* #133: Selection pane engine: restack inside groups, Show/Hide All, Lock like PowerPoint
- arrange.bringForward/sendBackward/bringToFront/sendToBack and arrange.reorder work on a
group's children, which stay in their group (as PowerPoint's pane arrows and drag do);
steps that change nothing leave no undo step.
- selection.select (pane click: Ctrl toggles, children and top-level objects don't mix,
picking a hidden object shows it), selection.showAll (everything, children too) and
selection.hideAll (top level).
- shape.lock cascades through groups; locked objects can be selected, formatted and typed
in, but not moved, sized, rotated, flipped, reshaped or cropped (commands and canvas).
- PPTX: Lock reads and writes PowerPoint's full locking attribute set per element kind
(observed by saving locked objects from PowerPoint); partial locks aren't Lock.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* Front-most first with groups folding; drag a row to restack among its siblings (accent
insertion line); Bring Forward / Send Backward arrows; Show All / Hide All; per-row eye and
padlock; double-click or F2 renames in place; Ctrl+click toggles, Shift+click selects a run;
arrows, Home, End and Esc in the list; right-click menu. Lock/Unlock on the canvas menu,
greyed handles on locked objects. egui_kittest tests drive the pane.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
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Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* Text: input method composition as commands, one undo step per composition (#101)
text.compose shows an input method's preedit in place at the insertion point and replaces it on
each update; an empty preedit cancels and restores the text and selection. text.commit replaces
the composition with the result as one undo step. Any other edit, key or click settles an open
composition first. The composition is underlined under the baseline (thicker under the part being
converted), and the caret line is measured for empty placeholders too.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
* UI: Korean, Japanese and Chinese input and interface text (#101)
The slide turns the input method on while it takes typing, with the candidate window at the
caret, and forwards egui Ime events to text.compose / text.commit, so a Korean keyboard composes
syllables instead of separate jamo. Interface text in scripts the interface fonts lack (Hangul,
Simplified Chinese, Thai...) borrows faces from the font database (installed fonts such as Malgun
Gothic; nothing bundled): file names, titles, notes, outline, sections, comments and typed text.
Ported and widened from WordCraft's #565/#840 fallback. The notes pane keeps text typed before
focus leaves in the same frame (Escape, another slide). Control channel: ui.ime.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
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Co-authored-by: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
- engine: add animation.painter (Alt+Shift+C) and animation.painterApply (Alt+Shift+V) supporting single-use and sticky modes
- tools: apply animation painter on canvas shape click
- edit: disarm animation painter on deselect (Escape)
- ui-egui: add Animation Painter button in Advanced Animation ribbon group
- tests: unit tests for single and sticky animation painting
- docs/parity: mark Animation Painter as done (breadth parity to 80%)
- contributors: add Johannesgauss to contributors/people.toml
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Flips mirror a shape's geometry, never its text. The text was drawn with the shape's full
transform, so every label on a flipped arrow came out mirrored (flipH) or mirrored upside down
(flipV). As in PowerPoint, the text rect keeps its flipped place and the text is mirrored back
about the rect's centre: flipH text stays upright, flipV (or both flips) turns it 180°, rotation
still applies, and the same holds for shapes inside flipped groups.
render::text_transform is that transform (plus vertical-text rotation). Drawing, the PDF text
layer and link boxes, morph text, the editing caret and selection, and click-to-place-the-caret
all use it, so a click lands on the character drawn under it.
Co-authored-by: lloyd <lloyd@stackworx.io>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Tables: rows grow to fit their text, cell text in the PDF text layer (#13)
A stored row height (a:tr/@h) is a minimum, as in PowerPoint: each row grows so its cells' text fits. Tables from pandoc or python-pptx store h="0" and drew every row on top of each other. Cell editing (click to edit, cell outline) uses the same heights, and the PDF text layer now includes table cell text.
* Tables: a grown table's box covers its drawn rows; resize scales from drawn heights
Handles, hit tests and marquee used the stored frame, so rows grown to fit their text drew
below the selection box (a file with h=0 rows had a 0 pt tall box). Resizing divided by the
stored row total, which is ~0 for those files.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>