and every caller
refuses: the engine's insert/duplicate/media/layout commands answer
with a clear error naming the command, paste and duplicate re-id
helpers propagate it, media addition is fallible, and a fresh slide is
Option. The pptx export's synthesized blank layout is guarded the same
way. Loading keeps such a deck viewable: repair re-ids duplicate
slides while it can, and a duplicate it cannot re-id stays as it is -
growth is refused, and only that duplicate keeps its ambiguous id.
Renumbering the loaded graph was rejected: it needs the
cross-document reference remapping that issue #406 tracks.
Tests: model exhaustion (alloc_id None, fresh media refused, a new
slide refused), engine (slide.new, shape.insert, slide.duplicate and
edit.duplicate all refuse; the document holds no duplicate ids),
format repair (an unre-id-able duplicate stays visible).
slide.new kept a leading tab as text, while text.set already turned it into a bullet level. The desktop --help flag was opened as a missing file.
Co-authored-by: Cursor <cursoragent@cursor.com>
A table whose style the file defines (its parts and background drawn
since #292 and #294) edits like the others: the caret is laid out with
the file style's lettering (a regular header where the built-in style
bolds it), a double-click selects the word drawn there, a click moves
the caret to the clicked cell and a border drag resizes the columns
while the cell stays edited.
Tab moved into the cells covered by a merged cell, editing text that is
never drawn. It now goes to the next visible cell; Tab in the last
visible cell still adds a row, and Shift+Tab in the first cell stays.
Hovering a table border shows a resize cursor (new hit kinds
TableColumn and TableRow) and dragging it resizes, one undo step per
drag, as in PowerPoint:
- an inner column border moves between its two columns and the table
keeps its width;
- the right edge widens or narrows the last column and the table;
- a row's bottom border (the last one is the table's bottom edge) sets
that row's height, which stays a minimum: rows still grow to fit
their text.
Columns stop at 12 pt. Borders hidden inside merged cells aren't hit;
the left and top edges still move the table. A border drag while a
cell is edited keeps editing it. The drag goes through
table.columnWidth, which takes a new keepTotal option (the next column
absorbs the change), and table.rowHeight. Hit testing is done in the
table's own frame, so rotated tables resize along their axes.
- A double-click in a cell puts the caret where clicked and selects the
word there, as in shapes (it used to put the caret at the end).
- While a cell is edited, a click in the same table moves the caret to
the clicked cell and position; a drag selects text within the cell
and Shift+click extends only within it.
- A click in an already selected table enters the clicked cell at the
click; dragging the table still moves it.
- The release that follows a double-click no longer re-enters the text
at the click, which collapsed the word just selected (shapes too).
Cells are found from the drawn cell rects, so merged cells and rows
that grew to fit their text are hit where they are drawn.
Editing a table cell outlined the cell but drew no caret or selection,
and Up/Down/Home/End fell back to paragraph moves, because the text
layout used for drawing, hit testing and caret movement only existed
for shapes.
text::text_frame now lays out the edited text as it is drawn and gives
the transform to the slide, for shapes and cells alike: a cell's text is
laid out in its rect (merges honoured) with the cell's margins, anchor
and the table style's look, through the renderer's own cell_body and
cell_rects. layout_for and tools::text_pos use it, and the canvas draws
the caret and selection from it. The cell outline follows merged cells.
A right click on an unselected shape opened the slide's context menu
(Layout, Reset Slide...) because only the primary button reached the
pointer tool; the shape had to be left-clicked first. The right-button
press now goes through Session::pointer as PointerKind::ContextClick
(`contextclick` on the control channel and MCP) and selects like
PowerPoint before the menu opens: an unselected shape is selected alone
(a text box or placeholder is not put into text editing, nothing is
dragged), a selected shape keeps the selection, multiple selection
included, and empty slide clears it. In the box whose text is being
edited, the caret and text selection stay, and the context menu offers
text items (Paragraph, Bullets, Numbering, Link) next to Cut, Copy and
Paste, which act on the selected text.
While a text box or placeholder is being edited, every press inside its
box placed the caret, so the box could not be moved without leaving
editing first. Like PowerPoint, a band on either side of the box edge
(the hit tolerance wide, in the shape's rotated frame) is now its frame:
hit_test reports Hit::Frame there, the canvas shows the move cursor, and
a press leaves text editing, selects the box and drags it as one undo
step. A click without a drag just selects the whole box. Inside the box
the caret and text selection work as before; resize and adjust handles
still win. The text-click zone now follows the rotated box instead of
its axis-aligned bounds.
* Engine: file.info and PowerPoint-style print slide ranges (#76)
file.info reports what File › Info shows (name, path, format, unsaved
changes, slide and hidden-slide counts, sections, size on disk,
properties). file.export's PDF `slides` also takes the range typed in
PowerPoint's Print page ("1-3, 5", 1-based); bad or out-of-range text is
an error instead of a silent full export.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* UI: the File tab (Backstage) like PowerPoint's (#76)
File (first ribbon tab) or Alt+F opens a full-window view in place of the
ribbon, slides and status bar: a side menu (Back, Home, New, Open, Info,
Save, Save As, Print, Export, Close; Account and Options at the bottom)
and the chosen page. Esc or Back returns; Up/Down walk the side menu and
show each page as it gets the focus; Enter runs Save/Close/Options.
Laid out after PowerPoint for Windows as observed: 160-pt menu a step
darker than the page, outline icons, current page in the accent colour.
The start screen is now File › Home (as in PowerPoint), with only Home,
New and Open at the top and no Back. Pages call existing commands and
file helpers: file.new {theme} and the sample deck (Home, New); recent
files with search, Browse and Recover Unsaved (Open); file.info and
file.properties, Accessibility Checker, Revert (Info); file.save /
file.saveAs / file.export by type (Save, Save As); a PDF with the Print
page's slides, layout (full page, notes, handouts 1-9), hidden slides and
frames, opened in the system viewer or downloaded on the web, with a
page preview (Print, Ctrl+P); Create PDF, Create Handouts and Change File
Type (Export); appearance and About (Account); Preferences (Options).
Share (cloud) is left out.
Close and Ctrl+W now ask Save / Don't Save / Cancel about unsaved
changes instead of closing at once. The Export dialog shares
SlideApp::export_as with the Export page. New UI commands: app.backstage
{page}, app.closePresentation, app.print; ui.inspect reports the page.
New icons drawn in code: back, save as, account, recent, new file, open
folder.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* Docs: File tab (Backstage) in ui-parity, gaps, checklist and progress log (#76)
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* Text: input method composition as commands, one undo step per composition (#101)
text.compose shows an input method's preedit in place at the insertion point and replaces it on
each update; an empty preedit cancels and restores the text and selection. text.commit replaces
the composition with the result as one undo step. Any other edit, key or click settles an open
composition first. The composition is underlined under the baseline (thicker under the part being
converted), and the caret line is measured for empty placeholders too.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* UI: Korean, Japanese and Chinese input and interface text (#101)
The slide turns the input method on while it takes typing, with the candidate window at the
caret, and forwards egui Ime events to text.compose / text.commit, so a Korean keyboard composes
syllables instead of separate jamo. Interface text in scripts the interface fonts lack (Hangul,
Simplified Chinese, Thai...) borrows faces from the font database (installed fonts such as Malgun
Gothic; nothing bundled): file names, titles, notes, outline, sections, comments and typed text.
Ported and widened from WordCraft's #565/#840 fallback. The notes pane keeps text typed before
focus leaves in the same frame (Escape, another slide). Control channel: ui.ime.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
---------
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
PowerPoint's Normal view draws shapes, pictures and text that sit partly
or wholly off the slide on the area around it, at full strength, with
their effects, master and layout graphics included; the slide show,
exports and thumbnails clip to the slide. DeckCraft clipped everything to
the slide in the editor too.
- render: `slide_extent`/`layout_extent` estimate how far a slide's
drawing reaches (boxes, outlines, shadow, glow, reflection);
`render_slide_drawn` also reports what a render actually drew (text
spilling out of its box, table rows that grew); `pasteboard_region`
picks the pixels the editor renders: the slide plus what reaches off
it and is in view, rounded to 256 px tiles so scrolling rarely
re-renders. A slide with nothing off it renders exactly as before.
- ui-egui: the canvas texture covers that region (slide and master
views); it re-renders only when the slide, zoom or the region changes,
and a second time only if text drew beyond the estimate.
- Hit testing, selection, marquee and moves already worked in slide
space; tests now cover them off the slide.
Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
The caret was always stroked black. On a dark slide (the Nocturne theme,
or any dark background with light text) it could not be seen. It is now
drawn in the colour that text typed at the caret takes, and falls back to
the theme token when that text has no fill.
An empty placeholder showed no caret at all: its body holds no paragraph
until something is typed, so the edit layout had no line for the caret to
stand on. The edit layout now treats such a body as one empty paragraph,
and the canvas leaves the placeholder's prompt out while it is being typed
into, so the caret does not sit inside "Click to add title".
Fixes#318.
`deckcraft-cli help` and each subcommand's `--help` say what it does,
with a working example; `--help` never runs the subcommand. `describe`
spells out a command's parameters and what it acts on, `commands` lists
one command per line, and the MCP instructions say what format.* acts on.
[claude-opus-5-5] on behalf of hoblin
PowerPoint draws normAutofit text at its saved fontScale/lnSpcReduction;
we ignored them and only shrank when our own layout overflowed, so saved
decks showed larger text and wider line spacing than PowerPoint, with text
running past placeholders. The layout now starts from the saved scale
(nonsense values ignored) and still shrinks further when the text doesn't
fit. Editing the text resets the saved scale so the new text is fitted
afresh, as PowerPoint refits on edit.
File ▸ Open's Outline filter accepts `.md`, but a `.md` was read with the
plain outline format (unindented line = slide, indent = bullet), so a
Markdown outline written the usual way kept `#` in its titles and made
every top-level list item a slide of its own.
`deckcraft_format::markdown_to_slides` reads ATX headings (`#`–`######`,
closing `#`s dropped) as slide titles, list items (`-`, `*`, `+`, `1.`,
`1)`) as bullets nested by their indentation, and other lines under a
heading as body paragraphs. A `.md` without headings is still read as a
plain outline, so existing indented `.md` outlines open as before; `.txt`
is unchanged. Opening a `.md` and dropping one on the window
(`slide.fromOutline {markdown: true}`) use it. Both readers now share the
slide builder.
Tests: the outline from the issue (2 slides, nested bullets), numbered and
`*`/`+` lists with text under a heading, `slide.fromOutline` with
`markdown`, plain `.txt`/`.md` outlines unchanged, and heading / list-item
edge cases (not-a-heading forms, closing hashes, Unicode, long digit runs).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Slide Size dialog gets an Orientation choice that swaps width and
height, and design.slideSize takes orientation: portrait|landscape so a
preset can be made portrait from the CLI and MCP too.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The current slide stays put and any shape or text selection is cleared. A scope other than slides is an error; without a scope the command still selects shapes.
When typing in Kurdish, Arabic or Hebrew in a new document or text shape, default
paragraph direction (props.rtl: None) was resolving to LTR. In an LTR
paragraph, visual reordering pinned newly typed characters and the caret to the
left margin, resetting to the start of the line with every keystroke and jumping on
space characters due to UAX #9 rule L1.
- Add first_strong_is_rtl() in deckcraft-model following UAX #9 rules P2/P3.
- Auto-resolve unassigned paragraph direction to RTL in shape_para layout when the
paragraph starts with an RTL script, defaulting alignment to Align::Right.
- Auto-promote paragraph to RTL (props.rtl = Some(true), props.align = Some(Align::Right))
when typing or inserting text starting with an RTL character.
- Add regression tests in deckcraft-model, deckcraft-text, and deckcraft-engine.
Notes from a .pptx were read and written with their formatting, but the notes pane and Notes
Page drew them as plain text (Slide::notes_text in a plain TextEdit), and any edit there saved
the text back through slide.notes as TextBody::from_text, dropping every bold run, level,
indent and bullet of the slide's notes.
- ui-egui: a notes editor (notes.rs) shared by the notes pane and Notes Page. It draws bold,
italic, underline, strikethrough and size from the runs, and each paragraph's margin, hanging
indent and bullet or number (Wingdings/Symbol bullets mapped as on slides); paragraphs are
laid out one by one so wrapped lines align with the text, not the bullet. Each edit is applied
to a formatted draft, so typed text takes the formatting where it lands (Enter in a bulleted
point starts another), and the draft is saved once the field loses focus or the slide changes.
- engine: slide.notes takes `body` (formatted notes, as slide.inspect's new `notesBody`), and
`text` now changes only what was retyped (model edit::replace_text); text sharing nothing
with the old notes is still plain.
- text: map_symbol_bullet is public for the notes editor.
PDF notes pages still print the notes as plain text.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Every datetime field showed the deck-wide fixed date text instead of a date: empty when no slide
had a fixed date, and that text on every slide when one did. A fixed date is plain text in its
slide's placeholder; a field is an automatic date, so it now shows the local date and time in the
format of its type (ECMA-376 datetime1 to datetime13 as PowerPoint lists them for English,
datetime and datetimeFigureOut the short date). Numeric dates follow the run's language
(en-GB 09/10/2026, de-DE 09.10.2026...); formats with names stay English-only, so other languages
keep the field's saved text, as do unknown types and builds without a clock (wasm). The saved
text is kept on save.
- text: datetime module (field types, formats, local clock via chrono, not on wasm);
Fields::field_in passes the run's language.
- render: RenderOpts::now injects the clock (tests, deterministic output); the PDF text layer
uses the same fields.
- engine: Header & Footer turns existing date placeholders into fixed text or back into a
field; new date fields are saved with the date they show (local, not UTC).
Co-authored-by: lloyd <lloyd@stackworx.io>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Three causes, each making links look like they "don't save":
- With the caret at a word boundary (end of text, empty paragraph),
insert.hyperlink formatted an empty range and changed nothing. It now
inserts the address (or the slide's title, or `text`) as linked text, as
PowerPoint does. Typing right after a link no longer extends it.
- The slide show ignored hyperlinks and shape actions. A click on one now
follows it (ShowState::follow): slides, next/previous/first/last, Last
Slide Viewed, End Show, and URLs; the pointer turns into a hand over links.
- The desktop app was built without eframe's `links` feature, so
ctx.open_url did nothing natively (also the ribbon's app page link).
Enabled as in DesignCraft, EffectCraft and PrintCraft.
Saving was fine: links round-trip through .deckcraft and .pptx.
generated with Claude Code
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Flips mirror a shape's geometry, never its text. The text was drawn with the shape's full
transform, so every label on a flipped arrow came out mirrored (flipH) or mirrored upside down
(flipV). As in PowerPoint, the text rect keeps its flipped place and the text is mirrored back
about the rect's centre: flipH text stays upright, flipV (or both flips) turns it 180°, rotation
still applies, and the same holds for shapes inside flipped groups.
render::text_transform is that transform (plus vertical-text rotation). Drawing, the PDF text
layer and link boxes, morph text, the editing caret and selection, and click-to-place-the-caret
all use it, so a click lands on the character drawn under it.
Co-authored-by: lloyd <lloyd@stackworx.io>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Text with a:hlinkClick (to a URL or a slide) looked like the text around it. As in PowerPoint,
a linked run now takes the theme's hlink colour and a single underline, unless the run itself
sets a colour (PowerPoint 2019 and later honour it) or an underline (u="none" removes it).
Colours from list and master styles don't count, so links in titles are blue too.
This is part of run resolution, so links added with insert.hyperlink look the same, Format
shows them underlined, and turning underline off writes u="none". The run's own props are left
alone, so the look follows the theme.
Co-authored-by: lloyd <lloyd@stackworx.io>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Sprint 1: bidi and Arabic typography engine
fonts: ISO 15924 script and a:latin/a:ea/a:cs slot classification;
shape_range shapes an item with the whole paragraph as HarfRust
pre/post context, explicit script/language/direction, glyphs kept in
visual order; per-grapheme-cluster fallback (slot face, theme script
font, OS cascade families, bundled craft-fonts face); GDEF ligature
carets.
text: UAX #9 levels for the whole paragraph (a:pPr/@rtl), itemization
by level, script, face and shaping style (paint-only changes no longer
split words), logical line breaking at cluster boundaries, per-line
L1/L2 reordering (L4 mirroring by the shaper); RTL start edge and
bullets, justLow kashida; caret Affinity, logical/visual movement,
bidi hit testing and selection as the union of visual boxes.
model/pptx: theme a:font script fonts and algn="justLow" round-trip.
engine: format.rtl (Right-to-Left Text Direction), justifyLow align.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Fonts: the bundled script face comes before installed fonts; no Microsoft family names
Arabic, Hebrew, Thai and Devanagari clusters try the craft-fonts face first, so every machine
draws the same, then openly licensed or OS-native installed families, then any installed face.
Installed Microsoft faces are still used through that scan, but not named (AGENTS.md §1.1).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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Co-authored-by: Tayeb <tayeb@192.168.11.179>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Tables: rows grow to fit their text, cell text in the PDF text layer (#13)
A stored row height (a:tr/@h) is a minimum, as in PowerPoint: each row grows so its cells' text fits. Tables from pandoc or python-pptx store h="0" and drew every row on top of each other. Cell editing (click to edit, cell outline) uses the same heights, and the PDF text layer now includes table cell text.
* Tables: a grown table's box covers its drawn rows; resize scales from drawn heights
Handles, hit tests and marquee used the stored frame, so rows grown to fit their text drew
below the selection box (a file with h=0 rows had a 0 pt tall box). Resizing divided by the
stored row total, which is ~0 for those files.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
